Songs like The Pieces Don't Fit Anymore (Refreshed) by James Morrison
Based on a tempo of (+/- 10%) and a similar genre
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James Morrison
Up (Refreshed)
74 bpm • B min • 03:26 • -3.9db
23% Popularity • 40% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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John Ball
Chapter 4 - In the Heat of the Night
74 bpm • G Maj • 03:07 • -11.45db
0% Popularity • 67% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 67% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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RuthAnne
All the Same
74 bpm • G Maj • 03:56 • -7.47db
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dermot Kennedy
Something to Someone - Strings Version
73 bpm • C Maj • 03:12 • -5.61db
30% Popularity • 28% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 28% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Matt Simons
Light In You
75 bpm • G Maj • 04:23 • -12db
24% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Rhys Lewis
July - Bedroom Session
75 bpm • B Maj • 03:30 • -11db
45% Popularity • 58% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 58% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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James Morrison
The Pieces Don't Fit Anymore (Refreshed)
74 bpm • C# Maj • 04:06 • -5.5db
26% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Robbie Williams
Angels (Beethoven AI) - XXV
75 bpm • E Maj • 04:52 • -9.63db
29% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Marius Bear
Wish I Could Tell the Moon
73 bpm • D# Maj • 03:33 • -7.71db
18% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Paolo Nutini
Last Request - Acoustic Studio Version r...
75 bpm • D min • 03:27 • -9.41db
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Passenger
Bird in Flight
72 bpm • F Maj • 02:55 • -10.07db
44% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Kodaline
The One - Live in Dublin / 2022
76 bpm • A Maj • 04:15 • -7.82db
34% Popularity • 36% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 36% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
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HAEVN
Holy Ground
72 bpm • E Maj • 04:13 • -13db
41% Popularity • 47% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 47% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Ray LaMontagne
Such A Simple Thing - Recorded at Sound ...
72 bpm • A# Maj • 05:07 • -10.73db
50% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Marius Bear
Shades of Blue
76 bpm • B min • 03:16 • -6.59db
14% Popularity • 58% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 58% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Alicia Keys
Paper Flowers (Originals)
72 bpm • A Maj • 03:24 • -7.64db
27% Popularity • 30% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 30% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Jon Bryant
would you call me up?
72 bpm • A Maj • 04:11 • -9.09db
40% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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James Morrison
Glorious
76 bpm • F min • 03:24 • -6.2db
24% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Emeli Sandé
World Go Round
76 bpm • G Maj • 03:54 • -6.09db
17% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Una Healy
Stay My Love
76 bpm • D Maj • 03:16 • -6.91db
35% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Luca Fogale
Half-Saved
77 bpm • A# Maj • 03:25 • -10.79db
48% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Abby Mann
Chapter 10 - Judgment at Nuremberg
77 bpm • C Maj • 03:07 • -16.42db
0% Popularity • 71% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 71% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Krystl
Lonesome Town
71 bpm • F# Maj • 02:31 • -16.52db
16% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The BlueBirds
Nothing's Ever Good Enough
78 bpm • D Maj • 03:09 • -11.73db
29% Popularity • 71% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 71% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Emeli Sandé
Breathing Underwater
77 bpm • D# Maj • 04:22 • -8.57db
41% Popularity • 50% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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James Blunt
Same Mistake
78 bpm • A# Maj • 04:58 • -7.67db
61% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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LeAnn Rimes
how much a heart can hold
78 bpm • G min • 03:25 • -15db
24% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Abby Mann
Chapter 7 - Judgment at Nuremberg
78 bpm • B min • 03:27 • -11.85db
0% Popularity • 67% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 67% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Casey McQuillen
In & Out
78 bpm • F# Maj • 03:09 • -11db
16% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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David Gray
Silver Lining
78 bpm • B Maj • 05:59 • -9.7db
41% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bunch Of Grapes
Teach Me To Love
78 bpm • F# Maj • 02:43 • -10.64db
33% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Passenger
Simple Song
78 bpm • F Maj • 03:48 • -11.13db
65% Popularity • 63% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
65% Popularity • 63% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:25 • -11.08db
0% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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James Morrison
If You Don't Wanna Love Me
78 bpm • C# Maj • 04:15 • -5.16db
35% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jessie Ware
Last Of The True Believers - Acoustic
78 bpm • A Maj • 03:41 • -11.74db
31% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Scott Bradlee
King Of Wishful Thinking - Piano Version
78 bpm • G# Maj • 03:37 • -16db
18% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Robbie Williams
Eternity - XXV
78 bpm • A# Maj • 05:27 • -13.63db
30% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Daniel Pearson
All These Little Lies
70 bpm • G Maj • 03:56 • -9.3db
40% Popularity • 56% Danceability • 42% Energy • 59% Liveness
2% Instrumentalness • 32% Positiveness
40% Popularity • 56% Danceability • 42% Energy • 59% Liveness
2% Instrumentalness • 32% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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John Mayer
Last Train Home - Ballad Version
78 bpm • A Maj • 05:57 • -9.73db
44% Popularity • 30% Danceability • 44% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
44% Popularity • 30% Danceability • 44% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
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Johnny Manuel
Say It - The Voice Australia 2020 / Gran...
