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The Rebel Fleet and End Title
Songs like
The Rebel Fleet and End Title - From "Star Wars: The Empire Strikes Back"
by
John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Symphonic Orchestra
Jurassic Park - Main Theme
104 bpm • A# Maj • 03:32 • -18db
10% Popularity • 15% Danceability • 13% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Brian Tyler
Stark
104 bpm • D Maj • 04:31 • -12.7db
32% Popularity • 43% Danceability • 55% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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M.S.
Star Trek: First Contact
104 bpm • F Maj • 02:18 • -13.89db
26% Popularity • 15% Danceability • 24% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Howard Shore
Concerning Hobbits
104 bpm • D Maj • 02:55 • -21.52db
65% Popularity • 49% Danceability • 6% Energy • 13% Liveness
41% Instrumentalness • 18% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
103 bpm • A Maj • 07:16 • -17.51db
46% Popularity • 25% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
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Michael Kamen
The Last Giant Piece
105 bpm • F Maj • 01:44 • -15db
19% Popularity • 42% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 16% Positiveness
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John Williams
Rey's Theme
103 bpm • A min • 03:11 • -16.85db
53% Popularity • 23% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Bill Conti
Light This Candle
105 bpm • F min • 02:45 • -14.07db
13% Popularity • 22% Danceability • 31% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Klaus Badelt
Main Themes
102 bpm • D min • 05:52 • -11.95db
32% Popularity • 30% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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London Symphony Orchestra
Gandalf (The Wizard) - By Johan De Meij,...
106 bpm • D min • 06:34 • -10.86db
10% Popularity • 19% Danceability • 28% Energy • 28% Liveness
84% Instrumentalness • 6% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Andrew Lockington
Journey Theme
106 bpm • G min • 01:14 • -19db
25% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
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John Williams
Farewell and The Trip
102 bpm • D min • 04:55 • -16.08db
29% Popularity • 15% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Score
Rango Suite
102 bpm • D min • 05:57 • -13.15db
36% Popularity • 68% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Ramin Djawadi
Warcraft
102 bpm • F min • 01:58 • -11.46db
46% Popularity • 64% Danceability • 55% Energy • 12% Liveness
94% Instrumentalness • 64% Positiveness
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Julian Nott
Anti-Pesto To The Rescue
102 bpm • G Maj • 03:18 • -13.54db
24% Popularity • 32% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Richard Wagner
Ride of the Valkyries
102 bpm • B Maj • 04:43 • -18.54db
51% Popularity • 23% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Geoff Zanelli
The Dying Gull
107 bpm • G Maj • 01:01 • -9.03db
50% Popularity • 40% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Rob Lane
The Call of Destiny / Titles
107 bpm • D# Maj • 01:56 • -11db
39% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
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The Meridian Studio Ensemble
Pirates Of The Caribbean: Dead Man's Che...
101 bpm • C Maj • 02:19 • -15.65db
9% Popularity • 38% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 60% Positiveness
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Trevor Rabin
Preparation Montage
108 bpm • C Maj • 04:53 • -17.91db
25% Popularity • 60% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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John Powell
The Evil Mrs. Tweedy
108 bpm • C Maj • 04:22 • -17.58db
19% Popularity • 26% Danceability • 20% Energy • 18% Liveness
91% Instrumentalness • 6% Positiveness
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Murray Gold
The Greatest Story Never Told
100 bpm • C min • 06:16 • -11.52db
29% Popularity • 17% Danceability • 31% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
39% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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Leonard Rosenman
Star Trek IV: The Voyage Home: End Credi...
108 bpm • G min • 02:49 • -18db
27% Popularity • 20% Danceability • 29% Energy • 19% Liveness
78% Instrumentalness • 17% Positiveness
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Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
51% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Trevor Rabin
Library of Congress
108 bpm • F Maj • 02:27 • -24db
33% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Murray Gold
Goodbye Pond
100 bpm • G# min • 02:50 • -14.64db
28% Popularity • 22% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Kevin Kiner
Bad Batch Theme
100 bpm • C# Maj • 02:00 • -17.43db
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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City of Prague Orchestra
The Lion King Orchestral Suite
109 bpm • C Maj • 09:02 • -14.26db
10% Popularity • 22% Danceability • 29% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
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George Fenton
The Final Mission
109 bpm • G Maj • 03:56 • -14.98db
24% Popularity • 16% Danceability • 27% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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The Band of the Corps of Royal Engineers
Pirates Of The Carribean
109 bpm • D min • 07:25 • -12db
15% Popularity • 35% Danceability • 53% Energy • 17% Liveness
89% Instrumentalness • 12% Positiveness
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Henry Jackman
Cerebro
109 bpm • D Maj • 02:23 • -15db
31% Popularity • 19% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
47% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
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John Powell
Maul's Call / Parting Ways (7M43-44-45)
110 bpm • E min • 05:38 • -25.47db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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The Outatime Orchestra
Back To The Future - Original Score/End ...
110 bpm • C# Maj • 03:17 • -15.5db
48% Popularity • 24% Danceability • 33% Energy • 31% Liveness
8% Instrumentalness • 9% Positiveness
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ムービー・サウンズ・アンリミテッド
キング・コングのテーマ (映�...
98 bpm • G# Maj • 01:09 • -22.38db
14% Popularity • 13% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Trevor Rabin
So!
110 bpm • G Maj • 01:46 • -12.76db
26% Popularity • 44% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 40% Positiveness
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Kevin Kiner
Battle of Christophsis
98 bpm • C Maj • 03:19 • -5.38db
30% Popularity • 41% Danceability • 69% Energy • 67% Liveness
88% Instrumentalness • 38% Positiveness
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Giacomo Puccini
Nessun Dorma
98 bpm • D Maj • 02:57 • -5.73db
52% Popularity • 17% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Brian Tyler
Call Of Duty: MW3
98 bpm • A# Maj • 02:10 • -13db
49% Popularity • 44% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
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John Williams
The Adventures of Han
98 bpm • C min • 03:49 • -14db
32% Popularity • 30% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
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Harry Gregson-Williams
Donkey Meets Shrek
98 bpm • F min • 02:37 • -15.6db
23% Popularity • 24% Danceability • 15% Energy • 42% Liveness
73% Instrumentalness • 6% Positiveness
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Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
38% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
39% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Steve Jablonsky
Half Shell
111 bpm • E min • 01:49 • -9.7db
27% Popularity • 67% Danceability • 74% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Boston Pops Orchestra
Suite : Finale
111 bpm • F min • 06:59 • -15.73db
8% Popularity • 32% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Thomas Newman
Hyperjump
97 bpm • C Maj • 01:04 • -8.77db
30% Popularity • 37% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
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Klaus Badelt
Badelt: Pirates of the Caribbean – Sym...
111 bpm • A min • 04:37 • -12db
29% Popularity • 42% Danceability • 42% Energy • 7% Liveness
32% Instrumentalness • 33% Positiveness
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San Fernando Symphonic Assembly
Homeward Bound: King Arthur's Theme
112 bpm • F Maj • 02:22 • -8db
23% Popularity • 33% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
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Henry Jackman
The Smithsonian
112 bpm • F Maj • 01:36 • -27.5db
33% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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John Williams
Star Wars and the Revenge of the Sith
96 bpm • F Maj • 07:29 • -15.68db
41% Popularity • 27% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
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Boston Pops Orchestra
Suite : March of the Resistance
111 bpm • D# Maj • 02:24 • -14.81db
15% Popularity • 59% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 52% Positiveness
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Alexandre Desplat
Basic Training
112 bpm • F Maj • 01:16 • -17.17db
17% Popularity • 76% Danceability • 42% Energy • 29% Liveness
94% Instrumentalness • 84% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
"In The Hall Of The Mountain King" from ...
112 bpm • G Maj • 02:30 • -17.72db
53% Popularity • 48% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Bear McCreary
Agents of S.H.I.E.L.D. Overture
96 bpm • C# Maj • 02:51 • -13.02db
40% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
43% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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Randy Newman
A Bug's Life Suite
113 bpm • C Maj • 05:12 • -16db
40% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Michael Kamen
Parapluie - Instrumental
113 bpm • G min • 02:17 • -13.5db
22% Popularity • 20% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Jerry Goldsmith, Ron Jones
Star Trek: The Next Generation Main Titl...
113 bpm • A# Maj • 01:44 • -14.46db
40% Popularity • 44% Danceability • 25% Energy • 11% Liveness
22% Instrumentalness • 16% Positiveness
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Thomas Newman
Finding Nemo
113 bpm • F Maj • 01:19 • -22.79db
53% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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Kevin Kiner
Journey Into the Star Cluster
95 bpm • A min • 02:48 • -12.69db
35% Popularity • 37% Danceability • 15% Energy • 8% Liveness
64% Instrumentalness • 38% Positiveness
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Klaus Badelt
Pirates of the Caribbean, Part I (arr. T...
