Songs like The Prince of Denmark's March by Jeremiah Clarke
Based on a tempo of (+/- 10%) and a similar genre
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jeremiah Clarke
The King's March
126 bpm • D Maj • 01:12 • -17db
24% Popularity • 59% Danceability • 25% Energy • 27% Liveness
96% Instrumentalness • 71% Positiveness
24% Popularity • 59% Danceability • 25% Energy • 27% Liveness
96% Instrumentalness • 71% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV589: 1. Gloria in e...
126 bpm • C# Maj • 02:22 • -17.45db
23% Popularity • 47% Danceability • 28% Energy • 14% Liveness
4% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 28% Energy • 14% Liveness
4% Instrumentalness • 32% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
127 bpm • G# Maj • 03:18 • -23db
20% Popularity • 45% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 69% Positiveness
20% Popularity • 45% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 69% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra, in E...
126 bpm • D# Maj • 06:50 • -20db
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
125 bpm • A Maj • 02:23 • -11db
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Jeremiah Clarke
Trumpet Voluntary
125 bpm • D Maj • 02:47 • -18.55db
4% Popularity • 17% Danceability • 13% Energy • 25% Liveness
79% Instrumentalness • 15% Positiveness
4% Popularity • 17% Danceability • 13% Energy • 25% Liveness
79% Instrumentalness • 15% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum, H.146
127 bpm • D Maj • 01:44 • -15db
17% Popularity • 58% Danceability • 20% Energy • 18% Liveness
77% Instrumentalness • 55% Positiveness
17% Popularity • 58% Danceability • 20% Energy • 18% Liveness
77% Instrumentalness • 55% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Eric Coates
London Suite: 3. Knightsbridge (March)
124 bpm • C Maj • 04:12 • -16db
26% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
26% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
124 bpm • C Maj • 02:53 • -15db
32% Popularity • 57% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 56% Positiveness
32% Popularity • 57% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
30% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Jeremiah Clarke
The Prince of Denmark's March
127 bpm • D Maj • 02:55 • -16.68db
27% Popularity • 46% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
27% Popularity • 46% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Ouvertüre
128 bpm • A Maj • 06:27 • -18.64db
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Variations on a Theme by Rossini
128 bpm • E Maj • 04:58 • -26db
11% Popularity • 40% Danceability • 10% Energy • 19% Liveness
93% Instrumentalness • 67% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 19% Liveness
93% Instrumentalness • 67% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: I....
128 bpm • D# Maj • 06:27 • -19.29db
10% Popularity • 33% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 36% Positiveness
10% Popularity • 33% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 36% Positiveness
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L'Inviti Players
Mozart - Wedding March, from The Marriag...
128 bpm • C Maj • 01:36 • -24.1db
13% Popularity • 62% Danceability • 6% Energy • 6% Liveness
22% Instrumentalness • 53% Positiveness
13% Popularity • 62% Danceability • 6% Energy • 6% Liveness
22% Instrumentalness • 53% Positiveness
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London Symphony Orchestra
Watermusic
128 bpm • F Maj • 02:32 • -24.36db
12% Popularity • 70% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
12% Popularity • 70% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Sonata in D major for Trumpet, Strings a...
129 bpm • D Maj • 01:11 • -13.74db
13% Popularity • 60% Danceability • 32% Energy • 11% Liveness
73% Instrumentalness • 74% Positiveness
13% Popularity • 60% Danceability • 32% Energy • 11% Liveness
73% Instrumentalness • 74% Positiveness
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Jean-Joseph Mouret
Rondeau from "Suites de Symphonies, Prem...
129 bpm • D Maj • 02:02 • -14.89db
17% Popularity • 62% Danceability • 23% Energy • 18% Liveness
86% Instrumentalness • 45% Positiveness
17% Popularity • 62% Danceability • 23% Energy • 18% Liveness
86% Instrumentalness • 45% Positiveness
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Jeremiah Clarke
Trumpet Voluntary (Arr. Roger Voisin)
123 bpm • D Maj • 02:17 • -10.78db
3% Popularity • 38% Danceability • 26% Energy • 33% Liveness
90% Instrumentalness • 36% Positiveness
3% Popularity • 38% Danceability • 26% Energy • 33% Liveness
90% Instrumentalness • 36% Positiveness
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Claudio Monteverdi
L'Orfeo: Toccata
129 bpm • F# min • 01:40 • -15.03db
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Tomaso Albinoni
Albinoni: Concerto In B Flat, Op 7 No.3 ...
