Songs like The Queen's Head by Richard Dawson
Based on a tempo of (+/- 10%) and a similar genre
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Alex Cameron
Other Ladies
138 bpm • D Maj • 03:45 • -6.32db
20% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Guerilla Toss
Dog in the Mirror
138 bpm • G Maj • 05:03 • -3.71db
17% Popularity • 49% Danceability • 98% Energy • 37% Liveness
4% Instrumentalness • 12% Positiveness
17% Popularity • 49% Danceability • 98% Energy • 37% Liveness
4% Instrumentalness • 12% Positiveness
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Purple Mountains
All My Happiness Is Gone
138 bpm • G Maj • 04:20 • -7.79db
21% Popularity • 50% Danceability • 75% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
21% Popularity • 50% Danceability • 75% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
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Protomartyr
Day Without End
138 bpm • E min • 03:16 • -8.51db
24% Popularity • 36% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
24% Popularity • 36% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Gilla Band
Umbongo
138 bpm • C Maj • 04:15 • -12db
19% Popularity • 21% Danceability • 77% Energy • 29% Liveness
56% Instrumentalness • 7% Positiveness
19% Popularity • 21% Danceability • 77% Energy • 29% Liveness
56% Instrumentalness • 7% Positiveness
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Richard Dawson
The Queen's Head
138 bpm • F min • 05:17 • -9.77db
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sun Kil Moon
Rock 'n' roll Singer
139 bpm • C# Maj • 06:46 • -14.25db
8% Popularity • 33% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 23% Positiveness
8% Popularity • 33% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 23% Positiveness
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Julia Holter
Chaitius
138 bpm • F Maj • 08:10 • -11.9db
20% Popularity • 25% Danceability • 26% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
20% Popularity • 25% Danceability • 26% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
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The Drones
Shut Down SETI
137 bpm • F# min • 06:01 • -10.06db
14% Popularity • 32% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 32% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Protomartyr
Modern Business Hymns
138 bpm • G Maj • 04:14 • -5.23db
20% Popularity • 38% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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HMLTD
Past Life (Sinnerman's Song)
137 bpm • B min • 07:17 • -9.78db
16% Popularity • 36% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 36% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Tropical Fuck Storm
Legal Ghost
137 bpm • G Maj • 06:05 • -5db
11% Popularity • 55% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 55% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Pile
Hair
139 bpm • C min • 04:25 • -12.22db
16% Popularity • 30% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Deerhoof
Zazeet
137 bpm • D Maj • 02:28 • -6.47db
11% Popularity • 46% Danceability • 97% Energy • 15% Liveness
38% Instrumentalness • 13% Positiveness
11% Popularity • 46% Danceability • 97% Energy • 15% Liveness
38% Instrumentalness • 13% Positiveness
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Silver Jews
Federal Dust
137 bpm • F# Maj • 04:01 • -11.9db
35% Popularity • 55% Danceability • 34% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
35% Popularity • 55% Danceability • 34% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
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Swans
Song for a Warrior
139 bpm • C Maj • 03:58 • -17.79db
25% Popularity • 27% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 27% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Xiu Xiu
Fabulous Muscles
137 bpm • A# Maj • 04:10 • -15.33db
28% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Squid
Global Groove
137 bpm • D min • 05:06 • -10.94db
25% Popularity • 44% Danceability • 24% Energy • 13% Liveness
6% Instrumentalness • 8% Positiveness
25% Popularity • 44% Danceability • 24% Energy • 13% Liveness
6% Instrumentalness • 8% Positiveness
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caroline
IWR
140 bpm • G Maj • 06:29 • -10.25db
24% Popularity • 32% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Daniel Rossen
Celia
139 bpm • A# Maj • 02:39 • -9.8db
21% Popularity • 34% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Flotation Toy Warning
Everything That Is Difficult Will Come t...
