Songs like The Pleasure Will Be Mine by Dave Curley
Based on a tempo of (+/- 10%) and a similar genre
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Dave Curley
The Pleasure Will Be Mine
132 bpm • C Maj • 04:54 • -13.67db
8% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Niamh Farrell
Me, Myself
132 bpm • C Maj • 03:16 • -12.3db
12% Popularity • 53% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
12% Popularity • 53% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
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Salt House
Working for Zeus
132 bpm • E Maj • 04:03 • -11.71db
14% Popularity • 27% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 27% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
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Calum Stewart
The Bell of Ardclach
132 bpm • F Maj • 05:53 • -11.62db
31% Popularity • 39% Danceability • 37% Energy • 28% Liveness
97% Instrumentalness • 47% Positiveness
31% Popularity • 39% Danceability • 37% Energy • 28% Liveness
97% Instrumentalness • 47% Positiveness
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Ashley Davis
Horses
132 bpm • D Maj • 04:10 • -16.33db
11% Popularity • 62% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 62% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Blazin' Fiddles
Braehead Cottage
132 bpm • D Maj • 04:10 • -6db
21% Popularity • 48% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 48% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Siobhan Miller
Bonny Light Horseman
133 bpm • C Maj • 05:12 • -12.68db
28% Popularity • 35% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
28% Popularity • 35% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Ross Ainslie
Sisters
133 bpm • A Maj • 05:20 • -11.6db
29% Popularity • 39% Danceability • 46% Energy • 15% Liveness
94% Instrumentalness • 62% Positiveness
29% Popularity • 39% Danceability • 46% Energy • 15% Liveness
94% Instrumentalness • 62% Positiveness
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Mànran
The Open Door
131 bpm • C Maj • 03:47 • -11.29db
32% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Andrea Zonn
Standing Still
131 bpm • C Maj • 03:38 • -10.98db
8% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Fourwinds
Farewell to the Gold
133 bpm • G Maj • 04:35 • -7.96db
10% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Katie Kirk
The Snow It Melts the Soonest
133 bpm • B min • 04:09 • -9.73db
20% Popularity • 54% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Ten Strings and a Goat Skin
The Grey Funnel Line
133 bpm • E Maj • 03:29 • -9.11db
26% Popularity • 40% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 40% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Siobhan Miller
Tranent
133 bpm • A Maj • 03:06 • -10db
30% Popularity • 57% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 57% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Dave Curley
Slievethoul
131 bpm • C Maj • 01:22 • -19.08db
2% Popularity • 60% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
2% Popularity • 60% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Sean Tyrrell
The Rising of the Moon
133 bpm • C# Maj • 03:36 • -9.69db
15% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Julie Fowlis
An tEarrach Thiar
130 bpm • A# Maj • 02:27 • -11.14db
22% Popularity • 39% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 39% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Karan Casey
The Nightingale
130 bpm • C# min • 04:05 • -13.5db
8% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Tannahill Weavers
The Braes O'Balquhidder
130 bpm • D# Maj • 03:51 • -14.55db
14% Popularity • 37% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 37% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Ashley Davis
His Bride I'll Be
130 bpm • C min • 05:09 • -13.31db
8% Popularity • 44% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
8% Popularity • 44% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Ali Levack
Debut
134 bpm • D# Maj • 03:49 • -10db
9% Popularity • 36% Danceability • 34% Energy • 27% Liveness
43% Instrumentalness • 29% Positiveness
9% Popularity • 36% Danceability • 34% Energy • 27% Liveness
43% Instrumentalness • 29% Positiveness
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Dàibhidh Stiùbhard
A Stór Mó Chroí
130 bpm • C# min • 03:44 • -19db
12% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Old Blind Dogs
Earl O March's Daughter
130 bpm • F Maj • 05:08 • -11.2db
8% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Karan Casey
Martinmas Time
130 bpm • C# Maj • 04:43 • -7.14db
8% Popularity • 61% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 61% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Eamon O'leary
Bonny George Campbell
130 bpm • D# Maj • 04:33 • -13.03db
12% Popularity • 64% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
12% Popularity • 64% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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Sean Muldoon
The Final Salute
130 bpm • D min • 04:54 • -10.81db
1% Popularity • 34% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 34% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Finn Magill
The Littlest Doyle
130 bpm • D Maj • 04:04 • -15.29db
8% Popularity • 60% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Salt House
Staring at Stars
130 bpm • C Maj • 04:09 • -10.31db
11% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kasír
Moonrise
135 bpm • A# Maj • 03:58 • -16.69db
39% Popularity • 42% Danceability • 10% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
39% Popularity • 42% Danceability • 10% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
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Julie Fowlis
Piuthrag Nam Piuth'r
129 bpm • C# Maj • 04:05 • -8.7db
20% Popularity • 37% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 37% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Siobhan Miller
