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The River Will
Songs like
The River Will
by
The Lowest Pair
Based on a tempo of (+/- 10%) and a similar genre
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Liz Cooper
Monsters
94 bpm • B Maj • 03:47 • -10.62db
27% Popularity • 50% Danceability • 48% Energy • 11% Liveness
17% Instrumentalness • 23% Positiveness
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The Lowest Pair
The River Will
94 bpm • A# min • 04:57 • -12.06db
12% Popularity • 48% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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10 String Symphony
Even a Dog Has Dreams
94 bpm • A# Maj • 02:00 • -8.96db
33% Popularity • 65% Danceability • 20% Energy • 32% Liveness
1% Instrumentalness • 68% Positiveness
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Caribou Mountain Collective
Mountain Girl
94 bpm • D Maj • 03:39 • -9.08db
16% Popularity • 57% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Watkins Family Hour
The Cure
94 bpm • F Maj • 03:57 • -6.41db
31% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Pug
I Don't Work in a Bank
95 bpm • C Maj • 01:35 • -10.3db
40% Popularity • 46% Danceability • 47% Energy • 73% Liveness
0% Instrumentalness • 60% Positiveness
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Jonathan Byrd
I Was An Oak Tree
93 bpm • E Maj • 02:46 • -12.28db
17% Popularity • 56% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hurray For The Riff Raff
Look Out Mama
94 bpm • D Maj • 03:25 • -8.65db
40% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Noam Pikelny
Folk Bloodbath
95 bpm • A Maj • 06:04 • -18.76db
20% Popularity • 39% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 47% Positiveness
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Maya De Vitry
Working Man
93 bpm • D Maj • 03:22 • -14.5db
25% Popularity • 64% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Watchhouse
Hey Stranger
95 bpm • C Maj • 03:27 • -10.2db
47% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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The Lowest Pair
Oak Leaf
95 bpm • D Maj • 04:36 • -11.12db
12% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ordinary Elephant
Harriet
93 bpm • G min • 03:06 • -8.64db
32% Popularity • 59% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Kaia Kater
Sun to Sun
93 bpm • G Maj • 02:06 • -14db
21% Popularity • 56% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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10 String Symphony
Anna Jane
93 bpm • C Maj • 03:20 • -12.85db
17% Popularity • 45% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
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Dave Simonett
The Sun Oh Yeah
93 bpm • G Maj • 04:32 • -8.85db
24% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Dead Horses
Turntable
95 bpm • C Maj • 03:16 • -10.33db
51% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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S.G. Goodman
Supertramp
95 bpm • A# Maj • 02:56 • -7db
32% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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River Whyless
It Ain't Me Babe
95 bpm • C# Maj • 03:40 • -11.16db
38% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Noam Pikelny
Fish and Bird
93 bpm • D# Maj • 05:13 • -13db
27% Popularity • 33% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Senora May
Lookin' for a Fight
95 bpm • A Maj • 03:02 • -6.05db
31% Popularity • 45% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Courtney Hartman
Better
93 bpm • B Maj • 03:02 • -13.59db
11% Popularity • 67% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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Ian Fitzgerald
Melinda Down the Line
93 bpm • F Maj • 05:06 • -11db
13% Popularity • 62% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Caitlin Canty
Motel
95 bpm • A Maj • 03:04 • -13.86db
39% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Joe Pug
Hymn #76
96 bpm • C# min • 03:37 • -11.04db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Bonny Light Horseman
Green Rocky Road
92 bpm • C Maj • 03:45 • -8.09db
33% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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The Lowest Pair
Lazy Black Eyed Susan
96 bpm • D# Maj • 03:24 • -10.66db
9% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Watchhouse
Better Way
92 bpm • E Maj • 05:56 • -12.58db
35% Popularity • 42% Danceability • 40% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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San Fermin
Shiver
96 bpm • B min • 03:32 • -7.71db
27% Popularity • 65% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Way Down Wanderers
Your Will Is a Wildflower
96 bpm • F# min • 03:45 • -10.45db
35% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hurray For The Riff Raff
Black Jack Davey
96 bpm • A Maj • 03:11 • -10.04db
40% Popularity • 70% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Coole
Old Dog
96 bpm • B Maj • 02:39 • -12.84db
17% Popularity • 65% Danceability • 38% Energy • 12% Liveness
23% Instrumentalness • 85% Positiveness
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I Draw Slow
Maria
96 bpm • F# min • 03:07 • -10db
16% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Watchhouse