123 bpm • A# Maj • 02:06 • -15.94db
20% Popularity • 65% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 80% Positiveness
20% Popularity • 65% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 80% Positiveness
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Jeremiah Clarke
Trumpet Voluntary
123 bpm • D Maj • 02:32 • -13.31db
22% Popularity • 35% Danceability • 23% Energy • 15% Liveness
85% Instrumentalness • 19% Positiveness
22% Popularity • 35% Danceability • 23% Energy • 15% Liveness
85% Instrumentalness • 19% Positiveness
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Gottfried Reiche
Carmen: I. Chorus of Street Boys
122 bpm • D min • 01:09 • -14.38db
1% Popularity • 57% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 58% Positiveness
1% Popularity • 57% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 58% Positiveness
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Carl Maria von Weber
Aufforderung zum Tanz, Op. 65 (Orch. Ber...
122 bpm • D Maj • 08:47 • -18db
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Paganini / Arr. Milone & Balsom: 24 Capr...
130 bpm • G min • 04:19 • -21.72db
13% Popularity • 49% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 52% Positiveness
13% Popularity • 49% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 52% Positiveness
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English Chamber Orchestra
Salomon, HWV 67: Arrival of the Queen of...
122 bpm • A# Maj • 03:02 • -21db
9% Popularity • 57% Danceability • 23% Energy • 38% Liveness
94% Instrumentalness • 84% Positiveness
9% Popularity • 57% Danceability • 23% Energy • 38% Liveness
94% Instrumentalness • 84% Positiveness
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Jeremiah Clarke
Trumpet Voluntary
123 bpm • D Maj • 02:31 • -16.37db
7% Popularity • 37% Danceability • 11% Energy • 24% Liveness
90% Instrumentalness • 18% Positiveness
7% Popularity • 37% Danceability • 11% Energy • 24% Liveness
90% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Concerto No. 4 in E-Flat Major, K.495: I...
122 bpm • A# Maj • 03:58 • -21.57db
37% Popularity • 42% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
37% Popularity • 42% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Johann Baptist Georg Neruda
Neruda: Trumpet Concerto in E-Flat Major...
130 bpm • A# Maj • 04:35 • -16.45db
13% Popularity • 39% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 61% Positiveness
13% Popularity • 39% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 61% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Marin Marais
Le basque (arr. K. Smith for flute and p...
131 bpm • F Maj • 01:39 • -21db
15% Popularity • 58% Danceability • 13% Energy • 26% Liveness
95% Instrumentalness • 94% Positiveness
15% Popularity • 58% Danceability • 13% Energy • 26% Liveness
95% Instrumentalness • 94% Positiveness
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Jeremiah Clarke
"Suite de Clairque": V. Rondeau
130 bpm • A Maj • 02:13 • -18db
10% Popularity • 38% Danceability • 16% Energy • 28% Liveness
92% Instrumentalness • 46% Positiveness
10% Popularity • 38% Danceability • 16% Energy • 28% Liveness
92% Instrumentalness • 46% Positiveness
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William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
26% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
26% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
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Frederick the Great
Sinfonia in G Major: I. Allegro
131 bpm • D Maj • 02:28 • -25.03db
23% Popularity • 54% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
23% Popularity • 54% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
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Jeremiah Clarke
The Prince of Denmark's March (Arr. Henr...
130 bpm • D Maj • 02:30 • -14.26db
4% Popularity • 39% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 55% Positiveness
4% Popularity • 39% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 55% Positiveness
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Vivaldi's Women
Gloria: Gloria in excelsis
132 bpm • D Maj • 02:21 • -14.22db
9% Popularity • 44% Danceability • 37% Energy • 8% Liveness
6% Instrumentalness • 34% Positiveness
9% Popularity • 44% Danceability • 37% Energy • 8% Liveness
6% Instrumentalness • 34% Positiveness
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Marc-Antoine Charpentier
"Marche de triomphe et Second air de tro...
121 bpm • C# Maj • 03:19 • -8.39db
8% Popularity • 52% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 31% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 31% Positiveness
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Johann Christian Bach
Amadis de Gaule, W. G39: Act II Scene V:...
132 bpm • E Maj • 02:25 • -21.08db
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Antonio Vivaldi
Vivaldi / Arr. Balsom for Trumpet: L'est...
121 bpm • G Maj • 02:13 • -16.1db
11% Popularity • 56% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
11% Popularity • 56% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
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Conrad Zwicky
Boellmann: Suite gothique: Toccata
132 bpm • F min • 03:36 • -15db
11% Popularity • 16% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
11% Popularity • 16% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Gottfried Reiche
Concerto in Ab: I. Allegro
120 bpm • D# Maj • 01:48 • -15.7db
0% Popularity • 37% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 65% Positiveness
0% Popularity • 37% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 65% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Trumpets in C Major, RV 5...
120 bpm • C Maj • 02:46 • -16.59db
23% Popularity • 59% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
► Preview
I Musici Di San Marco
Concerto Grosso Op.25-2 D Major 'Watermu...
