Songs like The Poor Man Feel It - 2002 Remaster by Peter Tosh
Based on a tempo of (+/- 10%) and a similar genre
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iNi Kamoze
Wings With Me
81 bpm • C# min • 04:08 • -5.04db
41% Popularity • 86% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 86% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Black Crucial
Conscience Speaks
81 bpm • A min • 03:34 • -8db
12% Popularity • 75% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 75% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Bunny Wailer
Mellow Mood
81 bpm • C Maj • 03:51 • -13db
54% Popularity • 73% Danceability • 56% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
54% Popularity • 73% Danceability • 56% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
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Peter Tosh
Not Gonna Give It Up - 2002 Remaster
81 bpm • A min • 05:47 • -5.5db
34% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Richie Spice
Earth A Run Red
81 bpm • G# Maj • 03:47 • -7db
45% Popularity • 83% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 83% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Tenor Saw
Jah Guide and Protect Me
81 bpm • A# min • 03:44 • -9.76db
17% Popularity • 69% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 69% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Clinton Fearon
Jah Know His People
81 bpm • D Maj • 04:16 • -6.03db
29% Popularity • 83% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 83% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Lucky Dube
Reggae Strong (Remastered)
81 bpm • E Maj • 03:43 • -6.9db
50% Popularity • 75% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 75% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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Bunny Wailer
I'm The Toughest
81 bpm • A min • 02:45 • -14.78db
37% Popularity • 71% Danceability • 41% Energy • 6% Liveness
30% Instrumentalness • 66% Positiveness
37% Popularity • 71% Danceability • 41% Energy • 6% Liveness
30% Instrumentalness • 66% Positiveness
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Josey Wales
Sorry To Say
81 bpm • D# Maj • 02:49 • -19.5db
18% Popularity • 87% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 87% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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10 Ft. Ganja Plant
Shake Up The Place
81 bpm • A# min • 04:31 • -10.99db
59% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Tosh
The Poor Man Feel It - 2002 Remaster
81 bpm • G Maj • 04:11 • -6.68db
34% Popularity • 72% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 72% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Clinton Fearon
Love Got Me
81 bpm • F Maj • 04:09 • -13.87db
12% Popularity • 80% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 80% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Byles
Fade Away
82 bpm • A# min • 03:01 • -6db
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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The Viceroys
Rise in The Strength of Jah
80 bpm • A Maj • 03:39 • -10db
28% Popularity • 82% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 82% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Cliff
Roots Radical
80 bpm • C# min • 04:22 • -13.54db
31% Popularity • 77% Danceability • 50% Energy • 9% Liveness
5% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 50% Energy • 9% Liveness
5% Instrumentalness • 97% Positiveness
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Desmond Dekker & The Aces
Beautiful and Dangerous
80 bpm • G# min • 02:49 • -11.6db
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Peter Tosh
Oh Bumbo Klaat - 2002 Remaster
80 bpm • C# Maj • 04:45 • -6.17db
36% Popularity • 75% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
36% Popularity • 75% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Josey Wales
Woola Woope
82 bpm • B Maj • 03:37 • -3.19db
10% Popularity • 84% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 84% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Junior Byles
Mystic Revelation
80 bpm • D# Maj • 03:11 • -13.3db
34% Popularity • 81% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 81% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Cliff
Rock Children
80 bpm • B Maj • 04:00 • -14.72db
13% Popularity • 70% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Richie Spice
Righteous Youths
82 bpm • G Maj • 04:24 • -8.02db
29% Popularity • 85% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 85% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Bunny Wailer
Walk The Proud Land
82 bpm • D Maj • 03:56 • -15.58db
29% Popularity • 77% Danceability • 52% Energy • 8% Liveness
20% Instrumentalness • 52% Positiveness
29% Popularity • 77% Danceability • 52% Energy • 8% Liveness
20% Instrumentalness • 52% Positiveness
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Half Pint
Blessing Darling
80 bpm • G Maj • 03:37 • -6.65db
34% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Big Youth
Cool Breeze
82 bpm • F Maj • 03:30 • -15.11db
37% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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John Holt
Strange Things
82 bpm • G min • 07:45 • -9db
35% Popularity • 79% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 79% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmy Cliff
Rub-A-Dub Partners
80 bpm • D Maj • 02:57 • -17.1db
31% Popularity • 81% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 81% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Desmond Dekker & The Aces
Intensified '68
82 bpm • A# Maj • 02:45 • -6.73db
35% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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iNi Kamoze