140 bpm • B min • 07:49 • -12.78db
12% Popularity • 32% Danceability • 41% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
12% Popularity • 32% Danceability • 41% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
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Destroyer
Your Blood
140 bpm • C# min • 04:15 • -6.14db
34% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Hen Ogledd
Welcome to Hell
140 bpm • G Maj • 03:59 • -9.67db
2% Popularity • 68% Danceability • 84% Energy • 29% Liveness
16% Instrumentalness • 58% Positiveness
2% Popularity • 68% Danceability • 84% Energy • 29% Liveness
16% Instrumentalness • 58% Positiveness
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Jerskin Fendrix
Swamp
140 bpm • D# min • 04:11 • -10.55db
25% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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SPELLLING
Little Deer
140 bpm • D# Maj • 05:39 • -10.36db
37% Popularity • 54% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 28% Positiveness
37% Popularity • 54% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 28% Positiveness
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Squid
Broadcaster
140 bpm • F min • 05:56 • -9db
14% Popularity • 70% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 24% Positiveness
14% Popularity • 70% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 24% Positiveness
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Richard Dawson
Ivy
140 bpm • C Maj • 08:57 • -8.36db
19% Popularity • 37% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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The Microphones
Between Your Ear and the Other Ear
136 bpm • B Maj • 03:13 • -11.98db
20% Popularity • 67% Danceability • 50% Energy • 16% Liveness
53% Instrumentalness • 74% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 16% Liveness
53% Instrumentalness • 74% Positiveness
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Kim Gordon
Air BnB
136 bpm • D Maj • 04:10 • -5.6db
27% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tim Heidecker
Property
140 bpm • E Maj • 03:31 • -5.42db
15% Popularity • 51% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 51% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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SPELLLING
Emperor with an Egg
140 bpm • A Maj • 03:09 • -12.11db
27% Popularity • 37% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
27% Popularity • 37% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Julia Holter
Everyday Is an Emergency
136 bpm • A min • 07:45 • -17.85db
17% Popularity • 17% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Spiritualized
Cool Waves
140 bpm • A Maj • 05:06 • -10db
29% Popularity • 26% Danceability • 38% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 38% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Mount Eerie
Now Only
136 bpm • C Maj • 05:54 • -20.63db
20% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Destroyer
Looters' Follies
140 bpm • C Maj • 07:26 • -6.35db
23% Popularity • 47% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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black midi
Hogwash and Balderdash
140 bpm • C Maj • 02:32 • -5.47db
31% Popularity • 49% Danceability • 93% Energy • 51% Liveness
62% Instrumentalness • 45% Positiveness
31% Popularity • 49% Danceability • 93% Energy • 51% Liveness
62% Instrumentalness • 45% Positiveness
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Talk Talk
Ascension Day
141 bpm • D# min • 06:00 • -14.95db
33% Popularity • 43% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 43% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Xiu Xiu
Normal Love
135 bpm • D Maj • 03:38 • -14.48db
21% Popularity • 39% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
21% Popularity • 39% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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U.S. Girls
Rage of Plastics
135 bpm • A min • 04:27 • -4.98db
29% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Maruja
Rage
135 bpm • C min • 04:33 • -7db
31% Popularity • 38% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
31% Popularity • 38% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Father John Misty
Things It Would Have Been Helpful to Kno...
