Songs like The Politics of Quiet: Waltz in 5s (Arr. M. Monk & A. Sniffin for Voices & Chamber Ensemble) by Meredith Monk
Based on a tempo of (+/- 10%) and a similar genre
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Meredith Monk
The Politics of Quiet: Waltz in 5s (Arr....
102 bpm • A# Maj • 03:54 • -11.79db
9% Popularity • 31% Danceability • 15% Energy • 38% Liveness
44% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 15% Energy • 38% Liveness
44% Instrumentalness • 14% Positiveness
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Steve Reich
Music for 18 Musicians: Section I
102 bpm • D Maj • 03:58 • -17db
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Arvo Pärt
Psalom
102 bpm • A min • 05:05 • -35.51db
14% Popularity • 14% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Rebecca Dale
Can't Sleep
103 bpm • A# min • 07:08 • -23db
21% Popularity • 48% Danceability • 18% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 48% Danceability • 18% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
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Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Ryuichi Sakamoto
andata
100 bpm • G# min • 02:44 • -33.4db
21% Popularity • 45% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
21% Popularity • 45% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
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George Frideric Handel
Dank sei dir Gott
104 bpm • A Maj • 04:19 • -9.03db
12% Popularity • 20% Danceability • 44% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 44% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
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Steve Reich
Reich: Nagoya Marimbas, for 2 Marimbas
103 bpm • A min • 04:54 • -20.68db
25% Popularity • 68% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
25% Popularity • 68% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Terry Riley
Riley: Keyboard Study 2 - Brubaker Versi...
100 bpm • D# Maj • 01:13 • -28.68db
29% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
29% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
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Rachel Grimes
Eights
104 bpm • C Maj • 02:06 • -21db
39% Popularity • 24% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 24% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Howard Skempton
Quavers 5
104 bpm • D Maj • 01:27 • -30db
22% Popularity • 62% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
22% Popularity • 62% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Balanescu Quartet
Charades
100 bpm • C Maj • 01:36 • -19.22db
32% Popularity • 58% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
32% Popularity • 58% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Meredith Monk
Impermanence: Totentanz (Arr. D. Lang fo...
100 bpm • G# Maj • 03:12 • -12.48db
7% Popularity • 44% Danceability • 31% Energy • 18% Liveness
34% Instrumentalness • 53% Positiveness
7% Popularity • 44% Danceability • 31% Energy • 18% Liveness
34% Instrumentalness • 53% Positiveness
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John Cage
Apartment House 1776: Harmony No. 1, Coo...
104 bpm • G Maj • 01:33 • -27db
30% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
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Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Kinan Azmeh
The Fence, the Rooftop, and the Distant ...
105 bpm • C Maj • 03:24 • -32.39db
12% Popularity • 36% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
12% Popularity • 36% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Carolina Eyck
Oakunar Lynntuja (Strange Birds)
99 bpm • D Maj • 03:36 • -15.83db
13% Popularity • 32% Danceability • 37% Energy • 35% Liveness
4% Instrumentalness • 53% Positiveness
13% Popularity • 32% Danceability • 37% Energy • 35% Liveness
4% Instrumentalness • 53% Positiveness
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Steve Reich
Runner: I. Sixteenths
99 bpm • D min • 04:30 • -20.53db
19% Popularity • 45% Danceability • 26% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 26% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
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Colleen
Sea Of Tranquillity
106 bpm • G min • 05:46 • -17.42db
15% Popularity • 38% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 4% Positiveness
15% Popularity • 38% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 4% Positiveness
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Mikko Perkola
Komorebi
98 bpm • G min • 05:59 • -23.71db
10% Popularity • 32% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Balanescu Quartet
Slave Raid
98 bpm • A# Maj • 02:21 • -14.22db
29% Popularity • 13% Danceability • 40% Energy • 19% Liveness
87% Instrumentalness • 7% Positiveness
29% Popularity • 13% Danceability • 40% Energy • 19% Liveness
87% Instrumentalness • 7% Positiveness
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Kronos Quartet
The Water Rises
106 bpm • F min • 02:42 • -11db
35% Popularity • 33% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 33% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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TLF Trio
Passacaglia
98 bpm • A# Maj • 04:09 • -17.2db
17% Popularity • 47% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
17% Popularity • 47% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Steve Reich
Nagoya Marimba
106 bpm • A min • 04:35 • -23db
18% Popularity • 53% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 79% Positiveness
18% Popularity • 53% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 79% Positiveness
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Moondog
Für Fritz, Chaconne in A Minor
107 bpm • A Maj • 02:13 • -20.44db
17% Popularity • 78% Danceability • 41% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
17% Popularity • 78% Danceability • 41% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
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John Hollenbeck
Line 3 And Prisoner
107 bpm • D min • 05:23 • -25.31db
2% Popularity • 35% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
2% Popularity • 35% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
98 bpm • D Maj • 01:06 • -13.52db
21% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
97 bpm • A# Maj • 02:17 • -24db
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Arve Henriksen
Budbringeren
97 bpm • G# min • 06:15 • -23.23db
10% Popularity • 14% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Steve Reich
Reich/Richter: Opening
106 bpm • A Maj • 09:08 • -15.99db
15% Popularity • 38% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
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Meredith Monk
Clusters 1
97 bpm • B Maj • 03:17 • -42.84db
11% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
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Evgueni Galperine
This Town Will Burn Before Dawn
107 bpm • C min • 05:10 • -22db
9% Popularity • 16% Danceability • 5% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
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GatoCato
Moonshine
97 bpm • D Maj • 01:14 • -32.09db
21% Popularity • 17% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jürg Frey
