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The Road Less Travelled
Songs like
The Road Less Travelled
by
Graeme Connors
Based on a tempo of (+/- 10%) and a similar genre
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Wolverines
Gonna Ride All Night Long
153 bpm • A Maj • 03:32 • -5.88db
13% Popularity • 63% Danceability • 71% Energy • 17% Liveness
8% Instrumentalness • 87% Positiveness
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Graeme Connors
The Road Less Travelled
153 bpm • C Maj • 04:30 • -9db
37% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Shane Nicholson
Famous Last Words
154 bpm • F Maj • 02:08 • -4.35db
29% Popularity • 61% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Sammy Kershaw
Take a Letter Maria
152 bpm • C Maj • 03:26 • -9.36db
22% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Markus Meier
Rope A Cowgirl
152 bpm • A Maj • 03:35 • -4.24db
15% Popularity • 49% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Jayne Denham
Grew Up 'Round Trucks - Scuzztrans Versi...
154 bpm • D Maj • 03:16 • -6.02db
10% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Gina Jeffreys
A Woman Knows
154 bpm • E min • 03:20 • -4.87db
26% Popularity • 39% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Graeme Connors
The Mouth Of The River
154 bpm • D# Maj • 04:56 • -10.17db
11% Popularity • 58% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Pigram Brothers
Dry River Bed
152 bpm • F Maj • 04:55 • -8db
25% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mike Reid
Walk On Faith
154 bpm • E Maj • 03:10 • -13db
32% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Wolverines
Movin' on Down the Highway
151 bpm • G Maj • 03:13 • -6.63db
9% Popularity • 58% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Kasey Chambers
A Little Bit Lonesome
155 bpm • C Maj • 02:59 • -5db
30% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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John Schumann and the Vagabond Crew
Band Played Waltzing Matilda
155 bpm • A Maj • 04:41 • -11.61db
29% Popularity • 48% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Luke Dickens
Bad Seed
155 bpm • C# Maj • 03:36 • -6.33db
8% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Matt Scullion
Dead Roo
155 bpm • C Maj • 02:49 • -6.78db
28% Popularity • 69% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Jayne Denham
Grew up 'Round Trucks
150 bpm • D Maj • 03:23 • -5.94db
17% Popularity • 50% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Gina Jeffreys
Under the Influence of Love
150 bpm • B Maj • 03:23 • -6.53db
13% Popularity • 61% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Graeme Connors
A Child Of This Land
150 bpm • F# Maj • 04:15 • -6.84db
18% Popularity • 52% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Roger Knox
If You Love Me (Let Me Know)
156 bpm • A Maj • 02:29 • -10.04db
21% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Tom Curtain
Hitchhiker
150 bpm • G Maj • 03:16 • -4.91db
19% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Graham Rodger
The Battle of Long Tan
156 bpm • D# Maj • 04:43 • -8.39db
16% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The McClymonts
Blood Is Thicker Than Water
150 bpm • B Maj • 03:24 • -3.32db
21% Popularity • 56% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Alabama
She Ain't Your Ordinary Girl
150 bpm • E Maj • 03:07 • -7.88db
21% Popularity • 54% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Gina Jeffreys
Josephine
157 bpm • C Maj • 03:53 • -5.75db
15% Popularity • 47% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Luke O'Shea
Pride Of Erin
149 bpm • D Maj • 04:18 • -7.15db
19% Popularity • 50% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Doug Stone
Take a Letter, Maria
157 bpm • D Maj • 02:51 • -6db
8% Popularity • 62% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Steve Forde
The Letter
157 bpm • E Maj • 04:19 • -5.52db
14% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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The McClymonts
Shotgun
150 bpm • A# Maj • 03:42 • -6.9db
25% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Prairie Oyster
Louisiette
157 bpm • E Maj • 03:20 • -5db
18% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Catherine Britt
I'm Gone
149 bpm • D Maj • 03:01 • -4.36db
17% Popularity • 63% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Jeff Brown
After January Rains
149 bpm • D Maj • 04:11 • -7.13db
12% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Graeme Connors
On The Edge Of Town
149 bpm • C Maj • 04:30 • -9.2db
5% Popularity • 54% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Charlie Major
Some Days Are Better
157 bpm • A Maj • 04:09 • -7.2db
18% Popularity • 59% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Matt Scullion
From The Ashes
148 bpm • D Maj • 04:18 • -6.2db
13% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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James McKay
