Songs like The Pilot by Clap Your Hands Say Yeah
Based on a tempo of (+/- 10%) and a similar genre
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Amen Dunes
Freedom
107 bpm • D# Maj • 05:00 • -9.82db
11% Popularity • 41% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 21% Positiveness
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Kurt Vile
Dust Bunnies
107 bpm • C# Maj • 04:38 • -8db
41% Popularity • 72% Danceability • 66% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
41% Popularity • 72% Danceability • 66% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
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Alec Ounsworth
South Philadelphia (Drug Days)
107 bpm • D Maj • 03:43 • -9.11db
3% Popularity • 72% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 21% Positiveness
3% Popularity • 72% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 21% Positiveness
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Cass McCombs
Empty Promises
107 bpm • A Maj • 04:25 • -7.88db
9% Popularity • 61% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
9% Popularity • 61% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Clap Your Hands Say Yeah
The Pilot
107 bpm • E Maj • 03:11 • -7.78db
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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The Shins
The Fear - Flipped
107 bpm • A# Maj • 04:41 • -7.7db
23% Popularity • 57% Danceability • 78% Energy • 19% Liveness
48% Instrumentalness • 88% Positiveness
23% Popularity • 57% Danceability • 78% Energy • 19% Liveness
48% Instrumentalness • 88% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
25% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
25% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Sweet Spirit
Have Mercy
108 bpm • E Maj • 03:02 • -6.16db
14% Popularity • 65% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
14% Popularity • 65% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Kurt Vile
Never Run Away
108 bpm • D# Maj • 03:24 • -5.93db
33% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nap Eyes
Mixer
108 bpm • G Maj • 04:36 • -10.23db
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Cass McCombs
Cry
108 bpm • C Maj • 04:45 • -8.04db
19% Popularity • 61% Danceability • 71% Energy • 9% Liveness
49% Instrumentalness • 53% Positiveness
19% Popularity • 61% Danceability • 71% Energy • 9% Liveness
49% Instrumentalness • 53% Positiveness
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Pure Bathing Culture
Ivory Coast
106 bpm • C Maj • 03:04 • -5.58db
18% Popularity • 54% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 54% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Bjorn and John
Objects Of My Affection
108 bpm • A Maj • 04:35 • -7db
40% Popularity • 47% Danceability • 92% Energy • 23% Liveness
15% Instrumentalness • 32% Positiveness
40% Popularity • 47% Danceability • 92% Energy • 23% Liveness
15% Instrumentalness • 32% Positiveness
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Cotton Jones
Nicotine Canaries
106 bpm • B Maj • 03:57 • -8db
24% Popularity • 48% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 48% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Kurt Vile
Never Run Away - String Synth
108 bpm • D# Maj • 03:24 • -5.41db
17% Popularity • 48% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 48% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Clap Your Hands Say Yeah
Yankee Go Home
106 bpm • A min • 03:31 • -2.41db
16% Popularity • 42% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 42% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Arcade Fire
Infinite_Content
105 bpm • A# Maj • 01:41 • -12.32db
34% Popularity • 52% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 52% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 59% Positiveness
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Deerhunter
Element
105 bpm • B min • 02:59 • -6.2db
23% Popularity • 48% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 48% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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The Clientele
Lunar Days
109 bpm • A Maj • 04:13 • -7db
16% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Benjamin Gibbard
The Concept
109 bpm • G Maj • 08:05 • -7.88db
24% Popularity • 23% Danceability • 60% Energy • 9% Liveness
29% Instrumentalness • 18% Positiveness
24% Popularity • 23% Danceability • 60% Energy • 9% Liveness
29% Instrumentalness • 18% Positiveness
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Kurt Vile
Hysteria
106 bpm • G Maj • 05:22 • -4.79db
29% Popularity • 64% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Tapes 'n Tapes
