Songs like The Perils of Poda by Lee Konitz
Based on a tempo of (+/- 10%) and a similar genre
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Hampton Hawes
Yardbird Suite
109 bpm • G Maj • 06:40 • -19.46db
14% Popularity • 66% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 66% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Dizzy Reece
I Had The Craziest Dream
109 bpm • A# Maj • 03:05 • -10.94db
36% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
36% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
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Blue Mitchell
Avars
109 bpm • G# Maj • 04:05 • -16db
26% Popularity • 52% Danceability • 24% Energy • 12% Liveness
57% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 24% Energy • 12% Liveness
57% Instrumentalness • 68% Positiveness
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Sonny Criss
How High The Moon
110 bpm • C Maj • 03:06 • -6.56db
35% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
35% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
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Lee Konitz
There Will Never Be Another You
108 bpm • G# Maj • 04:45 • -10.78db
36% Popularity • 67% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
36% Popularity • 67% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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McCoy Tyner Trio
Blues for Gwen - 2018 Digitally Remaster...
110 bpm • F min • 04:25 • -17.47db
22% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Evans Trio
Night And Day
108 bpm • D# Maj • 06:05 • -12.78db
11% Popularity • 53% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
11% Popularity • 53% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Sonny Clark
Black Velvet
108 bpm • C Maj • 03:20 • -15.65db
36% Popularity • 65% Danceability • 20% Energy • 13% Liveness
25% Instrumentalness • 56% Positiveness
36% Popularity • 65% Danceability • 20% Energy • 13% Liveness
25% Instrumentalness • 56% Positiveness
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Kenny Drew
Blues for Nica
108 bpm • F Maj • 05:28 • -16.16db
19% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
19% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
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Cannonball Adderley Quartet
I've Told Ev'ry Little Star
110 bpm • D min • 03:39 • -7.34db
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Lee Konitz
A Ballad for Lennie - Live
110 bpm • G Maj • 07:58 • -20.77db
9% Popularity • 55% Danceability • 19% Energy • 84% Liveness
81% Instrumentalness • 29% Positiveness
9% Popularity • 55% Danceability • 19% Energy • 84% Liveness
81% Instrumentalness • 29% Positiveness
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Paul Bley
Drum One
110 bpm • G min • 02:22 • -11.97db
31% Popularity • 44% Danceability • 53% Energy • 21% Liveness
95% Instrumentalness • 81% Positiveness
31% Popularity • 44% Danceability • 53% Energy • 21% Liveness
95% Instrumentalness • 81% Positiveness
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Sonny Rollins Quartet
When Your Lover Has Gone
108 bpm • F min • 06:09 • -13.39db
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
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Charlie Parker Quartet
Hot Blues
110 bpm • C Maj • 02:22 • -12db
42% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
42% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
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Kenny Drew
Four And Five
108 bpm • D Maj • 03:16 • -15.85db
39% Popularity • 52% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
39% Popularity • 52% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
27% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Lennie Tristano
Love Lines
111 bpm • D# Maj • 02:19 • -21db
30% Popularity • 52% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
30% Popularity • 52% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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Lee Konitz
Round Midnight
111 bpm • A# min • 05:19 • -21.43db
26% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
26% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
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Junior Mance
Small Fry
107 bpm • G# Maj • 04:06 • -17.01db
44% Popularity • 82% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
44% Popularity • 82% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
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Red Garland Trio
Stormy Weather
111 bpm • D min • 10:35 • -19db
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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John Coltrane Quartet
It's Easy To Remember - Take 9
107 bpm • F min • 03:44 • -13.58db
21% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 3 / Alternate
111 bpm • G# Maj • 02:42 • -9.63db
33% Popularity • 51% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 51% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Flanagan Trio
Chelsea Bridge
111 bpm • F# Maj • 03:46 • -14.43db
41% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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Gerry Mulligan & Johnny Hodges
18 Carrots for Rabbit
111 bpm • F min • 05:16 • -10db
25% Popularity • 72% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 72% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Kenny Drew Trio
Taking A Chance On Love - Remastered
107 bpm • C Maj • 04:36 • -13.78db
16% Popularity • 58% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 57% Positiveness
16% Popularity • 58% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 57% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
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Jackie McLean
Blues Function
107 bpm • D# Maj • 07:18 • -13.92db
14% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Oliver Nelson
Theme From Mr. Broadway
107 bpm • F min • 05:43 • -10.95db
21% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Kenny Drew
Lion's Den - Rudy Van Gelder Edition/200...