Western Dream
158 bpm • E Maj • 03:41 • -6db
26% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Amber Lawrence
Things That Bring Me Down
158 bpm • G# Maj • 03:06 • -4.13db
9% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jeff Brown
Orchid Street
158 bpm • A Maj • 05:43 • -5.6db
12% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Simply Bushed
Saturday Night
158 bpm • D Maj • 04:07 • -4.77db
18% Popularity • 42% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Doug Bruce
Coffey Road
158 bpm • A Maj • 03:34 • -6.02db
10% Popularity • 54% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Scullion
1868
158 bpm • G min • 04:55 • -5.84db
19% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Don Williams
Imagine That
148 bpm • D Maj • 03:12 • -8.4db
27% Popularity • 58% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 76% Positiveness
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Travis Sinclair
Still Riding That Line
158 bpm • A# Maj • 03:45 • -10.13db
23% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Shane Nicholson
Whistling Cannonballs
159 bpm • C# Maj • 02:55 • -12.19db
27% Popularity • 58% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Murray McLauchlan
Farmer's Song
159 bpm • A Maj • 03:00 • -6.71db
26% Popularity • 52% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Eddy Raven
Somebody's Tearin' The Flag
148 bpm • A Maj • 03:46 • -16.17db
7% Popularity • 35% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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McAlister Kemp
100 Years the Anzac
147 bpm • E Maj • 04:39 • -5.11db
21% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
22% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Shane Nicholson
Bad Machines
160 bpm • F Maj • 02:43 • -6.19db
13% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Travis Collins
Here I Stand
146 bpm • F# Maj • 03:34 • -6.71db
14% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Graeme Connors
Prodigal Son
146 bpm • G Maj • 04:21 • -10.1db
31% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jayne Denham
Rockin' with Ned (The Legendary Western ...
145 bpm • D Maj • 03:30 • -5db
22% Popularity • 65% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The McClymonts
Forever Begins Tonight
146 bpm • E Maj • 04:03 • -4.83db
29% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Catherine Britt
What I Did Last Night
145 bpm • C Maj • 03:56 • -5.49db
15% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Rodney Crowell
After All This Time
145 bpm • E Maj • 04:26 • -12.63db
19% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Curtain
Campdrafting
162 bpm • F Maj • 03:35 • -7db
22% Popularity • 65% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Sinclair
Midnight Run
162 bpm • C# Maj • 03:32 • -7db
33% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jason McCoy
Kind of Like It's Love
162 bpm • G# Maj • 03:00 • -8db
14% Popularity • 62% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Graeme Connors
Being Here
144 bpm • A Maj • 04:10 • -5.24db
17% Popularity • 58% Danceability • 60% Energy • 46% Liveness
0% Instrumentalness • 19% Positiveness
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Catherine Britt
Home Truths
144 bpm • C Maj • 04:02 • -4.67db
16% Popularity • 48% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Travis Collins
Curves
144 bpm • G Maj • 03:31 • -5.95db
22% Popularity • 56% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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The Bushwackers
This Is the Place for Me
144 bpm • D Maj • 04:10 • -7db
12% Popularity • 56% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Travis Sinclair
Eating up Bitumen
144 bpm • E Maj • 03:03 • -11db
29% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Buddy Goode
Cougarville
144 bpm • A min • 02:48 • -6.76db
25% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Kirsty Lee Akers
I Will
143 bpm • G Maj • 03:21 • -7.71db
12% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Colin Buchanan
Missin' Slim
143 bpm • D# Maj • 03:53 • -9db
31% Popularity • 62% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Chad Morgan
The Fatal Wedding
164 bpm • D Maj • 01:50 • -13.73db
24% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jayne Denham
Feral Kev and General Leroy
164 bpm • C Maj • 03:51 • -5db
19% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Wolverines
Don't Look Now
142 bpm • D Maj • 02:20 • -7db
18% Popularity • 87% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Bobkatz
The Man In The Picture
164 bpm • A Maj • 04:20 • -5.28db
24% Popularity • 42% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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The Warratahs
Fools Paradise
142 bpm • A Maj • 03:15 • -7.7db
18% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Graham Rodger
You've Gotta Be Mad to Be a Truckie Like...
