Songs like The Picture by Ted Snyder
Based on a tempo of (+/- 10%) and a similar genre
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Ted Snyder
The Picture
82 bpm • G Maj • 03:47 • -11.93db
0% Popularity • 57% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
0% Popularity • 57% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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The Modern Jazz Quartet
All the Things You Are
82 bpm • F min • 03:13 • -9.09db
11% Popularity • 66% Danceability • 20% Energy • 11% Liveness
70% Instrumentalness • 63% Positiveness
11% Popularity • 66% Danceability • 20% Energy • 11% Liveness
70% Instrumentalness • 63% Positiveness
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Oscar Lank
Birdy Street
82 bpm • C# Maj • 01:20 • -17.71db
17% Popularity • 71% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 74% Positiveness
17% Popularity • 71% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 74% Positiveness
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Hugo Montenegro
Top Hat, White Tie and Tails / Cheek to ...
83 bpm • G# Maj • 03:09 • -8.04db
1% Popularity • 30% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
1% Popularity • 30% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Manhattan Ragtime Orchestra
Magnetic Rag
81 bpm • A# Maj • 04:22 • -6.88db
12% Popularity • 71% Danceability • 45% Energy • 16% Liveness
91% Instrumentalness • 75% Positiveness
12% Popularity • 71% Danceability • 45% Energy • 16% Liveness
91% Instrumentalness • 75% Positiveness
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Jack Teagarden
When Your Lover Has Gone
81 bpm • G# Maj • 03:30 • -16.41db
6% Popularity • 55% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
6% Popularity • 55% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
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Elizabeth Bougerol
Meet Me at the Bottom of the Bottle
81 bpm • C Maj • 03:37 • -18.89db
10% Popularity • 50% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 50% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Ted Snyder
Give Yours To Me
83 bpm • F Maj • 03:44 • -13.2db
0% Popularity • 50% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 50% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Pierre Paquette
Opus No. 1
81 bpm • G# Maj • 03:07 • -9.76db
10% Popularity • 60% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 60% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Billy May & His Orchestra
Heart of Mine
80 bpm • A Maj • 02:19 • -5.95db
8% Popularity • 10% Danceability • 48% Energy • 31% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 10% Danceability • 48% Energy • 31% Liveness
90% Instrumentalness • 10% Positiveness
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Lennie Niehaus
A Rainy Night
84 bpm • G Maj • 01:07 • -14db
9% Popularity • 68% Danceability • 24% Energy • 15% Liveness
77% Instrumentalness • 18% Positiveness
9% Popularity • 68% Danceability • 24% Energy • 15% Liveness
77% Instrumentalness • 18% Positiveness
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Freddy Gardner
I’m in the Mood for Love
80 bpm • C# Maj • 03:10 • -13.53db
13% Popularity • 19% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
13% Popularity • 19% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Danny Jonokuchi
Midnight Romance
80 bpm • C min • 03:17 • -13.91db
27% Popularity • 45% Danceability • 21% Energy • 33% Liveness
89% Instrumentalness • 28% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 33% Liveness
89% Instrumentalness • 28% Positiveness
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Cats Rule the World
Dogs Play
80 bpm • C Maj • 01:01 • -14.59db
24% Popularity • 65% Danceability • 51% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
24% Popularity • 65% Danceability • 51% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
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Baixa Fidelidade
The Saphire Sea
