Songs like The Poor Loom Weaver by Robert White
Based on a tempo of (+/- 10%) and a similar genre
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Herb Alpert
Spanish Flea
81 bpm • A# Maj • 02:06 • -10db
47% Popularity • 82% Danceability • 55% Energy • 7% Liveness
88% Instrumentalness • 90% Positiveness
47% Popularity • 82% Danceability • 55% Energy • 7% Liveness
88% Instrumentalness • 90% Positiveness
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Keith Mansfield
The Pursuit of Power (A)
81 bpm • F min • 02:44 • -17.63db
9% Popularity • 54% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 54% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Robert White
Funeral March
82 bpm • E min • 01:38 • -13db
1% Popularity • 44% Danceability • 16% Energy • 20% Liveness
98% Instrumentalness • 69% Positiveness
1% Popularity • 44% Danceability • 16% Energy • 20% Liveness
98% Instrumentalness • 69% Positiveness
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Richard Myhill
Hawaiian Cocktail
81 bpm • C Maj • 01:04 • -12.17db
41% Popularity • 32% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
41% Popularity • 32% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Ron Goodwin
A Pirate's Life for Me
80 bpm • G# Maj • 01:04 • -13.86db
26% Popularity • 35% Danceability • 40% Energy • 25% Liveness
93% Instrumentalness • 22% Positiveness
26% Popularity • 35% Danceability • 40% Energy • 25% Liveness
93% Instrumentalness • 22% Positiveness
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Kapono Beamer
Stack of Leis - Remastered
82 bpm • D Maj • 02:52 • -9.32db
28% Popularity • 39% Danceability • 40% Energy • 8% Liveness
47% Instrumentalness • 23% Positiveness
28% Popularity • 39% Danceability • 40% Energy • 8% Liveness
47% Instrumentalness • 23% Positiveness
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Modernmadeit
Arabic Nokia
82 bpm • F min • 01:46 • -10.17db
35% Popularity • 75% Danceability • 33% Energy • 17% Liveness
84% Instrumentalness • 52% Positiveness
35% Popularity • 75% Danceability • 33% Energy • 17% Liveness
84% Instrumentalness • 52% Positiveness
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David Ferguson
A Quiet Time
80 bpm • A Maj • 03:30 • -10.57db
48% Popularity • 71% Danceability • 35% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
48% Popularity • 71% Danceability • 35% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
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Vincent O'Brien
The Fairy Tree
80 bpm • F# Maj • 02:32 • -25.69db
0% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Kevin MacLeod
Gaslamp Funworks
82 bpm • C Maj • 02:28 • -10db
20% Popularity • 66% Danceability • 58% Energy • 16% Liveness
65% Instrumentalness • 55% Positiveness
20% Popularity • 66% Danceability • 58% Energy • 16% Liveness
65% Instrumentalness • 55% Positiveness
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Flixterr
PIZZATRON
80 bpm • C min • 01:24 • -10.95db
27% Popularity • 65% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
27% Popularity • 65% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
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George Kulokahai and His Island Serenaders
Aloha Oe
80 bpm • C Maj • 03:00 • -16.56db
42% Popularity • 48% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 44% Positiveness
42% Popularity • 48% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 44% Positiveness
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Tadeusz Rozycki
Rococo Rondo
80 bpm • F Maj • 02:06 • -13db
11% Popularity • 62% Danceability • 36% Energy • 6% Liveness
64% Instrumentalness • 94% Positiveness
11% Popularity • 62% Danceability • 36% Energy • 6% Liveness
64% Instrumentalness • 94% Positiveness
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M.S. Art
American National Anthem
79 bpm • A# Maj • 01:20 • -8.79db
37% Popularity • 22% Danceability • 30% Energy • 34% Liveness
99% Instrumentalness • 49% Positiveness
37% Popularity • 22% Danceability • 30% Energy • 34% Liveness
99% Instrumentalness • 49% Positiveness
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Robert White
The Stockton Hornpipe
79 bpm • F# Maj • 01:42 • -13.58db
3% Popularity • 45% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 43% Positiveness
3% Popularity • 45% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 43% Positiveness
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Glocal Orchestra
USA - The Star Spangled Banner - America...
