Songs like The Reason by Geographer
Based on a tempo of (+/- 10%) and a similar genre
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Geographer
Verona - Stripped
114 bpm • F Maj • 04:40 • -14.85db
22% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ex:Re
Too Sad
113 bpm • C# min • 05:45 • -15.06db
20% Popularity • 29% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sleeping At Last
Awake (Acoustic)
114 bpm • C Maj • 03:40 • -14.88db
26% Popularity • 48% Danceability • 8% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 48% Danceability • 8% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Konradsen
Odd Mistake
115 bpm • D Maj • 04:53 • -12.9db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Emily Rowed
Let Me Save You
115 bpm • C Maj • 03:38 • -13.2db
11% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron Espe
Anytime I Go
115 bpm • B Maj • 03:43 • -10db
30% Popularity • 64% Danceability • 72% Energy • 13% Liveness
48% Instrumentalness • 53% Positiveness
30% Popularity • 64% Danceability • 72% Energy • 13% Liveness
48% Instrumentalness • 53% Positiveness
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Geographer
Patience
114 bpm • F# Maj • 04:04 • -7.65db
7% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Tim Bruns
Quiet & Cold
115 bpm • C Maj • 03:53 • -18.39db
18% Popularity • 54% Danceability • 19% Energy • 8% Liveness
8% Instrumentalness • 21% Positiveness
18% Popularity • 54% Danceability • 19% Energy • 8% Liveness
8% Instrumentalness • 21% Positiveness
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Hayden Calnin
Mothercall
113 bpm • G Maj • 06:38 • -16.31db
14% Popularity • 60% Danceability • 28% Energy • 10% Liveness
31% Instrumentalness • 20% Positiveness
14% Popularity • 60% Danceability • 28% Energy • 10% Liveness
31% Instrumentalness • 20% Positiveness
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POP ETC
Same Mistake
115 bpm • C Maj • 05:20 • -18.05db
14% Popularity • 55% Danceability • 20% Energy • 35% Liveness
5% Instrumentalness • 17% Positiveness
14% Popularity • 55% Danceability • 20% Energy • 35% Liveness
5% Instrumentalness • 17% Positiveness
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Blue in Tokio
Shake the Fire
115 bpm • D Maj • 03:29 • -9.4db
30% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Costa
Last Love Song
115 bpm • D Maj • 02:03 • -17db
29% Popularity • 65% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 35% Positiveness
29% Popularity • 65% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 35% Positiveness
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Geographer
Asleep
114 bpm • A Maj • 02:39 • -9.2db
4% Popularity • 26% Danceability • 46% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
4% Popularity • 26% Danceability • 46% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
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WILDES
Lightly
112 bpm • C Maj • 03:49 • -10.02db
20% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 9% Positiveness
20% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 9% Positiveness
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Hayden Calnin
The Parts I Hid Away
115 bpm • G# Maj • 02:48 • -9.44db
22% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Unger
Mire and Swale
116 bpm • C min • 03:51 • -7.58db
16% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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BURNS
Ho Hey
116 bpm • C Maj • 03:19 • -11.65db
37% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lightning Dust
When It Rains
112 bpm • C Maj • 03:31 • -11.27db
22% Popularity • 86% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
22% Popularity • 86% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
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Geographer
The Reason
114 bpm • C Maj • 05:39 • -14db
22% Popularity • 40% Danceability • 17% Energy • 9% Liveness
14% Instrumentalness • 10% Positiveness
22% Popularity • 40% Danceability • 17% Energy • 9% Liveness
14% Instrumentalness • 10% Positiveness
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Talos
Head-up
117 bpm • A Maj • 03:44 • -9.75db
28% Popularity • 48% Danceability • 50% Energy • 7% Liveness
27% Instrumentalness • 33% Positiveness
28% Popularity • 48% Danceability • 50% Energy • 7% Liveness
27% Instrumentalness • 33% Positiveness
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Hayden Calnin
Small Leaf
117 bpm • B Maj • 05:32 • -26.21db
28% Popularity • 36% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
28% Popularity • 36% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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doppelfinger
quite alright
112 bpm • D# Maj • 05:15 • -20.94db
41% Popularity • 44% Danceability • 18% Energy • 10% Liveness
9% Instrumentalness • 19% Positiveness
41% Popularity • 44% Danceability • 18% Energy • 10% Liveness
9% Instrumentalness • 19% Positiveness
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Bon Iver
Hinnom, TX - AIR Studios – 4AD/Jagjagu...