78 bpm • C# Maj • 03:46 • -7.01db
25% Popularity • 40% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 40% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Loren
Stuck In A Moment You Can't Get Out Of
79 bpm • E Maj • 04:27 • -5db
30% Popularity • 56% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 56% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Robbie Williams
She's the One - XXV
78 bpm • G Maj • 04:30 • -12.26db
29% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Tyrone Wells
Hopelessly
79 bpm • F# Maj • 02:57 • -6.86db
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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James Morrison
Person I Should Have Been
79 bpm • F# min • 03:46 • -8.46db
33% Popularity • 59% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 59% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Lola Lennox
Pale
79 bpm • C Maj • 03:39 • -14.11db
17% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Trijntje Oosterhuis
Making Love
69 bpm • C# Maj • 04:29 • -18.1db
19% Popularity • 40% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 40% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Mitchell Brunings
Broken Wings - Better Than Ever / Afleve...
80 bpm • G# min • 02:23 • -11.44db
17% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Anouk
Great For Us
80 bpm • C Maj • 02:45 • -9.97db
20% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jordan Higo
Blue Moon
80 bpm • A# Maj • 03:33 • -8.79db
38% Popularity • 62% Danceability • 63% Energy • 42% Liveness
4% Instrumentalness • 59% Positiveness
38% Popularity • 62% Danceability • 63% Energy • 42% Liveness
4% Instrumentalness • 59% Positiveness
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James Morrison
Wonderful World
79 bpm • C# Maj • 03:30 • -4.62db
51% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Simons
Always Have My Love
80 bpm • G Maj • 03:05 • -9.79db
22% Popularity • 68% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 68% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Passenger
Sword from the Stone
80 bpm • C min • 03:21 • -9.33db
59% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Rod Stewart
Touchline
80 bpm • B Maj • 03:55 • -9.31db
25% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Big Band Liechtenstein
La Fiesta
80 bpm • A Maj • 07:04 • -7.26db
5% Popularity • 38% Danceability • 73% Energy • 70% Liveness
45% Instrumentalness • 37% Positiveness
5% Popularity • 38% Danceability • 73% Energy • 70% Liveness
45% Instrumentalness • 37% Positiveness
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Boris
Cordelia
81 bpm • G# Maj • 04:10 • -6.68db
12% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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James Morrison
So Beautiful (Refreshed)
79 bpm • C# Maj • 04:03 • -7.16db
25% Popularity • 59% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 59% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Nicotine Dolls
After the End
81 bpm • D Maj • 03:28 • -9.06db
36% Popularity • 53% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 53% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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John Ball
Chapter 13 - In the Heat of the Night
81 bpm • D Maj • 03:03 • -11.7db
0% Popularity • 74% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 74% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Lachie Gill
It'll Be Okay - The Voice Australia 2022...