165 bpm • A Maj • 03:36 • -5.02db
17% Popularity • 52% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 77% Positiveness
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Brad Butcher
Well Dressed Man
142 bpm • D Maj • 04:04 • -10db
14% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The McClymonts
Don't Wish It All Away
142 bpm • G Maj • 03:56 • -4db
23% Popularity • 48% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Charlie Major
It's Lonely I Can't Stand
165 bpm • G Maj • 04:00 • -10.12db
15% Popularity • 49% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ben Ransom
Young Years
141 bpm • G Maj • 04:05 • -5db
15% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Swift
Fire & Ice
141 bpm • F# min • 03:43 • -6db
16% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Kasey Chambers
On A Bad Day
141 bpm • A# Maj • 02:51 • -6.56db
31% Popularity • 62% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Bellamy Brothers
I Love Her Mind
166 bpm • A Maj • 03:16 • -15.5db
16% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Nitty Gritty Dirt Band
Baby's Got a Hold on Me
167 bpm • E Maj • 03:06 • -14.15db
15% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Kirsty Lee Akers
Ain't That Kinda Girl
167 bpm • C# Maj • 04:02 • -4.35db
18% Popularity • 46% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Graeme Connors
The Great Australian Dream
140 bpm • D Maj • 05:04 • -9.18db
30% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Black Sorrows
Baby It's A Crime
141 bpm • G Maj • 03:56 • -12.89db
22% Popularity • 59% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Amber Lawrence
Women Like Me (Don't Like Girls Like You...
140 bpm • F Maj • 03:16 • -7.73db
8% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Wolverines
Living on the Right Side of Town
140 bpm • A Maj • 03:01 • -5.58db
11% Popularity • 81% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 98% Positiveness
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The Johner Brothers
My Brother and Me
140 bpm • G Maj • 03:40 • -10db
7% Popularity • 65% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Ashleigh Dallas
Dancing In The Kitchen
140 bpm • B min • 03:39 • -5.84db
2% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Luke O'Shea
Prodigal Son
140 bpm • A# Maj • 03:06 • -5.95db
20% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Pete Denahy
Looking at My Phone
140 bpm • C Maj • 02:11 • -10db
14% Popularity • 87% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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McAlister Kemp
Cold Beer, Hot Women
140 bpm • A Maj • 02:40 • -4db
20% Popularity • 57% Danceability • 89% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
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Pigram Brothers
Liar Cry
167 bpm • G Maj • 04:19 • -8.16db
19% Popularity • 42% Danceability • 76% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
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Graeme Connors
One Life
168 bpm • E Maj • 03:39 • -7.87db
22% Popularity • 51% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Wolverines
Reback on the Toilet Seat
168 bpm • D Maj • 02:57 • -12.75db
14% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Michael Waugh
Heyfield Girl
168 bpm • F Maj • 04:13 • -9.24db
11% Popularity • 51% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Kasey Chambers
Cry Like A Baby
139 bpm • A# Maj • 04:00 • -3.69db
29% Popularity • 55% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Mickey Pye
When She's Drinkin'
139 bpm • D Maj • 03:30 • -4.81db
19% Popularity • 65% Danceability • 75% Energy • 10% Liveness
6% Instrumentalness • 78% Positiveness
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Pigram Brothers
Hometown
139 bpm • G Maj • 03:35 • -6.32db
19% Popularity • 60% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Graeme Connors
These Uncertain Times
139 bpm • A Maj • 05:16 • -6.35db
21% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
The McClymonts
Favourite Boyfriend Of The Year
169 bpm • D Maj • 03:17 • -3.97db
23% Popularity • 54% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Catherine Britt
Can't Change a Thing
139 bpm • D Maj • 03:01 • -6.64db
11% Popularity • 63% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Road Less Travelled