Songs like The Purl by Mountains of the Moon
Based on a tempo of (+/- 10%) and a similar genre
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Woodlock
Start Again
145 bpm • C Maj • 03:14 • -15db
43% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Novo Amor
Faux
145 bpm • B Maj • 04:32 • -12db
48% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
48% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
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Mountains of the Moon
The Purl
145 bpm • E min • 06:29 • -18.21db
24% Popularity • 32% Danceability • 24% Energy • 13% Liveness
32% Instrumentalness • 23% Positiveness
24% Popularity • 32% Danceability • 24% Energy • 13% Liveness
32% Instrumentalness • 23% Positiveness
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Jack in Water
Noise - Acoustic
145 bpm • A min • 03:56 • -12.3db
10% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Portair
Afterglow
145 bpm • E min • 03:10 • -11.71db
40% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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sød ven
halogen
145 bpm • E Maj • 04:03 • -10.16db
35% Popularity • 48% Danceability • 51% Energy • 12% Liveness
50% Instrumentalness • 13% Positiveness
35% Popularity • 48% Danceability • 51% Energy • 12% Liveness
50% Instrumentalness • 13% Positiveness
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Message To Bears
You Are a Memory
144 bpm • A Maj • 03:41 • -10.32db
55% Popularity • 13% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
55% Popularity • 13% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Garrett Kato
Breathe It In
144 bpm • G# min • 03:15 • -10db
48% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Benjamin
Slowly Fading
144 bpm • D# Maj • 03:34 • -12db
22% Popularity • 50% Danceability • 42% Energy • 48% Liveness
14% Instrumentalness • 33% Positiveness
22% Popularity • 50% Danceability • 42% Energy • 48% Liveness
14% Instrumentalness • 33% Positiveness
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Racing Glaciers
High Love
144 bpm • D# Maj • 04:48 • -13.13db
34% Popularity • 58% Danceability • 47% Energy • 11% Liveness
39% Instrumentalness • 36% Positiveness
34% Popularity • 58% Danceability • 47% Energy • 11% Liveness
39% Instrumentalness • 36% Positiveness
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All The Luck In The World
Moon
144 bpm • E Maj • 03:55 • -14db
19% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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RY X
Hurt
144 bpm • F min • 05:28 • -13.49db
32% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
32% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
43% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Blanco White
Chasing Dials
147 bpm • A min • 04:03 • -12.87db
31% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
31% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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NIKKITA
Postcard Lover
143 bpm • A# Maj • 03:15 • -17.15db
31% Popularity • 33% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 33% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Lonas
Quiver
143 bpm • E Maj • 04:11 • -11db
35% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Meadows
Addicted
147 bpm • F Maj • 03:32 • -16.36db
15% Popularity • 28% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 32% Positiveness
15% Popularity • 28% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 32% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Blanco White
We Know Who U R - Recorded at Spotify St...
147 bpm • G# Maj • 03:42 • -11.49db
40% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
40% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Mountains of the Moon
Natamani Kwenda
148 bpm • D# min • 04:21 • -12.12db
17% Popularity • 43% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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sød ven
feel it all
148 bpm • G# Maj • 03:14 • -12.53db
41% Popularity • 52% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
41% Popularity • 52% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
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Veda Gail
Falling Too
148 bpm • B min • 03:17 • -15.6db
23% Popularity • 52% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 52% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Handkerchief Thief
Blood Is Red
148 bpm • A# Maj • 03:59 • -14.11db
14% Popularity • 64% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
14% Popularity • 64% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Racing Glaciers
What I Saw
148 bpm • D Maj • 04:04 • -8.68db
30% Popularity • 34% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 34% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Beauvois
The Bridge
148 bpm • D# min • 04:12 • -26.51db
18% Popularity • 48% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 48% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Phoria
Loss
142 bpm • G# Maj • 06:36 • -11.28db
37% Popularity • 35% Danceability • 40% Energy • 12% Liveness
38% Instrumentalness • 14% Positiveness
37% Popularity • 35% Danceability • 40% Energy • 12% Liveness
38% Instrumentalness • 14% Positiveness
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Matt Ryder
A New Way Home
141 bpm • A Maj • 02:34 • -16.24db
28% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Bear's Den
When You Break
141 bpm • F min • 04:45 • -10.95db
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mountains of the Moon
A Cutscene
141 bpm • B min • 05:06 • -18.07db
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 14% Positiveness
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 14% Positiveness
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Sierra Eagleson
Robin
149 bpm • E Maj • 03:34 • -15.74db
24% Popularity • 32% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
24% Popularity • 32% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Portair