Freak Out
109 bpm • A Maj • 04:05 • -5.24db
30% Popularity • 55% Danceability • 86% Energy • 28% Liveness
24% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 86% Energy • 28% Liveness
24% Instrumentalness • 44% Positiveness
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Grizzly Bear
Three Rings
109 bpm • B min • 04:48 • -6.16db
36% Popularity • 51% Danceability • 88% Energy • 8% Liveness
63% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 88% Energy • 8% Liveness
63% Instrumentalness • 15% Positiveness
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Amen Dunes
Splits Are Parted
104 bpm • D Maj • 03:51 • -6.67db
27% Popularity • 47% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 23% Positiveness
27% Popularity • 47% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 23% Positiveness
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Hand Habits
All the While
104 bpm • F Maj • 05:16 • -9.35db
11% Popularity • 47% Danceability • 45% Energy • 15% Liveness
76% Instrumentalness • 43% Positiveness
11% Popularity • 47% Danceability • 45% Energy • 15% Liveness
76% Instrumentalness • 43% Positiveness
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Clap Your Hands Say Yeah
A Chance to Cure
105 bpm • D Maj • 03:36 • -8.89db
14% Popularity • 45% Danceability • 72% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
14% Popularity • 45% Danceability • 72% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
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Kurt Vile
The Ghost of Freddie Roach
109 bpm • D Maj • 06:22 • -4.38db
16% Popularity • 53% Danceability • 88% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
16% Popularity • 53% Danceability • 88% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
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Twerps
I Don't Mind
110 bpm • D Maj • 05:29 • -8.7db
8% Popularity • 62% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 52% Positiveness
8% Popularity • 62% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 52% Positiveness
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Rogue Wave
Memento Mori
110 bpm • C# Maj • 05:14 • -9.77db
19% Popularity • 57% Danceability • 44% Energy • 9% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 57% Danceability • 44% Energy • 9% Liveness
74% Instrumentalness • 13% Positiveness
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Lower Dens
Non Grata
110 bpm • E min • 02:59 • -12.26db
17% Popularity • 62% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
17% Popularity • 62% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Porches
Be Apart
110 bpm • F# min • 03:05 • -7.94db
31% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tapes 'n Tapes
People You Know
110 bpm • B Maj • 02:33 • -7.43db
23% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alec Ounsworth
Bones in the Grave
110 bpm • B min • 03:24 • -6.91db
3% Popularity • 66% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 66% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Broken Social Scene
Gonna Get Better
104 bpm • D Maj • 05:10 • -5db
18% Popularity • 51% Danceability • 89% Energy • 11% Liveness
18% Instrumentalness • 26% Positiveness
18% Popularity • 51% Danceability • 89% Energy • 11% Liveness
18% Instrumentalness • 26% Positiveness
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Whitney
The Falls
110 bpm • A# Maj • 02:20 • -5.7db
39% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
39% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
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Sharaya Summers
Haunted
111 bpm • G# Maj • 04:01 • -7.63db
9% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Slow Club
Silver Morning
111 bpm • C# min • 04:53 • -11.9db
10% Popularity • 45% Danceability • 43% Energy • 30% Liveness
12% Instrumentalness • 37% Positiveness
10% Popularity • 45% Danceability • 43% Energy • 30% Liveness
12% Instrumentalness • 37% Positiveness
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Vetiver
Stranger Still
111 bpm • C# min • 07:00 • -9db
27% Popularity • 69% Danceability • 83% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 69% Danceability • 83% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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The War On Drugs
Come To The City
111 bpm • C# Maj • 04:31 • -7.07db
37% Popularity • 30% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
37% Popularity • 30% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Kurt Vile
Kidding Around
103 bpm • D# min • 04:27 • -10.26db
