Songs like The Royall Consort Sett No. 3 in D minor: Alman, Corant, Saraband by William Lawes
Based on a tempo of (+/- 10%) and a similar genre
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Johann Bach
Weint nicht um meinem Tod
68 bpm • F# min • 01:51 • -25db
17% Popularity • 26% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
17% Popularity • 26% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Jean Hotteterre
La Noce Champêtre ou L'Himen Pastoral: ...
70 bpm • B min • 03:25 • -30.25db
9% Popularity • 12% Danceability • 2% Energy • 37% Liveness
26% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 37% Liveness
26% Instrumentalness • 7% Positiveness
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William Lawes
Lawes: Countrey Coll, for Lyra Viol, VdG...
70 bpm • G Maj • 01:15 • -26.44db
2% Popularity • 39% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 49% Positiveness
2% Popularity • 39% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 49% Positiveness
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Christopher Tye
ln Nomine Crye
68 bpm • D# min • 01:50 • -13.72db
20% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
20% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Grupo de musica barroca La Folia/Pedro Bonet
Suite Premiere -Viii. Chaconne (Charles ...
68 bpm • D# min • 02:48 • -16.87db
14% Popularity • 29% Danceability • 18% Energy • 8% Liveness
54% Instrumentalness • 34% Positiveness
14% Popularity • 29% Danceability • 18% Energy • 8% Liveness
54% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Violin Sonata in G Minor, Op. 5 No. 5 (T...
71 bpm • F# min • 01:04 • -14.94db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
83% Instrumentalness • 47% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
83% Instrumentalness • 47% Positiveness
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Matthew Locke
A Consort for Severall Friends - Suite i...
67 bpm • A min • 01:12 • -21.64db
8% Popularity • 39% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 20% Positiveness
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Anonymus
Anonymus: Chiaccona a 4 in C Major
71 bpm • C Maj • 04:29 • -21.19db
8% Popularity • 27% Danceability • 11% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
8% Popularity • 27% Danceability • 11% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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James Oswald
II. Aria Moderato
67 bpm • F# Maj • 01:29 • -22.72db
17% Popularity • 53% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 51% Positiveness
17% Popularity • 53% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 51% Positiveness
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John Dunstable
Puzzle Canon
70 bpm • C# Maj • 01:53 • -22.65db
13% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
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William Lawes
Lawes: Consort Set No. 7 for 6 Viols in ...
67 bpm • C Maj • 03:36 • -23.23db
1% Popularity • 6% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
1% Popularity • 6% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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Samuel Scheidt
Ludi musici I: 8. Galliard a 4, SSWV 46
66 bpm • C# Maj • 02:41 • -19db
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Benedetto Marcello
Sonata in F Major, Op. 2, No. 12, SF 767...
66 bpm • D min • 01:01 • -22.97db
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
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Henri Desmarets
Circé, Prologue Scene 2: Deuxième menu...
72 bpm • F min • 01:06 • -30.87db
14% Popularity • 32% Danceability • 3% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
14% Popularity • 32% Danceability • 3% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
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James Oswald
Airs for the Autumn: Marvel of Peru: III...
72 bpm • F# Maj • 01:13 • -19.13db
16% Popularity • 49% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 49% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Johann Sebastian Bach
Suite in G Minor, BWV 995: V. Gavotte I ...
65 bpm • F# min • 04:55 • -22.76db
12% Popularity • 39% Danceability • 13% Energy • 13% Liveness
89% Instrumentalness • 59% Positiveness
12% Popularity • 39% Danceability • 13% Energy • 13% Liveness
89% Instrumentalness • 59% Positiveness
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William Lawes
Lawes: Consort Set No. 4 for 5 Viols in ...
72 bpm • F Maj • 02:49 • -22.32db
1% Popularity • 29% Danceability • 8% Energy • 35% Liveness
36% Instrumentalness • 29% Positiveness
1% Popularity • 29% Danceability • 8% Energy • 35% Liveness
36% Instrumentalness • 29% Positiveness
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Johannes Schenck
Le nymphe di Rheno, Op. 8: Suite in G Mi...
74 bpm • F# min • 02:00 • -23.32db
9% Popularity • 32% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 35% Positiveness
9% Popularity • 32% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 35% Positiveness
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Ennemond Gaultier
Suite in D Minor: IV. Canaries
65 bpm • C min • 02:07 • -23.71db
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Tobias Hume
The First Part of Ayres: Captaine Humes ...
74 bpm • F# min • 07:09 • -23.43db
9% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Carlo Farina
Correnta quarta
74 bpm • G min • 01:05 • -20.88db
16% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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John Jenkins
Pavan in F-Major
75 bpm • A Maj • 04:02 • -22db
8% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
8% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
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William Lawes
Lawes: Consort Set No. 9 for 6 Viols in ...