80 bpm • A# Maj • 03:56 • -10.7db
0% Popularity • 41% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 41% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Hoagy Carmichael
Casanova Cricket
84 bpm • G Maj • 02:28 • -10.68db
8% Popularity • 50% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 50% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Dick Haymes
As If I Didn't Have Enough On My Mind
84 bpm • C Maj • 02:28 • -15.79db
10% Popularity • 32% Danceability • 25% Energy • 42% Liveness
85% Instrumentalness • 31% Positiveness
10% Popularity • 32% Danceability • 25% Energy • 42% Liveness
85% Instrumentalness • 31% Positiveness
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Ray Anthony
I Hadn't Anyone Till You
84 bpm • F Maj • 02:24 • -11.23db
8% Popularity • 28% Danceability • 27% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
8% Popularity • 28% Danceability • 27% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Remersaro Trío
Guampudo
84 bpm • A# min • 02:56 • -19.46db
9% Popularity • 72% Danceability • 10% Energy • 18% Liveness
18% Instrumentalness • 74% Positiveness
9% Popularity • 72% Danceability • 10% Energy • 18% Liveness
18% Instrumentalness • 74% Positiveness
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Piero Piccioni
Canzone per lei
84 bpm • D min • 01:41 • -7db
14% Popularity • 31% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
14% Popularity • 31% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Sam Fonteyn
Candlelight Serenade
79 bpm • F min • 01:57 • -9.78db
16% Popularity • 38% Danceability • 24% Energy • 14% Liveness
76% Instrumentalness • 24% Positiveness
16% Popularity • 38% Danceability • 24% Energy • 14% Liveness
76% Instrumentalness • 24% Positiveness
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Gerhard Groitzsch
Debutante Waltz
85 bpm • C Maj • 03:09 • -10.16db
14% Popularity • 30% Danceability • 30% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
14% Popularity • 30% Danceability • 30% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Frederic Curzon
In Sherwood
85 bpm • G Maj • 01:39 • -11.52db
10% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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The Muscrat Ramblers
The Band Played On
85 bpm • F Maj • 03:19 • -14.7db
16% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Charlie Spivak & His Orchestra
Serenade In Blue
79 bpm • G Maj • 02:12 • -18db
15% Popularity • 36% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 19% Positiveness
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Ray Anthony
Tara's Theme
86 bpm • D# Maj • 03:20 • -12.73db
8% Popularity • 20% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
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Kåre Chr. Vestrheim
Svalbard in 8mm
78 bpm • C Maj • 01:12 • -16.59db
7% Popularity • 43% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
7% Popularity • 43% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
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Raymond Scott
Chopin Opus # 10 No. 12 (Revolutionary E...
78 bpm • A# min • 02:14 • -11.02db
8% Popularity • 38% Danceability • 41% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
8% Popularity • 38% Danceability • 41% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
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The Big 18
Okay For Baby
78 bpm • G# Maj • 03:39 • -21.44db
9% Popularity • 58% Danceability • 20% Energy • 9% Liveness
64% Instrumentalness • 59% Positiveness
9% Popularity • 58% Danceability • 20% Energy • 9% Liveness
64% Instrumentalness • 59% Positiveness
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Dick Haymes
Adieu
78 bpm • G min • 03:03 • -9.31db
10% Popularity • 26% Danceability • 28% Energy • 35% Liveness
5% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 28% Energy • 35% Liveness
5% Instrumentalness • 13% Positiveness
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楽しいジャズ
ミュージック(淹れたてのコー...