Alaska
140 bpm • G min • 03:22 • -8.29db
38% Popularity • 37% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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JONAH
Ocean Wide
150 bpm • F# min • 03:04 • -9.73db
48% Popularity • 56% Danceability • 35% Energy • 18% Liveness
16% Instrumentalness • 24% Positiveness
48% Popularity • 56% Danceability • 35% Energy • 18% Liveness
16% Instrumentalness • 24% Positiveness
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George Ogilvie
Count Your Blessings
150 bpm • G# min • 04:05 • -9db
39% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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How Great Were the Robins
Bucaneve
140 bpm • F min • 04:27 • -12.33db
10% Popularity • 57% Danceability • 43% Energy • 13% Liveness
14% Instrumentalness • 40% Positiveness
10% Popularity • 57% Danceability • 43% Energy • 13% Liveness
14% Instrumentalness • 40% Positiveness
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Ciaran Lavery
Funnier
140 bpm • C# Maj • 02:02 • -11.25db
22% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mountains of the Moon
How I Leapt from the Stratosphere
140 bpm • A# min • 04:02 • -13.76db
22% Popularity • 49% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
22% Popularity • 49% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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The Hope Arsenal
Fields of Dreams
140 bpm • A# Maj • 04:44 • -10.81db
8% Popularity • 49% Danceability • 41% Energy • 10% Liveness
7% Instrumentalness • 12% Positiveness
8% Popularity • 49% Danceability • 41% Energy • 10% Liveness
7% Instrumentalness • 12% Positiveness
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Vraell
Brother
150 bpm • F Maj • 03:19 • -17db
37% Popularity • 40% Danceability • 16% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 40% Danceability • 16% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
44% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Boundary Run
Keep Me Safe
140 bpm • G Maj • 03:29 • -12.27db
36% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Blanco White
November Rain
140 bpm • B min • 04:06 • -10.04db
32% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Freyr
You Want Love
150 bpm • F Maj • 03:35 • -17db
41% Popularity • 42% Danceability • 30% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
41% Popularity • 42% Danceability • 30% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
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WILDES
Stay
140 bpm • E min • 03:13 • -6.38db
17% Popularity • 35% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 35% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
22% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Jome
Cinnamon
140 bpm • G# min • 03:24 • -11db
58% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
58% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Arctic Lake
Heal Me
140 bpm • A min • 03:27 • -9.61db
42% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Boundary Run
Ready To Fall
140 bpm • D Maj • 02:54 • -11.76db
47% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
47% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Heroe
take me back
140 bpm • D# Maj • 04:16 • -15.44db
24% Popularity • 51% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
24% Popularity • 51% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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CLOVES
Wasted Time
140 bpm • A Maj • 04:04 • -8db
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Stateless
Bloodstream - Quartet Session
140 bpm • F# min • 05:01 • -12db
38% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
38% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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Lissom
Atrophy
151 bpm • A# min • 04:01 • -16.68db
33% Popularity • 22% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 14% Positiveness
33% Popularity • 22% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 14% Positiveness
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Message To Bears
Almost Faded
152 bpm • F Maj • 03:21 • -13.54db
31% Popularity • 12% Danceability • 19% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 19% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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Jolé
Picture Perfect
152 bpm • G Maj • 02:54 • -13.04db
52% Popularity • 41% Danceability • 30% Energy • 21% Liveness
7% Instrumentalness • 38% Positiveness
52% Popularity • 41% Danceability • 30% Energy • 21% Liveness
7% Instrumentalness • 38% Positiveness
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Oliver Daldry
After Dark
152 bpm • F Maj • 04:45 • -7.97db
16% Popularity • 40% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 40% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Heroe
Loophole
138 bpm • B min • 03:48 • -25.69db
32% Popularity • 28% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 28% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
31% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
31% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Novo Amor
Holland
138 bpm • C# Maj • 02:39 • -12db
61% Popularity • 50% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
61% Popularity • 50% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
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Rosemary & Garlic
Frames
138 bpm • E min • 03:18 • -14.89db
33% Popularity • 35% Danceability • 32% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
33% Popularity • 35% Danceability • 32% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Mountains of the Moon
Some Kind of Berry
138 bpm • F# min • 03:02 • -18.8db
30% Popularity • 35% Danceability • 16% Energy • 11% Liveness
55% Instrumentalness • 7% Positiveness
30% Popularity • 35% Danceability • 16% Energy • 11% Liveness
55% Instrumentalness • 7% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Kyson