Extended Circular Music No. 2
107 bpm • G# min • 03:45 • -39.86db
16% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Iannis Xenakis
6 Chansons: No. 1. Ca sent le musc… (I...
108 bpm • A min • 01:07 • -29.64db
22% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
22% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Steve Reich
Different Trains: America, Before the Wa...
107 bpm • C# Maj • 08:58 • -14.07db
30% Popularity • 40% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 61% Positiveness
30% Popularity • 40% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 61% Positiveness
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Nico Muhly
The Revd Mustard his Installation Prelud...
108 bpm • D Maj • 03:34 • -25db
21% Popularity • 25% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
21% Popularity • 25% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
35% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
37% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
37% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Jane Antonia Cornish
Scattered Light
108 bpm • A Maj • 04:35 • -21.57db
11% Popularity • 33% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
11% Popularity • 33% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Albert Brumley
Some Bright Morning
96 bpm • G# Maj • 05:57 • -13.21db
15% Popularity • 16% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
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David Byrne
Road Song
110 bpm • D# min • 03:19 • -17.53db
11% Popularity • 51% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
11% Popularity • 51% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Terry Riley
Sunrise of the Planetary Dream Collector
109 bpm • E min • 12:32 • -19db
19% Popularity • 42% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Roedelius
Lullaby
96 bpm • A Maj • 02:27 • -26.48db
39% Popularity • 32% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 24% Positiveness
39% Popularity • 32% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 24% Positiveness
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Steve Reich
Electric Counterpoint: II. Slow
96 bpm • B Maj • 03:21 • -19.32db
34% Popularity • 66% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 59% Positiveness
34% Popularity • 66% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 59% Positiveness
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Masayoshi Fujita
Cloud of Light
110 bpm • D Maj • 05:09 • -27.12db
15% Popularity • 26% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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G. I. Gurdjieff
The Waltz
110 bpm • C min • 02:01 • -23.63db
28% Popularity • 41% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
28% Popularity • 41% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Anne Müller
Solo? Repeat!
95 bpm • G# Maj • 06:20 • -18.56db
29% Popularity • 31% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 31% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
22% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
22% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
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Keith Jarrett
Reading Of Sacred Books
110 bpm • A min • 08:17 • -29.87db
20% Popularity • 28% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Steve Reich
Electric Counterpoint: II. Slow
96 bpm • E Maj • 03:22 • -21.87db
28% Popularity • 71% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
28% Popularity • 71% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Jordi Savall
Prelude (Re Mineur) (Abel)
110 bpm • D min • 02:43 • -28.18db
32% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
32% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
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Anja Lechner
Praeludium
111 bpm • C min • 01:42 • -32.14db
16% Popularity • 36% Danceability • 3% Energy • 17% Liveness
9% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 3% Energy • 17% Liveness
9% Instrumentalness • 9% Positiveness
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Meredith Monk
Totentanz
111 bpm • G# Maj • 03:07 • -21.67db
12% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
12% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Steve Reich
Music for 18 Musicians: Section IIIB
111 bpm • E Maj • 03:48 • -22.94db
21% Popularity • 54% Danceability • 24% Energy • 19% Liveness
87% Instrumentalness • 84% Positiveness
21% Popularity • 54% Danceability • 24% Energy • 19% Liveness
87% Instrumentalness • 84% Positiveness
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Karlheinz Stockhausen
Model 1
95 bpm • C min • 01:19 • -30.46db
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Fulvio Caldini
Clockwork Toccata, Op. 68
94 bpm • G min • 03:59 • -21.27db
13% Popularity • 48% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 64% Positiveness
13% Popularity • 48% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 64% Positiveness
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VÃkingur Ólafsson
For Jóhann
111 bpm • C min • 03:03 • -34db
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Meredith Monk
Summer Variation
111 bpm • A min • 03:16 • -22.84db
10% Popularity • 22% Danceability • 6% Energy • 13% Liveness
56% Instrumentalness • 24% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 13% Liveness
56% Instrumentalness • 24% Positiveness
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Redi Hasa
Cherry Flowers
93 bpm • G min • 02:52 • -16.28db
10% Popularity • 70% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
10% Popularity • 70% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
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Steve Reich
Drumming: Part IV - Snippet
111 bpm • F# Maj • 02:53 • -22.95db
15% Popularity • 64% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 64% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Pol
93 bpm • E min • 04:33 • -22db
14% Popularity • 29% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
14% Popularity • 29% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Wayne Hankin
Dusk
93 bpm • D Maj • 02:34 • -18.47db
12% Popularity • 15% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
► Preview
Meredith Monk
Monk: Railroad (Travel Song)
111 bpm • E min • 02:06 • -21.31db
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Caroline Shaw
Plan & Elevation: III. The Herbaceous Bo...
