Songs like The Phony King of England - From "Robin Hood" by Phil Harris
Based on a tempo of (+/- 10%) and a similar genre
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The Cast of Mary Poppins
Jolly Holiday
111 bpm • F Maj • 05:24 • -18db
14% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ned Washington
Hiccups / Firewater / Bubbles / Did You ...
111 bpm • A min • 06:09 • -5.95db
12% Popularity • 55% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 45% Positiveness
12% Popularity • 55% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 45% Positiveness
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David Tomlinson
The Beautiful Briny
111 bpm • D# Maj • 04:01 • -12db
31% Popularity • 61% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Julie Andrews
Jolly Holiday
111 bpm • A min • 05:35 • -18.62db
9% Popularity • 51% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 51% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Phil Harris
I`ve Got Nothing To Do But Love
111 bpm • F Maj • 03:13 • -10.4db
1% Popularity • 85% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 85% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Cliff Edwards
Give a Little Whistle
111 bpm • C Maj • 01:37 • -9.66db
32% Popularity • 69% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 69% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Helen Reddy
It's Not Easy
111 bpm • C Maj • 03:09 • -16.81db
39% Popularity • 66% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 66% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Ned Washington
Song of the Roustabouts
111 bpm • D min • 02:39 • -3.38db
20% Popularity • 79% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 79% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Angela Lansbury
Substitutiary Locomotion
111 bpm • C Maj • 01:44 • -10.53db
33% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
Old Timers Waltz Medley
110 bpm • A# Maj • 04:27 • -12.86db
34% Popularity • 59% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 65% Positiveness
34% Popularity • 59% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 65% Positiveness
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Phil Harris
Is It True What They Say About Dixie
111 bpm • C# Maj • 02:29 • -10.3db
3% Popularity • 57% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 57% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Cast of Mary Poppins
A Spoonful Of Sugar
111 bpm • F Maj • 04:08 • -14.33db
28% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Robin Williams
I'm Popeye The Sailor Man
110 bpm • F# Maj • 01:22 • -7db
35% Popularity • 79% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
35% Popularity • 79% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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John Debney
Run Llama Run
110 bpm • C# Maj • 02:24 • -12.42db
34% Popularity • 65% Danceability • 45% Energy • 9% Liveness
62% Instrumentalness • 75% Positiveness
34% Popularity • 65% Danceability • 45% Energy • 9% Liveness
62% Instrumentalness • 75% Positiveness
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Angela Lansbury
Nobody's Problems (Demo)
111 bpm • E Maj • 01:25 • -16.27db
13% Popularity • 56% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 56% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Phil Collins
Two Worlds
110 bpm • F min • 03:18 • -10db
60% Popularity • 66% Danceability • 70% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
60% Popularity • 66% Danceability • 70% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
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Phil Harris
Woodman Spare That Tree
110 bpm • G Maj • 02:34 • -11.16db
3% Popularity • 63% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 91% Positiveness
3% Popularity • 63% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 91% Positiveness
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The Travelling Salesmen
Main Title / Rock Island / Iowa Stubborn
112 bpm • D Maj • 07:15 • -12db
25% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Lohr
On The Open Road
109 bpm • G min • 03:00 • -11.4db
45% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Phillip Glasser
Never Say Never
110 bpm • F Maj • 02:25 • -19.49db
25% Popularity • 60% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 60% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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The Great TV Crew
Gilligan's Island Theme
109 bpm • C Maj • 01:33 • -8db
34% Popularity • 70% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 70% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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Hayley Mills
Femininity
113 bpm • D# Maj • 02:02 • -16.06db
24% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Phil Harris
Nobody
110 bpm • C Maj • 04:53 • -26.45db
2% Popularity • 49% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 49% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Mel Blanc
I Taut I Taw a Puddy Tat
108 bpm • G# Maj • 02:58 • -8.56db
19% Popularity • 87% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 87% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • F min • 04:12 • -10.6db
46% Popularity • 56% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 56% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Ewan McGregor
Be Our Guest
114 bpm • D Maj • 04:48 • -8db
54% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Angela Lansbury
The Age Of Not Believing
108 bpm • G Maj • 03:17 • -18.44db
25% Popularity • 34% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 34% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Mandy Moore
When Will My Life Begin?
