Songs like The Price Of Regret by Vince Gill
Based on a tempo of (+/- 10%) and a similar genre
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Adam Harvey
It's Gettin' Late
130 bpm • G Maj • 03:08 • -6.17db
3% Popularity • 63% Danceability • 75% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 63% Danceability • 75% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
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Vince Gill
The Price Of Regret
130 bpm • C Maj • 03:50 • -9.81db
24% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Mickey Lamantia
How Far Would I Fall
130 bpm • C Maj • 03:12 • -7.36db
23% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Charlie Daniels Band
The Night They Drove Old Dixie Down
130 bpm • C Maj • 04:00 • -6.39db
22% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Brandy Clark
Remember Me Beautiful
130 bpm • G Maj • 04:25 • -10db
27% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Tony Trischka
Bury Me Beneath the Willow
130 bpm • A Maj • 03:58 • -5.6db
23% Popularity • 55% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 55% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Tracy Byrd
I'm From The Country - Single Version
130 bpm • D Maj • 03:33 • -4db
62% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
62% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Vince Gill
Never Knew Lonely
130 bpm • E Maj • 04:02 • -17.02db
40% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Little Texas
What Might Have Been
131 bpm • G Maj • 03:58 • -15.11db
48% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sawyer Brown
Treat Her Right
131 bpm • D# Maj • 03:39 • -13db
31% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Trace Adkins
Every Light In The House
129 bpm • F Maj • 02:59 • -7.3db
65% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Guthrie Trapp
You're Still on My Mind
129 bpm • C Maj • 03:17 • -6.01db
12% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Price
Heartaches By The Number
129 bpm • G Maj • 03:02 • -8.27db
15% Popularity • 74% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 74% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Vince Gill
Bread And Water
130 bpm • A Maj • 04:44 • -9.71db
10% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sheryl Crow
Two More Bottles Of Wine - Live
131 bpm • D Maj • 03:19 • -4.71db
19% Popularity • 50% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 50% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
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Sawyer Brown
Drive Me Wild
129 bpm • D Maj • 03:35 • -8db
32% Popularity • 65% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 65% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Tracy Byrd
Don't Take Her She's All I Got
131 bpm • A# Maj • 03:28 • -8db
54% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Brad Paisley
Cluster Pluck
132 bpm • G Maj • 03:29 • -6.72db
22% Popularity • 56% Danceability • 91% Energy • 30% Liveness
88% Instrumentalness • 81% Positiveness
22% Popularity • 56% Danceability • 91% Energy • 30% Liveness
88% Instrumentalness • 81% Positiveness
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Shenandoah
If Bubba Can Dance (I Can Too)
132 bpm • B Maj • 03:10 • -4.16db
28% Popularity • 62% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 62% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Vince Gill
Forever Changed
130 bpm • C Maj • 03:41 • -12.12db
22% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Barbra Streisand
If You Ever Leave Me
128 bpm • C Maj • 04:35 • -8.6db
34% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sawyer Brown
The Walk
128 bpm • D Maj • 03:44 • -11.59db
46% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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T. Graham Brown
I Wish That I Could Hurt That Way Again
128 bpm • F Maj • 02:58 • -11db
25% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Doug Supernaw
Not Enough Hours in the Night
128 bpm • E Maj • 03:11 • -11db
29% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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John Berry
There Could Never Be Another Love
128 bpm • E Maj • 03:27 • -7.81db
11% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Vince Gill
You And You Alone
132 bpm • D# Maj • 03:27 • -15.06db
19% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Chesnutt
Almost Goodbye
132 bpm • C min • 04:10 • -13.75db
39% Popularity • 62% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 62% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Jo Dee Messina
That’s God
128 bpm • G Maj • 04:42 • -6db
28% Popularity • 51% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 51% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Steve Wariner
I'm Already Taken
128 bpm • G Maj • 03:20 • -10db
28% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Clay Walker
Live Until I Die
133 bpm • D# Maj • 02:49 • -11.32db
51% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Darden Smith
Angel Flight
127 bpm • E Maj • 03:59 • -11.45db
29% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Holly Dunn
A Face in the Crowd
133 bpm • F# Maj • 04:09 • -10.45db
17% Popularity • 71% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 71% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Doug Supernaw