81 bpm • G Maj • 02:09 • -4.89db
25% Popularity • 46% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 46% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
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Paolo Nutini
Last Request
81 bpm • G min • 03:40 • -7.27db
47% Popularity • 58% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 58% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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John Mayer
Shouldn't Matter but It Does
81 bpm • E Maj • 03:56 • -11.77db
58% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
58% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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James Morrison
So Beautiful (Live at Dingwalls)
80 bpm • C# Maj • 04:25 • -6.61db
14% Popularity • 50% Danceability • 56% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 50% Danceability • 56% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Kris Berry
Kind of Love
82 bpm • F# min • 03:54 • -9.28db
23% Popularity • 64% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 64% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Passenger
Birds That Flew and Ships That Sailed
82 bpm • E Maj • 03:00 • -11.08db
39% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Abby Mann
Chapter 20 - Judgment at Nuremberg
83 bpm • C# min • 03:09 • -12.47db
0% Popularity • 67% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 67% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Kat Eaton
Dreaming About You
83 bpm • E Maj • 04:27 • -6.24db
29% Popularity • 61% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 61% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Jon McLaughlin
Why It Hurts
83 bpm • F# Maj • 03:20 • -5.88db
24% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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James Morrison
So Beautiful
80 bpm • C# Maj • 04:03 • -7db
47% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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James Blunt
Carry You Home
83 bpm • D Maj • 03:54 • -9.02db
62% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lighthouse Family
Once In A Blue Moon
83 bpm • C Maj • 03:52 • -9db
42% Popularity • 64% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 64% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Passenger
Heart of Gold (Cover)
83 bpm • A# Maj • 02:46 • -10.99db
49% Popularity • 69% Danceability • 48% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
49% Popularity • 69% Danceability • 48% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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remme
missing home
84 bpm • A Maj • 03:11 • -9.95db
26% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Jon McLaughlin
You and I
84 bpm • E Maj • 02:57 • -12.48db
37% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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James Morrison
Wonderful World (Live at Dingwalls)
81 bpm • C# Maj • 04:23 • -3.6db
13% Popularity • 35% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 35% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
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Milo Meskens
A Letter & Twenty Different Songs
84 bpm • G# Maj • 04:19 • -6.85db
19% Popularity • 46% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 46% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7db
40% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Labrinth
Beneath Your Beautiful
84 bpm • D Maj • 04:31 • -5.86db
68% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Rhys Lewis
Happy Fucking Birthday
84 bpm • D Maj • 03:39 • -8.34db
20% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Daniel Pearson
Come Back Around
84 bpm • F Maj • 03:04 • -17db
48% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Morrison
Something Right
82 bpm • C# min • 03:49 • -6.35db
27% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Duffy
Oh Boy
84 bpm • B Maj • 02:28 • -10.7db
43% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Buck
The Way You Take Time - Acoustic
85 bpm • G Maj • 03:15 • -8db
39% Popularity • 50% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 50% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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George Ezra
Sweetest Human Being Alive
85 bpm • G# Maj • 03:45 • -7db
53% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Emeli Sandé
Another One
85 bpm • C Maj • 02:29 • -12.95db
17% Popularity • 35% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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George Cosby
Lonely Heartbeats
85 bpm • G# min • 03:50 • -4.72db
24% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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James Morrison
You Give Me Something (Refreshed)
82 bpm • C Maj • 04:03 • -4.56db
45% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Frances
Everything in Between
85 bpm • F# Maj • 03:06 • -12.16db
24% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Kat Eaton
Slow It Down
85 bpm • G# Maj • 03:51 • -7.85db
39% Popularity • 66% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 66% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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David Benjamin
Hands That I Drew
85 bpm • F Maj • 04:27 • -10.26db
27% Popularity • 82% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 82% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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James Smith
Got the Love
85 bpm • B Maj • 03:03 • -10db
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Emeli Sandé
Oxygen
86 bpm • F# Maj • 03:59 • -5.95db
35% Popularity • 49% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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James Morrison
Cross The Line
82 bpm • E Maj • 02:59 • -6.91db
18% Popularity • 49% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 49% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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James Bradshaw
Sexual - Acoustic
86 bpm • D Maj • 03:09 • -11.5db
29% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Alain Clark
Smile
86 bpm • A# Maj • 03:58 • -10db
25% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Simon Webbe
Flashback
86 bpm • A Maj • 03:54 • -4.18db
18% Popularity • 46% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 46% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Big Band Liechtenstein
Emily
64 bpm • C Maj • 06:52 • -10.95db
2% Popularity • 39% Danceability • 43% Energy • 67% Liveness
73% Instrumentalness • 31% Positiveness
2% Popularity • 39% Danceability • 43% Energy • 67% Liveness
73% Instrumentalness • 31% Positiveness
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Passenger
Chasing Gold
86 bpm • C# Maj • 02:36 • -11.42db
40% Popularity • 46% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 70% Positiveness
40% Popularity • 46% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 70% Positiveness