108 bpm • E Maj • 02:32 • -6.58db
62% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Phil Harris
Woodman, Woodman Spare That Tree
113 bpm • G Maj • 02:35 • -11.03db
5% Popularity • 66% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
5% Popularity • 66% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Annette Funicello
Pineapple Princess
108 bpm • G# Maj • 02:27 • -8.75db
40% Popularity • 63% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 63% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • C# Maj • 02:20 • -12.47db
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Mark Keali'i Ho'omalu
Hawaiian Roller Coaster Ride
115 bpm • F Maj • 03:27 • -7.47db
55% Popularity • 70% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
55% Popularity • 70% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chu-Chi Face
115 bpm • F# min • 02:37 • -17.55db
21% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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George Bruns
That Happy Rag
107 bpm • C Maj • 03:53 • -12.66db
15% Popularity • 66% Danceability • 39% Energy • 6% Liveness
51% Instrumentalness • 78% Positiveness
15% Popularity • 66% Danceability • 39% Energy • 6% Liveness
51% Instrumentalness • 78% Positiveness
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Phil Harris
Brother, Can You Spare a Dime?
109 bpm • C min • 05:47 • -14.09db
3% Popularity • 54% Danceability • 28% Energy • 29% Liveness
16% Instrumentalness • 68% Positiveness
3% Popularity • 54% Danceability • 28% Energy • 29% Liveness
16% Instrumentalness • 68% Positiveness
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Tom Lehrer
The Elements
115 bpm • C Maj • 01:26 • -11.08db
38% Popularity • 66% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 66% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Fred Astaire
Puttin' on the Ritz
107 bpm • F# Maj • 02:37 • -14.62db
44% Popularity • 82% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 79% Positiveness
44% Popularity • 82% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 79% Positiveness
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The Muppets
The Muppet Show Theme
115 bpm • G Maj • 00:50 • -5.19db
49% Popularity • 92% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 92% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Michael-Leon Wooley
When We're Human
107 bpm • C# Maj • 02:22 • -4.35db
60% Popularity • 69% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 69% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Kermit
Rainbow Connection
115 bpm • A Maj • 03:15 • -14db
55% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kirk Douglas
A Whale of a Tale
107 bpm • D Maj • 02:11 • -7db
29% Popularity • 81% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 81% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Keith David
Friends on the Other Side
115 bpm • A min • 03:34 • -7.41db
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Henry Mancini
Pink Panther Theme
115 bpm • C Maj • 02:41 • -15.64db
53% Popularity • 60% Danceability • 8% Energy • 9% Liveness
13% Instrumentalness • 18% Positiveness
53% Popularity • 60% Danceability • 8% Energy • 9% Liveness
13% Instrumentalness • 18% Positiveness
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Peggy Lee (performer), Oliver Wallace (comductor), Walt Disney Studio Orchestra
What A Dog / He's A Tramp
107 bpm • G Maj • 02:25 • -15.6db
35% Popularity • 43% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 43% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Allan Sherman
Camp Granada (Hello Muddah, Hello Fadduh...