83 bpm • A# Maj • 01:18 • -13db
32% Popularity • 43% Danceability • 16% Energy • 17% Liveness
34% Instrumentalness • 69% Positiveness
32% Popularity • 43% Danceability • 16% Energy • 17% Liveness
34% Instrumentalness • 69% Positiveness
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Sea of Thieves
Grogg Mayles
83 bpm • F Maj • 01:52 • -12db
38% Popularity • 68% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 68% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 69% Positiveness
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Kapono Beamer
Stack of Leis
83 bpm • G Maj • 01:46 • -18db
36% Popularity • 40% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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The San Miguel Master Chorale
Da Coconut Nut - The Coconut Song
84 bpm • C Maj • 03:33 • -9db
48% Popularity • 54% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 54% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Cécile Chaminade
The Little Silver Ring (English Version)
78 bpm • F Maj • 02:18 • -27.04db
1% Popularity • 39% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 39% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Robert White
The Foggy Dew
79 bpm • F# Maj • 01:44 • -12.97db
1% Popularity • 60% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 60% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Simpsons
"The Simpsons" Main Title Theme
85 bpm • C Maj • 01:23 • -8db
39% Popularity • 43% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 24% Positiveness
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Sea of Thieves
Infernal Galop (Can-Can)
78 bpm • D Maj • 02:14 • -10.73db
31% Popularity • 64% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 64% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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CJ Music
Secret Tunnel
85 bpm • G# Maj • 02:06 • -16.57db
53% Popularity • 58% Danceability • 35% Energy • 9% Liveness
9% Instrumentalness • 57% Positiveness
53% Popularity • 58% Danceability • 35% Energy • 9% Liveness
9% Instrumentalness • 57% Positiveness
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Jack Shaindlin
Untitled Tune
77 bpm • D min • 02:36 • -14.62db
8% Popularity • 44% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
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May Brahe
Bless This House
84 bpm • D# Maj • 02:41 • -18.01db
0% Popularity • 31% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 31% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Richard Myhill
Woe Is Me!
86 bpm • C Maj • 01:03 • -12.8db
36% Popularity • 25% Danceability • 19% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
36% Popularity • 25% Danceability • 19% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
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Robert White
The Rolling Hills
84 bpm • E min • 01:06 • -15db
0% Popularity • 10% Danceability • 24% Energy • 11% Liveness
59% Instrumentalness • 19% Positiveness
0% Popularity • 10% Danceability • 24% Energy • 11% Liveness
59% Instrumentalness • 19% Positiveness
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Arne arr Perkins
Rule Britannia
86 bpm • G# Maj • 01:13 • -10.12db
30% Popularity • 59% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
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Laurie Johnson
Lonely Stranger
86 bpm • G# Maj • 02:22 • -15db
15% Popularity • 14% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
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Backflip Studios
DragonVale Official Theme
87 bpm • D# Maj • 01:20 • -16.07db
27% Popularity • 30% Danceability • 16% Energy • 12% Liveness
14% Instrumentalness • 33% Positiveness
27% Popularity • 30% Danceability • 16% Energy • 12% Liveness
14% Instrumentalness • 33% Positiveness
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Eric Coates
Bird Songs at Eventide
86 bpm • G Maj • 02:50 • -23.09db
3% Popularity • 35% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
3% Popularity • 35% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Kevin MacLeod
Sneaky Snitch
87 bpm • D Maj • 02:16 • -22.76db
50% Popularity • 90% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
50% Popularity • 90% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Robert White
Loch Lomond
77 bpm • A Maj • 01:42 • -19.11db
0% Popularity • 19% Danceability • 5% Energy • 24% Liveness
82% Instrumentalness • 76% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 24% Liveness
82% Instrumentalness • 76% Positiveness
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Roland Cedermark
La Vie en Rose
75 bpm • C Maj • 02:44 • -10db
32% Popularity • 32% Danceability • 36% Energy • 5% Liveness
30% Instrumentalness • 12% Positiveness
32% Popularity • 32% Danceability • 36% Energy • 5% Liveness
30% Instrumentalness • 12% Positiveness
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Kapono Beamer
Dancing the Hula - Remastered
75 bpm • G Maj • 01:35 • -7.47db
40% Popularity • 49% Danceability • 59% Energy • 32% Liveness
91% Instrumentalness • 88% Positiveness
40% Popularity • 49% Danceability • 59% Energy • 32% Liveness
91% Instrumentalness • 88% Positiveness
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Ben Morfitt (SquidPhysics)
Banjo Kazooie Theme
75 bpm • C Maj • 01:03 • -9.64db
15% Popularity • 68% Danceability • 64% Energy • 9% Liveness
82% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 64% Energy • 9% Liveness
82% Instrumentalness • 92% Positiveness
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Anonymous
Drink to Me Only with Thine Eyes (Arr. Q...
