Songs like The River Suite: Finale by Virgil Thomson
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Rivertree Singers Festival Chorus
Jubilate Deo: IV. Ngokujabula!
96 bpm • C Maj • 04:55 • -13.02db
12% Popularity • 38% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 42% Positiveness
► Preview
Samuel Dushkin
3 Portraits (arr. S. Dushkin): No. 2. Ta...
96 bpm • F Maj • 02:20 • -23.87db
1% Popularity • 32% Danceability • 5% Energy • 17% Liveness
27% Instrumentalness • 11% Positiveness
1% Popularity • 32% Danceability • 5% Energy • 17% Liveness
27% Instrumentalness • 11% Positiveness
► Preview
Henry Cowell
Party Pieces: No. 15, —
96 bpm • G Maj • 00:31 • -22.34db
0% Popularity • 20% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Joseph Meunier d’Haudimont
Prose of the Consecration (Jerusalem et ...
96 bpm • E min • 05:18 • -15.77db
15% Popularity • 12% Danceability • 35% Energy • 31% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 12% Danceability • 35% Energy • 31% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Hubert Parry
Jerusalem: And did those feet in ancient...
96 bpm • D Maj • 02:32 • -19.23db
21% Popularity • 13% Danceability • 17% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
21% Popularity • 13% Danceability • 17% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
► Preview
Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
► Preview
Johann Sebastian Bach
Jesu, Joy of Man's Desiring
96 bpm • G Maj • 03:40 • -33.98db
37% Popularity • 33% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 29% Positiveness
37% Popularity • 33% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 29% Positiveness
► Preview
Francis Poulenc
Quatre petites prières de Saint Franço...
96 bpm • G# Maj • 01:32 • -26.66db
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Virgil Thomson
String Quartet No. 1: III. Tempo di Walz...
95 bpm • D# Maj • 03:15 • -22.69db
0% Popularity • 22% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 26% Positiveness
0% Popularity • 22% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 26% Positiveness
► Preview
The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Théodore Dubois
Adoramus Te Christe (DuBois)
94 bpm • C# Maj • 01:41 • -25.69db
41% Popularity • 16% Danceability • 6% Energy • 14% Liveness
60% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 14% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
Lou Harrison
Suite From The "Marriage At The Eiffel T...
98 bpm • G# Maj • 01:43 • -21.61db
0% Popularity • 60% Danceability • 27% Energy • 15% Liveness
62% Instrumentalness • 61% Positiveness
0% Popularity • 60% Danceability • 27% Energy • 15% Liveness
62% Instrumentalness • 61% Positiveness
► Preview
Francis Poulenc
Quatre petites prières de Saint Franço...
97 bpm • A# Maj • 02:33 • -29.13db
10% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Virgil Thomson
Symphony No. 3: I Allegro moderato
97 bpm • C min • 03:51 • -17.33db
0% Popularity • 32% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Augustana Choir
Sit Down Servant, Stacey V. Gibbs
94 bpm • E min • 03:53 • -21.3db
8% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Aaron Copland
Old American Songs I: V. I Bought me a C...
94 bpm • F Maj • 02:26 • -20.89db
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Peter Anglea
Jubilate Deo
98 bpm • E Maj • 02:27 • -21.13db
23% Popularity • 20% Danceability • 18% Energy • 17% Liveness
83% Instrumentalness • 18% Positiveness
23% Popularity • 20% Danceability • 18% Energy • 17% Liveness
83% Instrumentalness • 18% Positiveness
► Preview
Lodovico Grossi da Viadana
Exultate Justi!
94 bpm • A Maj • 02:11 • -18db
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
► Preview
Virgil Thomson
5 Ladies: IV. Yvonne de Casa Fuerte
97 bpm • E Maj • 01:44 • -23.33db
0% Popularity • 67% Danceability • 11% Energy • 8% Liveness
43% Instrumentalness • 67% Positiveness
0% Popularity • 67% Danceability • 11% Energy • 8% Liveness
43% Instrumentalness • 67% Positiveness
► Preview
Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
13% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
► Preview
Hildegard von Bingen
Kyrie: Kyrie eleison
92 bpm • C# min • 04:32 • -28.94db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Virgil Thomson
Four New England Portraits: Meditation: ...