Hail Mi Idren
80 bpm • B Maj • 04:11 • -4.65db
40% Popularity • 88% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 88% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Half Pint
Give Me Some Loving
82 bpm • A# min • 02:35 • -13.35db
27% Popularity • 73% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 73% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The Melodians
Come on Little Girl
82 bpm • G Maj • 02:15 • -7.56db
26% Popularity • 88% Danceability • 35% Energy • 9% Liveness
61% Instrumentalness • 82% Positiveness
26% Popularity • 88% Danceability • 35% Energy • 9% Liveness
61% Instrumentalness • 82% Positiveness
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Bunny Wailer
I Gotta Keep On Moving
82 bpm • D# Maj • 04:09 • -15.3db
36% Popularity • 80% Danceability • 39% Energy • 5% Liveness
10% Instrumentalness • 94% Positiveness
36% Popularity • 80% Danceability • 39% Energy • 5% Liveness
10% Instrumentalness • 94% Positiveness
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Peter Tosh
WHY MUST I CRY
80 bpm • G Maj • 03:11 • -7.82db
37% Popularity • 58% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 58% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Paul
Pass The Tu Sheng Peng
80 bpm • C min • 03:29 • -8.43db
30% Popularity • 60% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 60% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Eek-A-Mouse
Wa Do Dem
80 bpm • G# Maj • 01:21 • -5.85db
34% Popularity • 78% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 78% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
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John Holt
Stealing, Stealing
80 bpm • F# min • 02:45 • -12.13db
16% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Midnite
When Jah Arise
80 bpm • F# min • 04:05 • -6.96db
35% Popularity • 64% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 64% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Althea And Donna
Uptown Top Ranking - Remastered 2001
82 bpm • G Maj • 03:49 • -8db
64% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Pablo Moses
In This Jungle
80 bpm • E min • 03:53 • -6.95db
34% Popularity • 79% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 79% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Judy Mowatt
Fly African Eagle
80 bpm • D# Maj • 03:36 • -9.53db
17% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Tosh
Testify - 2002 Remaster
83 bpm • E min • 05:33 • -4.75db
35% Popularity • 58% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 58% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Mutabaruka
Whiteman Country
79 bpm • G# min • 05:13 • -8db
13% Popularity • 84% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 84% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Enos McLeod
Hello Carol
79 bpm • G# Maj • 03:19 • -10.72db
23% Popularity • 71% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 82% Positiveness
23% Popularity • 71% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 82% Positiveness
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Althea And Donna
No More Fighting - Remastered 2001
80 bpm • G Maj • 03:37 • -9.18db
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Pablo Moses
You an Me
83 bpm • F Maj • 03:57 • -9.01db
29% Popularity • 87% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 87% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Half Pint
Mr. Landlord
83 bpm • C# Maj • 03:08 • -15db
40% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The Ethiopians
Reggae Magic
83 bpm • G# Maj • 02:49 • -15.29db
14% Popularity • 72% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
14% Popularity • 72% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Buju Banton
54/46 oots Hibbert
79 bpm • G min • 03:54 • -8.95db
28% Popularity • 79% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 79% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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John Holt
For The Love Of You
83 bpm • C# Maj • 03:37 • -5.79db
36% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Congos
Raining Night in Georgia
83 bpm • C# Maj • 03:35 • -5.51db
29% Popularity • 70% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 70% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Los Rolands
Johnny Dollar
83 bpm • D Maj • 03:36 • -12db
11% Popularity • 75% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 75% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Half Pint
Winsome
83 bpm • D Maj • 03:20 • -11.68db
32% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Higgs
There's A Reward
79 bpm • G Maj • 05:16 • -16.55db
20% Popularity • 76% Danceability • 25% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 76% Danceability • 25% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Cornell Campbell
Natty Dread In A Greenwich Farm
79 bpm • G min • 02:47 • -9db
29% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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John Holt
Sister Big Stuff
83 bpm • G# Maj • 02:31 • -7.83db
43% Popularity • 80% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 80% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Junior Reid
Boom-Shack-A-Lack
79 bpm • F# min • 03:33 • -8.26db
25% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Lacksley Castell
Genie in a Jar
79 bpm • A min • 03:25 • -13.72db
33% Popularity • 88% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 88% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Half Pint
One In A Million
83 bpm • F# min • 03:01 • -14.17db
30% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Burning Spear
African Teacher - 2002 Remastered Versio...