78 bpm • C Maj • 01:56 • -12.6db
13% Popularity • 80% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 92% Positiveness
13% Popularity • 80% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 92% Positiveness
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Ray Anthony
Man with a Horn
78 bpm • D# Maj • 02:10 • -15.58db
7% Popularity • 33% Danceability • 21% Energy • 70% Liveness
90% Instrumentalness • 15% Positiveness
7% Popularity • 33% Danceability • 21% Energy • 70% Liveness
90% Instrumentalness • 15% Positiveness
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Piero Piccioni
Sospetto Swing
86 bpm • F Maj • 01:27 • -8.74db
15% Popularity • 34% Danceability • 50% Energy • 28% Liveness
94% Instrumentalness • 46% Positiveness
15% Popularity • 34% Danceability • 50% Energy • 28% Liveness
94% Instrumentalness • 46% Positiveness
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Jimmy Dorsey
Contrasts (Alternate Take)
78 bpm • C# Maj • 01:05 • -9.61db
15% Popularity • 33% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 33% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Francis Day
You Made Me Love You
78 bpm • C Maj • 03:27 • -17.95db
18% Popularity • 30% Danceability • 12% Energy • 24% Liveness
86% Instrumentalness • 28% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 24% Liveness
86% Instrumentalness • 28% Positiveness
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Ted Snyder
Give Her Back to Me
77 bpm • C Maj • 03:28 • -8.27db
0% Popularity • 26% Danceability • 45% Energy • 9% Liveness
17% Instrumentalness • 26% Positiveness
0% Popularity • 26% Danceability • 45% Energy • 9% Liveness
17% Instrumentalness • 26% Positiveness
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Peter Herbolzheimer Orchestra
Mr. Anthony´s Boogie
77 bpm • F# Maj • 02:57 • -11.58db
15% Popularity • 59% Danceability • 40% Energy • 7% Liveness
82% Instrumentalness • 77% Positiveness
15% Popularity • 59% Danceability • 40% Energy • 7% Liveness
82% Instrumentalness • 77% Positiveness
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Bob Pope & His Orchestra
When My Dream Boat Comes Home
77 bpm • G Maj • 02:55 • -18.52db
8% Popularity • 52% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 55% Positiveness
8% Popularity • 52% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 55% Positiveness
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クラシックジャズ
器楽(淹れたてのコーヒー)
88 bpm • A# min • 01:44 • -13.58db
19% Popularity • 74% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 84% Positiveness
19% Popularity • 74% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 84% Positiveness
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Eddy Duchin
Our Love Affair
88 bpm • D Maj • 02:17 • -13.18db
7% Popularity • 84% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
7% Popularity • 84% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Jackie Gleason
Monologue - How Much Is That Doggie in t...
88 bpm • G# min • 05:27 • -12.33db
13% Popularity • 50% Danceability • 88% Energy • 94% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 50% Danceability • 88% Energy • 94% Liveness
0% Instrumentalness • 38% Positiveness
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Weiss Gram
While Sleeping in the South
77 bpm • D# Maj • 05:03 • -14.62db
22% Popularity • 59% Danceability • 25% Energy • 15% Liveness
72% Instrumentalness • 59% Positiveness
22% Popularity • 59% Danceability • 25% Energy • 15% Liveness
72% Instrumentalness • 59% Positiveness
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Piero Piccioni
Soraya - Horns suite Theme
88 bpm • F# Maj • 02:30 • -13.61db
10% Popularity • 27% Danceability • 28% Energy • 17% Liveness
59% Instrumentalness • 20% Positiveness
10% Popularity • 27% Danceability • 28% Energy • 17% Liveness
59% Instrumentalness • 20% Positiveness
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Lester Lanin
Little Brown Jug - Slow Lindy
76 bpm • F min • 01:55 • -12.68db
20% Popularity • 57% Danceability • 54% Energy • 31% Liveness
80% Instrumentalness • 94% Positiveness
20% Popularity • 57% Danceability • 54% Energy • 31% Liveness
80% Instrumentalness • 94% Positiveness
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Daniel Melasty
Lively
88 bpm • B Maj • 03:01 • -19db
18% Popularity • 90% Danceability • 27% Energy • 15% Liveness
83% Instrumentalness • 74% Positiveness
18% Popularity • 90% Danceability • 27% Energy • 15% Liveness