95 bpm • F Maj • 01:41 • -20.5db
0% Popularity • 48% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
0% Popularity • 48% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Montgomery Highschool Choir
Ta Na Solbici
101 bpm • G# Maj • 02:34 • -21.83db
13% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Eleanor Daley
The Lake Isle of Innisfree
102 bpm • C# Maj • 04:00 • -28db
8% Popularity • 21% Danceability • 8% Energy • 73% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 73% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
14% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Virgil Thomson
Four Saints in Three Acts: Act II: Love ...
97 bpm • F# Maj • 02:32 • -23.93db
0% Popularity • 39% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Caroline Shaw
And the Swallow
90 bpm • A# min • 04:01 • -26.65db
29% Popularity • 11% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
In stiller Nacht
90 bpm • D Maj • 02:06 • -31db
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Stellan Sagvik
Missa Maria Magdalena: Äktenskapsbryter...
90 bpm • D Maj • 08:21 • -18.93db
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
► Preview
Georgy Sviridov
Pushkin's Garland: Natasha
89 bpm • G min • 02:00 • -32.78db
8% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Virgil Thomson
Four Saints in Three Acts: Prelude: A Na...
98 bpm • C Maj • 11:20 • -20.61db
0% Popularity • 41% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 41% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
William Billings
David's Lamentation
89 bpm • A min • 01:48 • -21.33db
7% Popularity • 31% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 31% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
KNOXVILLETRACKZ
HFTEPG
89 bpm • D min • 01:04 • -41.14db
13% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
13% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
► Preview
Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
22% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Virgil Thomson
8 Portraits for Violin Alone: No. 6. Mrs...
94 bpm • D# Maj • 01:44 • -25.96db
0% Popularity • 26% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 18% Positiveness
► Preview
Rivertree Singers Festival Chorus
Jubilate Deo: V. Bendecid su nombre
89 bpm • G Maj • 06:31 • -16.76db
11% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
11% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
► Preview
William Billings
Easter Anthem "The Lord is ris'n indeed"
103 bpm • A Maj • 03:19 • -21.02db
9% Popularity • 37% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 37% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
104 bpm • C# Maj • 01:24 • -33.67db
27% Popularity • 22% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: II. Gloria
88 bpm • C Maj • 05:28 • -25db
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Virgil Thomson
Pilgrims and Pioneers
98 bpm • C Maj • 09:42 • -21.92db
0% Popularity • 19% Danceability • 7% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
► Preview
William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Thomas Dorsey
Precious Lord (Arr. for Choir by Arnold ...
104 bpm • A# Maj • 03:31 • -20.61db
26% Popularity • 17% Danceability • 10% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 10% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
When in our music God is glorified
88 bpm • G Maj • 01:55 • -23db
16% Popularity • 15% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
16% Popularity • 15% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Thomas Morley
April is in my mistress' face
105 bpm • G min • 01:13 • -19.98db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jacob Narverud
Dominus Vobiscum
88 bpm • D# min • 04:09 • -31.43db
13% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Virgil Thomson
Three French Boys: Portrait Of Claude Bi...
100 bpm • C min • 01:14 • -37.59db
0% Popularity • 64% Danceability • 5% Energy • 8% Liveness
75% Instrumentalness • 88% Positiveness
0% Popularity • 64% Danceability • 5% Energy • 8% Liveness
75% Instrumentalness • 88% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Thomas Tallis
Tunes for Archbishop Parker's Psalter: N...
87 bpm • A min • 03:47 • -20.07db
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
► Preview
John Bennet
Weep, Oh Mine Eyes
87 bpm • A# min • 02:39 • -23db
23% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Virgil Thomson
Sonata Da Chiesa: II. Tango
92 bpm • F Maj • 04:14 • -19.99db
0% Popularity • 23% Danceability • 6% Energy • 30% Liveness
46% Instrumentalness • 14% Positiveness
0% Popularity • 23% Danceability • 6% Energy • 30% Liveness
46% Instrumentalness • 14% Positiveness
► Preview
Bertalan Hock
Organ Symphony No. 5 in F minor, Op. 42,...