76 bpm • F Maj • 02:45 • -21.31db
0% Popularity • 34% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Kevin MacLeod
Cipher
75 bpm • A Maj • 03:51 • -21.89db
42% Popularity • 56% Danceability • 18% Energy • 30% Liveness
35% Instrumentalness • 16% Positiveness
42% Popularity • 56% Danceability • 18% Energy • 30% Liveness
35% Instrumentalness • 16% Positiveness
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Robert White
The Pirate's Waltz
76 bpm • D Maj • 01:21 • -12.53db
11% Popularity • 66% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 66% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Fatty Spins
Doin' Your Mom
88 bpm • F# min • 03:28 • -1.5db
35% Popularity • 54% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 54% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Alexander Gray
Immersed in Daydreams
75 bpm • A Maj • 02:09 • -10.12db
0% Popularity • 7% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Gamer Boy
Tetris Gameboy A Type Music
75 bpm • A min • 03:35 • -9.4db
10% Popularity • 44% Danceability • 57% Energy • 20% Liveness
85% Instrumentalness • 97% Positiveness
10% Popularity • 44% Danceability • 57% Energy • 20% Liveness
85% Instrumentalness • 97% Positiveness
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Frances Allitsen
The Lord Is My Light
86 bpm • D Maj • 03:24 • -15.65db
1% Popularity • 29% Danceability • 24% Energy • 7% Liveness
13% Instrumentalness • 23% Positiveness
1% Popularity • 29% Danceability • 24% Energy • 7% Liveness
13% Instrumentalness • 23% Positiveness
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Laurie Johnson
Gala Premiere
74 bpm • G Maj • 02:48 • -10db
19% Popularity • 21% Danceability • 59% Energy • 38% Liveness
3% Instrumentalness • 49% Positiveness
19% Popularity • 21% Danceability • 59% Energy • 38% Liveness
3% Instrumentalness • 49% Positiveness
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Robert White
Morrison Jig
87 bpm • E min • 01:16 • -25.65db
1% Popularity • 44% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
1% Popularity • 44% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
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Daniel Janin
Superquick
89 bpm • F Maj • 02:29 • -6.76db
10% Popularity • 71% Danceability • 86% Energy • 33% Liveness
34% Instrumentalness • 97% Positiveness
10% Popularity • 71% Danceability • 86% Energy • 33% Liveness
34% Instrumentalness • 97% Positiveness
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Johnny Pearson
Graveyard (1 & 2)
89 bpm • C Maj • 03:18 • -17.87db
14% Popularity • 38% Danceability • 32% Energy • 51% Liveness
89% Instrumentalness • 33% Positiveness
14% Popularity • 38% Danceability • 32% Energy • 51% Liveness
89% Instrumentalness • 33% Positiveness
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Don Meehan and the Dave Carey Orchestra
Hello My Baby
89 bpm • D Maj • 01:17 • -10db
34% Popularity • 66% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 66% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Haydn Wood
Roses of Picardy
86 bpm • A min • 04:44 • -20.6db
0% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lalo Schifrin
Magnum Force Theme
90 bpm • F min • 02:10 • -10db
35% Popularity • 47% Danceability • 51% Energy • 7% Liveness
90% Instrumentalness • 53% Positiveness
35% Popularity • 47% Danceability • 51% Energy • 7% Liveness
90% Instrumentalness • 53% Positiveness
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Robert White
My Old Kentucky Home
75 bpm • C Maj • 01:02 • -20.26db
2% Popularity • 74% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 58% Positiveness
2% Popularity • 74% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 58% Positiveness
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Tay Zonday
Chocolate Rain
90 bpm • C min • 04:48 • -9.52db
40% Popularity • 66% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 66% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Christophe Héral
Orchestral Chaos
90 bpm • A Maj • 01:29 • -9.04db
34% Popularity • 63% Danceability • 44% Energy • 7% Liveness
81% Instrumentalness • 51% Positiveness
34% Popularity • 63% Danceability • 44% Energy • 7% Liveness
81% Instrumentalness • 51% Positiveness
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Kapono Beamer
On the Beach - Remastered
90 bpm • G Maj • 01:57 • -8.06db
37% Popularity • 39% Danceability • 63% Energy • 17% Liveness
90% Instrumentalness • 69% Positiveness
37% Popularity • 39% Danceability • 63% Energy • 17% Liveness
