Songs like The Queen And The Soldier by Suzanne Vega
Based on a tempo of (+/- 10%) and a similar genre
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Sam Phillips
Private Storm
148 bpm • D Maj • 04:10 • -20.24db
13% Popularity • 44% Danceability • 12% Energy • 18% Liveness
1% Instrumentalness • 32% Positiveness
13% Popularity • 44% Danceability • 12% Energy • 18% Liveness
1% Instrumentalness • 32% Positiveness
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Clannad
Poison Glen (2003 - Remaster)
148 bpm • D min • 03:55 • -10.63db
26% Popularity • 52% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 52% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Pavlov's Dog
Standing Here With You (Megan's Song)
148 bpm • C Maj • 03:50 • -16.29db
21% Popularity • 35% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 35% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Suzanne Vega
The Queen And The Soldier
148 bpm • D Maj • 04:48 • -15.9db
36% Popularity • 36% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 36% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Victoria Williams
Crazy Mary
148 bpm • B min • 05:15 • -12db
18% Popularity • 30% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
18% Popularity • 30% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Jonathan Coulton
Now I Am an Arsonist
147 bpm • C# Maj • 02:53 • -15.57db
24% Popularity • 63% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 63% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Indigo Girls
History Of Us
146 bpm • G Maj • 05:26 • -14.05db
24% Popularity • 35% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 35% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Mike Scott
Everlasting Arms
146 bpm • E Maj • 02:54 • -16db
36% Popularity • 43% Danceability • 17% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
36% Popularity • 43% Danceability • 17% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
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Suzanne Vega
Knight Moves
150 bpm • B min • 03:35 • -15.68db
25% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kristin Hersh
Teeth
150 bpm • E min • 04:10 • -12.88db
18% Popularity • 43% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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R.E.M.
Country Feedback
145 bpm • G Maj • 04:09 • -5.98db
41% Popularity • 27% Danceability • 57% Energy • 40% Liveness
5% Instrumentalness • 29% Positiveness
41% Popularity • 27% Danceability • 57% Energy • 40% Liveness
5% Instrumentalness • 29% Positiveness
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Tasmin Archer
Shipbuilding
145 bpm • G# Maj • 04:52 • -13.17db
6% Popularity • 51% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 51% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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The Imagined Village
Acres of Ground
144 bpm • E min • 04:47 • -5db
9% Popularity • 47% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 47% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Teddy Thompson
The Future
144 bpm • G min • 06:49 • -5db
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Suzanne Vega
Solitude Standing
146 bpm • B min • 04:49 • -12.99db
38% Popularity • 57% Danceability • 63% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
38% Popularity • 57% Danceability • 63% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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Kristin Hersh
Your Ghost
145 bpm • G Maj • 03:16 • -14.15db
44% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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R.E.M.
Find The River
145 bpm • D Maj • 03:49 • -9db
56% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Elvis Costello
Tramp the Dirt Down
144 bpm • G Maj • 05:41 • -10db
26% Popularity • 40% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Aimee Mann
Save Me
143 bpm • A# Maj • 04:34 • -10.44db
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Simon & Garfunkel
Song for the Asking
153 bpm • B Maj • 01:50 • -19.7db
47% Popularity • 30% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
47% Popularity • 30% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
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Suzanne Vega
The Queen and the Soldier
143 bpm • D Maj • 05:02 • -11.92db
13% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Nick Cave & The Bad Seeds
Henry Lee
143 bpm • A min • 03:58 • -11.94db
51% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Eddi Reader
Hello in There
143 bpm • D# Maj • 04:53 • -15.73db
5% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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R.E.M.
You Are The Everything - Remastered
153 bpm • G Maj • 03:44 • -14.5db
41% Popularity • 30% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 30% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Kate Bush
The Kick Inside
143 bpm • C# Maj • 03:34 • -17.93db
35% Popularity • 33% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 33% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Aimee Mann
Stupid Thing
143 bpm • F Maj • 04:27 • -9.97db
23% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Suzanne Vega
St. Clare
154 bpm • F# min • 02:29 • -12.43db
28% Popularity • 33% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 33% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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KT Tunstall
Under The Weather
142 bpm • C Maj • 03:36 • -10db
38% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Cowboy Junkies
'Cause Cheap Is How I Feel
143 bpm • G Maj • 04:14 • -15.11db
30% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nick Cave & The Bad Seeds
The Ship Song
142 bpm • G Maj • 05:14 • -10.36db
48% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Toni Childs
Heaven's Gate
155 bpm • A min • 05:16 • -17.96db
16% Popularity • 45% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 45% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Fairground Attraction
Moon on the Rain
142 bpm • C Maj • 03:53 • -20.07db
26% Popularity • 40% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 40% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Suzanne Vega
Neighborhood Girls
142 bpm • C# Maj • 03:20 • -11.97db
21% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Eddi Reader
Kiteflyer's Hill
155 bpm • D# Maj • 06:06 • -13.23db
8% Popularity • 30% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 30% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Van Morrison
In the Garden
140 bpm • C Maj • 05:47 • -12db
43% Popularity • 54% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 54% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Nick Cave & The Bad Seeds
The Ship Song (Single Version) (1998 Rem...