111 bpm • C Maj • 03:45 • -20.59db
25% Popularity • 76% Danceability • 9% Energy • 9% Liveness
9% Instrumentalness • 18% Positiveness
25% Popularity • 76% Danceability • 9% Energy • 9% Liveness
9% Instrumentalness • 18% Positiveness
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JR JR
More of Your Love
111 bpm • E Maj • 03:35 • -8db
30% Popularity • 33% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
30% Popularity • 33% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Perfume Genius
Alan - Rework
117 bpm • B Maj • 02:59 • -12.07db
19% Popularity • 24% Danceability • 21% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
19% Popularity • 24% Danceability • 21% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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Lowswimmer
Lifeforms
111 bpm • B min • 03:57 • -16.43db
14% Popularity • 39% Danceability • 24% Energy • 10% Liveness
21% Instrumentalness • 12% Positiveness
14% Popularity • 39% Danceability • 24% Energy • 10% Liveness
21% Instrumentalness • 12% Positiveness
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Kishi Bashi
Penny Rabbit and Summer Bear
110 bpm • G Maj • 03:33 • -7.91db
37% Popularity • 44% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 44% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Lowland Hum
Be My Baby
118 bpm • F# Maj • 02:41 • -5.64db
33% Popularity • 55% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 55% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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A Year on Earth
Blossom
110 bpm • D# Maj • 04:16 • -12.63db
14% Popularity • 42% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
14% Popularity • 42% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Keir
leave a light on
118 bpm • G Maj • 03:50 • -9.69db
37% Popularity • 76% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 76% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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SYML
Girl
110 bpm • C# Maj • 03:32 • -12db
59% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Natalie Taylor
More Than a Feeling
110 bpm • D# Maj • 04:21 • -8.99db
26% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hiatus
All the Troubled Hearts
110 bpm • F# min • 04:23 • -12.7db
26% Popularity • 35% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
26% Popularity • 35% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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Lynden Arden
See You Soon
110 bpm • D Maj • 02:41 • -8.15db
24% Popularity • 57% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
24% Popularity • 57% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Savoir Adore
Heaven
110 bpm • C Maj • 04:10 • -7.46db
39% Popularity • 65% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
39% Popularity • 65% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Alberto Bof
Never Go Back
110 bpm • G Maj • 03:05 • -9.64db
24% Popularity • 78% Danceability • 32% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
24% Popularity • 78% Danceability • 32% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
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Tommy Ashby
Blood Wolf Moon
110 bpm • A Maj • 03:00 • -11db
42% Popularity • 44% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Rupert Pope
Final Teardrop
110 bpm • C Maj • 03:42 • -8.46db
25% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
25% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Gallipoli
My, My
110 bpm • C Maj • 03:40 • -8.31db
25% Popularity • 26% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
25% Popularity • 26% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Matt Holubowski
Around Here
109 bpm • A Maj • 04:44 • -14.36db
26% Popularity • 41% Danceability • 25% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
26% Popularity • 41% Danceability • 25% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
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Markus Hughes
Here For You
119 bpm • F Maj • 03:12 • -20.76db
15% Popularity • 61% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
15% Popularity • 61% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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Talos
dance against the calm
118 bpm • B Maj • 03:17 • -14.78db
22% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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MILCK
Animal
119 bpm • G Maj • 03:57 • -11.6db
36% Popularity • 62% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 9% Positiveness
36% Popularity • 62% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 9% Positiveness
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Katie Garfield
Feeling Our Way Through the Dark
109 bpm • C Maj • 04:15 • -15db
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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MA/SA
Give My Life for You (First Kill Version...