90% Instrumentalness • 69% Positiveness
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Oley Speaks
Sylvia
86 bpm • G Maj • 02:17 • -23.15db
0% Popularity • 36% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Hans Ehrlinger
Too Tired
91 bpm • A Maj • 01:03 • -19.75db
3% Popularity • 30% Danceability • 3% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 30% Danceability • 3% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Robert White
Spatial Horizons
75 bpm • C Maj • 02:13 • -23.71db
0% Popularity • 25% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
0% Popularity • 25% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Alexander Gray
Light Upon the Waters
72 bpm • D Maj • 01:59 • -18.98db
0% Popularity • 27% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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David Scott
Bike Rides
91 bpm • D Maj • 01:52 • -10.25db
38% Popularity • 85% Danceability • 34% Energy • 9% Liveness
31% Instrumentalness • 84% Positiveness
38% Popularity • 85% Danceability • 34% Energy • 9% Liveness
31% Instrumentalness • 84% Positiveness
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Tony Kinsey
Nature Reserve
92 bpm • F Maj • 02:57 • -26.05db
12% Popularity • 28% Danceability • 3% Energy • 8% Liveness
40% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 8% Liveness
40% Instrumentalness • 7% Positiveness
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Arthur Penn
Smilin' Through
87 bpm • F Maj • 01:51 • -25.9db
0% Popularity • 28% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 28% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Hans Ehrlinger
Try on and On
91 bpm • A# Maj • 01:03 • -12.97db
6% Popularity • 81% Danceability • 66% Energy • 14% Liveness
91% Instrumentalness • 43% Positiveness
6% Popularity • 81% Danceability • 66% Energy • 14% Liveness
91% Instrumentalness • 43% Positiveness
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Robert White
Anach Cuhan
75 bpm • F# min • 03:00 • -19.46db
0% Popularity • 11% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
0% Popularity • 11% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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The Hiram Olsen Group
Kamakani - Instrumental Version
71 bpm • D# Maj • 02:33 • -23db
43% Popularity • 48% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
43% Popularity • 48% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Larry Robbins
Stars and Games
92 bpm • F Maj • 02:22 • -8.57db
20% Popularity • 72% Danceability • 54% Energy • 20% Liveness
74% Instrumentalness • 90% Positiveness
20% Popularity • 72% Danceability • 54% Energy • 20% Liveness
74% Instrumentalness • 90% Positiveness
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Kevin MacLeod
The Cannery
93 bpm • G min • 03:01 • -8db
25% Popularity • 31% Danceability • 87% Energy • 7% Liveness
77% Instrumentalness • 74% Positiveness
25% Popularity • 31% Danceability • 87% Energy • 7% Liveness
77% Instrumentalness • 74% Positiveness
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Liza Lehmann
Ah, Moon of My Delight
88 bpm • F# Maj • 04:59 • -18.05db
0% Popularity • 30% Danceability • 22% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
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Manfred Minnich Strings
Waltzing Flutes
93 bpm • A Maj • 02:12 • -11db
35% Popularity • 46% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 73% Positiveness
35% Popularity • 46% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 73% Positiveness
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Robert White
Celtic Lament
74 bpm • A Maj • 01:18 • -12.75db
1% Popularity • 23% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
1% Popularity • 23% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
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U.S.N.B.
Kanada - Canada (O Canada) Himno Naciona...
93 bpm • D# Maj • 01:18 • -12.04db
30% Popularity • 28% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
30% Popularity • 28% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Glocal Orchestra
North Korea - Aegukka - Ach’imÅn Pinn...
71 bpm • A# Maj • 01:26 • -10.66db
19% Popularity • 33% Danceability • 31% Energy • 24% Liveness
40% Instrumentalness • 85% Positiveness
19% Popularity • 33% Danceability • 31% Energy • 24% Liveness
40% Instrumentalness • 85% Positiveness
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The Hiram Olsen Group
Queen's Aloha Oe - Slow Tempo Instrument...