142 bpm • G Maj • 04:43 • -8.31db
21% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Eels
Beautiful Freak
140 bpm • C Maj • 03:34 • -15.13db
38% Popularity • 31% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
38% Popularity • 31% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
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Fairground Attraction
Comedy Waltz
141 bpm • C Maj • 03:29 • -20.24db
19% Popularity • 43% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 43% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Suzanne Vega
Gypsy
141 bpm • A Maj • 04:09 • -14.73db
28% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Scott
Building the City of Light
139 bpm • G Maj • 03:50 • -6.98db
16% Popularity • 43% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 43% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Eddi Reader
Dragonflies
157 bpm • G# Maj • 05:15 • -7db
15% Popularity • 35% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 35% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Cave & The Bad Seeds
(Are You) the One That I've Been Waiting...
140 bpm • G# Maj • 04:05 • -17.31db
47% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
47% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Ani DiFranco
Both Hands
139 bpm • G Maj • 03:38 • -20db
45% Popularity • 77% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 77% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Thompson
Beeswing
138 bpm • F Maj • 05:33 • -14.48db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Suzanne Vega
Soap And Water
141 bpm • F# min • 03:03 • -12.03db
21% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dougie MacLean
Ready For The Storm
138 bpm • F min • 03:56 • -15db
31% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Melissa Etheridge
You Can Sleep While I Drive
138 bpm • F Maj • 03:15 • -17.34db
44% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Fairground Attraction
Watching The Party
138 bpm • A Maj • 03:31 • -16.8db
7% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Elvis Costello & The Attractions
All This Useless Beauty
137 bpm • D Maj • 04:37 • -13.87db
21% Popularity • 45% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 45% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Scott
Open
137 bpm • E min • 02:55 • -14db
47% Popularity • 55% Danceability • 37% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
47% Popularity • 55% Danceability • 37% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
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Suzanne Vega
Cracking
155 bpm • B Maj • 02:49 • -15db
34% Popularity • 31% Danceability • 29% Energy • 20% Liveness
13% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 20% Liveness
13% Instrumentalness • 22% Positiveness
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Seth Lakeman
The White Hare
137 bpm • A# Maj • 03:03 • -7db
30% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Emily Barker
Pause
136 bpm • G Maj • 03:45 • -13db
18% Popularity • 15% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Fairground Attraction
Mythology
138 bpm • B min • 04:38 • -22.56db
16% Popularity • 47% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 47% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Oysterband
Put out the Lights
136 bpm • E min • 03:34 • -10.03db
17% Popularity • 48% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 48% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Edie Brickell
Green
136 bpm • G Maj • 03:21 • -15.75db
25% Popularity • 35% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 35% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Suzanne Vega
World Before Columbus
156 bpm • B min • 03:26 • -11.86db
28% Popularity • 53% Danceability • 56% Energy • 10% Liveness
51% Instrumentalness • 42% Positiveness
28% Popularity • 53% Danceability • 56% Energy • 10% Liveness
51% Instrumentalness • 42% Positiveness
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The Waterboys
Higher in Time
136 bpm • A Maj • 03:07 • -10.01db
28% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Dar Williams
The Beauty Of The Rain
136 bpm • G Maj • 02:59 • -11.71db
42% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Fairground Attraction
Fairground Attraction
137 bpm • F min • 02:17 • -21.56db
21% Popularity • 46% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 46% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Mary Coughlan
Ride On
136 bpm • C min • 04:01 • -6.69db
10% Popularity • 49% Danceability • 88% Energy • 47% Liveness
1% Instrumentalness • 45% Positiveness
10% Popularity • 49% Danceability • 88% Energy • 47% Liveness
1% Instrumentalness • 45% Positiveness
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Joan Osborne
Crazy Baby
136 bpm • A Maj • 06:32 • -10db
29% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Suzanne Vega
Song Of Sand
140 bpm • A min • 03:05 • -21.57db
23% Popularity • 52% Danceability • 6% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 52% Danceability • 6% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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The Waterboys
Spirit - 2004 Remaster
136 bpm • G Maj • 01:48 • -10.56db
46% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Edie Brickell & New Bohemians
Buffalo Ghost
135 bpm • F# min • 04:34 • -11.49db
29% Popularity • 61% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
29% Popularity • 61% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Fairground Attraction
Ay Fond Kiss
136 bpm • A Maj • 03:19 • -22.65db