29% Popularity • 55% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 69% Positiveness
29% Popularity • 55% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 69% Positiveness
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Ultimate Painting
Break the Chain
112 bpm • G Maj • 03:03 • -8.65db
15% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fleet Foxes
Fool's Errand
112 bpm • A min • 04:48 • -6.45db
38% Popularity • 37% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
38% Popularity • 37% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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The Besnard Lakes
Albatross
112 bpm • A Maj • 04:42 • -5db
19% Popularity • 37% Danceability • 89% Energy • 32% Liveness
68% Instrumentalness • 26% Positiveness
19% Popularity • 37% Danceability • 89% Energy • 32% Liveness
68% Instrumentalness • 26% Positiveness
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Deerhunter
Duplex Planet
112 bpm • C# min • 02:40 • -5.83db
26% Popularity • 47% Danceability • 88% Energy • 8% Liveness
22% Instrumentalness • 55% Positiveness
26% Popularity • 47% Danceability • 88% Energy • 8% Liveness
22% Instrumentalness • 55% Positiveness
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Low
What Part of Me
112 bpm • A Maj • 03:08 • -8.17db
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Kurt Vile
Runner Ups
102 bpm • D# min • 04:00 • -6.86db
34% Popularity • 36% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
34% Popularity • 36% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
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Wild Beasts
The Devil's Crayon
112 bpm • G# Maj • 03:38 • -7db
25% Popularity • 51% Danceability • 85% Energy • 11% Liveness
7% Instrumentalness • 81% Positiveness
25% Popularity • 51% Danceability • 85% Energy • 11% Liveness
7% Instrumentalness • 81% Positiveness
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Kelley Stoltz
Empty Kicks
112 bpm • A min • 04:20 • -5.05db
12% Popularity • 61% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 61% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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The Dears
1998
102 bpm • C Maj • 03:50 • -7.19db
9% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Deerhunter
Breaker
112 bpm • A min • 03:31 • -7db
34% Popularity • 58% Danceability • 68% Energy • 30% Liveness
58% Instrumentalness • 59% Positiveness
34% Popularity • 58% Danceability • 68% Energy • 30% Liveness
58% Instrumentalness • 59% Positiveness
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The War On Drugs
Brothers
112 bpm • C min • 05:13 • -9.56db
30% Popularity • 58% Danceability • 69% Energy • 31% Liveness
70% Instrumentalness • 69% Positiveness
30% Popularity • 58% Danceability • 69% Energy • 31% Liveness
70% Instrumentalness • 69% Positiveness
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Beirut
August Holland
112 bpm • D# min • 03:30 • -6.61db
35% Popularity • 66% Danceability • 60% Energy • 22% Liveness
78% Instrumentalness • 97% Positiveness
35% Popularity • 66% Danceability • 60% Energy • 22% Liveness
78% Instrumentalness • 97% Positiveness
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Dirty Projectors
Keep Your Name
112 bpm • C min • 04:30 • -7.44db
27% Popularity • 54% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 54% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Clap Your Hands Say Yeah
Gimmie Some Salt
102 bpm • G Maj • 03:03 • -6.52db
33% Popularity • 71% Danceability • 68% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
33% Popularity • 71% Danceability • 68% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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LCD Soundsystem
i used to
113 bpm • B min • 05:32 • -8db
30% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Cass McCombs
Minimum Wage
113 bpm • G Maj • 03:07 • -9db
21% Popularity • 62% Danceability • 55% Energy • 7% Liveness
27% Instrumentalness • 24% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 7% Liveness
27% Instrumentalness • 24% Positiveness
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Deerhunter
All the Same
113 bpm • B Maj • 03:05 • -6db
31% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Happyness
Falling Down
113 bpm • E Maj • 05:11 • -5.33db
9% Popularity • 26% Danceability • 70% Energy • 15% Liveness
79% Instrumentalness • 40% Positiveness
9% Popularity • 26% Danceability • 70% Energy • 15% Liveness
79% Instrumentalness • 40% Positiveness
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Foxygen
No Destruction
113 bpm • D Maj • 04:56 • -8db
39% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Whyte Horses