79 bpm • E Maj • 04:00 • -11db
41% Popularity • 80% Danceability • 52% Energy • 16% Liveness
19% Instrumentalness • 96% Positiveness
41% Popularity • 80% Danceability • 52% Energy • 16% Liveness
19% Instrumentalness • 96% Positiveness
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Peter Tosh
Can't Blame The Youth
79 bpm • D Maj • 03:13 • -8.31db
33% Popularity • 79% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 79% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Maytones
Madness (Bonus Track)
79 bpm • F# Maj • 03:13 • -12.83db
38% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Clinton Fearon
Conqueror
78 bpm • C Maj • 03:50 • -8.47db
24% Popularity • 87% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 87% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Joe Higgs
Family
78 bpm • C Maj • 05:03 • -14.9db
25% Popularity • 78% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 78% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Half Pint
Too Rude
83 bpm • D Maj • 03:19 • -7.75db
24% Popularity • 76% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 76% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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10 Ft. Ganja Plant
Walkey Walk Tall
78 bpm • A min • 04:08 • -5.39db
39% Popularity • 71% Danceability • 80% Energy • 5% Liveness
10% Instrumentalness • 90% Positiveness
39% Popularity • 71% Danceability • 80% Energy • 5% Liveness
10% Instrumentalness • 90% Positiveness
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Max Romeo
War Inna Babylon
78 bpm • G Maj • 03:57 • -5db
33% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Dezarie
Eaze The Pain
78 bpm • C# Maj • 03:49 • -10.81db
33% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Cocoa Tea
Come Again
84 bpm • C# Maj • 03:24 • -6db
35% Popularity • 78% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 78% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Cornell Campbell
Boxing Around
78 bpm • D Maj • 04:10 • -9.9db
24% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Half Pint
If I Had A Hammer
79 bpm • G# Maj • 02:58 • -13.57db
12% Popularity • 77% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 77% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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10 Ft. Ganja Plant
Collect The Trophy
78 bpm • A Maj • 03:37 • -8.01db
56% Popularity • 81% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 81% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Tosh
Igziabeher (Let Jah Be Praised)
78 bpm • E min • 04:38 • -8.23db
31% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Anthony B
Coming In Hot
78 bpm • G Maj • 03:06 • -5.49db
37% Popularity • 62% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 62% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Josey Wales
Bobo Dread
78 bpm • C# min • 03:06 • -19.99db
24% Popularity • 86% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 86% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Cedric Myton
Where He Leads Me
78 bpm • G Maj • 03:32 • -13.93db
25% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Richie Spice
Gideon Boot
84 bpm • G Maj • 04:18 • -5.3db
37% Popularity • 71% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 71% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Ernie Smith
Duppy Gunman
78 bpm • D Maj • 03:26 • -5.27db
24% Popularity • 78% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 78% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Tenor Saw
Fever
84 bpm • F# Maj • 04:35 • -10db
20% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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iNi Kamoze
I Want It All
84 bpm • F# min • 04:47 • -6.73db
15% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Cliff
Fundamental Reggay
78 bpm • A Maj • 03:01 • -10.74db
26% Popularity • 82% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 82% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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The Heptones
I've Got The Handle
78 bpm • G Maj • 02:58 • -12.46db
29% Popularity • 77% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 77% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Midnite
All My Life
85 bpm • B min • 04:11 • -8.2db
33% Popularity • 75% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 75% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Eek-A-Mouse
Wa-Do-Dem
78 bpm • C Maj • 03:55 • -7db
59% Popularity • 86% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
59% Popularity • 86% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Tenor Saw
Lots of Sign
78 bpm • C Maj • 03:35 • -5.27db
23% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Ken Boothe
Crying over You
77 bpm • C Maj • 03:32 • -9.72db
35% Popularity • 82% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 82% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Anthony Johnson
Gunshot
77 bpm • D Maj • 06:49 • -8.05db
19% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Junior Reid
Respect Due
77 bpm • G min • 03:54 • -15.68db
14% Popularity • 79% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 79% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Clinton Fearon
Life Is A Journey
77 bpm • G min • 04:22 • -6.61db
29% Popularity • 88% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 88% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Bob Andy
Going Home
77 bpm • G Maj • 03:47 • -9db
45% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Josey Wales
Love I Want
77 bpm • C# Maj • 03:02 • -13.19db
22% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Mutabaruka
Dispel The Lie
85 bpm • F min • 03:03 • -14.08db
15% Popularity • 87% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 87% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Tosh
African
77 bpm • G Maj • 03:43 • -9.04db
37% Popularity • 78% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 78% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Midnite
Done Wrong Type
77 bpm • B Maj • 04:40 • -8.55db
28% Popularity • 78% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 78% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Half Pint
One Big Ghetto
85 bpm • A# min • 03:12 • -7.68db
23% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Andy
The Sun Shines for Me
77 bpm • C Maj • 02:08 • -10.3db
41% Popularity • 82% Danceability • 57% Energy • 11% Liveness
23% Instrumentalness • 97% Positiveness
41% Popularity • 82% Danceability • 57% Energy • 11% Liveness
23% Instrumentalness • 97% Positiveness
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iNi Kamoze
Call a Taxi
77 bpm • G# Maj • 04:07 • -11.91db
39% Popularity • 75% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 75% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Cedric Myton
Problems
77 bpm • A min • 03:23 • -14.7db
26% Popularity • 81% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 81% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