20% Popularity • 35% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 35% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Susan McKeown
Because I Could Not Stop For Death
135 bpm • G min • 03:50 • -12db
16% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Aimee Mann
Deathly
135 bpm • D Maj • 05:36 • -8.3db
32% Popularity • 51% Danceability • 62% Energy • 18% Liveness
7% Instrumentalness • 54% Positiveness
32% Popularity • 51% Danceability • 62% Energy • 18% Liveness
7% Instrumentalness • 54% Positiveness
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Suzanne Vega
Calypso
139 bpm • C Maj • 04:13 • -16.55db
32% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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The Cake Sale
Some Surprise
135 bpm • C Maj • 03:18 • -10db
28% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Cowboy Junkies
Misguided Angel
135 bpm • G Maj • 04:52 • -19.46db
40% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Fairground Attraction
Jock O'Hazeldean
135 bpm • F Maj • 03:05 • -20.24db
16% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Eddi Reader
What You Do with What You've Got
134 bpm • B min • 04:39 • -15.02db
8% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Walkabouts
Will You Miss Me When I'm Gone
134 bpm • D Maj • 04:09 • -14.38db
16% Popularity • 44% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
16% Popularity • 44% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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Suzanne Vega
99.9 F
139 bpm • B Maj • 03:16 • -14.2db
34% Popularity • 84% Danceability • 47% Energy • 8% Liveness
54% Instrumentalness • 98% Positiveness
34% Popularity • 84% Danceability • 47% Energy • 8% Liveness
54% Instrumentalness • 98% Positiveness
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Martyn Joseph
Cardiff Bay
134 bpm • C min • 04:53 • -12.36db
21% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Emily Barker
Nostalgia - Wallander Version
134 bpm • G# min • 03:52 • -10.21db
41% Popularity • 53% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
41% Popularity • 53% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Bob Geldof
Thinking Voyager 2 Type Things
134 bpm • E Maj • 08:20 • -15.27db
14% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Beth Orton
See Through Blue
164 bpm • A# Maj • 01:54 • -10.27db
26% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Clannad
In a Lifetime
134 bpm • A min • 03:07 • -15.08db
47% Popularity • 47% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 47% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Suzanne Vega
Straight Lines
138 bpm • G min • 03:48 • -15.52db
24% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Joe Jackson
The Man Who Wrote Danny Boy
133 bpm • E Maj • 05:18 • -17.94db
7% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Aimee Mann
You Could Make A Killing
133 bpm • D# Maj • 03:42 • -13.79db
34% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Mary Coughlan
A Leaf from a Tree
133 bpm • A Maj • 04:36 • -15.06db
14% Popularity • 49% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 49% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sting
They Dance Alone (Gueca Solo)
133 bpm • A Maj • 07:15 • -16.71db
50% Popularity • 57% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 57% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 36% Positiveness
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Eddi Reader
Never Going Back Again (Queen Of Scots)
165 bpm • C Maj • 03:15 • -11.35db
13% Popularity • 54% Danceability • 32% Energy • 11% Liveness
60% Instrumentalness • 83% Positiveness
13% Popularity • 54% Danceability • 32% Energy • 11% Liveness
60% Instrumentalness • 83% Positiveness
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Suzanne Vega
Gypsy
138 bpm • A Maj • 04:28 • -15.03db
13% Popularity • 38% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 38% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
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David Gray
Late Night Radio
166 bpm • C# min • 03:53 • -7.56db
34% Popularity • 29% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 29% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Indigo Girls
I'll Give You My Skin
132 bpm • E min • 03:32 • -8.51db
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Sinéad Lohan
Bee in the Bottle
167 bpm • C min • 02:45 • -11.96db
34% Popularity • 67% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 67% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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The Finn Brothers
Last Day of June
132 bpm • C# Maj • 03:18 • -13.92db
17% Popularity • 47% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 47% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Eddi Reader
Scarecrow
131 bpm • A# Maj • 03:31 • -14.38db
11% Popularity • 57% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Suzanne Vega
No Cheap Thrill
138 bpm • C# Maj • 03:08 • -12.08db
27% Popularity • 72% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
27% Popularity • 72% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
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Fairground Attraction
Allelujah
131 bpm • F Maj • 03:25 • -19db
23% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Indigo Girls
Love's Recovery
131 bpm • F Maj • 04:21 • -12.39db
31% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Cowboy Junkies
Crescent Moon
131 bpm • B min • 05:02 • -12.8db
12% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