Now You Need Me
135 bpm • C Maj • 04:51 • -10.81db
16% Popularity • 46% Danceability • 34% Energy • 11% Liveness
36% Instrumentalness • 39% Positiveness
16% Popularity • 46% Danceability • 34% Energy • 11% Liveness
36% Instrumentalness • 39% Positiveness
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The Gothard Sisters
I Courted a Sailor
129 bpm • A Maj • 03:48 • -7.99db
21% Popularity • 44% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 44% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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David Gibb & Elly Lucas
Old Chairs to Mend
135 bpm • F Maj • 03:59 • -8.52db
15% Popularity • 65% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 65% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Karine Polwart
Travel These Ways
129 bpm • A# Maj • 03:17 • -14.93db
24% Popularity • 52% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 52% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Wailin' Jennys
Goin' Down the Road
129 bpm • F Maj • 03:55 • -17.3db
19% Popularity • 43% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 43% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Windborne
Lady of the Harbor
129 bpm • C# Maj • 03:16 • -10.69db
12% Popularity • 48% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 48% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Siobhan Miller
I Won't Let You Let Me Down
129 bpm • G Maj • 04:44 • -12.57db
8% Popularity • 38% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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The Gothard Sisters
It's the Little Things
135 bpm • E Maj • 03:39 • -12.26db
23% Popularity • 27% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
23% Popularity • 27% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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John McCutcheon
Rambling Irishman
129 bpm • D Maj • 05:22 • -9.59db
27% Popularity • 34% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 34% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Josie Duncan
The Great Escape
129 bpm • G# Maj • 03:41 • -16.35db
8% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Dolores Keane
Strange Affair
136 bpm • D Maj • 03:42 • -21.19db
20% Popularity • 46% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Madi Diaz
One Less Question
136 bpm • D Maj • 03:10 • -12.16db
49% Popularity • 61% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 61% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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John Doyle
The Apprentice Boy
136 bpm • E Maj • 03:48 • -9.11db
16% Popularity • 39% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 39% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dave Curley
Beneath White Stars
136 bpm • C min • 03:32 • -11.46db
0% Popularity • 59% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 59% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmy Aldridge & Sid Goldsmith
Reedcutter's Daughter
128 bpm • D# Maj • 05:05 • -12.97db
10% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Iona Fyfe
Guise of Tough
128 bpm • C Maj • 05:21 • -8.14db
18% Popularity • 75% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 75% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Breabach
Mogaisean
128 bpm • G# Maj • 03:27 • -6db
18% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Jackie Oates
Spring Is Coming Soon
127 bpm • G Maj • 02:26 • -14.97db
20% Popularity • 50% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 50% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Goitse
An Bonnán Buí
137 bpm • G Maj • 04:02 • -8db
9% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Cup O’Joe
Navigator
127 bpm • D Maj • 03:24 • -12.32db
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Lady Maisery
The Crow on the Cradle
127 bpm • G Maj • 04:10 • -14.47db
23% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Talisk
Crossing
127 bpm • D Maj • 04:10 • -5db
25% Popularity • 50% Danceability • 57% Energy • 33% Liveness
29% Instrumentalness • 75% Positiveness
25% Popularity • 50% Danceability • 57% Energy • 33% Liveness
29% Instrumentalness • 75% Positiveness
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Martin Simpson
Cherry Tree Carol
126 bpm • D Maj • 04:33 • -11.51db
11% Popularity • 49% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 49% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Claire Hastings
Annie Laurie
138 bpm • A Maj • 02:56 • -9.32db
13% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Goitse
Tall Tales
137 bpm • A Maj • 03:37 • -12db
25% Popularity • 37% Danceability • 60% Energy • 16% Liveness
2% Instrumentalness • 97% Positiveness
25% Popularity • 37% Danceability • 60% Energy • 16% Liveness
2% Instrumentalness • 97% Positiveness
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Adam Agee
Fead an Iolar (The Eagle's Whistle)
138 bpm • F Maj • 06:09 • -12.7db
10% Popularity • 22% Danceability • 18% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Kathleen MacInnes
Gur Milis Mòrag
126 bpm • G Maj • 03:26 • -14.81db
18% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Olivia Bradley
County Down
126 bpm • A# Maj • 05:27 • -10.58db
21% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Gothard Sisters
Wise One
126 bpm • D# Maj • 04:18 • -10.37db
27% Popularity • 67% Danceability • 54% Energy • 6% Liveness
34% Instrumentalness • 33% Positiveness
27% Popularity • 67% Danceability • 54% Energy • 6% Liveness
34% Instrumentalness • 33% Positiveness
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Karine Polwart
Follow The Heron
126 bpm • A Maj • 03:11 • -9.08db
32% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ímar
L'air mignonne
126 bpm • A Maj • 04:37 • -7db
35% Popularity • 31% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
35% Popularity • 31% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Kasír
P.J. Kings / The Shannon Jig / Micky Qui...