Red and Rio Grande
127 bpm • D Maj • 03:59 • -12.95db
26% Popularity • 65% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 65% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Welch
Praying for Rain
133 bpm • F Maj • 03:09 • -5.43db
11% Popularity • 61% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 61% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Sheryl Crow
For The Sake Of Love
133 bpm • C Maj • 03:34 • -5.53db
16% Popularity • 35% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 35% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Clay Walker
I'd Love To Be Your Last
134 bpm • C# Maj • 03:24 • -10.4db
38% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Earl Thomas Conley
Holding Her and Loving You
126 bpm • G Maj • 03:10 • -14db
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Shenandoah
She's A Natural
134 bpm • E Maj • 03:27 • -11.57db
19% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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BlackHawk
Postmarked Birmingham
126 bpm • E Maj • 04:20 • -9.26db
27% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Vince Gill
An Honest Man
126 bpm • E Maj • 03:41 • -11.99db
21% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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John Michael Montgomery
If You've Got Love
126 bpm • G Maj • 03:55 • -9db
29% Popularity • 67% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 67% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Highway 101
Cry, Cry, Cry
125 bpm • D Maj • 02:29 • -10.34db
32% Popularity • 65% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 65% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Reba McEntire
The Heart Won't Lie
135 bpm • C# Maj • 03:20 • -10.51db
45% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Neal McCoy
If I Was a Drinkin' Man
125 bpm • F Maj • 03:21 • -12.63db
29% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Brooks Jefferson
The Dance
135 bpm • G Maj • 03:39 • -7.43db
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Vince Gill
A Letter To My Mama
125 bpm • D# Maj • 03:36 • -12.6db
27% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Jennifer Nettles
Worth Fighting For - Live
135 bpm • C Maj • 05:01 • -7.18db
10% Popularity • 39% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 39% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 42% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Lacy J. Dalton
Crazy Blue Eyes
125 bpm • G Maj • 02:53 • -14.04db
23% Popularity • 55% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 55% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Darin and Brooke Aldridge
When You Love Someone
125 bpm • D Maj • 03:01 • -8.28db
18% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Hill
It Matters to Me
136 bpm • F# Maj • 03:17 • -8.22db
57% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jessi Alexander
I Drive Your Truck
136 bpm • C Maj • 04:16 • -9.71db
14% Popularity • 54% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Earl Thomas Conley
Holding Her And Lovin' You
125 bpm • G Maj • 03:16 • -9.22db
33% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jo Dee Messina
Silver Thunderbird
136 bpm • B Maj • 04:09 • -8db
29% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Terri Clark
The Highway
136 bpm • C Maj • 03:29 • -5.61db
19% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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T. Graham Brown
Middle Age Crazy
136 bpm • D Maj • 04:14 • -5.31db
8% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
61% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Botti
Losing You
136 bpm • G Maj • 06:11 • -19.34db
15% Popularity • 32% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
15% Popularity • 32% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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Dan Seals
I Won't Be Blue Anymore
124 bpm • C Maj • 03:04 • -14.82db
34% Popularity • 78% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 78% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Wariner
Girl Like You
124 bpm • G min • 03:54 • -6.66db
11% Popularity • 74% Danceability • 74% Energy • 24% Liveness
3% Instrumentalness • 60% Positiveness
11% Popularity • 74% Danceability • 74% Energy • 24% Liveness
3% Instrumentalness • 60% Positiveness
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Joey Feek
See You There
124 bpm • G Maj • 03:52 • -6db
26% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Sunny Sweeney
Married Alone
124 bpm • G# Maj • 04:14 • -8.88db
16% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Diana Krall
Everybody's Talkin'
124 bpm • F# Maj • 03:37 • -10.99db
36% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Little Feat
Dixie Chicken
137 bpm • A Maj • 04:49 • -5.33db
18% Popularity • 55% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 55% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
69% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Pinmonkey
I Drove All Night
123 bpm • E min • 03:30 • -9.17db
11% Popularity • 55% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 55% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
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John Conlee