141 bpm • E min • 04:18 • -9.17db
39% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Julia Holter
Have You In My Wilderness
135 bpm • E Maj • 03:36 • -9.48db
27% Popularity • 22% Danceability • 28% Energy • 33% Liveness
2% Instrumentalness • 20% Positiveness
27% Popularity • 22% Danceability • 28% Energy • 33% Liveness
2% Instrumentalness • 20% Positiveness
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Geese
Undoer
141 bpm • F# min • 06:59 • -8.04db
39% Popularity • 32% Danceability • 75% Energy • 35% Liveness
4% Instrumentalness • 49% Positiveness
39% Popularity • 32% Danceability • 75% Energy • 35% Liveness
4% Instrumentalness • 49% Positiveness
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Protomartyr
Michigan Hammers
135 bpm • D Maj • 04:00 • -5.08db
23% Popularity • 33% Danceability • 93% Energy • 8% Liveness
58% Instrumentalness • 35% Positiveness
23% Popularity • 33% Danceability • 93% Energy • 8% Liveness
58% Instrumentalness • 35% Positiveness
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Kim Gordon
Get Yr Life Back
134 bpm • D Maj • 05:25 • -10.25db
19% Popularity • 34% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
19% Popularity • 34% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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black midi
Western
142 bpm • B Maj • 08:08 • -7.56db
37% Popularity • 35% Danceability • 77% Energy • 8% Liveness
10% Instrumentalness • 29% Positiveness
37% Popularity • 35% Danceability • 77% Energy • 8% Liveness
10% Instrumentalness • 29% Positiveness
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Deerhoof
Fraction Anthem
142 bpm • C# Maj • 02:52 • -8.22db
11% Popularity • 41% Danceability • 50% Energy • 12% Liveness
38% Instrumentalness • 45% Positiveness
11% Popularity • 41% Danceability • 50% Energy • 12% Liveness
38% Instrumentalness • 45% Positiveness
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Smog
Teenage Spaceship
142 bpm • D Maj • 03:58 • -22.29db
34% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
34% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
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Richard Dawson
Methuselah
142 bpm • E min • 08:26 • -9.17db
15% Popularity • 39% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
15% Popularity • 39% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Protomartyr
Corpses In Regalia
134 bpm • G# Maj • 02:43 • -7.65db
23% Popularity • 49% Danceability • 81% Energy • 20% Liveness
53% Instrumentalness • 62% Positiveness
23% Popularity • 49% Danceability • 81% Energy • 20% Liveness
53% Instrumentalness • 62% Positiveness
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Swans
Some Things We Do
142 bpm • E min • 05:09 • -17.73db
24% Popularity • 20% Danceability • 31% Energy • 30% Liveness
74% Instrumentalness • 17% Positiveness
24% Popularity • 20% Danceability • 31% Energy • 30% Liveness
74% Instrumentalness • 17% Positiveness
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Cass McCombs
Tying Up Loose Ends
134 bpm • E min • 04:34 • -15.52db
15% Popularity • 59% Danceability • 32% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
15% Popularity • 59% Danceability • 32% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Sun Kil Moon
Come on Get Happy
134 bpm • A# Maj • 01:05 • -13.08db
16% Popularity • 66% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
16% Popularity • 66% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Spiritualized
No God Only Religion
134 bpm • A Maj • 04:21 • -4.79db
26% Popularity • 16% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 16% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Dawson
Silene
134 bpm • A Maj • 07:16 • -13.61db
13% Popularity • 61% Danceability • 52% Energy • 9% Liveness
68% Instrumentalness • 7% Positiveness
13% Popularity • 61% Danceability • 52% Energy • 9% Liveness
68% Instrumentalness • 7% Positiveness
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U.S. Girls
Velvet 4 Sale
134 bpm • E min • 03:44 • -5db
29% Popularity • 46% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 46% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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Big Thief
Terminal Paradise
133 bpm • F Maj • 03:25 • -11.5db
33% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Protomartyr
Here Is The Thing
143 bpm • C Maj • 02:50 • -7.21db
26% Popularity • 47% Danceability • 91% Energy • 37% Liveness
29% Instrumentalness • 41% Positiveness
26% Popularity • 47% Danceability • 91% Energy • 37% Liveness
29% Instrumentalness • 41% Positiveness
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Sun Kil Moon
God Bless Ohio
143 bpm • F# Maj • 10:36 • -13.7db
19% Popularity • 69% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
19% Popularity • 69% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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black midi
The Defence
133 bpm • C Maj • 02:59 • -7db
38% Popularity • 43% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 43% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 25% Positiveness
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The Drones
This Time
143 bpm • E min • 05:34 • -4.82db
14% Popularity • 24% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 24% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Alex Cameron
The Hacienda
143 bpm • A Maj • 04:31 • -7db
24% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Big Thief
From
143 bpm • D# Maj • 03:58 • -9.88db
33% Popularity • 60% Danceability • 58% Energy • 19% Liveness
20% Instrumentalness • 61% Positiveness
33% Popularity • 60% Danceability • 58% Energy • 19% Liveness
20% Instrumentalness • 61% Positiveness
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Blake Mills
Never Forever
143 bpm • A# Maj • 04:53 • -15.99db
22% Popularity • 52% Danceability • 21% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 52% Danceability • 21% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
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Famous
Modern Times
143 bpm • F Maj • 04:27 • -13.15db
18% Popularity • 78% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 78% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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HMLTD
Days
132 bpm • D min • 04:29 • -13.79db
18% Popularity • 32% Danceability • 22% Energy • 18% Liveness
2% Instrumentalness • 5% Positiveness
18% Popularity • 32% Danceability • 22% Energy • 18% Liveness
2% Instrumentalness • 5% Positiveness
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Squid
Peel St.