106 bpm • F Maj • 06:10 • -16db
13% Popularity • 21% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Charles Harris
O Valiant Hearts
106 bpm • D# Maj • 03:21 • -24.06db
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
11% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Georgy Sviridov
Christmas Troparion (Inexpressible Wonde...
87 bpm • C# Maj • 01:23 • -25db
25% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Phoenix Chamber Choir
Hark I Hear the Harps Eternal
87 bpm • C Maj • 02:10 • -21db
16% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
16% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
► Preview
Virgil Thomson
Peter Monro Jack: Scottish Memories
92 bpm • A Maj • 02:07 • -22.38db
0% Popularity • 56% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 56% Positiveness
0% Popularity • 56% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 56% Positiveness
► Preview
St.Petersburg Chamber Choir
Op. 12, Memory Eternal
87 bpm • D min • 01:13 • -25.79db
17% Popularity • 23% Danceability • 10% Energy • 13% Liveness
100% Instrumentalness • 3% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 13% Liveness
100% Instrumentalness • 3% Positiveness
► Preview
Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
34% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
34% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
14% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Virgil Thomson
Symphony on a Hymn Tune: II Andante cant...
101 bpm • E min • 04:48 • -38.19db
0% Popularity • 14% Danceability • 0% Energy • 32% Liveness
37% Instrumentalness • 14% Positiveness
0% Popularity • 14% Danceability • 0% Energy • 32% Liveness
37% Instrumentalness • 14% Positiveness
► Preview
George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
9% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
► Preview
Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
► Preview
Francisco Guerrero
Maria Magdalene
86 bpm • A Maj • 08:20 • -21.25db
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: O Serene Light
86 bpm • G# Maj • 03:26 • -24.82db
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Virgil Thomson
The Mother of Us All, Act I: Scene I: "Y...
91 bpm • F Maj • 06:02 • -23.18db
0% Popularity • 42% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 42% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
William Inglott
The Leaves Bee Greene
86 bpm • G Maj • 03:55 • -28db
11% Popularity • 10% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: Psalm 103 (104)...
86 bpm • B Maj • 05:26 • -31db
11% Popularity • 10% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
William Billings
I am the Rose of Sharon
108 bpm • C# min • 04:04 • -21.76db
7% Popularity • 35% Danceability • 13% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 35% Danceability • 13% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Virgil Thomson
Hymns from the Old South: The Morning St...
91 bpm • A min • 01:14 • -29.56db
1% Popularity • 20% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
1% Popularity • 20% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Pavel Chesnokov
Spaseniye sodelal, Op. 25 No. 5: Spaseni...
85 bpm • D Maj • 03:46 • -24.32db
14% Popularity • 9% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Huddersfield Choral Society
Eternal Father, Strong to Save
108 bpm • G Maj • 02:45 • -23.57db
23% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
► Preview
Théodore Dubois
Adoramus te, Christe
108 bpm • C Maj • 01:40 • -30db
28% Popularity • 19% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Virgil Thomson
5 Ladies: III. Alice Toklas
90 bpm • F Maj • 03:03 • -24.45db
0% Popularity • 28% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
0% Popularity • 28% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Magnificat in D Major, BWV 243: I. Magni...
108 bpm • C# Maj • 02:37 • -20.93db
14% Popularity • 53% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 61% Positiveness
14% Popularity • 53% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 61% Positiveness
► Preview
McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
► Preview
Rob Gardner, London Symphony Orchestra, Spire Chorus
Thou Hope and Deliverer
85 bpm • E Maj • 02:04 • -23.71db
38% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
38% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Reena Esmail
Tuttarana (Version for SATB Choir)
85 bpm • D Maj • 03:01 • -24.28db
11% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