109 bpm • F Maj • 03:34 • -16.33db
12% Popularity • 39% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 39% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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There's Talk
Lightleak
109 bpm • B Maj • 03:54 • -13.35db
24% Popularity • 62% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
24% Popularity • 62% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
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Colouring
Fading - Acoustic
120 bpm • C# Maj • 03:16 • -6.7db
12% Popularity • 41% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 41% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Hart
Whole
120 bpm • C Maj • 03:44 • -15db
45% Popularity • 35% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
45% Popularity • 35% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Tom Joshua
Cinema
120 bpm • F# Maj • 03:54 • -9.99db
15% Popularity • 43% Danceability • 43% Energy • 53% Liveness
2% Instrumentalness • 7% Positiveness
15% Popularity • 43% Danceability • 43% Energy • 53% Liveness
2% Instrumentalness • 7% Positiveness
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Hayden Calnin
End
120 bpm • D Maj • 06:55 • -13db
16% Popularity • 26% Danceability • 12% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Aquilo
Costume Change
120 bpm • C Maj • 04:19 • -12.23db
17% Popularity • 54% Danceability • 41% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
17% Popularity • 54% Danceability • 41% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
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Jill Andrews
Cloud Chaser
120 bpm • A# Maj • 03:20 • -10db
29% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
29% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
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Of Monsters and Men
Destroyer
120 bpm • F Maj • 04:24 • -7.3db
46% Popularity • 27% Danceability • 42% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
46% Popularity • 27% Danceability • 42% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
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Yellow Ostrich
Zebra
120 bpm • G# Maj • 03:56 • -11.88db
29% Popularity • 45% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Rogue Wave
Forest
120 bpm • C Maj • 04:52 • -11.44db
28% Popularity • 53% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
28% Popularity • 53% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
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Geographer
Lover's Game - Audiotree Live Version
120 bpm • C min • 03:47 • -9.83db
3% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sóley
Never Cry Moon
120 bpm • A# min • 03:36 • -12.03db
24% Popularity • 53% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
24% Popularity • 53% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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VANYO
Look Alive
120 bpm • F Maj • 03:33 • -10.81db
12% Popularity • 62% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Adult Karate
Keep Watch
120 bpm • G Maj • 05:20 • -8db
31% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brooke Annibale
What if You
120 bpm • A# Maj • 03:22 • -7.28db
24% Popularity • 48% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 48% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Dustin Tebbutt
Changeophelia
120 bpm • C Maj • 04:06 • -12db
49% Popularity • 54% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
49% Popularity • 54% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Geographer
Stolen Liquor
120 bpm • C Maj • 03:56 • -6.48db
13% Popularity • 55% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Colouring
Fading
120 bpm • C# Maj • 03:22 • -5.37db
39% Popularity • 63% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
39% Popularity • 63% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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Raye Zaragoza
Lost With You
120 bpm • A# Maj • 03:21 • -11db
31% Popularity • 59% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 59% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Amber Run
I Miss You
120 bpm • A Maj • 03:13 • -8.49db
23% Popularity • 48% Danceability • 61% Energy • 11% Liveness
20% Instrumentalness • 26% Positiveness
23% Popularity • 48% Danceability • 61% Energy • 11% Liveness
20% Instrumentalness • 26% Positiveness
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Emmit Fenn
Far from Here
120 bpm • F# Maj • 05:51 • -14.38db
34% Popularity • 43% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
34% Popularity • 43% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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Bien
Different With You
120 bpm • F# Maj • 04:43 • -9.93db
18% Popularity • 54% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 31% Positiveness
18% Popularity • 54% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 31% Positiveness
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Vancouver Sleep Clinic
Blood Money
108 bpm • G# Maj • 03:23 • -17.05db
31% Popularity • 46% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
31% Popularity • 46% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
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Hayden Calnin
Politicians
108 bpm • G# min • 04:05 • -8.54db
19% Popularity • 27% Danceability • 45% Energy • 19% Liveness
14% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 45% Energy • 19% Liveness
14% Instrumentalness • 16% Positiveness
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Geographer
I Want to Be Yours
108 bpm • F Maj • 03:09 • -12.31db
4% Popularity • 70% Danceability • 40% Energy • 10% Liveness
38% Instrumentalness • 40% Positiveness
4% Popularity • 70% Danceability • 40% Energy • 10% Liveness
38% Instrumentalness • 40% Positiveness
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Jadea Kelly
Every Little Piece of You
108 bpm • D Maj • 03:42 • -11.87db
14% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Ben Abraham
Song Beneath the Song
108 bpm • D# Maj • 03:11 • -14.55db
34% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Frally
This Is What It Feels Like
121 bpm • C# Maj • 03:45 • -13.39db
13% Popularity • 45% Danceability • 30% Energy • 6% Liveness
45% Instrumentalness • 6% Positiveness
13% Popularity • 45% Danceability • 30% Energy • 6% Liveness
45% Instrumentalness • 6% Positiveness
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Hannah Cohen
Baby
108 bpm • C Maj • 05:37 • -17.15db
27% Popularity • 51% Danceability • 11% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
27% Popularity • 51% Danceability • 11% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
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Jónsi
Who Are You Thinking Of?