Next to Nothing
92 bpm • F Maj • 03:31 • -10.62db
38% Popularity • 52% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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The Lowest Pair
Rosie
96 bpm • E Maj • 05:36 • -10db
30% Popularity • 47% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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The Haunted Windchimes
Traveling Lady
97 bpm • G Maj • 01:58 • -9.8db
19% Popularity • 60% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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The Stray Birds
Feathers & Bone
97 bpm • F Maj • 03:30 • -7.68db
8% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Caitlin Canty
Enough About Hard Times
97 bpm • E min • 02:35 • -9.85db
34% Popularity • 57% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 91% Positiveness
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Cicada Rhythm
Do Not Destroy
97 bpm • E Maj • 05:22 • -16.72db
15% Popularity • 39% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Robby Hecht
Damn Good Advice
91 bpm • D# Maj • 02:15 • -14.13db
41% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Marty O'Reilly & the Old Soul Orchestra
Dreamcatcher
91 bpm • A# Maj • 03:56 • -9.54db
32% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Langhorne Slim
Red Bird
97 bpm • A Maj • 01:32 • -11.09db
15% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Pharis & Jason Romero
Cannot Change It All
97 bpm • B Maj • 04:27 • -13.29db
12% Popularity • 54% Danceability • 33% Energy • 11% Liveness
53% Instrumentalness • 28% Positiveness
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The Lowest Pair
Living Is Dying
97 bpm • F min • 03:19 • -15.1db
14% Popularity • 58% Danceability • 28% Energy • 8% Liveness
6% Instrumentalness • 78% Positiveness
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The Avett Brothers
All My Mistakes
91 bpm • D Maj • 04:25 • -10db
15% Popularity • 46% Danceability • 22% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Csorba
I Want
97 bpm • F# Maj • 01:57 • -13.31db
36% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Stray Birds
Down in the Willow Garden
97 bpm • F# Maj • 02:57 • -12.23db
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Dead Tongues
Little Sadie
97 bpm • C Maj • 03:34 • -8.31db
31% Popularity • 63% Danceability • 66% Energy • 31% Liveness
45% Instrumentalness • 92% Positiveness
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Nathaniel Rateliff
Boil & Fight
97 bpm • D Maj • 03:02 • -11.29db
39% Popularity • 75% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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I Draw Slow
Goldmine
98 bpm • A Maj • 03:19 • -8.96db
31% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Brothers Reed
Brighter Side
97 bpm • C# Maj • 03:40 • -9.51db
12% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Csorba
Heartache After Heartache
91 bpm • G Maj • 04:15 • -10db
29% Popularity • 60% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Isaiah Breedlove
Carolyn
91 bpm • F Maj • 02:56 • -14.2db
11% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Watkins Family Hour
Neighborhood Name
98 bpm • C Maj • 03:26 • -8.32db
7% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Aoife O'Donovan
Loretta
98 bpm • D# Maj • 02:28 • -9.12db
54% Popularity • 49% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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The Haunted Windchimes
That Ol Road Is A-Callin'
98 bpm • A min • 02:33 • -12.7db
16% Popularity • 54% Danceability • 34% Energy • 91% Liveness
0% Instrumentalness • 44% Positiveness
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Violet Bell
All the Stars (Radio Edit)
98 bpm • E Maj • 03:48 • -13.23db
14% Popularity • 48% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Lowest Pair
Hogtied
98 bpm • C Maj • 04:03 • -12.32db
12% Popularity • 56% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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The Dead Tongues
Wildflower Perfume
98 bpm • D min • 03:20 • -9.82db
39% Popularity • 57% Danceability • 38% Energy • 14% Liveness
16% Instrumentalness • 54% Positiveness
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The Wild Reeds
Everything Looks Better (In Hindsight)
98 bpm • A min • 05:28 • -6.51db
38% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Old Man Luedecke
Just Like A River
98 bpm • C# Maj • 03:07 • -13.54db
14% Popularity • 69% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Lillie Mae
Forever and Then Some
98 bpm • D Maj • 04:49 • -11.12db
31% Popularity • 59% Danceability • 61% Energy • 12% Liveness
27% Instrumentalness • 46% Positiveness
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Mile Twelve
Close Enough to Hear
90 bpm • D Maj • 04:35 • -14.51db
12% Popularity • 65% Danceability • 27% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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The Bones of J.R. Jones
Hearts Racing
90 bpm • G Maj • 03:43 • -8.74db
46% Popularity • 68% Danceability • 56% Energy • 13% Liveness
60% Instrumentalness • 36% Positiveness
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Watchhouse
Turtle Dove & the Crow
98 bpm • D Maj • 03:22 • -8db
49% Popularity • 45% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 41% Positiveness