107 bpm • F Maj • 04:53 • -7.8db
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Gary Burton
Senor Mouse
112 bpm • B min • 06:17 • -20db
42% Popularity • 46% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
42% Popularity • 46% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Buddy Rich and His Sextet
Late Date
106 bpm • C# Maj • 05:12 • -16.48db
29% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
29% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Sonny Stitt Quartet
Taking A Chance On Love
112 bpm • F Maj • 02:32 • -8.34db
35% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
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Paul Bley
There Will Never Be Another You
106 bpm • F Maj • 05:48 • -10.95db
16% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
16% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
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Lennie Tristano
You Go to My Head - Live
112 bpm • F min • 05:24 • -25.08db
17% Popularity • 60% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 45% Positiveness
17% Popularity • 60% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 45% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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Ethan Iverson
A Distant Bell
112 bpm • A min • 02:01 • -15.36db
12% Popularity • 43% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
12% Popularity • 43% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
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Fats Navarro
Be Bop Romp
112 bpm • G# Maj • 02:38 • -7.9db
29% Popularity • 73% Danceability • 43% Energy • 6% Liveness
40% Instrumentalness • 86% Positiveness
29% Popularity • 73% Danceability • 43% Energy • 6% Liveness
40% Instrumentalness • 86% Positiveness
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Anita O'Day
You Don't Know What Love Is
106 bpm • A# Maj • 02:58 • -17.75db
42% Popularity • 42% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 42% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Hampton Hawes Trio
What Is This Thing Called Love
113 bpm • C min • 04:44 • -20.71db
31% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
31% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 1 / Alternate
106 bpm • G# Maj • 03:07 • -12.23db
34% Popularity • 61% Danceability • 52% Energy • 21% Liveness
1% Instrumentalness • 63% Positiveness
34% Popularity • 61% Danceability • 52% Energy • 21% Liveness
1% Instrumentalness • 63% Positiveness
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Lee Konitz
Hi Beck
105 bpm • C Maj • 03:09 • -11.1db
13% Popularity • 60% Danceability • 44% Energy • 24% Liveness
67% Instrumentalness • 78% Positiveness
13% Popularity • 60% Danceability • 44% Energy • 24% Liveness
67% Instrumentalness • 78% Positiveness
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Miles Davis And Milt Jackson Quintet
Bitty Ditty
105 bpm • F Maj • 06:34 • -14.65db
11% Popularity • 44% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 44% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Griffin
These Foolish Things - Remastered 2006/R...
105 bpm • D# Maj • 05:09 • -9.39db
33% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
33% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Barry Harris Trio
Ornithology
113 bpm • D Maj • 03:31 • -12db
32% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
32% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
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Thad Jones
Billie-Doo - 2007 Digital Remaster/Rudy ...
105 bpm • D# Maj • 07:30 • -10.17db
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Konitz
Hibeck
105 bpm • C Maj • 03:05 • -11.71db
1% Popularity • 60% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 60% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Hodges
Day Dream
113 bpm • F Maj • 03:56 • -16db
34% Popularity • 35% Danceability • 8% Energy • 14% Liveness
26% Instrumentalness • 9% Positiveness
34% Popularity • 35% Danceability • 8% Energy • 14% Liveness
26% Instrumentalness • 9% Positiveness
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Ray Bryant Trio
Daahoud
105 bpm • G# Maj • 04:01 • -18.15db
30% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
30% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
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John Coltrane Quartet
Softly As In A Morning Sunrise - Live At...
105 bpm • C min • 06:37 • -12db
33% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Cannonball Adderley Quartet
I Guess I'll Hang My Tears Out To Dry
104 bpm • D min • 05:34 • -12.43db
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lee Konitz
Lennie Bird
114 bpm • A min • 04:36 • -10.15db
7% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Fats Navarro
Our Delight
114 bpm • C min • 02:58 • -9.06db
34% Popularity • 56% Danceability • 66% Energy • 36% Liveness
38% Instrumentalness • 59% Positiveness
34% Popularity • 56% Danceability • 66% Energy • 36% Liveness
38% Instrumentalness • 59% Positiveness
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Bobby Timmons Trio
Old Devil Moon
114 bpm • G min • 04:38 • -17db
28% Popularity • 53% Danceability • 38% Energy • 16% Liveness
44% Instrumentalness • 62% Positiveness
28% Popularity • 53% Danceability • 38% Energy • 16% Liveness
44% Instrumentalness • 62% Positiveness
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Ray Bryant Trio
Misty
105 bpm • E min • 04:04 • -16.29db
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Stan Getz Quartet
You're Blase
114 bpm • F# Maj • 04:13 • -19.8db
18% Popularity • 39% Danceability • 3% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
18% Popularity • 39% Danceability • 3% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
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Joe Lovano
Pannonica
104 bpm • C# Maj • 08:05 • -11.9db
19% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
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Elmo Hope Trio
I Remember You
114 bpm • G Maj • 02:46 • -16.23db
40% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
40% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
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Wes Montgomery Trio
Whisper Not
114 bpm • G min • 04:36 • -26db
37% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
37% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Ray Bryant Trio
Django
114 bpm • F min • 05:02 • -20db
31% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Clifford Jordan
Soul-Lo Blues - Remastered 1997
115 bpm • A# Maj • 08:31 • -12.69db
25% Popularity • 64% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
25% Popularity • 64% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Freddie Hubbard
Weaver Of Dreams - Remastered 2003/Rudy ...