138 bpm • D# Maj • 04:08 • -12.36db
28% Popularity • 52% Danceability • 51% Energy • 12% Liveness
77% Instrumentalness • 96% Positiveness
28% Popularity • 52% Danceability • 51% Energy • 12% Liveness
77% Instrumentalness • 96% Positiveness
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Lúnasa
The Dregs of Birch
138 bpm • A# Maj • 03:51 • -9.41db
15% Popularity • 45% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 45% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Gnoss
Becky's
126 bpm • E Maj • 02:20 • -11.26db
35% Popularity • 55% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 55% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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Dave Curley
The Banks of the Bann
139 bpm • F Maj • 04:23 • -10.14db
2% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Rum Ragged
The Land of Fish and Seals
139 bpm • C# min • 03:43 • -10.58db
19% Popularity • 59% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 59% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Archie Fisher
The Winter It Is Past
139 bpm • A# Maj • 02:23 • -14.51db
27% Popularity • 37% Danceability • 33% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 37% Danceability • 33% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
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Kalos
Fare Thee Well
139 bpm • F Maj • 04:03 • -14.43db
8% Popularity • 34% Danceability • 21% Energy • 11% Liveness
72% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 21% Energy • 11% Liveness
72% Instrumentalness • 14% Positiveness
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The OK Factor
Långt bort i skogen
139 bpm • D Maj • 05:04 • -15.59db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ewan McLennan
Out on the Banks
139 bpm • B Maj • 05:08 • -15db
15% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Iona Fyfe
Bonnie Lass of Fyvie
125 bpm • D# Maj • 05:31 • -10db
19% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Martin Simpson
Fair Annie
125 bpm • D# Maj • 04:04 • -10.49db
12% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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HONEYDEW
Cardboard Wine
125 bpm • C# Maj • 03:38 • -16.37db
13% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ten Strings and a Goat Skin
Coal Not Dole
140 bpm • F Maj • 03:17 • -10.12db
11% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Pete McCormack
Be Brave Tonight
140 bpm • F# Maj • 05:16 • -8.33db
15% Popularity • 41% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 41% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Breabach
Changing World
140 bpm • G# Maj • 04:15 • -10.31db
10% Popularity • 51% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
10% Popularity • 51% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
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Dave Curley
He Tells of the Perfect Beauty
125 bpm • C Maj • 03:31 • -11.85db
2% Popularity • 35% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 35% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kitty Macfarlane
Tide & Time
125 bpm • E Maj • 03:48 • -8.5db
13% Popularity • 44% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 44% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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The Elders
Happy Feet
125 bpm • D Maj • 05:11 • -6.81db
25% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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We Mavericks
Lonesome Valley
140 bpm • D min • 04:21 • -9.32db
7% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Arcady
The Boys Of Barr Na Sraide
140 bpm • F Maj • 04:46 • -16.79db
28% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Salt House
River Redds
140 bpm • D Maj • 04:34 • -12db
13% Popularity • 57% Danceability • 33% Energy • 6% Liveness
9% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 33% Energy • 6% Liveness
9% Instrumentalness • 14% Positiveness
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Dave Curley
The Night Visiting Song
140 bpm • G Maj • 04:30 • -13.79db
8% Popularity • 65% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 65% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Lindsey Wise
Bodhisattva
140 bpm • D Maj • 07:00 • -12.07db
10% Popularity • 46% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
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This Morning
Caught Up
140 bpm • E Maj • 03:09 • -11db
13% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Siobhan Miller
While the Whole World Sleeps
124 bpm • B Maj • 04:00 • -11.9db
24% Popularity • 46% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 26% Positiveness
24% Popularity • 46% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 26% Positiveness
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Jackie Oates
Con Amore La Mi Madre
124 bpm • B Maj • 03:32 • -13.16db
7% Popularity • 34% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Bella Hardy
The Driving of the Deer
124 bpm • C# Maj • 03:19 • -7.84db
27% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Outside Track
Canadee-I-O
124 bpm • F Maj • 03:57 • -8.47db
12% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Gothard Sisters
Rose, Marie and Heather
124 bpm • A Maj • 03:30 • -11.91db
26% Popularity • 55% Danceability • 44% Energy • 8% Liveness
23% Instrumentalness • 59% Positiveness
26% Popularity • 55% Danceability • 44% Energy • 8% Liveness
23% Instrumentalness • 59% Positiveness
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Kitty Macfarlane
Morgan's Pantry
123 bpm • G# Maj • 02:42 • -13.92db
21% Popularity • 44% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Salt House
Lord Ullin's Daughter
123 bpm • A# min • 04:01 • -11.76db
19% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Tulua
Molly gCuach Ní Chuilleanáin
142 bpm • D min • 03:46 • -9.75db
10% Popularity • 50% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 50% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Breabach
Birds of Passage
142 bpm • A# Maj • 03:57 • -9db
21% Popularity • 32% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 32% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Kim Carnie
Give Into Me
123 bpm • E min • 03:14 • -11.87db
21% Popularity • 58% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
21% Popularity • 58% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Fiona Hunter
Jock Hawk's Adventures in Glasgow
123 bpm • B Maj • 04:10 • -9.11db
13% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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We Banjo 3
Marry Me Monday
123 bpm • A Maj • 03:18 • -6.44db
20% Popularity • 44% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 44% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Gráda
Cooler at the Edge
122 bpm • C Maj • 04:47 • -9.25db
16% Popularity • 64% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 64% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
