Songs like The Riverboat Song by Ocean Colour Scene
Based on a tempo of (+/- 10%) and a similar genre
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Kasabian
Processed Beats
107 bpm • C# min • 03:07 • -9db
42% Popularity • 65% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 62% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 62% Positiveness
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Black Grape
Dadi Waz A Badi
107 bpm • A min • 04:01 • -5.83db
21% Popularity • 58% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 58% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Ocean Colour Scene
The Riverboat Song
107 bpm • B min • 04:54 • -6.39db
52% Popularity • 48% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 48% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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The Lemonheads
Mrs. Robinson - Remastered
107 bpm • E min • 03:44 • -7db
61% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Ash
Shining Light
107 bpm • D Maj • 05:09 • -3.49db
44% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Mock Turtles
Can You Dig It?
108 bpm • E Maj • 04:08 • -3.72db
44% Popularity • 50% Danceability • 92% Energy • 62% Liveness
13% Instrumentalness • 83% Positiveness
44% Popularity • 50% Danceability • 92% Energy • 62% Liveness
13% Instrumentalness • 83% Positiveness
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Space
Female of the Species
108 bpm • G min • 03:19 • -6.48db
47% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Beautiful South
Rotterdam (Or Anywhere)
108 bpm • C Maj • 03:35 • -7.68db
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Waterboys
The Whole of the Moon - 2004 Remaster
106 bpm • C Maj • 05:02 • -7.17db
66% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Travis
Why Does It Always Rain On Me?
108 bpm • E Maj • 04:25 • -9.26db
63% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Zutons
You Will You Won't
105 bpm • D Maj • 02:54 • -2.79db
39% Popularity • 65% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 65% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Catatonia
Mulder and Scully
109 bpm • F# min • 04:11 • -5.29db
48% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kasabian
L.S.F.
105 bpm • A Maj • 03:16 • -7.4db
55% Popularity • 62% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 62% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Happy Mondays
Step On - 2007 Remaster
105 bpm • G Maj • 05:18 • -7.16db
57% Popularity • 60% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 45% Positiveness
57% Popularity • 60% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 45% Positiveness
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Deacon Blue
Dignity
105 bpm • F Maj • 03:58 • -10.92db
38% Popularity • 60% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 60% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Kula Shaker
Start All Over
109 bpm • C Maj • 02:35 • -7.83db
35% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Doves
Kingdom Of Rust
105 bpm • G min • 05:11 • -9db
46% Popularity • 45% Danceability • 67% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
46% Popularity • 45% Danceability • 67% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
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The Bluetones
If...
105 bpm • D Maj • 05:12 • -6db
35% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Weller
Sunflower
105 bpm • F# min • 04:06 • -12.34db
42% Popularity • 50% Danceability • 64% Energy • 38% Liveness
46% Instrumentalness • 41% Positiveness
42% Popularity • 50% Danceability • 64% Energy • 38% Liveness
46% Instrumentalness • 41% Positiveness
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The Pigeon Detectives
Take Her Back
109 bpm • C Maj • 03:17 • -1.59db
41% Popularity • 49% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 49% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Fun Lovin' Criminals
Scooby Snacks
105 bpm • D Maj • 03:04 • -7.9db
56% Popularity • 76% Danceability • 58% Energy • 7% Liveness
3% Instrumentalness • 29% Positiveness
56% Popularity • 76% Danceability • 58% Energy • 7% Liveness
3% Instrumentalness • 29% Positiveness
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McAlmont & Butler
Yes - Full Version
110 bpm • F Maj • 04:53 • -7.13db
42% Popularity • 42% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 42% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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Levellers
One Way
110 bpm • G Maj • 04:08 • -6.79db
41% Popularity • 41% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 41% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Space
The Ballad of Tom Jones
110 bpm • C Maj • 04:10 • -7.9db
33% Popularity • 66% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 66% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
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Ocean Colour Scene
Half A Dream Away
110 bpm • G Maj • 04:21 • -13.48db
20% Popularity • 54% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
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Kings of Leon
Fans
104 bpm • E Maj • 03:36 • -6.22db
55% Popularity • 42% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 42% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Hard-FI
Suburban Knights
110 bpm • G# min • 04:29 • -4.55db
37% Popularity • 54% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 54% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Stone Roses
Waterfall - Remastered
104 bpm • B Maj • 04:38 • -8.22db
61% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
61% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
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The Music
The Truth Is No Words
110 bpm • F# min • 04:33 • -3.76db
24% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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James
She's A Star
110 bpm • G Maj • 03:39 • -6db
49% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Seahorses
Sale Of The Century
103 bpm • D Maj • 03:51 • -9.29db
17% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Soup Dragons
I'm Free
103 bpm • G Maj • 03:31 • -6.04db
47% Popularity • 64% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 64% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Dodgy
So Let Me Go Far
103 bpm • F# min • 04:05 • -8db
27% Popularity • 50% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 50% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Supergrass
Moving
111 bpm • G Maj • 04:26 • -6.66db
48% Popularity • 47% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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The Music
Take The Long Road And Walk It
111 bpm • A Maj • 04:51 • -4.52db
31% Popularity • 30% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Arctic Monkeys
I Bet You Look Good On The Dancefloor
103 bpm • F# min • 02:53 • -4.19db
75% Popularity • 54% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
75% Popularity • 54% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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James
Born Of Frustration
111 bpm • A# Maj • 04:36 • -4.26db
47% Popularity • 52% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 52% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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The Stone Roses
Bye Bye Bad Man - Remastered
103 bpm • G Maj • 04:03 • -7.25db
51% Popularity • 60% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
51% Popularity • 60% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Bluetones
Slight Return
103 bpm • D Maj • 03:21 • -6.58db
53% Popularity • 43% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 43% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Mansun
Stripper Vicar
111 bpm • G# Maj • 04:05 • -5.92db
28% Popularity • 58% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 58% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Weller
Broken Stones
112 bpm • A# Maj • 03:16 • -15.1db
51% Popularity • 91% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 91% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Charlatans
One To Another
103 bpm • A# Maj • 04:29 • -5db
31% Popularity • 44% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 44% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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Dodgy
Good Enough
112 bpm • C Maj • 04:01 • -6.02db
53% Popularity • 58% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 58% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Kula Shaker
303
112 bpm • E min • 03:08 • -7.79db
31% Popularity • 44% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 44% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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The Bluetones
Solomon Bites The Worm
112 bpm • D Maj • 03:09 • -4.68db
30% Popularity • 47% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 47% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Ocean Colour Scene
Hundred Mile High City
112 bpm • B min • 03:58 • -3.91db
45% Popularity • 42% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 42% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
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The Music
The People
112 bpm • G Maj • 04:58 • -4.8db
36% Popularity • 38% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 38% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Hard-FI
Cash Machine
102 bpm • A min • 03:42 • -4.65db
40% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Blossoms
Charlemagne
102 bpm • A min • 02:46 • -4db
64% Popularity • 54% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 54% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Echobelly
King of the Kerb
112 bpm • B Maj • 03:58 • -8.67db
40% Popularity • 41% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 41% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 45% Positiveness
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The Beautiful South
Perfect 10
102 bpm • A Maj • 03:38 • -4.04db
54% Popularity • 73% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 73% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Jam
The Bitterest Pill (I Ever Had To Swallo...
112 bpm • D Maj • 03:33 • -10db
45% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Shed Seven
She Left Me On Friday
102 bpm • A Maj • 03:29 • -4.61db
31% Popularity • 46% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 46% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Stone Roses
I Wanna Be Adored - Remastered
113 bpm • E min • 04:52 • -9.16db
66% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
66% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
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Paul Weller
Out Of The Sinking
102 bpm • F# min • 03:51 • -11.14db
38% Popularity • 66% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
38% Popularity • 66% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Supergrass
Mary
113 bpm • C min • 03:59 • -6.79db
40% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Finley Quaye
Sunday Shining
101 bpm • D Maj • 03:42 • -5.5db
47% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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The Jam
Town Called Malice
102 bpm • G Maj • 02:53 • -8.92db
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Stone Roses
Fools Gold - Remastered
113 bpm • G Maj • 09:54 • -6.39db
59% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
59% Popularity • 73% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 16% Positiveness
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Kasabian
Underdog
101 bpm • F min • 04:37 • -5.41db
60% Popularity • 53% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 53% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Weller
The Changingman
114 bpm • F Maj • 03:30 • -5.69db
34% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Shed Seven
Disco Down
114 bpm • G Maj • 03:49 • -5db
42% Popularity • 58% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 58% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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The Jam