In My Eyes
137 bpm • B Maj • 03:38 • -12.37db
40% Popularity • 57% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 57% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Koziol
Ghost In This House
138 bpm • A Maj • 04:01 • -14.77db
14% Popularity • 54% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 54% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Karen Waldrup
Sometimes He Does
138 bpm • A# Maj • 03:59 • -9.87db
15% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Martin Murphey
A Long Line of Love
138 bpm • F Maj • 03:27 • -16.92db
24% Popularity • 65% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 65% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jo Dee Messina
Even God Must Get The Blues
123 bpm • A# Maj • 03:54 • -10db
23% Popularity • 51% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 51% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lacy J. Dalton
Standin' Knee Deep
138 bpm • A Maj • 04:53 • -10.65db
13% Popularity • 56% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 56% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Wills
Wish You Were Here
138 bpm • F Maj • 04:01 • -10.28db
40% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Country Gentlemen
Send 'em on Down the Road
138 bpm • D Maj • 04:18 • -8.54db
16% Popularity • 53% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 53% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Lauren Mascitti
God Made a Woman
122 bpm • B Maj • 03:27 • -6.76db
24% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Rob Ickes & Trey Hensley
Brown Eyed Women
122 bpm • E min • 04:00 • -12.91db
18% Popularity • 64% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 64% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Jo Dee Messina
Bring On The Rain
138 bpm • F Maj • 04:00 • -7.25db
51% Popularity • 47% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 47% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Chesnutt
I Don't Want To Miss A Thing
122 bpm • A# Maj • 04:06 • -10db
43% Popularity • 50% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 50% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Ricky Van Shelton
Just As I Am
122 bpm • F Maj • 03:09 • -10.79db
27% Popularity • 42% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 42% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Swon Brothers
Travelin' on
122 bpm • G# Maj • 03:11 • -8.94db
5% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Erin Enderlin
I Can Be Your Whiskey
139 bpm • D Maj • 03:59 • -7.12db
22% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Sam Outlaw
Country Love Song
139 bpm • B Maj • 03:40 • -18.44db
25% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Julie Roberts
Unlove Me
122 bpm • C# Maj • 03:12 • -9.02db
31% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Marty Stuart
Till I Found You
122 bpm • E Maj • 02:26 • -13.64db
38% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Annie Bosko
Higher Ground
122 bpm • G Maj • 04:26 • -7.77db
44% Popularity • 42% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 42% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Bradley Walker
Drifting Too Far From The Shore
139 bpm • F Maj • 04:02 • -10.37db
12% Popularity • 43% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 43% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Wariner
Two Teardrops
121 bpm • F Maj • 04:29 • -9db
37% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Ransom
Night After Night
121 bpm • C Maj • 03:50 • -5db
24% Popularity • 61% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 61% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone - wit...
140 bpm • G Maj • 04:18 • -8db
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Gretchen Wilson
I'd Love to Be Your Last
140 bpm • F# Maj • 03:34 • -15db
29% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mike Reid
I'll Stop Loving You
140 bpm • G Maj • 03:21 • -11.46db
18% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Charley Pride
Standing in My Way
140 bpm • D Maj • 03:39 • -17.32db
31% Popularity • 51% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 51% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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John Berry
Kiss Me In The Car
121 bpm • C# Maj • 03:29 • -11.85db
27% Popularity • 77% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 77% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Young
Sober Saturday Night
140 bpm • C# Maj • 03:14 • -5.23db
49% Popularity • 48% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 48% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Highway 101
(Do You Love Me) Just Say Yes
140 bpm • A# Maj • 03:40 • -12db
28% Popularity • 59% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 59% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Marty Stuart
Hey Baby
121 bpm • D Maj • 03:04 • -7.28db
31% Popularity • 61% Danceability • 71% Energy • 15% Liveness
38% Instrumentalness • 60% Positiveness
31% Popularity • 61% Danceability • 71% Energy • 15% Liveness
38% Instrumentalness • 60% Positiveness
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Brett James
Lonely Ain't So Lonely
140 bpm • A# Maj • 03:32 • -5.26db
25% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
