Songs like The Prayer (with Charlotte Church) by Josh Groban
Based on a tempo of (+/- 10%) and a similar genre
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Hayley Westenra
Carol Of The Bells
82 bpm • D min • 03:00 • -15db
15% Popularity • 68% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
15% Popularity • 68% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
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Sissel
Icelandic Lullaby
82 bpm • G min • 02:33 • -20.14db
8% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Il Divo
White Christmas
82 bpm • E Maj • 03:49 • -8db
8% Popularity • 12% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 12% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
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Céline Dion
The Prayer
82 bpm • A# Maj • 04:28 • -9db
61% Popularity • 19% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
61% Popularity • 19% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Mack Wilberg
It Is Well with My Soul
82 bpm • E Maj • 05:07 • -14.79db
32% Popularity • 16% Danceability • 22% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 22% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Angelis
Requiem: Pie Jesu
82 bpm • G# Maj • 03:14 • -11.13db
22% Popularity • 12% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jordan Smith
Great Is Thy Faithfulness - The Voice Pe...
82 bpm • G Maj • 03:34 • -6db
28% Popularity • 28% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 28% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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The Tabernacle Choir at Temple Square
Holy, Holy, Holy
82 bpm • E Maj • 04:02 • -17.61db
24% Popularity • 10% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
24% Popularity • 10% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Sean O'Riada
Ag Criost An Siol
82 bpm • G# Maj • 03:38 • -13.55db
19% Popularity • 15% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 15% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Ave Maria
82 bpm • G Maj • 02:45 • -13.14db
20% Popularity • 20% Danceability • 13% Energy • 8% Liveness
23% Instrumentalness • 7% Positiveness
20% Popularity • 20% Danceability • 13% Energy • 8% Liveness
23% Instrumentalness • 7% Positiveness
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Il Divo
Hallelujah (Aleluya) - Live in Barcelona
82 bpm • A min • 03:18 • -10.55db
32% Popularity • 30% Danceability • 27% Energy • 80% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 30% Danceability • 27% Energy • 80% Liveness
0% Instrumentalness • 9% Positiveness
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Lisa Venkatrathnam
Open Fields of Grace
82 bpm • B Maj • 03:38 • -11db
12% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Groban
The Prayer
82 bpm • A Maj • 04:24 • -8.28db
47% Popularity • 21% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 21% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Johnny Mathis
When a Child Is Born
82 bpm • D# Maj • 03:42 • -13db
32% Popularity • 33% Danceability • 34% Energy • 16% Liveness
7% Instrumentalness • 32% Positiveness
32% Popularity • 33% Danceability • 34% Energy • 16% Liveness
7% Instrumentalness • 32% Positiveness
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Sarah Brightman
Ave Maria - Live In Stephansdom, Vienna,...
82 bpm • G# Maj • 03:32 • -12.16db
28% Popularity • 32% Danceability • 58% Energy • 65% Liveness
9% Instrumentalness • 6% Positiveness
28% Popularity • 32% Danceability • 58% Energy • 65% Liveness
9% Instrumentalness • 6% Positiveness
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Charles Gounod
Ave Maria
82 bpm • F Maj • 02:48 • -10db
13% Popularity • 13% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 13% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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John Rutter
Look at the world
81 bpm • G Maj • 04:37 • -22.86db
21% Popularity • 12% Danceability • 8% Energy • 14% Liveness
15% Instrumentalness • 9% Positiveness
21% Popularity • 12% Danceability • 8% Energy • 14% Liveness
15% Instrumentalness • 9% Positiveness
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Giulio Caccini
Ave Maria (Arr. Fiona Pears & Ian Tilley...
81 bpm • F min • 04:25 • -8.55db
1% Popularity • 11% Danceability • 35% Energy • 31% Liveness
19% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 35% Energy • 31% Liveness
19% Instrumentalness • 4% Positiveness
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Josh Groban
Have Yourself a Merry Little Christmas
83 bpm • A# Maj • 04:03 • -10db
14% Popularity • 21% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
14% Popularity • 21% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Helene Fischer
The Prayer
83 bpm • A# Maj • 04:27 • -9db
29% Popularity • 19% Danceability • 43% Energy • 96% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 19% Danceability • 43% Energy • 96% Liveness
0% Instrumentalness • 12% Positiveness
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The St Philips Boy's Choir
Always There (Howards Way Theme)
81 bpm • A# Maj • 03:55 • -17.08db
5% Popularity • 30% Danceability • 15% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
5% Popularity • 30% Danceability • 15% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
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Gustav Holst
I vow to thee, my country - vocal
81 bpm • C# Maj • 03:54 • -20.07db
7% Popularity • 29% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 29% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Celtic Angels
In the Arms of an Angel
81 bpm • C# Maj • 04:34 • -15.81db
18% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Fron Male Voice Choir
Battle Hymn Of The Republic (Glory, Glor...