104 bpm • E min • 06:35 • -16db
46% Popularity • 42% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
46% Popularity • 42% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 4 / Complete
115 bpm • C# Maj • 02:38 • -9.73db
39% Popularity • 56% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 56% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Red Garland Trio
Summertime
115 bpm • C min • 04:43 • -18.54db
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Kenny Drew
Groovin' The Blues - Rudy Van Gelder Edi...
115 bpm • A# min • 06:19 • -9.32db
22% Popularity • 65% Danceability • 43% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
22% Popularity • 65% Danceability • 43% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
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Bill Evans Trio
Speak Low
115 bpm • D min • 06:32 • -12.89db
11% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Fats Navarro
Barry's Bop
115 bpm • F Maj • 02:41 • -7.89db
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 84% Positiveness
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 84% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
49% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
49% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Jimmy Heath
When Sunny Gets Blue
103 bpm • D min • 06:29 • -16db
21% Popularity • 39% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
21% Popularity • 39% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
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Stan Getz Quartet
There Will Never Be Another You
115 bpm • C min • 09:20 • -13.83db
25% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Tommy Flanagan Trio
Born To Be Blue
115 bpm • D min • 04:21 • -22db
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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The Montgomery Brothers
Groove Yard
115 bpm • A# min • 03:01 • -19.07db
47% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
47% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
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Blue Mitchell
There Will Never Be Another You
115 bpm • F Maj • 05:04 • -15.58db
24% Popularity • 55% Danceability • 9% Energy • 10% Liveness
47% Instrumentalness • 43% Positiveness
24% Popularity • 55% Danceability • 9% Energy • 10% Liveness
47% Instrumentalness • 43% Positiveness
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Gerry Mulligan Sextet
Makin' Whoopee
103 bpm • G min • 04:04 • -9db
22% Popularity • 56% Danceability • 26% Energy • 14% Liveness
13% Instrumentalness • 42% Positiveness
22% Popularity • 56% Danceability • 26% Energy • 14% Liveness
13% Instrumentalness • 42% Positiveness
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Lee Konitz
I Remember You
116 bpm • A# min • 04:26 • -14.22db
43% Popularity • 56% Danceability • 30% Energy • 15% Liveness
10% Instrumentalness • 57% Positiveness
43% Popularity • 56% Danceability • 30% Energy • 15% Liveness
10% Instrumentalness • 57% Positiveness
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Johnny Hodges
Don't Get Around Much Anymore
102 bpm • C# Maj • 03:00 • -9db
30% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Fats Navarro
Double Talk
116 bpm • G min • 05:33 • -11.46db
23% Popularity • 54% Danceability • 52% Energy • 20% Liveness
91% Instrumentalness • 87% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 20% Liveness
91% Instrumentalness • 87% Positiveness
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Horace Silver Quintet
Camouflage
103 bpm • G# Maj • 04:25 • -10.35db
15% Popularity • 54% Danceability • 34% Energy • 17% Liveness
66% Instrumentalness • 84% Positiveness
15% Popularity • 54% Danceability • 34% Energy • 17% Liveness
66% Instrumentalness • 84% Positiveness
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Sonny Clark
I Can't Give You Anything But Love
102 bpm • F min • 03:49 • -16.18db
39% Popularity • 75% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
39% Popularity • 75% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
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Ornella Vanoni
Ma l'amore no
102 bpm • C Maj • 02:43 • -19.68db
7% Popularity • 56% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
7% Popularity • 56% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
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Tommy Flanagan Trio
Dalarna
102 bpm • D Maj • 04:39 • -11.08db
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Charles Lloyd
Black Butterfly
116 bpm • A# Maj • 04:34 • -16.19db
20% Popularity • 50% Danceability • 17% Energy • 12% Liveness
75% Instrumentalness • 27% Positiveness
20% Popularity • 50% Danceability • 17% Energy • 12% Liveness
75% Instrumentalness • 27% Positiveness
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Warne Marsh
Lover Man
116 bpm • C Maj • 04:30 • -17.75db
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Booker Ervin
Den Tex - 2005 Remastered
102 bpm • A# min • 07:38 • -8.72db
21% Popularity • 46% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 46% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bud Powell Trio
You'd Be So Nice to Come Home To - 1990 ...
102 bpm • D min • 02:39 • -19.16db
42% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
42% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
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Carmell Jones
Hip Trolley
102 bpm • D# Maj • 05:25 • -6.71db
39% Popularity • 50% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 77% Positiveness
39% Popularity • 50% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 77% Positiveness
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Horace Silver Quintet
For Heaven's Sake
117 bpm • D# Maj • 05:07 • -14.85db
12% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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Herbie Hancock
Alone And I - Remastered 2007
102 bpm • F# min • 06:29 • -17.94db
43% Popularity • 41% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
43% Popularity • 41% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Sonny Red
Alone Too Long
102 bpm • F Maj • 02:58 • -17.64db
22% Popularity • 52% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 65% Positiveness
22% Popularity • 52% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 65% Positiveness