Pictures
153 bpm • F min • 04:16 • -14.33db
35% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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sød ven
carry me home
138 bpm • C Maj • 04:26 • -12.05db
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Sierra Eagleson
Comatose
138 bpm • F# min • 03:47 • -14.32db
19% Popularity • 44% Danceability • 32% Energy • 16% Liveness
60% Instrumentalness • 15% Positiveness
19% Popularity • 44% Danceability • 32% Energy • 16% Liveness
60% Instrumentalness • 15% Positiveness
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Twiceyoung
We Knew Her at Once
153 bpm • F Maj • 02:26 • -9.56db
24% Popularity • 15% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
24% Popularity • 15% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Racing Glaciers
Caught in the Strange
137 bpm • G min • 03:25 • -16db
40% Popularity • 41% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 41% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Davis John Patton
Stay
153 bpm • F# Maj • 03:30 • -11db
37% Popularity • 57% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
37% Popularity • 57% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Novo Amor
Dancer
137 bpm • E min • 04:11 • -14.36db
39% Popularity • 47% Danceability • 21% Energy • 9% Liveness
34% Instrumentalness • 6% Positiveness
39% Popularity • 47% Danceability • 21% Energy • 9% Liveness
34% Instrumentalness • 6% Positiveness
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Hazlett
Lowdown, Lay It On
137 bpm • D Maj • 03:54 • -13db
34% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
34% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
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Andrew Belle
Pieces
137 bpm • F# min • 04:01 • -5.86db
56% Popularity • 49% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 49% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mt. Wolf
Nantes
137 bpm • C Maj • 03:47 • -12db
17% Popularity • 44% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
17% Popularity • 44% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Resistance
154 bpm • B Maj • 04:40 • -11.37db
26% Popularity • 40% Danceability • 40% Energy • 9% Liveness
49% Instrumentalness • 22% Positiveness
26% Popularity • 40% Danceability • 40% Energy • 9% Liveness
49% Instrumentalness • 22% Positiveness
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Joel Porter
Amaranthine
154 bpm • A Maj • 04:52 • -13db
17% Popularity • 53% Danceability • 45% Energy • 57% Liveness
40% Instrumentalness • 24% Positiveness
17% Popularity • 53% Danceability • 45% Energy • 57% Liveness
40% Instrumentalness • 24% Positiveness
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Foreign Fields
Terrible Times
154 bpm • A# Maj • 04:45 • -12db
24% Popularity • 67% Danceability • 42% Energy • 24% Liveness
14% Instrumentalness • 44% Positiveness
24% Popularity • 67% Danceability • 42% Energy • 24% Liveness
14% Instrumentalness • 44% Positiveness
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Freyr
Over My Head
154 bpm • D# Maj • 03:30 • -12db
42% Popularity • 58% Danceability • 36% Energy • 82% Liveness
52% Instrumentalness • 14% Positiveness
42% Popularity • 58% Danceability • 36% Energy • 82% Liveness
52% Instrumentalness • 14% Positiveness
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sød ven
beyond my reach
154 bpm • D# Maj • 03:15 • -13.68db
32% Popularity • 38% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 18% Positiveness
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CHPTRS
Obvious
136 bpm • D Maj • 04:55 • -9db
38% Popularity • 34% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 12% Positiveness
38% Popularity • 34% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 12% Positiveness
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Andrew Belle
Dive Deep (Hushed)
136 bpm • A Maj • 03:38 • -9db
47% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
47% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Oliver Riot
Nervous
136 bpm • C min • 03:13 • -13.05db
29% Popularity • 38% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
29% Popularity • 38% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
48% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
48% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Harrison Storm
Feeling You (Mahogany Sessions)
135 bpm • C# min • 03:03 • -11.84db
26% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Twiceyoung
Slow Down
155 bpm • A# Maj • 03:37 • -11.48db
37% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Odina
Father
135 bpm • C min • 04:08 • -13db
24% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Portair
Fade into You
155 bpm • A Maj • 03:48 • -11.31db
31% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
31% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Heroe
Your Mess Is Mine
155 bpm • A Maj • 04:06 • -13db
38% Popularity • 47% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 47% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Maldito
Stuck Between the Ocean & Chloe Sagal
135 bpm • D Maj • 04:56 • -10.75db
12% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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S. Carey
Hideout
135 bpm • G# Maj • 02:53 • -11.16db
34% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
34% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Nina June
Daffodils
135 bpm • G# min • 03:10 • -12.78db
34% Popularity • 59% Danceability • 37% Energy • 7% Liveness
5% Instrumentalness • 33% Positiveness
34% Popularity • 59% Danceability • 37% Energy • 7% Liveness
5% Instrumentalness • 33% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
36% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
36% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Oh So Quiet
Rain at Night
135 bpm • A# min • 03:48 • -10db
31% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
