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The Phantom Of The Opera
Songs like
The Phantom Of The Opera
by
Andrew Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
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Lana Del Rey
Once Upon a Dream
120 bpm • F Maj • 03:23 • -16.57db
68% Popularity • 29% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera - Global Editio...
120 bpm • A min • 04:18 • -7.89db
25% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Crawford
The Phantom of the Opera
120 bpm • G min • 04:26 • -14.14db
21% Popularity • 51% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Catherine Zeta-Jones
Overture/And All That Jazz
120 bpm • C# min • 06:04 • -6.54db
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Anthony Stewart Head
I Didn't Know I'd Love You so Much
120 bpm • C# min • 02:05 • -7.91db
29% Popularity • 61% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Charmian Carr
So Long, Farewell
120 bpm • A# Maj • 02:56 • -16db
51% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Alessandro Safina
Sarai qui
120 bpm • D Maj • 03:57 • -7db
42% Popularity • 37% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera - Live At The R...
120 bpm • C min • 05:16 • -11.13db
47% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Murray Head
Merano
120 bpm • A Maj • 07:00 • -8.64db
30% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Carl Anderson
Superstar
120 bpm • A Maj • 03:58 • -9.36db
42% Popularity • 40% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Isabelle Allen
Castle On A Cloud
121 bpm • A min • 01:11 • -22.72db
43% Popularity • 40% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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The Scarlet Pimpernel
Madame Guillotine
119 bpm • E min • 02:50 • -6.96db
36% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera - Edit
120 bpm • C Maj • 04:17 • -12.62db
34% Popularity • 58% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Natasha Richardson
Cabaret
121 bpm • A Maj • 04:14 • -9.36db
36% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Les Misérables Cast
Epilogue
119 bpm • F Maj • 06:20 • -19.03db
28% Popularity • 37% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The M-G-M Studio Orchestra and Chorus
The Wizard of Oz - Opening Title
119 bpm • A Maj • 02:00 • -9.27db
23% Popularity • 30% Danceability • 38% Energy • 27% Liveness
72% Instrumentalness • 33% Positiveness
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Charles Gray
Super Hereos
119 bpm • E min • 03:04 • -19.31db
39% Popularity • 38% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sarah Brightman
What You Never Know
119 bpm • F# Maj • 03:24 • -10db
35% Popularity • 41% Danceability • 41% Energy • 17% Liveness
39% Instrumentalness • 15% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera
120 bpm • D min • 04:41 • -10.22db
27% Popularity • 48% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Raize
He Lives In You (Reprise)
119 bpm • F# min • 04:12 • -12.22db
49% Popularity • 51% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Stephen Schwartz
As Long As You're Mine
118 bpm • F Maj • 03:45 • -8.28db
42% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jeremy Irons
Be Prepared
122 bpm • A min • 03:39 • -9.12db
47% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jonathan Groff
You'll Be Back
122 bpm • C Maj • 03:28 • -7.56db
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera
120 bpm • G min • 05:02 • -10.19db
52% Popularity • 55% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Meryl Streep
Money, Money, Money
122 bpm • C Maj • 03:06 • -4.77db
65% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Full Company
Raise You Up / Just Be
122 bpm • C Maj • 06:09 • -6.83db
40% Popularity • 74% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
The Phantom of the Opera from the Phanto...
122 bpm • C Maj • 04:15 • -9.35db
15% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Richard Gere
Razzle Dazzle
122 bpm • D Maj • 03:45 • -12db
31% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Victoria Clark
"Impossible"
118 bpm • G# Maj • 02:21 • -8.34db
34% Popularity • 72% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Andrew Lloyd Webber
What's The Buzz? / Strange Thing, Mystif...
119 bpm • G Maj • 04:07 • -13.51db
26% Popularity • 56% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Steve Martin
Playing With The Big Boys
123 bpm • E Maj • 02:52 • -16.58db
46% Popularity • 43% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Crawford
Memory
117 bpm • G# Maj • 04:23 • -23.84db
14% Popularity • 25% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
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Jerry Herman
We Are What We Are
123 bpm • C# min • 05:47 • -11db
22% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Catherine Zeta-Jones
I Move On
122 bpm • A Maj • 03:58 • -7.1db
18% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Madonna
Buenos Aires
123 bpm • F min • 04:09 • -8db
34% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Lloyd Webber
Mungojerrie And Rumpelteazer
119 bpm • D Maj • 04:28 • -8.14db
31% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Tony Jay
Heaven's Light/Hellfire
117 bpm • A# Maj • 05:23 • -17.81db
39% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Center Stage Orchestra
Chicago: Cell Block Tango
124 bpm • F# Maj • 07:20 • -13.51db
7% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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John Travolta
Summer Nights
124 bpm • D Maj • 03:36 • -9.42db
70% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Andrew Lloyd Webber
Overture
121 bpm • B Maj • 02:47 • -12.01db
53% Popularity • 30% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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The Cast of Mary Poppins
Sister Suffragette
125 bpm • C Maj • 01:45 • -16db
15% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Rannells
All-American Prophet
116 bpm • C# Maj • 06:14 • -9.89db
46% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Zoe Hart
Castle On A Cloud
116 bpm • A min • 01:35 • -15.14db
37% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Sally Dexter
As Long As He Needs Me
125 bpm • E Maj • 03:16 • -15.99db
33% Popularity • 29% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Lloyd Webber
Trial Before Pilate (Including The 39 La...