116 bpm • A Maj • 02:54 • -12.89db
34% Popularity • 62% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 62% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Gad
Gaston
106 bpm • B min • 04:25 • -6.64db
57% Popularity • 50% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 50% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Newman
You've Got a Friend in Me
116 bpm • C min • 02:04 • -12.13db
71% Popularity • 69% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
71% Popularity • 69% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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The Muppets
Rainbow Connection
116 bpm • A Maj • 03:08 • -7.67db
51% Popularity • 53% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 53% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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The Cartoonz
Spiderman
106 bpm • C min • 01:02 • -14db
43% Popularity • 57% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 57% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 96% Positiveness
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Henry Mancini
The Pink Panther Theme
116 bpm • F Maj • 02:37 • -12.39db
48% Popularity • 53% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 29% Positiveness
48% Popularity • 53% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 29% Positiveness
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Lesley Ann Warren
Valentine Candy
116 bpm • C# Maj • 03:43 • -14.15db
11% Popularity • 28% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 28% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Belafonte
Jump in the Line
116 bpm • F Maj • 03:41 • -7.78db
64% Popularity • 59% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 59% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Phillip Glasser
A Duo
116 bpm • F Maj • 02:38 • -21db
22% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Lin-Manuel Miranda
Trip a Little Light Fantastic
116 bpm • G Maj • 07:02 • -9.03db
41% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Julie Andrews
Wouldn't It Be Loverly?
116 bpm • F Maj • 03:58 • -13db
23% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Posh
117 bpm • F Maj • 01:41 • -14.54db
24% Popularity • 80% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 80% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Tony Jay
Out There
106 bpm • D# Maj • 04:25 • -15.52db
41% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Alice Faye
Fire in the Fireplace
106 bpm • F Maj • 07:08 • -15.93db
0% Popularity • 66% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 66% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Vernon Dalhart
The Runaway Train
117 bpm • G Maj • 03:11 • -9.65db
16% Popularity • 73% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 73% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
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Josh Gad
When I Am Older
117 bpm • G# Maj • 01:51 • -7db
67% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Queen Latifah
Walk the Dinosaur
117 bpm • B min • 02:59 • -6.69db
52% Popularity • 81% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
52% Popularity • 81% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chitty Chitty B...
117 bpm • C Maj • 02:18 • -14.91db
38% Popularity • 74% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 74% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Tony Jay
Heaven's Light/Hellfire
117 bpm • A# Maj • 05:23 • -17.81db
40% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Alice Faye
Fire Prevention
117 bpm • A Maj • 07:36 • -16.74db
0% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Mandy Miller
Nellie the Elephant
105 bpm • C Maj • 02:31 • -9.58db
25% Popularity • 77% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 77% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Walt Disney World Band
Grim Grinning Ghosts
117 bpm • A# Maj • 01:00 • -16.78db
29% Popularity • 51% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
29% Popularity • 51% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
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Howard Keel
Spring, Spring, Spring
117 bpm • C Maj • 02:58 • -18.36db
26% Popularity • 58% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 58% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Emily Blunt
Can You Imagine That?
118 bpm • G# Maj • 04:22 • -10.93db
43% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Kirk Douglas
A Whale of a Tale
118 bpm • D Maj • 02:09 • -9.18db
17% Popularity • 67% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 67% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Benjamin Bratt
Much Needed Advice
117 bpm • G Maj • 01:45 • -12.54db
45% Popularity • 58% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 58% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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John Williams
Matchmaker
105 bpm • F# min • 03:56 • -15db
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Robert B. Sherman
(There'a A) Great Big Beautiful Tomorrow...
118 bpm • F Maj • 02:08 • -15.23db
22% Popularity • 41% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 80% Positiveness
22% Popularity • 41% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 80% Positiveness
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John Goodman
Roll Back The Rock (To The End Of Dawn) ...
104 bpm • B Maj • 02:55 • -17db
27% Popularity • 70% Danceability • 70% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 70% Danceability • 70% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chitty Flies Ho...
118 bpm • C Maj • 02:47 • -12.29db
21% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Camarata Chorus and Orchestra
Unbirthday Song
119 bpm • C Maj • 02:12 • -11.11db
27% Popularity • 78% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 78% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Pirates Of Penzance
I Am the Very Model of a Modern
104 bpm • A# Maj • 05:55 • -10db
35% Popularity • 56% Danceability • 72% Energy • 74% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 56% Danceability • 72% Energy • 74% Liveness
0% Instrumentalness • 64% Positiveness
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Julie Fowlis
Touch The Sky
119 bpm • D Maj • 02:30 • -8.03db
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Cast of Peter Pan
What Made Red Man Red/Tinknapped - Origi...