112 bpm • E min • 03:31 • -19.97db
21% Popularity • 20% Danceability • 17% Energy • 11% Liveness
27% Instrumentalness • 3% Positiveness
21% Popularity • 20% Danceability • 17% Energy • 11% Liveness
27% Instrumentalness • 3% Positiveness
► Preview
Tarkovsky Quartet
Nuit blanche
93 bpm • C min • 05:38 • -18db
22% Popularity • 24% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
22% Popularity • 24% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
![Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano] cover art](https://i.scdn.co/image/ab67616d00001e026e2d9085bd785de50c967d1c)
Camille Saint-Saëns
Carnival of the Animals, XIII. Le Cygne ...
93 bpm • G Maj • 03:02 • -25.69db
30% Popularity • 11% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
30% Popularity • 11% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Nico Muhly
A Hudson Cycle
92 bpm • A# min • 02:54 • -27.86db
13% Popularity • 39% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
13% Popularity • 39% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Arvo Pärt
Tabula Rasa: I. Ludus
92 bpm • F Maj • 09:56 • -16.87db
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Steve Reich
New York Counterpoint (Version for Clari...
92 bpm • F# Maj • 04:56 • -18db
11% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
11% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Meredith Monk
Little Breath
92 bpm • D# Maj • 01:43 • -29.3db
9% Popularity • 69% Danceability • 6% Energy • 94% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 69% Danceability • 6% Energy • 94% Liveness
0% Instrumentalness • 50% Positiveness
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Julius Eastman
Femenine: No. 1, Prime
92 bpm • D# Maj • 08:48 • -17.88db
28% Popularity • 20% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
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John Luther Adams
Canticles of the Sky: I. Sky with Four S...
92 bpm • G Maj • 04:24 • -15.68db
12% Popularity • 10% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Henry Cowell
The Tides of Manaunaun - 1912
91 bpm • C# Maj • 02:29 • -20db
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Irena And Vojtech Havlovi
She Is Dissolving
114 bpm • C# min • 02:22 • -30.72db
32% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
37% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Caroline Shaw
Plan & Elevation: IV. The Orangery
115 bpm • A Maj • 02:05 • -15.64db
21% Popularity • 45% Danceability • 35% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
21% Popularity • 45% Danceability • 35% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Meredith Monk
Traces
115 bpm • A min • 01:20 • -27.98db
11% Popularity • 24% Danceability • 2% Energy • 9% Liveness
54% Instrumentalness • 18% Positiveness
11% Popularity • 24% Danceability • 2% Energy • 9% Liveness
54% Instrumentalness • 18% Positiveness
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Terry Riley
Cadenza on the Night Plain: Captain Jack...
115 bpm • C# Maj • 01:44 • -31db
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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David Lang
Amjad Sleeping Panorama
90 bpm • A min • 04:42 • -20.01db
28% Popularity • 35% Danceability • 10% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
28% Popularity • 35% Danceability • 10% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
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Mette Henriette
The Taboo
90 bpm • D Maj • 01:55 • -28db
33% Popularity • 29% Danceability • 0% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 0% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Fabio Caramuru
Hidorigamo
116 bpm • C Maj • 03:42 • -19.42db
10% Popularity • 49% Danceability • 8% Energy • 9% Liveness
15% Instrumentalness • 11% Positiveness
10% Popularity • 49% Danceability • 8% Energy • 9% Liveness
15% Instrumentalness • 11% Positiveness
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Michael Galasso
Chaconne
90 bpm • D Maj • 03:14 • -12.73db
9% Popularity • 28% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
9% Popularity • 28% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
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Meredith Monk
Folkdance
116 bpm • D min • 04:03 • -16db
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
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Terry Riley
G Song (arr. D. Bukowski for marimba and...
116 bpm • G min • 03:42 • -27db
13% Popularity • 43% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
13% Popularity • 43% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Kit Downes
Seeing Things
90 bpm • F min • 02:13 • -33db
18% Popularity • 32% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
18% Popularity • 32% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
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Aleksandra Vrebalov
The Sea Ranch Songs: Elements I
116 bpm • G min • 04:07 • -15db
12% Popularity • 27% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 57% Positiveness
12% Popularity • 27% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 57% Positiveness
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Richard James
Avril 14
90 bpm • G# Maj • 02:10 • -27.05db
20% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
20% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Floraleda Sacchi
Helen's Tune - Cue 1
90 bpm • C min • 01:04 • -35.87db
26% Popularity • 41% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
26% Popularity • 41% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