The Snowfalls
113 bpm • C Maj • 03:54 • -4.39db
22% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
22% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
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The Building
Have to Forgive
113 bpm • C# min • 05:04 • -10.81db
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Ultimate Painting
The Ocean
113 bpm • C# min • 02:35 • -7.9db
25% Popularity • 68% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 68% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Someone Still Loves You Boris Yeltsin
Harrison Ford
113 bpm • E Maj • 03:28 • -8.95db
28% Popularity • 62% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
28% Popularity • 62% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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Hamilton Leithauser
The Smallest Splinter
101 bpm • B min • 04:22 • -5.13db
17% Popularity • 52% Danceability • 85% Energy • 10% Liveness
60% Instrumentalness • 10% Positiveness
17% Popularity • 52% Danceability • 85% Energy • 10% Liveness
60% Instrumentalness • 10% Positiveness
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Bonny Doon
I Am Here (I Am Alive)
114 bpm • B min • 05:23 • -12.32db
27% Popularity • 64% Danceability • 50% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
27% Popularity • 64% Danceability • 50% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
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Grandaddy
Way We Won't
114 bpm • E Maj • 04:21 • -7.15db
29% Popularity • 55% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
29% Popularity • 55% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Cass McCombs
In A Chinese Alley
114 bpm • C Maj • 03:15 • -9.05db
21% Popularity • 61% Danceability • 71% Energy • 19% Liveness
58% Instrumentalness • 69% Positiveness
21% Popularity • 61% Danceability • 71% Energy • 19% Liveness
58% Instrumentalness • 69% Positiveness
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Ultimate Painting
Monday Morning, Somewhere Central
114 bpm • G Maj • 02:53 • -10.2db
25% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Rostam
Gwan
100 bpm • A Maj • 04:45 • -10.48db
30% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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EL VY
Sleepin' Light
100 bpm • G min • 03:43 • -7.45db
23% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Shins
Fantasy Island
100 bpm • C Maj • 04:46 • -7.71db
28% Popularity • 50% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 50% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Deerhunter
Living My Life
100 bpm • F# Maj • 03:49 • -7.43db
27% Popularity • 54% Danceability • 74% Energy • 8% Liveness
81% Instrumentalness • 44% Positiveness
27% Popularity • 54% Danceability • 74% Energy • 8% Liveness
81% Instrumentalness • 44% Positiveness
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Hamilton Leithauser
Sick as a Dog
100 bpm • C Maj • 04:33 • -7.85db
36% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Grizzly Bear
Sky Took Hold
115 bpm • F# min • 05:32 • -6.88db
27% Popularity • 34% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
27% Popularity • 34% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Department Of Eagles
No One Does It Like You
115 bpm • C# min • 03:58 • -5.21db
29% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Damien Jurado
Cinco de Tomorrow
115 bpm • G# Maj • 03:27 • -7.7db
21% Popularity • 64% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 75% Positiveness
21% Popularity • 64% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 75% Positiveness
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Meursault
Simple is Good
115 bpm • G Maj • 03:48 • -8.75db
10% Popularity • 59% Danceability • 36% Energy • 10% Liveness
38% Instrumentalness • 15% Positiveness
10% Popularity • 59% Danceability • 36% Energy • 10% Liveness
38% Instrumentalness • 15% Positiveness
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Lovers
Boxer
115 bpm • D Maj • 04:19 • -9.04db
17% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Grandaddy
The Boat Is in the Barn
115 bpm • D Maj • 04:38 • -8.36db
17% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ultimate Painting
Out In the Cold
115 bpm • A Maj • 03:08 • -7.59db
21% Popularity • 65% Danceability • 69% Energy • 14% Liveness
18% Instrumentalness • 58% Positiveness
21% Popularity • 65% Danceability • 69% Energy • 14% Liveness
18% Instrumentalness • 58% Positiveness
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Deerhunter
Plains
115 bpm • B min • 02:13 • -5.68db
25% Popularity • 67% Danceability • 83% Energy • 13% Liveness