83% Instrumentalness • 74% Positiveness
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Del Courtney
Mississippi Dreamboat
89 bpm • A min • 02:20 • -17.46db
8% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Old School Band
Delta Mood
75 bpm • F Maj • 05:07 • -17.27db
4% Popularity • 54% Danceability • 26% Energy • 22% Liveness
2% Instrumentalness • 39% Positiveness
4% Popularity • 54% Danceability • 26% Energy • 22% Liveness
2% Instrumentalness • 39% Positiveness
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Woody Herman
Blues Are Brewing
75 bpm • F Maj • 03:11 • -14.65db
8% Popularity • 41% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 46% Positiveness
8% Popularity • 41% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 46% Positiveness
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Eddie Cantor
Mandy
75 bpm • C min • 02:40 • -13.26db
11% Popularity • 70% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 70% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Rixner
Lively Lulu
89 bpm • G# Maj • 02:46 • -10.07db
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
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Ted Heath
Ain't That a Grand and Glorious Feeling
75 bpm • F Maj • 02:20 • -12.36db
9% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Hal McIntyre
My Funny Valentine
90 bpm • F# min • 02:58 • -13.5db
1% Popularity • 32% Danceability • 18% Energy • 13% Liveness
4% Instrumentalness • 29% Positiveness
1% Popularity • 32% Danceability • 18% Energy • 13% Liveness
4% Instrumentalness • 29% Positiveness
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Benny Carter
Melancholy Lullaby
75 bpm • C min • 02:58 • -12.35db
9% Popularity • 23% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 23% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 11% Positiveness
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楽しいジャズ
器楽(洋菓子屋)
90 bpm • G Maj • 01:41 • -13.69db
11% Popularity • 73% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 76% Positiveness
11% Popularity • 73% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 76% Positiveness
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New Orleans 1920s Jazz
At the Honky Tonk
90 bpm • B Maj • 01:33 • -18.83db
22% Popularity • 80% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 98% Positiveness
22% Popularity • 80% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 98% Positiveness
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Future Forecast
都会的な爆発
90 bpm • C min • 01:43 • -19.6db
9% Popularity • 88% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
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ricca
Happy Jazz piano in the morning
90 bpm • F Maj • 01:30 • -17.22db
18% Popularity • 90% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 97% Positiveness
18% Popularity • 90% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 97% Positiveness
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Lelio Luttazzi
La serenata
74 bpm • D# Maj • 02:23 • -9.45db
22% Popularity • 57% Danceability • 32% Energy • 15% Liveness
14% Instrumentalness • 56% Positiveness
22% Popularity • 57% Danceability • 32% Energy • 15% Liveness
14% Instrumentalness • 56% Positiveness
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Ted Snyder
Tricia
90 bpm • D Maj • 03:47 • -11.97db
0% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ewan Bleach Quartet
Si Tu Void Ma Mère
74 bpm • A# Maj • 03:44 • -14.07db
11% Popularity • 54% Danceability • 9% Energy • 12% Liveness
79% Instrumentalness • 40% Positiveness
11% Popularity • 54% Danceability • 9% Energy • 12% Liveness
79% Instrumentalness • 40% Positiveness
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New Orleans 1920s Jazz
Traditional Jazz is Hot Jazz
90 bpm • G# Maj • 01:33 • -19.07db
28% Popularity • 80% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 97% Positiveness
28% Popularity • 80% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 97% Positiveness
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Terry Waldo
The Very Thought of You
90 bpm • C min • 05:24 • -16.34db
13% Popularity • 55% Danceability • 9% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
13% Popularity • 55% Danceability • 9% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
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ricca
Happy Jazz Clarinet in the Morning - No ...