119 bpm • A# min • 02:44 • -14.31db
14% Popularity • 60% Danceability • 71% Energy • 44% Liveness
2% Instrumentalness • 44% Positiveness
14% Popularity • 60% Danceability • 71% Energy • 44% Liveness
2% Instrumentalness • 44% Positiveness
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The Cast of Alice in Wonderland
The Garden/All In The Golden Afternoon -...
119 bpm • F Maj • 03:39 • -13.3db
16% Popularity • 49% Danceability • 16% Energy • 30% Liveness
6% Instrumentalness • 40% Positiveness
16% Popularity • 49% Danceability • 16% Energy • 30% Liveness
6% Instrumentalness • 40% Positiveness
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Leonard Bernstein
West Side Story: Act I: Jet Song
119 bpm • C Maj • 02:06 • -10.94db
37% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Albert White And His Gaslight Orchestra
Golden Arrow
119 bpm • A# Maj • 02:03 • -22.24db
16% Popularity • 83% Danceability • 31% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 31% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Bill Lee
Cruella De Vil
104 bpm • C min • 04:47 • -11.95db
23% Popularity • 64% Danceability • 26% Energy • 9% Liveness
20% Instrumentalness • 28% Positiveness
23% Popularity • 64% Danceability • 26% Energy • 9% Liveness
20% Instrumentalness • 28% Positiveness
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Bill Murray
The Bare Necessities
103 bpm • G# Maj • 03:00 • -6.82db
48% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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George Wilkins
The Great Outdoors
119 bpm • D Maj • 02:09 • -11.04db
35% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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Julie Andrews
I Feel Pretty
103 bpm • F Maj • 01:55 • -13.85db
34% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Pooh
Forever And Ever
103 bpm • A Maj • 02:32 • -13.92db
34% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Cast of Alice in Wonderland
The Mad Tea Party/The Unbirthday Song/Tw...
103 bpm • G Maj • 04:31 • -14.27db
16% Popularity • 58% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 58% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Mena Massoud
One Jump Ahead
119 bpm • C# Maj • 02:55 • -6.17db
56% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Maia Wilson
Fixer Upper
103 bpm • A Maj • 03:02 • -6.12db
63% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
63% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dwarf Chorus
Heigh Ho
103 bpm • G Maj • 03:48 • -12.63db
14% Popularity • 79% Danceability • 33% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 79% Danceability • 33% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Phil Harris
The Bare Necessities
103 bpm • C Maj • 04:49 • -11.37db
53% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Callas
Boo Bop Bopbop Bop (I Love You, Too)
120 bpm • C Maj • 02:45 • -16db
29% Popularity • 69% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 69% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Cast of Mary Poppins
The Perfect Nanny
103 bpm • D Maj • 01:39 • -26.33db
9% Popularity • 56% Danceability • 1% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 1% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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George Bruns
Pirate Overture
120 bpm • F Maj • 03:06 • -18db
35% Popularity • 67% Danceability • 4% Energy • 29% Liveness
81% Instrumentalness • 72% Positiveness
35% Popularity • 67% Danceability • 4% Energy • 29% Liveness
81% Instrumentalness • 72% Positiveness
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Charmian Carr
So Long, Farewell
120 bpm • A# Maj • 02:56 • -16db
51% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Catherine Zeta-Jones
Overture/And All That Jazz
120 bpm • C# min • 06:04 • -6.54db
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Phil Harris
Lazy River
103 bpm • D Maj • 03:05 • -14.14db
1% Popularity • 46% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 46% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Buddy Baker
Swisskapolka
120 bpm • C Maj • 01:54 • -13.61db
37% Popularity • 94% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
37% Popularity • 94% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