28% Instrumentalness • 80% Positiveness
25% Popularity • 67% Danceability • 83% Energy • 13% Liveness
28% Instrumentalness • 80% Positiveness
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Chad VanGaalen
All Will Combine
115 bpm • D Maj • 03:04 • -5.98db
12% Popularity • 71% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 71% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Amen Dunes
Lilac In Hand
116 bpm • C Maj • 03:28 • -10.3db
28% Popularity • 61% Danceability • 53% Energy • 10% Liveness
27% Instrumentalness • 73% Positiveness
28% Popularity • 61% Danceability • 53% Energy • 10% Liveness
27% Instrumentalness • 73% Positiveness
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BC Camplight
You Should've Gone to School
116 bpm • G Maj • 04:29 • -9db
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
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Lower Dens
Real Thing
98 bpm • C Maj • 04:16 • -9db
18% Popularity • 57% Danceability • 62% Energy • 14% Liveness
12% Instrumentalness • 18% Positiveness
18% Popularity • 57% Danceability • 62% Energy • 14% Liveness
12% Instrumentalness • 18% Positiveness
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Hamilton Leithauser
My Reward
116 bpm • B min • 04:31 • -8.56db
24% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Deerhunter
Take Care
99 bpm • F# Maj • 04:12 • -7.6db
24% Popularity • 47% Danceability • 68% Energy • 65% Liveness
1% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 68% Energy • 65% Liveness
1% Instrumentalness • 36% Positiveness
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Slow Club
Ancient Rolling Sea
117 bpm • C Maj • 04:55 • -10.66db
12% Popularity • 59% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 59% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Alec Ounsworth
When You've No Eyes
98 bpm • F# min • 05:16 • -10.87db
2% Popularity • 50% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
2% Popularity • 50% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Yuck
Southern Skies
98 bpm • C Maj • 05:05 • -14.49db
32% Popularity • 61% Danceability • 31% Energy • 12% Liveness
57% Instrumentalness • 10% Positiveness
32% Popularity • 61% Danceability • 31% Energy • 12% Liveness
57% Instrumentalness • 10% Positiveness
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The Walkmen
Another One Goes By
98 bpm • A# Maj • 03:56 • -4.55db
34% Popularity • 47% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 47% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
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Broken Social Scene
Vanity Pail Kids
117 bpm • B min • 03:59 • -4.26db
18% Popularity • 51% Danceability • 98% Energy • 28% Liveness
71% Instrumentalness • 25% Positiveness
18% Popularity • 51% Danceability • 98% Energy • 28% Liveness
71% Instrumentalness • 25% Positiveness
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Girls
Alex
117 bpm • E Maj • 04:50 • -7.95db
24% Popularity • 54% Danceability • 76% Energy • 14% Liveness
77% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 76% Energy • 14% Liveness
77% Instrumentalness • 31% Positiveness
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Summer Moon
With You Tonight
117 bpm • B min • 03:22 • -7.44db
25% Popularity • 63% Danceability • 86% Energy • 17% Liveness
6% Instrumentalness • 97% Positiveness
25% Popularity • 63% Danceability • 86% Energy • 17% Liveness
6% Instrumentalness • 97% Positiveness
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Clap Your Hands Say Yeah
Arm and Hammer
117 bpm • E Maj • 01:59 • -4.68db
10% Popularity • 56% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 56% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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The War On Drugs
Taking The Farm
98 bpm • C Maj • 04:00 • -6.94db
34% Popularity • 41% Danceability • 98% Energy • 14% Liveness
24% Instrumentalness • 42% Positiveness
34% Popularity • 41% Danceability • 98% Energy • 14% Liveness
24% Instrumentalness • 42% Positiveness
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EL VY
Paul Is Alive
98 bpm • F# min • 03:30 • -7.5db
32% Popularity • 40% Danceability • 54% Energy • 7% Liveness
11% Instrumentalness • 64% Positiveness
32% Popularity • 40% Danceability • 54% Energy • 7% Liveness
11% Instrumentalness • 64% Positiveness
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Wolf Parade
Fine Young Cannibals
117 bpm • C Maj • 06:31 • -9.88db
38% Popularity • 60% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 62% Positiveness
38% Popularity • 60% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 62% Positiveness