90 bpm • F Maj • 01:30 • -8.99db
15% Popularity • 80% Danceability • 34% Energy • 8% Liveness
67% Instrumentalness • 96% Positiveness
15% Popularity • 80% Danceability • 34% Energy • 8% Liveness
67% Instrumentalness • 96% Positiveness
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Paul Weston
East Of The Sun (West Of The Moon)
91 bpm • F min • 03:02 • -17.75db
7% Popularity • 24% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Frankie Carle
I Don't Want To Walk Without You
91 bpm • A# Maj • 02:23 • -21.31db
23% Popularity • 55% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
23% Popularity • 55% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
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The 1,000 Strings
Twilight of Romance
74 bpm • D min • 02:25 • -18.48db
15% Popularity • 31% Danceability • 15% Energy • 7% Liveness
2% Instrumentalness • 45% Positiveness
15% Popularity • 31% Danceability • 15% Energy • 7% Liveness
2% Instrumentalness • 45% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
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Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
12% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
12% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Aubrey Winter
Mounted Police
92 bpm • C Maj • 01:23 • -9.52db
10% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
10% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
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Bob Crosby
My Monday Date
92 bpm • E min • 02:28 • -7.93db
8% Popularity • 57% Danceability • 47% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 47% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
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New Orleans 1920s Jazz
Chicago Style
92 bpm • F# Maj • 01:30 • -18.97db
32% Popularity • 81% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
32% Popularity • 81% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
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Chazz Gabel
Swaying Shadows
92 bpm • D min • 01:38 • -20.79db
22% Popularity • 74% Danceability • 31% Energy • 20% Liveness
97% Instrumentalness • 76% Positiveness
22% Popularity • 74% Danceability • 31% Energy • 20% Liveness
97% Instrumentalness • 76% Positiveness
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Piero Piccioni
Drammatico Swing
93 bpm • C# Maj • 01:23 • -9.06db
18% Popularity • 36% Danceability • 45% Energy • 17% Liveness
92% Instrumentalness • 45% Positiveness
18% Popularity • 36% Danceability • 45% Energy • 17% Liveness
92% Instrumentalness • 45% Positiveness
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Les Elgart & His Orchestra
In the Still of the Night
93 bpm • G Maj • 01:55 • -14.99db
10% Popularity • 51% Danceability • 44% Energy • 10% Liveness
6% Instrumentalness • 86% Positiveness
10% Popularity • 51% Danceability • 44% Energy • 10% Liveness
6% Instrumentalness • 86% Positiveness
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The Los Angeles Jazz Ensemble
Cheerful Little Earfull
93 bpm • C min • 02:07 • -10.5db
13% Popularity • 62% Danceability • 30% Energy • 7% Liveness
69% Instrumentalness • 79% Positiveness
13% Popularity • 62% Danceability • 30% Energy • 7% Liveness
69% Instrumentalness • 79% Positiveness
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Ted Snyder
Who's Sorry Now?
93 bpm • F Maj • 03:02 • -11.72db
0% Popularity • 49% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 49% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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New Orleans 1920s Jazz
Dixieland Instrumental Jazz
93 bpm • D# Maj • 01:30 • -19db
31% Popularity • 84% Danceability • 35% Energy • 10% Liveness
28% Instrumentalness • 97% Positiveness
31% Popularity • 84% Danceability • 35% Energy • 10% Liveness
28% Instrumentalness • 97% Positiveness
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徐慶復
Around the World
94 bpm • G min • 02:01 • -16.23db
8% Popularity • 32% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 32% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:20 • -16.54db
19% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Les Elgart
I Could Have Danced All Night
72 bpm • D# Maj • 02:03 • -22.22db
10% Popularity • 42% Danceability • 9% Energy • 19% Liveness
19% Instrumentalness • 40% Positiveness
10% Popularity • 42% Danceability • 9% Energy • 19% Liveness
19% Instrumentalness • 40% Positiveness
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Ruby Braff
You're a Lucky Guy
94 bpm • G Maj • 02:58 • -11.21db
9% Popularity • 57% Danceability • 50% Energy • 20% Liveness
50% Instrumentalness • 82% Positiveness
9% Popularity • 57% Danceability • 50% Energy • 20% Liveness
50% Instrumentalness • 82% Positiveness
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Herb Hall
Deed I Do
94 bpm • G# Maj • 04:28 • -16.53db
10% Popularity • 74% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 70% Positiveness
10% Popularity • 74% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 70% Positiveness
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Billy Bros. Jumpin' Orchestra
Swingin' Bells
95 bpm • G min • 02:07 • -13.55db
13% Popularity • 52% Danceability • 46% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
13% Popularity • 52% Danceability • 46% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Sounds Of Swing
Artistry For Trumpets
94 bpm • A# Maj • 02:43 • -8.19db
18% Popularity • 64% Danceability • 44% Energy • 33% Liveness
38% Instrumentalness • 90% Positiveness
18% Popularity • 64% Danceability • 44% Energy • 33% Liveness
38% Instrumentalness • 90% Positiveness
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Raymond Scott
Singing Down the Road (The 37th Secret) ...