132 bpm • A min • 04:52 • -8db
27% Popularity • 40% Danceability • 91% Energy • 34% Liveness
34% Instrumentalness • 20% Positiveness
27% Popularity • 40% Danceability • 91% Energy • 34% Liveness
34% Instrumentalness • 20% Positiveness
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Richard Dawson
Thicker Than Water
144 bpm • G Maj • 05:35 • -11.74db
18% Popularity • 47% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
18% Popularity • 47% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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James Martin
Good Dog
144 bpm • C Maj • 10:15 • -11.88db
17% Popularity • 27% Danceability • 46% Energy • 33% Liveness
29% Instrumentalness • 17% Positiveness
17% Popularity • 27% Danceability • 46% Energy • 33% Liveness
29% Instrumentalness • 17% Positiveness
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Gareth Liddiard
Blondin Makes An Omelette
132 bpm • G Maj • 04:51 • -15.16db
10% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Alex Cameron
Divorce
145 bpm • G Maj • 03:12 • -5.26db
27% Popularity • 53% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 53% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Jerskin Fendrix
I'll Wait for It
145 bpm • F Maj • 03:02 • -8.68db
22% Popularity • 49% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 49% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Tropical Fuck Storm
Antimatter Animals
131 bpm • G# Maj • 05:14 • -6.23db
17% Popularity • 47% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 47% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Richard Dawson
The Bamburgh Beast
145 bpm • D# Maj • 03:36 • -12.34db
9% Popularity • 51% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 51% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Big Thief
Those Girls
131 bpm • G Maj • 03:22 • -11.93db
32% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Angels Of Light
Evangeline
145 bpm • D Maj • 08:45 • -9db
27% Popularity • 38% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
27% Popularity • 38% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Gilla Band
Going Norway
145 bpm • C Maj • 04:13 • -11db
25% Popularity • 31% Danceability • 88% Energy • 47% Liveness
7% Instrumentalness • 49% Positiveness
25% Popularity • 31% Danceability • 88% Energy • 47% Liveness
7% Instrumentalness • 49% Positiveness
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Purple Mountains
Snow Is Falling In Manhattan
131 bpm • C Maj • 06:03 • -11.57db
12% Popularity • 54% Danceability • 42% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 42% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
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Squid
Boy Racers
131 bpm • F Maj • 07:34 • -8.45db
30% Popularity • 40% Danceability • 53% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
30% Popularity • 40% Danceability • 53% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
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Tropical Fuck Storm
Soft Power
131 bpm • B min • 05:48 • -7.89db
14% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Dawson
Lily
131 bpm • E min • 05:56 • -9.45db
18% Popularity • 68% Danceability • 45% Energy • 20% Liveness
19% Instrumentalness • 33% Positiveness
18% Popularity • 68% Danceability • 45% Energy • 20% Liveness
19% Instrumentalness • 33% Positiveness
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Guerilla Toss
Green Apple
131 bpm • D Maj • 03:42 • -5.12db
11% Popularity • 46% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 46% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Black Country, New Road
Bread Song
130 bpm • E Maj • 06:21 • -13.94db
49% Popularity • 35% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 7% Positiveness
49% Popularity • 35% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 7% Positiveness