81 bpm • A Maj • 03:13 • -9.79db
8% Popularity • 13% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 13% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Josh Groban
Silent Night
81 bpm • C Maj • 04:11 • -11.37db
30% Popularity • 10% Danceability • 26% Energy • 32% Liveness
3% Instrumentalness • 7% Positiveness
30% Popularity • 10% Danceability • 26% Energy • 32% Liveness
3% Instrumentalness • 7% Positiveness
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William Berry
Ognuno Soffre - Italian Version of 'Ever...
81 bpm • D Maj • 04:50 • -9.63db
9% Popularity • 26% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 26% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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The St Philips Boy's Choir
Be Still My Soul
81 bpm • G# Maj • 02:41 • -16.54db
9% Popularity • 25% Danceability • 17% Energy • 12% Liveness
52% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 12% Liveness
52% Instrumentalness • 5% Positiveness
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Albert Hay Malotte
The Lord's Prayer - Vocal
83 bpm • D# Maj • 02:53 • -22.34db
6% Popularity • 18% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 18% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
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Vienna Boys' Choir
Only Time
83 bpm • D# Maj • 03:35 • -9.44db
9% Popularity • 36% Danceability • 49% Energy • 18% Liveness
92% Instrumentalness • 20% Positiveness
9% Popularity • 36% Danceability • 49% Energy • 18% Liveness
92% Instrumentalness • 20% Positiveness
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One Voice Children's Choir
One Voice
83 bpm • D Maj • 02:28 • -8.44db
20% Popularity • 28% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andrea Bocelli
White Christmas
81 bpm • C# Maj • 03:57 • -10.99db
24% Popularity • 13% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 13% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Sarah Brightman
Pie Jesu - Live In Stephansdom, Vienna, ...
81 bpm • G Maj • 03:56 • -13.93db
27% Popularity • 20% Danceability • 44% Energy • 70% Liveness
18% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 44% Energy • 70% Liveness
18% Instrumentalness • 4% Positiveness
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Sissel
Amazing Grace
81 bpm • D# Maj • 04:03 • -15.28db
18% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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L'Angélus
This Day God Gives Me
83 bpm • G Maj • 03:25 • -10.28db
9% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Garcia Lacalle
Amapola
81 bpm • A# Maj • 03:44 • -9.28db
8% Popularity • 19% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 19% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
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Susan Boyle
What a Wonderful World
83 bpm • F Maj • 03:39 • -10.39db
25% Popularity • 19% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 19% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Rob Mounsey
The First Noel
81 bpm • D Maj • 03:45 • -7.52db
8% Popularity • 18% Danceability • 43% Energy • 7% Liveness
3% Instrumentalness • 27% Positiveness
8% Popularity • 18% Danceability • 43% Energy • 7% Liveness
3% Instrumentalness • 27% Positiveness
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Sarah Brightman
Silent Night
84 bpm • G Maj • 03:08 • -12.04db
13% Popularity • 25% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
13% Popularity • 25% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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Sissel
Going Home
81 bpm • C# Maj • 05:32 • -12.31db
19% Popularity • 20% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 20% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Angelis
Silent Night
84 bpm • C Maj • 02:12 • -12.55db
14% Popularity • 23% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 23% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
O mio babbino caro (Oh, my beloved daddy...
84 bpm • G# Maj • 02:18 • -13.89db
20% Popularity • 18% Danceability • 18% Energy • 21% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 18% Energy • 21% Liveness
2% Instrumentalness • 4% Positiveness
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Susan Boyle
Auld Lang Syne
81 bpm • D Maj • 02:44 • -13.7db
37% Popularity • 35% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 35% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Giulio Caccini
Ave Maria
84 bpm • F# min • 03:00 • -13.96db
26% Popularity • 25% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 25% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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The King's Singers
The Rose
80 bpm • F# Maj • 03:44 • -20.15db
10% Popularity • 30% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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Dykes
Eternal Father Strong To Save
84 bpm • C Maj • 03:06 • -26.55db
20% Popularity • 14% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
20% Popularity • 14% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Il Divo
Ave Maria
80 bpm • F Maj • 04:51 • -7.76db
23% Popularity • 29% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 29% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Adelheid Wette
When at night I go to sleep (Evening Hym...