121 bpm • G Maj • 04:28 • -18.26db
15% Popularity • 43% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
15% Popularity • 43% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Foxworth Hall
This Is Where It Started
107 bpm • G Maj • 03:27 • -10.05db
10% Popularity • 54% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
10% Popularity • 54% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Plà si
Far from Home
107 bpm • C min • 03:12 • -13db
47% Popularity • 41% Danceability • 38% Energy • 21% Liveness
21% Instrumentalness • 50% Positiveness
47% Popularity • 41% Danceability • 38% Energy • 21% Liveness
21% Instrumentalness • 50% Positiveness
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Leucadia
I'm Yours
107 bpm • C# min • 04:52 • -10.69db
16% Popularity • 26% Danceability • 39% Energy • 32% Liveness
10% Instrumentalness • 9% Positiveness
16% Popularity • 26% Danceability • 39% Energy • 32% Liveness
10% Instrumentalness • 9% Positiveness
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Jane.
Inside Your Room
107 bpm • A Maj • 04:20 • -7.14db
17% Popularity • 52% Danceability • 74% Energy • 20% Liveness
22% Instrumentalness • 17% Positiveness
17% Popularity • 52% Danceability • 74% Energy • 20% Liveness
22% Instrumentalness • 17% Positiveness
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Bronze Radio Return
Still Wandering (String Version)
122 bpm • G# Maj • 04:27 • -8.27db
10% Popularity • 43% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 28% Positiveness
10% Popularity • 43% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 28% Positiveness
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Paper Lights
This Mountain Is My Chapel
122 bpm • A Maj • 03:52 • -13db
8% Popularity • 52% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 52% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Jeremy Lister
Living In The Lost
122 bpm • D Maj • 03:08 • -7db
15% Popularity • 58% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
15% Popularity • 58% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
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Owl John
Songs About Roses
122 bpm • D# min • 03:50 • -10.99db
25% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jeffrey Amor
Best Intentions (The End)
122 bpm • D min • 04:02 • -10db
15% Popularity • 27% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 27% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
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Jaguar Sun
Autumn Fire
122 bpm • D# min • 04:49 • -9.08db
27% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
27% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
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Geographer
Lost in a Love Song
122 bpm • D Maj • 02:21 • -14.82db
31% Popularity • 59% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Fink
This Is The Thing
106 bpm • D Maj • 06:03 • -21.49db
19% Popularity • 58% Danceability • 18% Energy • 68% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 58% Danceability • 18% Energy • 68% Liveness
18% Instrumentalness • 4% Positiveness
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WILDES
Flames
123 bpm • A min • 04:30 • -12db
17% Popularity • 27% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 27% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Regina Price
Sun Still Rises
123 bpm • C Maj • 03:05 • -14db
14% Popularity • 61% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
14% Popularity • 61% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Arliston
Mountaineer
106 bpm • D# Maj • 03:41 • -14.24db
37% Popularity • 34% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Ten Towers
Lottery
123 bpm • D Maj • 03:01 • -9.14db
29% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Geographer
You Say You Love Me
106 bpm • C Maj • 03:50 • -6.71db
7% Popularity • 54% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 54% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Foy Vance
If Christopher Calls
123 bpm • C# Maj • 04:00 • -12.15db
28% Popularity • 63% Danceability • 56% Energy • 9% Liveness
29% Instrumentalness • 49% Positiveness
28% Popularity • 63% Danceability • 56% Energy • 9% Liveness
29% Instrumentalness • 49% Positiveness
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Zander Hawley
Filming in the Valley
123 bpm • C# Maj • 03:24 • -8db
22% Popularity • 70% Danceability • 52% Energy • 16% Liveness
7% Instrumentalness • 22% Positiveness
22% Popularity • 70% Danceability • 52% Energy • 16% Liveness
7% Instrumentalness • 22% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin'
124 bpm • D# Maj • 04:24 • -14.72db
38% Popularity • 57% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
38% Popularity • 57% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Prinze George
Take Off
123 bpm • B Maj • 03:36 • -7.86db
34% Popularity • 64% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
34% Popularity • 64% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Jason Tarver
When Love Is Gone
124 bpm • D Maj • 03:04 • -14.31db
14% Popularity • 48% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 48% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
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Geographer
Giving In
106 bpm • C Maj • 02:49 • -8.14db
8% Popularity • 53% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 53% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