English Rose - 1997 Remaster
114 bpm • G# Maj • 02:49 • -20.8db
46% Popularity • 53% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 53% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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The Twang
Either Way
114 bpm • D Maj • 04:03 • -2.61db
42% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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The Stone Roses
Ten Storey Love Song
101 bpm • D Maj • 04:29 • -7db
50% Popularity • 40% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 40% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Space
Avenging Angels
114 bpm • G Maj • 02:58 • -9db
30% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Weller
The Changingman
114 bpm • F Maj • 04:02 • -9.57db
48% Popularity • 63% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
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Gomez
Whippin' Piccadilly
115 bpm • C# Maj • 03:12 • -10.36db
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Shed Seven
Chasing Rainbows
101 bpm • E Maj • 04:25 • -6db
52% Popularity • 20% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 20% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Stereophonics
Just Looking
100 bpm • G min • 04:13 • -6db
53% Popularity • 38% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
53% Popularity • 38% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Zutons
Confusion
100 bpm • A Maj • 03:31 • -7.72db
33% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kasabian
Vlad the Impaler
115 bpm • F min • 04:44 • -6.44db
43% Popularity • 67% Danceability • 68% Energy • 25% Liveness
1% Instrumentalness • 22% Positiveness
43% Popularity • 67% Danceability • 68% Energy • 25% Liveness
1% Instrumentalness • 22% Positiveness
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Space
Neighbourhood
115 bpm • B min • 03:28 • -6db
41% Popularity • 72% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Farm
Groovy Train
116 bpm • G Maj • 04:11 • -7.28db
44% Popularity • 58% Danceability • 97% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
44% Popularity • 58% Danceability • 97% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Shed Seven
Speakeasy
116 bpm • G Maj • 03:19 • -7db
33% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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The Bluetones
Things Change
99 bpm • D Maj • 05:38 • -7.95db
18% Popularity • 40% Danceability • 77% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
18% Popularity • 40% Danceability • 77% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
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Stereophonics
Pick A Part That's New
99 bpm • A Maj • 03:33 • -4.61db
50% Popularity • 48% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 48% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Zutons
Nightmare Part II
99 bpm • C Maj • 02:58 • -5.37db
24% Popularity • 52% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 52% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Longpigs
Far
116 bpm • E min • 03:44 • -7db
32% Popularity • 45% Danceability • 78% Energy • 24% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 78% Energy • 24% Liveness
1% Instrumentalness • 67% Positiveness
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The Stone Roses
Driving South
99 bpm • A Maj • 05:09 • -6db
45% Popularity • 47% Danceability • 95% Energy • 36% Liveness
2% Instrumentalness • 75% Positiveness
45% Popularity • 47% Danceability • 95% Energy • 36% Liveness
2% Instrumentalness • 75% Positiveness
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James
Laid
116 bpm • C Maj • 02:36 • -9.45db
68% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
68% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Jake Bugg
Lightning Bolt
116 bpm • A Maj • 02:24 • -4.56db
63% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Pulp
Mile End
98 bpm • F Maj • 04:30 • -8.92db
48% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Zutons
Tired Of Hanging Around
116 bpm • B min • 03:34 • -2db
24% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Ocean Colour Scene
July
117 bpm • A Maj • 03:34 • -7.9db
31% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Happy Mondays
Hallelujah - Club Mix
98 bpm • F Maj • 06:29 • -6.77db
43% Popularity • 62% Danceability • 91% Energy • 42% Liveness
19% Instrumentalness • 57% Positiveness
43% Popularity • 62% Danceability • 91% Energy • 42% Liveness
19% Instrumentalness • 57% Positiveness
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James
Come Home - Flood Mix
117 bpm • E Maj • 03:55 • -10.01db
39% Popularity • 46% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 46% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Travis
Flowers In The Window
98 bpm • C Maj • 03:41 • -5.44db
54% Popularity • 38% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 38% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Weller
Peacock Suit
117 bpm • C Maj • 03:12 • -6.79db
35% Popularity • 60% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 60% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Kasabian
Fire
117 bpm • A# Maj • 04:12 • -5.64db
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
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Elbow
The Bones of You
117 bpm • G min • 04:49 • -6db
43% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Happy Mondays
Kinky Afro
118 bpm • F Maj • 03:59 • -12.55db
50% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Zutons
It's The Little Things We Do
97 bpm • C Maj • 03:07 • -3.2db
27% Popularity • 55% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 55% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Kula Shaker
Hush
118 bpm • G# Maj • 02:54 • -6.9db
53% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The White Stripes
My Doorbell
97 bpm • G# Maj • 04:01 • -9.97db
54% Popularity • 61% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
54% Popularity • 61% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