119 bpm • D Maj • 04:51 • -15db
24% Popularity • 72% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 68% Positiveness
24% Popularity • 72% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 68% Positiveness
► Preview
Jeremiah Clarke
Suite in D Major: IV. The Prince of Denm...
133 bpm • A# Maj • 02:21 • -17.18db
5% Popularity • 40% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 37% Positiveness
5% Popularity • 40% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 37% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
► Preview
Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 01:40 • -15db
50% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
50% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
► Preview
Tomaso Albinoni
Concerto Saint Marc: IV. Allegro
119 bpm • A# Maj • 01:54 • -16db
19% Popularity • 57% Danceability • 30% Energy • 48% Liveness
88% Instrumentalness • 70% Positiveness
19% Popularity • 57% Danceability • 30% Energy • 48% Liveness
88% Instrumentalness • 70% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
134 bpm • C# Maj • 05:51 • -23.12db
11% Popularity • 16% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Jeremiah Clarke
The Prince of Denmark's March 'Trumpet V...
134 bpm • D Maj • 01:58 • -16.57db
0% Popularity • 16% Danceability • 14% Energy • 16% Liveness
81% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 14% Energy • 16% Liveness
81% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
L'Orfeo - Prologo: Toccata
134 bpm • D Maj • 01:27 • -11.35db
18% Popularity • 65% Danceability • 35% Energy • 20% Liveness
8% Instrumentalness • 36% Positiveness
18% Popularity • 65% Danceability • 35% Energy • 20% Liveness
8% Instrumentalness • 36% Positiveness
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Anonymous
Peer Gynt, Suite No. 1, Op. 46: No. 1. M...
134 bpm • E Maj • 04:44 • -25db
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - I Al...
134 bpm • D# Maj • 07:12 • -18.05db
31% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
31% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: I. Prélud...
134 bpm • D Maj • 01:25 • -12db
16% Popularity • 43% Danceability • 40% Energy • 8% Liveness
72% Instrumentalness • 53% Positiveness
16% Popularity • 43% Danceability • 40% Energy • 8% Liveness
72% Instrumentalness • 53% Positiveness
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Jeremiah Clarke
Suite in D: 8. Hornpipe - Gigue
119 bpm • D Maj • 01:47 • -15.21db
5% Popularity • 42% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 55% Positiveness
5% Popularity • 42% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 55% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
22% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
22% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Gottfried Reiche
Albason Fanfare & Trumpet Voluntary
134 bpm • D Maj • 01:56 • -12.89db
2% Popularity • 34% Danceability • 29% Energy • 19% Liveness
83% Instrumentalness • 28% Positiveness
2% Popularity • 34% Danceability • 29% Energy • 19% Liveness
83% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Exsultate, jubilate, K. 165/158a...
134 bpm • F Maj • 02:24 • -17.15db
10% Popularity • 31% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
10% Popularity • 31% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Georg Philipp Telemann
12 Marches héroiques 'Heldenmusik', TWV...
135 bpm • D Maj • 02:24 • -15.48db
7% Popularity • 36% Danceability • 21% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
7% Popularity • 36% Danceability • 21% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: II...
135 bpm • D# Maj • 04:35 • -16.57db
22% Popularity • 54% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 54% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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John Rutter
Suite Antique: VI. Rondeau
135 bpm • D Maj • 02:49 • -24.23db
16% Popularity • 49% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 70% Positiveness
16% Popularity • 49% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 70% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: VII....
135 bpm • E Maj • 02:20 • -19.33db
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Sonata a violono e violone e cimbalo, Op...
117 bpm • D# Maj • 02:54 • -16db
30% Popularity • 46% Danceability • 27% Energy • 8% Liveness
23% Instrumentalness • 57% Positiveness
30% Popularity • 46% Danceability • 27% Energy • 8% Liveness
23% Instrumentalness • 57% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Giovanni Battista Sammartini
Sinfonia in A Major: I. Presto
117 bpm • A Maj • 02:28 • -16db
36% Popularity • 61% Danceability • 32% Energy • 9% Liveness
54% Instrumentalness • 68% Positiveness
36% Popularity • 61% Danceability • 32% Energy • 9% Liveness
54% Instrumentalness • 68% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In D Major, TWV 55:D15:...
135 bpm • D Maj • 01:59 • -17.23db
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
136 bpm • D Maj • 02:13 • -14db
17% Popularity • 46% Danceability • 42% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 42% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs: Fantasia ...
136 bpm • A Maj • 02:05 • -22.88db
27% Popularity • 41% Danceability • 13% Energy • 34% Liveness
27% Instrumentalness • 84% Positiveness
27% Popularity • 41% Danceability • 13% Energy • 34% Liveness
27% Instrumentalness • 84% Positiveness
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Felix Mendelssohn
Scherzo
136 bpm • C min • 04:17 • -22.7db
9% Popularity • 50% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 50% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness