Songs like The Red Room - From "Fifty Shades Of Grey" Score by Danny Elfman
Based on a tempo of (+/- 10%) and a similar genre
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Danny Elfman
The Red Room
61 bpm • D# min • 03:26 • -16.6db
19% Popularity • 27% Danceability • 17% Energy • 44% Liveness
92% Instrumentalness • 8% Positiveness
19% Popularity • 27% Danceability • 17% Energy • 44% Liveness
92% Instrumentalness • 8% Positiveness
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Jeff Beal
Distance Myself
61 bpm • D min • 04:11 • -20.97db
14% Popularity • 12% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 12% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Abel Korzeniowski
I Was Never Going To Go To Africa
61 bpm • A min • 03:04 • -21.8db
24% Popularity • 7% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Brian Reitzell
End Suite
60 bpm • B min • 05:29 • -24.9db
14% Popularity • 6% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Brotsjór
60 bpm • C min • 03:53 • -8.95db
27% Popularity • 18% Danceability • 38% Energy • 33% Liveness
29% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 38% Energy • 33% Liveness
29% Instrumentalness • 4% Positiveness
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Blake Neely
Face to Face
62 bpm • D min • 04:11 • -27.82db
14% Popularity • 10% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Danny Elfman
The Envelope
62 bpm • G Maj • 01:45 • -24.09db
19% Popularity • 22% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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The Newton Brothers
The Haunting of Hill House (Main Titles)
63 bpm • F Maj • 01:06 • -15.33db
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Abel Korzeniowski
There Is A Place
62 bpm • A min • 02:04 • -24.28db
24% Popularity • 36% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 36% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Fernando Velázquez
Un Par De Detallitos
59 bpm • G Maj • 02:24 • -16.99db
7% Popularity • 17% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
7% Popularity • 17% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
The Obsession
59 bpm • G min • 02:49 • -18.29db
15% Popularity • 21% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
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Jeff Beal
Making History
63 bpm • G min • 05:34 • -18.52db
29% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
29% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Danny Elfman
Show Me
60 bpm • A# min • 03:02 • -23.17db
23% Popularity • 23% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Therapy Session
66 bpm • E min • 02:43 • -29.78db
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Trevor Yuile
An Honour
66 bpm • C Maj • 02:54 • -26.35db
10% Popularity • 20% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Stefano Ruggeri
Lifeblood
66 bpm • G# min • 02:24 • -16.92db
17% Popularity • 7% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
17% Popularity • 7% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Martin Tillman
Firenze Di Notte
66 bpm • D Maj • 03:09 • -18.52db
16% Popularity • 27% Danceability • 56% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 56% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Danny Elfman
Yes!
64 bpm • A# min • 01:27 • -27.27db
23% Popularity • 18% Danceability • 2% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 2% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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James Horner
Little Wolf
56 bpm • C Maj • 03:27 • -28.97db
8% Popularity • 14% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Fernando Velázquez
Lullaby Variation
67 bpm • A# min • 01:41 • -22.17db
34% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Jan A.P. Kaczmarek
The Wind
67 bpm • E min • 02:22 • -19.15db
28% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
28% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Joseph Trapanese
The Elevator
67 bpm • D min • 02:42 • -31.7db
16% Popularity • 15% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
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Justin Timberlake
We'll Make It
68 bpm • C# Maj • 02:40 • -25.94db
19% Popularity • 29% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Danny Elfman
On His Knees
66 bpm • D min • 03:24 • -16.25db
21% Popularity • 12% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Closer Than Sisters
68 bpm • F min • 03:15 • -20.24db
31% Popularity • 34% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Return to Your Ghost
68 bpm • G Maj • 03:55 • -18.95db
15% Popularity • 8% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Beal
Leaving You
69 bpm • C min • 02:03 • -21db
11% Popularity • 17% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Joseph Trapanese
You're Worth It
68 bpm • E Maj • 03:37 • -23db
20% Popularity • 21% Danceability • 12% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 12% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
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Mike Higham
The Augusta
69 bpm • D min • 05:24 • -16db
20% Popularity • 12% Danceability • 27% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 27% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Danny Elfman
Then Don't!
67 bpm • D min • 02:32 • -19.85db
19% Popularity • 29% Danceability • 5% Energy • 20% Liveness
9% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 5% Energy • 20% Liveness
9% Instrumentalness • 4% Positiveness
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Junkie XL
Strictly Criminal
69 bpm • C min • 04:55 • -12.27db
9% Popularity • 6% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
9% Popularity • 6% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Samuel Sim
When I'm Gone
69 bpm • C min • 02:32 • -21.85db
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Tree Adams
Take a Life with Me (Grounder Anthem)
69 bpm • A# min • 02:42 • -15.7db
30% Popularity • 29% Danceability • 18% Energy • 12% Liveness
37% Instrumentalness • 6% Positiveness
30% Popularity • 29% Danceability • 18% Energy • 12% Liveness
37% Instrumentalness • 6% Positiveness
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Joseph Trapanese
Convergence - Score Suite From "Insurgen...
69 bpm • G# Maj • 04:04 • -26.39db
19% Popularity • 9% Danceability • 13% Energy • 34% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 13% Energy • 34% Liveness
90% Instrumentalness • 3% Positiveness
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Rael Jones
Green Shoots
54 bpm • E min • 01:26 • -28.79db
33% Popularity • 31% Danceability • 5% Energy • 33% Liveness
3% Instrumentalness • 8% Positiveness
33% Popularity • 31% Danceability • 5% Energy • 33% Liveness
3% Instrumentalness • 8% Positiveness
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Max Richter
Anathemata
69 bpm • G min • 01:38 • -15.58db
16% Popularity • 10% Danceability • 29% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 29% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Audiomachine
Life Chronicles
70 bpm • C Maj • 02:22 • -9.31db
22% Popularity • 24% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jeff Russo
Subtle Beast
70 bpm • A min • 02:55 • -18.91db
11% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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James Horner
Becoming one of "The People" Becoming on...
71 bpm • C# Maj • 07:43 • -26.31db
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Éric Serra
Mr. Wang's Bloody Suite, Pt. 1-4
71 bpm • G# Maj • 04:37 • -26.67db
11% Popularity • 25% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Clint Mansell
Make Thee an Ark
71 bpm • A min • 05:09 • -12.93db
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Fernando Velázquez
The Attic
70 bpm • F Maj • 01:47 • -18.73db
15% Popularity • 18% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Danny Elfman
Martini Face
71 bpm • G min • 01:55 • -18.06db
15% Popularity • 33% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Trevor Yuile
Cosima's Dying
72 bpm • C Maj • 00:56 • -23.67db
7% Popularity • 48% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
7% Popularity • 48% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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James Horner
A Quiet Moment...
71 bpm • G Maj • 01:25 • -44.7db
11% Popularity • 9% Danceability • 0% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 0% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Sonny Kompanek
The General's End
72 bpm • C min • 02:09 • -13.56db
8% Popularity • 16% Danceability • 27% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 27% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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John Williams
The Book Thief
73 bpm • G min • 07:05 • -18.79db
29% Popularity • 20% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Beal
Betrayal
73 bpm • C Maj • 02:56 • -15.75db
10% Popularity • 16% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Everyone Likes Oranges
74 bpm • A# min • 01:44 • -31.78db
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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James Horner
Main Title - A Desert Truce
72 bpm • G Maj • 06:34 • -24.67db
15% Popularity • 14% Danceability • 6% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 6% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Tree Adams
A Hero's Funeral
74 bpm • C min • 03:15 • -16.44db
11% Popularity • 7% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Danny Elfman
Nightmare
75 bpm • D# Maj • 02:04 • -23.32db
23% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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John Williams
Hedwig's Theme
73 bpm • D min • 05:09 • -17.1db
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Fernando Velázquez
The House
74 bpm • C# Maj • 01:48 • -19db
25% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Christian Wibe
Friday Dies
75 bpm • E min • 01:03 • -24.79db
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 3% Positiveness
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James Horner
The Lighthouse - Casper & Kat
75 bpm • E min • 04:56 • -33.8db
18% Popularity • 13% Danceability • 1% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 1% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Japan
75 bpm • A min • 03:27 • -19.19db
34% Popularity • 20% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Danny Elfman
Ana And Christian
75 bpm • F min • 03:24 • -11.54db
32% Popularity • 44% Danceability • 36% Energy • 20% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 44% Danceability • 36% Energy • 20% Liveness
94% Instrumentalness • 20% Positiveness
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Daniel Pemberton
The Lady in the Lake
75 bpm • D Maj • 03:07 • -18.33db
32% Popularity • 26% Danceability • 31% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Let's Go, No Need To Wait
75 bpm • A min • 04:45 • -13.79db
9% Popularity • 9% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
9% Popularity • 9% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Theodore Shapiro
Grief Group
75 bpm • B min • 02:19 • -39.84db
17% Popularity • 19% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
The Funeral, Alone...
76 bpm • F Maj • 05:16 • -27.37db
16% Popularity • 12% Danceability • 5% Energy • 20% Liveness
37% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 5% Energy • 20% Liveness
37% Instrumentalness • 3% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Danny Elfman
The L Word
75 bpm • C# Maj • 01:52 • -23.33db
23% Popularity • 29% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
23% Popularity • 29% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
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Oli Langford
Adagio in E Major for Violin and Orchest...
77 bpm • E Maj • 01:23 • -19.56db
11% Popularity • 34% Danceability • 15% Energy • 26% Liveness
67% Instrumentalness • 27% Positiveness
11% Popularity • 34% Danceability • 15% Energy • 26% Liveness
67% Instrumentalness • 27% Positiveness
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Bear McCreary
Eye of the Storm
77 bpm • C min • 06:08 • -17db
27% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Adam Balazs
Love Waltz
77 bpm • G Maj • 02:19 • -21.93db
26% Popularity • 15% Danceability • 8% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 8% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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James Horner
A More Normal Life
78 bpm • C Maj • 01:42 • -35.42db
8% Popularity • 11% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Danny Elfman
Counting To Six
78 bpm • A# min • 03:21 • -18.68db
18% Popularity • 7% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Trevor Rabin
Who We Are
78 bpm • E min • 03:02 • -24.21db
16% Popularity • 27% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
16% Popularity • 27% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Dario Marianelli
Hotel Games
78 bpm • C# Maj • 01:04 • -20.99db
9% Popularity • 32% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
A Different Ending
78 bpm • A min • 03:01 • -14.31db
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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thenewno2
Swamptronica/Voudon
78 bpm • D Maj • 02:01 • -15.9db
9% Popularity • 7% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ralf Wengenmayr
Reprise
79 bpm • G Maj • 01:50 • -22.56db
22% Popularity • 28% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Dominik Scherrer
The Weight of One Man's Heart
79 bpm • G min • 04:42 • -20.44db
13% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Rachel Portman
Mistake of Your Life
79 bpm • D min • 03:27 • -21.14db
24% Popularity • 7% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Tree Adams
I Will Always Be with You
79 bpm • A min • 02:01 • -12.84db
16% Popularity • 17% Danceability • 40% Energy • 36% Liveness
95% Instrumentalness • 6% Positiveness
16% Popularity • 17% Danceability • 40% Energy • 36% Liveness
95% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Everything Everything
79 bpm • C Maj • 01:14 • -23.93db
15% Popularity • 41% Danceability • 6% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
15% Popularity • 41% Danceability • 6% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
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Atli Örvarsson
Pretty Far From Brooklyn
79 bpm • C Maj • 02:32 • -20.39db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Blake Neely
Lisbon Secrets
80 bpm • G min • 02:22 • -24.59db
17% Popularity • 24% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 12% Positiveness
17% Popularity • 24% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 12% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Junkie XL
The Test
80 bpm • A# Maj • 03:17 • -19.46db
15% Popularity • 24% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Tree Adams
The Awakening
79 bpm • A min • 03:39 • -17.49db
11% Popularity • 12% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Rolfe Kent
Sunset Goodbye
80 bpm • E min • 03:30 • -17.35db
11% Popularity • 17% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Atli Örvarsson
City of Bones
79 bpm • D Maj • 03:40 • -19.82db
16% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Max Richter
Something Under Her Skin
80 bpm • D# Maj • 03:01 • -10db
9% Popularity • 20% Danceability • 37% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 37% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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David Buckley
Plaintiff's Partita
80 bpm • G min • 01:53 • -18.17db
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
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Junkie XL
The March
80 bpm • D Maj • 05:17 • -11.18db
12% Popularity • 41% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 41% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jessy Greene
In Crimson
80 bpm • A Maj • 01:52 • -7.14db
15% Popularity • 28% Danceability • 32% Energy • 7% Liveness
88% Instrumentalness • 36% Positiveness
15% Popularity • 28% Danceability • 32% Energy • 7% Liveness
88% Instrumentalness • 36% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
34% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
34% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Tree Adams
Bellarke Theme
80 bpm • E min • 03:50 • -22.98db
10% Popularity • 8% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Danny Elfman
Trouble in Paradise
80 bpm • E min • 02:35 • -20.19db
16% Popularity • 23% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
16% Popularity • 23% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Jeff Beal
Empire Without Heirs
80 bpm • E min • 03:41 • -16.84db
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