95 bpm • D min • 03:35 • -15.47db
15% Popularity • 36% Danceability • 59% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
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Harry Gregson-Williams
Family Dinner
95 bpm • D# Maj • 02:10 • -18.29db
17% Popularity • 34% Danceability • 16% Energy • 8% Liveness
73% Instrumentalness • 38% Positiveness
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John Powell
Robots Overture
114 bpm • G Maj • 04:02 • -14.44db
22% Popularity • 46% Danceability • 38% Energy • 16% Liveness
36% Instrumentalness • 40% Positiveness
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Craig Safan
The Last Starfighter: Main Title
114 bpm • D# Maj • 03:15 • -10.74db
26% Popularity • 27% Danceability • 29% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
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John Williams
The Sith Spacecraft and the Droid Battle
114 bpm • C Maj • 02:36 • -14.69db
36% Popularity • 31% Danceability • 62% Energy • 17% Liveness
91% Instrumentalness • 26% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Bill Conti
Yeager's Triumph
114 bpm • A# Maj • 05:15 • -17.95db
10% Popularity • 25% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Joel McNeely
Sheep To The Horizon
115 bpm • G Maj • 02:00 • -10.13db
13% Popularity • 26% Danceability • 29% Energy • 23% Liveness
90% Instrumentalness • 18% Positiveness
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The Hollywood LA Soundtrack Orchestra
The Dark Knight
94 bpm • G# Maj • 02:25 • -17.66db
12% Popularity • 58% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Stuart Philips
Battlestar Galactica: Main Title
94 bpm • C Maj • 03:25 • -15.51db
24% Popularity • 27% Danceability • 30% Energy • 27% Liveness
86% Instrumentalness • 16% Positiveness
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John Williams
Panaka and the Queen's Protectors
115 bpm • F Maj • 03:22 • -13.49db
32% Popularity • 37% Danceability • 48% Energy • 31% Liveness
70% Instrumentalness • 18% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
36% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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Thomas Newman
Lost
94 bpm • E Maj • 01:01 • -17.8db
37% Popularity • 21% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Trevor Rabin
Cibola
94 bpm • C Maj • 05:16 • -15db
22% Popularity • 14% Danceability • 35% Energy • 24% Liveness
91% Instrumentalness • 4% Positiveness
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Kevin Kiner
Jedi Eulogy
116 bpm • D# Maj • 01:08 • -9db
52% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
35% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Philharmonia Orchestra
Suite
116 bpm • A# Maj • 07:45 • -16.69db
9% Popularity • 29% Danceability • 20% Energy • 8% Liveness
60% Instrumentalness • 9% Positiveness
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John Williams
The Arrival at Tatooine and the Flag Par...
93 bpm • C Maj • 04:03 • -16.3db
33% Popularity • 28% Danceability • 32% Energy • 14% Liveness
62% Instrumentalness • 8% Positiveness
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Thomas Newman
2815 A.D.
116 bpm • C# Maj • 03:28 • -16db
38% Popularity • 20% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Bill Conti
Yeager And The F104
117 bpm • C Maj • 02:25 • -11.88db
19% Popularity • 26% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 43% Positiveness
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Henry Jackman
Manners Maketh Man
117 bpm • B min • 01:37 • -12.15db
43% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
► Preview
Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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John Powell
Opening Escape
118 bpm • G# Maj • 03:40 • -14db
26% Popularity • 32% Danceability • 31% Energy • 26% Liveness
82% Instrumentalness • 11% Positiveness
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John Williams
Luke and Leia
92 bpm • A Maj • 04:46 • -21.06db
37% Popularity • 17% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Ron Goodwin
Force Ten from Navarone: Main Theme
118 bpm • F Maj • 03:15 • -13.43db
12% Popularity • 58% Danceability • 72% Energy • 16% Liveness
92% Instrumentalness • 36% Positiveness
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Carlos Gardel
Scent of a Woman: Tango (Por Una Cabeza)
118 bpm • G min • 03:51 • -21.96db
47% Popularity • 35% Danceability • 13% Energy • 5% Liveness
5% Instrumentalness • 43% Positiveness
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Joel McNeely
Night Skies
92 bpm • G min • 04:23 • -31.35db
14% Popularity • 10% Danceability • 2% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Trevor Rabin
City of Gold
118 bpm • G Maj • 02:13 • -11db
33% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
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The Rebel Fleet and End Title