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The Stray Birds
Adelaide
90 bpm • C# min • 03:44 • -5.13db
11% Popularity • 58% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Red Tail Ring
My Heart’s Own Love
98 bpm • G Maj • 03:21 • -10.27db
15% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Rachel Baiman
When You Bloom (Colorado)
90 bpm • G Maj • 04:01 • -10.47db
24% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Parker Millsap
Homeless
90 bpm • G Maj • 03:12 • -11.47db
34% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Nathaniel Rateliff
You Need Me
90 bpm • D Maj • 03:30 • -12db
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
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Joe Pug
I Do My Father's Drugs
90 bpm • E min • 02:48 • -7.89db
39% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Chatham Rabbits
Oxen
90 bpm • C# min • 03:54 • -10.65db
14% Popularity • 64% Danceability • 44% Energy • 9% Liveness
10% Instrumentalness • 19% Positiveness
► Preview
I'm With Her
I-89 - Recorded At Spotify Studios NYC
90 bpm • G min • 03:00 • -11.59db
35% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Dead Tongues
Thunder and Crash
99 bpm • A min • 03:28 • -9db
21% Popularity • 66% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Senora May
All of My Love
99 bpm • B Maj • 01:51 • -9.24db
46% Popularity • 62% Danceability • 58% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
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Dead Horses
Kickapoo Creek
99 bpm • F Maj • 02:28 • -14.39db
26% Popularity • 54% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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The Lowest Pair
Rumi's Field
100 bpm • A Maj • 04:14 • -14.05db
6% Popularity • 38% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Chatham Rabbits
This Year
89 bpm • B Maj • 03:15 • -11.02db
19% Popularity • 57% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Joe Kaplow
There Will Be a Time (Alternate Take)
100 bpm • G Maj • 02:59 • -9.83db
11% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Joe Pug
Speak Plainly Diana
88 bpm • G Maj • 02:49 • -7.69db
37% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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10 String Symphony
Prettiest Girl
100 bpm • A# Maj • 02:58 • -9.49db
35% Popularity • 73% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Bombadils
Tell Me I'm Not Dreaming
88 bpm • E Maj • 04:22 • -10.12db
16% Popularity • 31% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dead Horses
American Poor
100 bpm • G# min • 03:06 • -8.41db
14% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Chatham Rabbits
Clean Slate
89 bpm • F Maj • 03:18 • -13.55db
18% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Rachel Baiman
Joke’s On Me
88 bpm • B Maj • 02:46 • -9.59db
25% Popularity • 57% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Pug
Crescent Bridge
100 bpm • A Maj • 03:19 • -6.84db
32% Popularity • 66% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Watchhouse
Big Men in the Sky
88 bpm • D Maj • 04:05 • -10.98db
33% Popularity • 45% Danceability • 30% Energy • 12% Liveness
6% Instrumentalness • 20% Positiveness
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Red Tail Ring
Ohio Turnpike
101 bpm • C Maj • 04:28 • -10.93db
15% Popularity • 57% Danceability • 34% Energy • 14% Liveness
5% Instrumentalness • 42% Positiveness
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Tré Burt
Sweet Misery
87 bpm • D Maj • 03:09 • -6.86db
40% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chatham Rabbits
Holy Dirt
100 bpm • C Maj • 02:45 • -6.94db
23% Popularity • 66% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Cicada Rhythm
The Keeper
101 bpm • G Maj • 03:02 • -13.38db
16% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Crow and the Canyon
Crow and the Canyon
101 bpm • E Maj • 05:26 • -14.57db
8% Popularity • 43% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Julian Taylor
100 Proof
101 bpm • D Maj • 03:58 • -12.36db
25% Popularity • 47% Danceability • 46% Energy • 12% Liveness
48% Instrumentalness • 79% Positiveness
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The Dead Tongues
Clip Your Wings
101 bpm • E Maj • 03:13 • -8.62db
28% Popularity • 42% Danceability • 31% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
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Pharis & Jason Romero
Goodbye Old Paint
102 bpm • B Maj • 04:03 • -11.61db
16% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Chatham Rabbits
Blue Ridge Mountain Home
100 bpm • D# Maj • 03:37 • -9.12db
23% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jonah Tolchin
Beauty in the Ugliest of Days
87 bpm • C Maj • 03:04 • -15.13db
24% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Pug
The Flood in Color
102 bpm • B Maj • 02:37 • -10.39db
37% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Dom Flemons
Too Long (I've Been Gone)
102 bpm • F Maj • 02:53 • -16.29db
14% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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10 String Symphony
I'll Be Here in the Morning
102 bpm • D# Maj • 04:34 • -10.39db
30% Popularity • 67% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The River Will