84 bpm • D Maj • 02:51 • -25.91db
20% Popularity • 9% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Andrea Bocelli
The Prayer - Live At Central Park, New Y...
84 bpm • A Maj • 04:29 • -10.73db
33% Popularity • 19% Danceability • 34% Energy • 88% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 19% Danceability • 34% Energy • 88% Liveness
0% Instrumentalness • 25% Positiveness
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St. Paul's Cathedral Choir
Hark! The Herald Angels Sing
84 bpm • G# Maj • 03:42 • -11db
18% Popularity • 22% Danceability • 32% Energy • 10% Liveness
18% Instrumentalness • 19% Positiveness
18% Popularity • 22% Danceability • 32% Energy • 10% Liveness
18% Instrumentalness • 19% Positiveness
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The Tabernacle Choir at Temple Square
Amazing Grace
84 bpm • D# Maj • 06:25 • -13.76db
30% Popularity • 14% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 14% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Traditional
Amazing Grace
80 bpm • G Maj • 03:53 • -12.65db
3% Popularity • 30% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 30% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Nicholas Brodszky
I'll Walk With God
80 bpm • A# Maj • 02:54 • -7.44db
8% Popularity • 15% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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John Hughes
Guide me oh thou great Redeemer (Cwm Rho...
84 bpm • A# Maj • 02:38 • -10.08db
12% Popularity • 17% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 36% Positiveness
12% Popularity • 17% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 36% Positiveness
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William J. Kirkpatrick
Away in a Manger
80 bpm • F Maj • 02:57 • -11db
10% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Piano Guys
Angels from the Realms of Glory
84 bpm • C min • 04:05 • -8.16db
29% Popularity • 11% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 11% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Sarah Brightman
Child In A Manger
84 bpm • G Maj • 03:06 • -10.92db
13% Popularity • 14% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 14% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Charles Gounod
Ellens Gesang III, D. 839, Op. 52, No. 6...
80 bpm • A# Maj • 04:34 • -14.77db
24% Popularity • 24% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Jean-Pierre Steyn
Made to Dream
80 bpm • B Maj • 03:48 • -8.44db
12% Popularity • 16% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Céline Dion
The Prayer - LIVE Duet with Josh Groban
80 bpm • G# Maj • 04:38 • -9.51db
48% Popularity • 17% Danceability • 40% Energy • 98% Liveness
0% Instrumentalness • 7% Positiveness
48% Popularity • 17% Danceability • 40% Energy • 98% Liveness
0% Instrumentalness • 7% Positiveness
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Ramin Djawadi
The Rains of Castamere
80 bpm • C# min • 03:36 • -7.89db
25% Popularity • 22% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 22% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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All Angels
Amazing Grace
84 bpm • D# Maj • 01:57 • -11.32db
28% Popularity • 29% Danceability • 40% Energy • 12% Liveness
6% Instrumentalness • 39% Positiveness
28% Popularity • 29% Danceability • 40% Energy • 12% Liveness
6% Instrumentalness • 39% Positiveness
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Traditional
Danny Boy
85 bpm • D Maj • 03:20 • -10.65db
9% Popularity • 20% Danceability • 28% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
9% Popularity • 20% Danceability • 28% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
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Pentatonix
That's Christmas to Me
79 bpm • F# Maj • 03:02 • -10db
48% Popularity • 45% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 45% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Anne Murray
How Great Thou Art
85 bpm • D# Maj • 03:39 • -10.85db
23% Popularity • 52% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Céline Dion
Ave Maria
79 bpm • G Maj • 04:55 • -12db
44% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Hamilton Harty
A Lullaby - vocal
79 bpm • A# min • 02:57 • -25.74db
3% Popularity • 19% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 19% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Lloyd Webber
Requiem: Pie Jesu
79 bpm • G Maj • 03:03 • -12.02db
9% Popularity • 15% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 15% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Susan Boyle
When I Fall in Love
79 bpm • C# Maj • 03:06 • -11.66db
21% Popularity • 19% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 19% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The St Philips Boy's Choir
Be Still for the Presence of the Lord
79 bpm • E Maj • 03:09 • -16.75db
10% Popularity • 8% Danceability • 16% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 16% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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George Frideric Handel
Prayer in the Night - Classic Mix
85 bpm • F min • 03:15 • -7.95db
10% Popularity • 26% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 10% Positiveness
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Traditional
Dormi Jesu
85 bpm • G min • 03:25 • -8.99db
13% Popularity • 24% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
13% Popularity • 24% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
