Songs like The Road Home by Stephen Paulus
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
37% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Tarik O'Regan
The Ecstasies Above: I.
132 bpm • G min • 05:34 • -30.04db
1% Popularity • 19% Danceability • 4% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 4% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
31% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Autumn
132 bpm • A min • 02:50 • -30.93db
22% Popularity • 17% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
22% Popularity • 17% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard: Epilogue. A...
132 bpm • F Maj • 06:09 • -16.89db
0% Popularity • 29% Danceability • 30% Energy • 78% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 29% Danceability • 30% Energy • 78% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Paulus
Little Elegy
134 bpm • C# Maj • 03:37 • -31.59db
1% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Shawn Kirchner
Soneto 53: Tu sangre en la mia
132 bpm • D# Maj • 03:29 • -26.86db
3% Popularity • 21% Danceability • 4% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 4% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
28% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Alexander Gretchaninov
Now the Powers of Heaven, Op. 58, No. 6
131 bpm • C# Maj • 05:07 • -23db
5% Popularity • 16% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Aaron Copland
The Promise of Living from The Tender La...
135 bpm • F Maj • 05:39 • -24.25db
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Divine Liturgy of St. John Chrysostom, O...
135 bpm • E Maj • 02:06 • -18.18db
4% Popularity • 21% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 21% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Paulus
The Day Is Done (2006)
135 bpm • D Maj • 05:20 • -27.97db
31% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Paulus
Grand Concerto: III. Jubilant
130 bpm • G min • 07:58 • -19.27db
1% Popularity • 26% Danceability • 18% Energy • 27% Liveness
92% Instrumentalness • 33% Positiveness
1% Popularity • 26% Danceability • 18% Energy • 27% Liveness
92% Instrumentalness • 33% Positiveness
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Enrique Lacárcel Bautista
Tonight
136 bpm • C min • 02:37 • -19.3db
11% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
29% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
29% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Ä’riks EÅ¡envalds
Northern Lights
136 bpm • D min • 06:19 • -21.7db
13% Popularity • 18% Danceability • 8% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 8% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Donald Grantham
We Remember Them
130 bpm • C min • 04:37 • -30.94db
5% Popularity • 16% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: I. Kyrie
130 bpm • A Maj • 03:33 • -25.43db
33% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Old Church
129 bpm • C Maj • 04:38 • -31.49db
1% Popularity • 16% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Anonymous
The Road Home (arr. S. Paulus)
137 bpm • F Maj • 03:24 • -27.87db
9% Popularity • 18% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
37% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Stephen Paulus
To Be Certain of the Dawn: Part II: Reme...
137 bpm • E min • 04:22 • -39.52db
9% Popularity • 15% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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Hugo Alfvén
Uti vår hage
128 bpm • F min • 02:29 • -34.32db
30% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Gjermund Larsen
Solistvals (Soloist's Waltz)
138 bpm • G Maj • 03:59 • -22db
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
The Wartburg Choir
Give Me Jesus
127 bpm • E Maj • 04:55 • -26.07db
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
► Preview
Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Patrick Hawes
Quanta Qualia
139 bpm • D# Maj • 05:00 • -21.7db
11% Popularity • 14% Danceability • 5% Energy • 22% Liveness
43% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 22% Liveness
43% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Sure on this Shining Night
127 bpm • C# Maj • 04:31 • -22db
31% Popularity • 22% Danceability • 9% Energy • 10% Liveness
22% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 9% Energy • 10% Liveness
22% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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The University Of Utah Singers
Alleluia
140 bpm • D# Maj • 03:45 • -14.47db
11% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
11% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
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Stephen Paulus
The Road Home
140 bpm • F Maj • 04:02 • -19.97db
5% Popularity • 19% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
5% Popularity • 19% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Ildebrando Pizzetti
Messa di Requiem: Libera Me
126 bpm • D min • 05:37 • -27.63db
4% Popularity • 17% Danceability • 3% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 3% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
18% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Vienna Teng
The Hymn of Acxiom
126 bpm • D Maj • 04:00 • -21.87db
13% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Þorkell Sigurbjörnsson
Nú hverfur sól à haf
126 bpm • G# min • 03:22 • -28.42db
19% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Juliette Pochin
Veni Creator Spiritus
126 bpm • G# Maj • 02:13 • -22db
39% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Cantus
Shenandoah
126 bpm • F Maj • 03:41 • -30.51db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
126 bpm • F Maj • 06:06 • -15.49db
18% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
18% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