122 bpm • C Maj • 06:49 • -13.08db
22% Popularity • 44% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
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Carl Anderson
Judas' Death
115 bpm • G Maj • 04:40 • -13.37db
39% Popularity • 42% Danceability • 43% Energy • 31% Liveness
3% Instrumentalness • 16% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Patina Miller
Magic to Do
125 bpm • A Maj • 04:35 • -7.36db
40% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Ansel Elgort
Maria
115 bpm • G# Maj • 03:05 • -17.92db
45% Popularity • 28% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Stanley Holloway
Get Me to the Church on Time
115 bpm • D Maj • 02:44 • -10.17db
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Lloyd Webber
Prima Donna
122 bpm • F Maj • 03:42 • -12.64db
20% Popularity • 28% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Original Broadway Cast Of School Of Rock
Stick It to the Man
115 bpm • C Maj • 03:12 • -3.81db
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Catherine Zeta-Jones
Cell Block Tango
125 bpm • C# Maj • 07:22 • -12.09db
47% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Groff
What Comes Next?
115 bpm • G Maj • 01:39 • -10.88db
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Andrew Lloyd Webber
Overture - Edit
122 bpm • F Maj • 02:07 • -11.88db
23% Popularity • 31% Danceability • 43% Energy • 39% Liveness
2% Instrumentalness • 15% Positiveness
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Madonna
Rainbow High
126 bpm • A# min • 02:26 • -7.76db
31% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Tucker
Little People
126 bpm • D Maj • 02:23 • -11.72db
35% Popularity • 74% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Ensemble - The Lion King
Be Prepared
126 bpm • A min • 03:26 • -11.5db
40% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Adler
The Pajama Game: Hernando's Hideaway
114 bpm • C min • 03:48 • -12.37db
17% Popularity • 69% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ralph Fiennes
The Plagues
114 bpm • C min • 02:40 • -14.07db
55% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Lloyd Webber
Overture
122 bpm • F Maj • 03:05 • -10.32db
42% Popularity • 22% Danceability • 36% Energy • 18% Liveness
24% Instrumentalness • 8% Positiveness
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Madonna
Another Suitcase in Another Hall
126 bpm • G# Maj • 03:33 • -14.17db
36% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ian Calvin
Prologue: Valjean Arrested / Valjean For...
114 bpm • C Maj • 01:44 • -15.74db
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Nell Campbell
Rose Tint My World
114 bpm • G Maj • 02:47 • -5.86db
31% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Samuel E. Wright
They Live in You
114 bpm • F# min • 03:01 • -14.53db
47% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jimmy Nail
On This Night of a Thousand Stars
114 bpm • G Maj • 02:24 • -15.49db
24% Popularity • 42% Danceability • 19% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew Lloyd Webber
Little Lotte / The Mirror (Angel Of Musi...
122 bpm • A Maj • 02:48 • -14.44db
39% Popularity • 32% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Bobby Rydell
The Telephone Hour
127 bpm • G Maj • 02:52 • -9db
27% Popularity • 54% Danceability • 55% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Christian Borle
Legally Blonde
127 bpm • G Maj • 03:30 • -14.45db
48% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Jacobs
A Whole New World
127 bpm • C# Maj • 04:07 • -10.42db
37% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Murray Head
Pity The Child
127 bpm • D# Maj • 05:32 • -9.06db
29% Popularity • 57% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
On My Own from Les Misérables
113 bpm • F Maj • 03:59 • -11.6db
11% Popularity • 34% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Andrew Lloyd Webber
Trial Before Pilate (Including The 39 La...
123 bpm • G Maj • 06:02 • -9.33db
35% Popularity • 50% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 30% Positiveness
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Ricky Rojas
Backstage Romance
128 bpm • C min • 05:22 • -7.23db
50% Popularity • 40% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Frederick Loewe
Camelot: Camelot
113 bpm • F Maj • 02:30 • -14db
29% Popularity • 72% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Curry
I'm Going Home
128 bpm • F Maj • 02:54 • -14.28db
42% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Pirates Of Penzance
With Cat-Like Tread, Upon Our Prey We St...
128 bpm • D Maj • 03:22 • -10.79db
25% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Emma Stone
Someone In The Crowd
128 bpm • C min • 04:19 • -9.17db
63% Popularity • 62% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Lloyd Webber
Superstar
123 bpm • A Maj • 03:58 • -6.31db
41% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Sarah Brightman
The Phantom Of The Opera - Live In Steph...
128 bpm • D min • 04:36 • -5.92db
38% Popularity • 34% Danceability • 86% Energy • 69% Liveness
0% Instrumentalness • 29% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
50% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Frankie Avalon
Beauty School Dropout
112 bpm • C# min • 03:59 • -13.49db
53% Popularity • 59% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Meredith Willson
Seventy-Six Trombones
128 bpm • G# Maj • 03:01 • -14.13db
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Andrew Lloyd Webber
Prologue
117 bpm • D Maj • 01:56 • -21.9db
36% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Barrett Wilbert Weed
Apex Predator
112 bpm • C Maj • 03:13 • -4.39db
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Nikki Blonsky
I Can Hear The Bells
112 bpm • C Maj • 04:14 • -6.56db
51% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Anna Kendrick
No One Is Alone
112 bpm • C# Maj • 02:58 • -19db
44% Popularity • 34% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Walter Bobbie
Sit Down, You're Rockin' the Boat
129 bpm • A# Maj • 02:57 • -15.74db
38% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Lloyd Webber
What's The Buzz? / Strange Thing, Mystif...
116 bpm • G Maj • 04:07 • -8.97db
40% Popularity • 60% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Wilson Jermaine Heredia
I'll Cover You
112 bpm • C Maj • 02:29 • -3db
45% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Cast of Mary Poppins
A Spoonful Of Sugar
111 bpm • F Maj • 04:08 • -14.33db
27% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Phantom Of The Opera