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Frederick E. Weatherly
Danny Boy - vocal
85 bpm • D min • 02:44 • -27.37db
5% Popularity • 22% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 22% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Corrinne May
Hail Mary
79 bpm • G Maj • 02:10 • -14.32db
19% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Susan Boyle
Amazing Grace
85 bpm • D Maj • 03:33 • -14.67db
34% Popularity • 32% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Andrew Lloyd Webber
Pie Jesu
85 bpm • G# Maj • 03:13 • -12.81db
23% Popularity • 20% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 20% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Peter Hollens
Amazing Grace
79 bpm • B Maj • 03:32 • -4.39db
32% Popularity • 21% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 21% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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All Angels
Make Me A Channel of Your Peace
79 bpm • D Maj • 02:35 • -10.93db
22% Popularity • 24% Danceability • 24% Energy • 28% Liveness
38% Instrumentalness • 12% Positiveness
22% Popularity • 24% Danceability • 24% Energy • 28% Liveness
38% Instrumentalness • 12% Positiveness
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Martina McBride
How Great Thou Art
79 bpm • F Maj • 04:01 • -10.22db
23% Popularity • 34% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 34% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Bretan
O Holy Night
86 bpm • C Maj • 04:54 • -8.83db
10% Popularity • 16% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Sarah Brightman
Amazing Grace
86 bpm • D# Maj • 03:05 • -9.59db
23% Popularity • 25% Danceability • 43% Energy • 14% Liveness
16% Instrumentalness • 11% Positiveness
23% Popularity • 25% Danceability • 43% Energy • 14% Liveness
16% Instrumentalness • 11% Positiveness
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Andrew Lloyd Webber
Requiem: Pie Jesu
79 bpm • G# Maj • 03:26 • -26.68db
23% Popularity • 8% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Josh Groban
Believe
78 bpm • E Maj • 04:18 • -7.56db
48% Popularity • 30% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 30% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Carpenters
Ave Maria
86 bpm • G# Maj • 02:32 • -18.14db
23% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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InsideOut A Cappella
Dona Nobis Pacem
78 bpm • C# Maj • 02:42 • -17.14db
19% Popularity • 18% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Johnny Mathis
Let It Be Me
86 bpm • G Maj • 03:29 • -12.69db
17% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sissel
Quando Sento Che Mi Ami
78 bpm • C Maj • 04:14 • -6.18db
16% Popularity • 29% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 29% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Angelis
Pokarekare Ana
86 bpm • G Maj • 02:36 • -9.65db
16% Popularity • 18% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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The Tabernacle Choir at Temple Square
When You Wish Upon a Star
78 bpm • F Maj • 03:36 • -25.13db
11% Popularity • 10% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 10% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 5% Positiveness
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Jim Reeves
May The Good Lord Bless and Keep You
86 bpm • G Maj • 02:36 • -21.04db
30% Popularity • 48% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Órla Fallon
Do You Hear What I Hear?
86 bpm • F Maj • 03:22 • -7.79db
19% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Josh Groban
Thankful
86 bpm • E Maj • 04:48 • -12.76db
27% Popularity • 24% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 24% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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John Francis Wade
Wade: Adeste Fideles
86 bpm • G Maj • 03:25 • -10.33db
8% Popularity • 13% Danceability • 45% Energy • 61% Liveness
8% Instrumentalness • 31% Positiveness
8% Popularity • 13% Danceability • 45% Energy • 61% Liveness
8% Instrumentalness • 31% Positiveness
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Jacques Offenbach
Barcarolle (Night of stars, and night of...
86 bpm • F Maj • 02:37 • -16.04db
9% Popularity • 20% Danceability • 14% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
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Michael Bolton
Ave Maria (Duet With Placido Domingo)
86 bpm • C# Maj • 04:40 • -13.22db
17% Popularity • 14% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 14% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The City of Prague Philharmonic Orchestra
Somewhere in My Memory
78 bpm • D Maj • 03:21 • -13.54db
30% Popularity • 12% Danceability • 22% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
30% Popularity • 12% Danceability • 22% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Sarah Brightman
Ave Maria
87 bpm • G# Maj • 03:00 • -13.18db
26% Popularity • 16% Danceability • 40% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 40% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
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Josh Groban
Believe
78 bpm • E Maj • 04:03 • -9.7db
28% Popularity • 30% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 30% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Andrea Bocelli
Over The Rainbow
87 bpm • G# Maj • 02:29 • -13.63db
31% Popularity • 29% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 29% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