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SPELLLING
Revolution
130 bpm • B Maj • 05:59 • -11db
26% Popularity • 58% Danceability • 53% Energy • 51% Liveness
17% Instrumentalness • 35% Positiveness
26% Popularity • 58% Danceability • 53% Energy • 51% Liveness
17% Instrumentalness • 35% Positiveness
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black midi
Hellfire
130 bpm • A Maj • 01:24 • -2.58db
42% Popularity • 34% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 34% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 58% Positiveness
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Xiu Xiu
Girl with Basket of Fruit
130 bpm • A# min • 04:16 • -10.15db
31% Popularity • 52% Danceability • 80% Energy • 31% Liveness
33% Instrumentalness • 44% Positiveness
31% Popularity • 52% Danceability • 80% Energy • 31% Liveness
33% Instrumentalness • 44% Positiveness
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The Drones
Why Write A Letter That You'll Never Sen...
130 bpm • A Maj • 09:17 • -10.68db
14% Popularity • 44% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Parquet Courts
Pulcinella
130 bpm • A Maj • 06:44 • -10.98db
23% Popularity • 48% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
23% Popularity • 48% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Spiritualized
Home of the Brave
130 bpm • E Maj • 02:36 • -8.76db
28% Popularity • 40% Danceability • 53% Energy • 53% Liveness
9% Instrumentalness • 13% Positiveness
28% Popularity • 40% Danceability • 53% Energy • 53% Liveness
9% Instrumentalness • 13% Positiveness
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SPELLLING
Legacy
130 bpm • E min • 03:51 • -8.88db
27% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 44% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Silver Jews
What Is Not But Could Be If
129 bpm • G Maj • 03:07 • -12.78db
28% Popularity • 49% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
28% Popularity • 49% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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Stephen Malkmus
Brainwashed
129 bpm • A Maj • 04:58 • -11.63db
9% Popularity • 61% Danceability • 30% Energy • 11% Liveness
47% Instrumentalness • 16% Positiveness
9% Popularity • 61% Danceability • 30% Energy • 11% Liveness
47% Instrumentalness • 16% Positiveness
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black midi
Ducter
148 bpm • C Maj • 06:42 • -8.18db
36% Popularity • 37% Danceability • 67% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
36% Popularity • 37% Danceability • 67% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Squid
2010
148 bpm • C# min • 04:28 • -7.69db
28% Popularity • 33% Danceability • 73% Energy • 12% Liveness
76% Instrumentalness • 46% Positiveness
28% Popularity • 33% Danceability • 73% Energy • 12% Liveness
76% Instrumentalness • 46% Positiveness
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Pom Poko
Theme #1
148 bpm • B min • 02:07 • -6.24db
16% Popularity • 32% Danceability • 88% Energy • 8% Liveness
15% Instrumentalness • 37% Positiveness
16% Popularity • 32% Danceability • 88% Energy • 8% Liveness
15% Instrumentalness • 37% Positiveness
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Lingua Ignota
O Ruthless Great Divine Director
128 bpm • G# Maj • 05:13 • -7db
20% Popularity • 23% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Dawson
Black Triangle
149 bpm • C min • 07:59 • -8.93db
15% Popularity • 45% Danceability • 44% Energy • 5% Liveness
2% Instrumentalness • 31% Positiveness
15% Popularity • 45% Danceability • 44% Energy • 5% Liveness
2% Instrumentalness • 31% Positiveness
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Palace Music
Viva Ultra
128 bpm • C# Maj • 03:18 • -16.96db
21% Popularity • 71% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 71% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