95 bpm • F# Maj • 02:26 • -9.93db
17% Popularity • 71% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 88% Positiveness
17% Popularity • 71% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 88% Positiveness
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Nostalgia Sound
Prime Time
95 bpm • G min • 01:38 • -22.58db
10% Popularity • 92% Danceability • 23% Energy • 11% Liveness
13% Instrumentalness • 98% Positiveness
10% Popularity • 92% Danceability • 23% Energy • 11% Liveness
13% Instrumentalness • 98% Positiveness
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Ted Snyder
The Sheik of Araby
95 bpm • D# Maj • 03:31 • -14.04db
0% Popularity • 65% Danceability • 31% Energy • 28% Liveness
90% Instrumentalness • 84% Positiveness
0% Popularity • 65% Danceability • 31% Energy • 28% Liveness
90% Instrumentalness • 84% Positiveness
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Stockholm Jazz Quartet
Time to Have Fun
95 bpm • B min • 02:52 • -19.29db
19% Popularity • 86% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
19% Popularity • 86% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
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Pinky Vidacovich
The Sidewalks of New York
95 bpm • G# Maj • 02:49 • -16.41db
11% Popularity • 68% Danceability • 16% Energy • 19% Liveness
40% Instrumentalness • 85% Positiveness
11% Popularity • 68% Danceability • 16% Energy • 19% Liveness
40% Instrumentalness • 85% Positiveness
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Victor Silvester
A Gal In Calico (Quickstep)
95 bpm • F min • 02:15 • -15.28db
14% Popularity • 44% Danceability • 30% Energy • 17% Liveness
39% Instrumentalness • 61% Positiveness
14% Popularity • 44% Danceability • 30% Energy • 17% Liveness
39% Instrumentalness • 61% Positiveness
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Chuck Foster
I've Been Drafted (Now I'm Drafting You)
95 bpm • F min • 02:56 • -5.6db
8% Popularity • 72% Danceability • 35% Energy • 13% Liveness
83% Instrumentalness • 70% Positiveness
8% Popularity • 72% Danceability • 35% Energy • 13% Liveness
83% Instrumentalness • 70% Positiveness
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Pee Wee Hunt
Hunt's Goulash
95 bpm • F Maj • 02:18 • -11.48db
21% Popularity • 75% Danceability • 36% Energy • 3% Liveness
27% Instrumentalness • 93% Positiveness
21% Popularity • 75% Danceability • 36% Energy • 3% Liveness
27% Instrumentalness • 93% Positiveness
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Harry Ruby
Who's Sorry Now?
96 bpm • C Maj • 05:08 • -13.8db
1% Popularity • 53% Danceability • 43% Energy • 68% Liveness
16% Instrumentalness • 68% Positiveness
1% Popularity • 53% Danceability • 43% Energy • 68% Liveness
16% Instrumentalness • 68% Positiveness
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Jazz de Paris
Souvenirs
96 bpm • D# Maj • 02:41 • -10.16db
6% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
6% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
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Elliot H. Smith
Dipsy Daisie
96 bpm • G Maj • 02:49 • -9.57db
10% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
10% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
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Koichi Sugii
Chinrai-Bushi (チンライ節)
96 bpm • C min • 02:59 • -12.65db
12% Popularity • 70% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
12% Popularity • 70% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Lynn Stanford
Tendu
96 bpm • A Maj • 01:29 • -18.01db
9% Popularity • 65% Danceability • 21% Energy • 6% Liveness
96% Instrumentalness • 78% Positiveness
9% Popularity • 65% Danceability • 21% Energy • 6% Liveness
96% Instrumentalness • 78% Positiveness