71 bpm • F Maj • 02:31 • -24db
33% Popularity • 55% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
33% Popularity • 55% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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George Whitefield Chadwick
Allah
88 bpm • C# min • 01:37 • -24.63db
0% Popularity • 36% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 36% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Dick Walter
Can Can
93 bpm • C Maj • 01:19 • -10.15db
11% Popularity • 85% Danceability • 83% Energy • 3% Liveness
55% Instrumentalness • 98% Positiveness
11% Popularity • 85% Danceability • 83% Energy • 3% Liveness
55% Instrumentalness • 98% Positiveness
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Robert White
Under Steam
88 bpm • D Maj • 01:17 • -10.97db
1% Popularity • 68% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 96% Positiveness
1% Popularity • 68% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 96% Positiveness
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Sam Spence
Ramblin' Man From Gramblin'
70 bpm • F min • 02:37 • -9db
27% Popularity • 56% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Danny Elfman
Augustus Gloop
93 bpm • A min • 03:10 • -11.74db
50% Popularity • 41% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 52% Positiveness
50% Popularity • 41% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 52% Positiveness
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The Hiram Olsen Group
Pua Paoakalani - Instrumental Version
71 bpm • A Maj • 02:05 • -20db
40% Popularity • 46% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
40% Popularity • 46% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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May Brahe
Thanks Be to God
93 bpm • C# Maj • 02:14 • -17.54db
0% Popularity • 32% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
0% Popularity • 32% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Jon Jelmer
Hawaiian Breeze
93 bpm • B min • 01:05 • -13.17db
41% Popularity • 74% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
41% Popularity • 74% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Robert White
Homeland Hills
74 bpm • C Maj • 03:16 • -16.12db
0% Popularity • 20% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
0% Popularity • 20% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Alexander Gray
Across Dream Seas
70 bpm • E min • 02:12 • -24.25db
1% Popularity • 14% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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The Red Army Choir
National Anthem of USSR
70 bpm • A# Maj • 03:42 • -3.6db
44% Popularity • 28% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
44% Popularity • 28% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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![USA - The Star Spangled Banner - Amerikanische Nationalhymne (Das sternenbesetzte Banne) 2 [Gesungene Version] cover art](https://i.scdn.co/image/ab67616d00001e02bc8d14b219359c5418715e3b)
Bruderschaft Orchester
USA - The Star Spangled Banner - Amerika...
95 bpm • A# Maj • 01:24 • -11.46db
19% Popularity • 23% Danceability • 28% Energy • 32% Liveness
9% Instrumentalness • 62% Positiveness
19% Popularity • 23% Danceability • 28% Energy • 32% Liveness
9% Instrumentalness • 62% Positiveness
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Teresa Del Riego
O Dry Those Tears!
73 bpm • G Maj • 03:17 • -20.72db
1% Popularity • 27% Danceability • 17% Energy • 15% Liveness
3% Instrumentalness • 19% Positiveness
1% Popularity • 27% Danceability • 17% Energy • 15% Liveness
3% Instrumentalness • 19% Positiveness
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Jon Jelmer
Hawaiian Flower
95 bpm • B min • 01:35 • -10.54db
39% Popularity • 82% Danceability • 25% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
39% Popularity • 82% Danceability • 25% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
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Ilmari Hakkola
Cake Race
95 bpm • A# min • 01:41 • -11.02db
25% Popularity • 83% Danceability • 61% Energy • 5% Liveness
68% Instrumentalness • 71% Positiveness
25% Popularity • 83% Danceability • 61% Energy • 5% Liveness
68% Instrumentalness • 71% Positiveness
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Robert White
Jack TarÂ’S Reel
89 bpm • G Maj • 01:28 • -9.48db
1% Popularity • 55% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
1% Popularity • 55% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Kevin MacLeod
Investigations
95 bpm • D min • 01:33 • -24.14db
40% Popularity • 89% Danceability • 1% Energy • 12% Liveness
15% Instrumentalness • 37% Positiveness
40% Popularity • 89% Danceability • 1% Energy • 12% Liveness
15% Instrumentalness • 37% Positiveness
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Alexander Gray
Life Luxuriant
95 bpm • D Maj • 02:33 • -11.52db
0% Popularity • 74% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
0% Popularity • 74% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Wilfred Sanderson
God Be with Our Boys Tonight
92 bpm • C Maj • 03:37 • -17.91db
0% Popularity • 32% Danceability • 21% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
0% Popularity • 32% Danceability • 21% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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julie on the internet
club penguin ice fishing theme song
95 bpm • F Maj • 01:00 • -11db
34% Popularity • 89% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 93% Positiveness
34% Popularity • 89% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 93% Positiveness
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Jon Jelmer
Hawaiian Breeze
95 bpm • B min • 01:02 • -20.08db
23% Popularity • 72% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 39% Positiveness
23% Popularity • 72% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 39% Positiveness
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Robert White
Christe, qui lux es et dies I
73 bpm • C Maj • 04:40 • -24.8db
7% Popularity • 14% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 14% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Anonymous
Quant voi la fleur nouvele
95 bpm • A min • 02:38 • -18.71db
0% Popularity • 39% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 39% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Alexander Gray
Fade Into Light
95 bpm • A min • 01:54 • -23.26db
0% Popularity • 30% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
0% Popularity • 30% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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Haydn Wood
A Brown Bird Singing
92 bpm • G Maj • 03:03 • -24.19db
1% Popularity • 38% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 38% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