74 bpm • A# Maj • 02:28 • -20.78db
1% Popularity • 23% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 17% Positiveness
1% Popularity • 23% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 17% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
14% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
14% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Robert de Visée
Suite in G Major: I. Prelude
64 bpm • F Maj • 01:14 • -29.84db
31% Popularity • 40% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
31% Popularity • 40% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Orlando Gibbons
Fantasias a 3: No. 6
75 bpm • G# min • 02:37 • -18.74db
8% Popularity • 13% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
8% Popularity • 13% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
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William Lawes
Lawes: Consort Set No. 1 for 5 Viols in ...
64 bpm • G min • 03:09 • -23.16db
1% Popularity • 23% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 11% Positiveness
1% Popularity • 23% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 11% Positiveness
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Tarquinio Merula
Canzon No. 19 In C Major, "La Pusterla"
75 bpm • B Maj • 03:03 • -17.6db
9% Popularity • 33% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 50% Positiveness
9% Popularity • 33% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 50% Positiveness
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Girolamo Frescobaldi
Canzona trigesima quinta "detta l’Ales...
64 bpm • D min • 03:27 • -22.9db
8% Popularity • 14% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
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Thomas Simpson
Suite from Taffel-Consort: Volta
75 bpm • G# Maj • 01:05 • -22.15db
16% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
16% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
63 bpm • C min • 01:32 • -18db
20% Popularity • 30% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
20% Popularity • 30% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
63 bpm • C# Maj • 02:43 • -13.97db
21% Popularity • 40% Danceability • 39% Energy • 26% Liveness
48% Instrumentalness • 56% Positiveness
21% Popularity • 40% Danceability • 39% Energy • 26% Liveness
48% Instrumentalness • 56% Positiveness
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William Lawes
Royal Consort Sett No. 3 in D: II. Aire
63 bpm • C# min • 01:31 • -17.93db
4% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Christopher Simpson
Division in D Major
75 bpm • C# Maj • 04:52 • -22.31db
9% Popularity • 30% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
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Girolamo Frescobaldi
Canzona prima a 2 bassi
75 bpm • D Maj • 03:11 • -21db
11% Popularity • 28% Danceability • 16% Energy • 12% Liveness
21% Instrumentalness • 49% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 12% Liveness
21% Instrumentalness • 49% Positiveness
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Benedetto Marcello
Sonata in D Minor, Op. 2, No. 2: III. La...
76 bpm • E Maj • 01:21 • -23.48db
26% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
26% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVb. Ad la...
76 bpm • C# min • 01:05 • -24.71db
20% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Jakob Froberger
Sonata No. 18 in G Minor, FbWV 618: IV. ...
76 bpm • F# min • 01:36 • -24.29db
13% Popularity • 46% Danceability • 9% Energy • 8% Liveness
76% Instrumentalness • 29% Positiveness
13% Popularity • 46% Danceability • 9% Energy • 8% Liveness
76% Instrumentalness • 29% Positiveness
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Giulio Segni Da Modena
Ricercar 13
76 bpm • D# min • 01:51 • -21db
8% Popularity • 22% Danceability • 8% Energy • 16% Liveness
88% Instrumentalness • 36% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 16% Liveness
88% Instrumentalness • 36% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Bouree
76 bpm • A Maj • 02:03 • -22db
16% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 3 in D Major: VI. Ari...
76 bpm • C# min • 01:55 • -24.14db
15% Popularity • 23% Danceability • 3% Energy • 19% Liveness
33% Instrumentalness • 13% Positiveness
15% Popularity • 23% Danceability • 3% Energy • 19% Liveness
33% Instrumentalness • 13% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Third A...
76 bpm • F# Maj • 01:58 • -23.02db
13% Popularity • 45% Danceability • 9% Energy • 12% Liveness
54% Instrumentalness • 68% Positiveness
13% Popularity • 45% Danceability • 9% Energy • 12% Liveness
54% Instrumentalness • 68% Positiveness
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Dietrich Buxtehude
Herzlich Lieb hab' ich dich, O Herr, Bux...
76 bpm • C Maj • 04:11 • -21db
14% Popularity • 9% Danceability • 8% Energy • 19% Liveness
13% Instrumentalness • 6% Positiveness
14% Popularity • 9% Danceability • 8% Energy • 19% Liveness
13% Instrumentalness • 6% Positiveness
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Christopher Tye
In Nomine à 5 "Trust"
62 bpm • C min • 02:05 • -23db
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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Johann Heinrich Schmelzer
Harmonia a cinque con basso continuo in ...
77 bpm • A Maj • 05:59 • -26.97db
9% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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John Blow
Sonata in A Major for Two Violins and Ba...
77 bpm • G# Maj • 01:07 • -23.74db
20% Popularity • 24% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
20% Popularity • 24% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
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Luis Venegas de Henestrosa
5 Diferencias sobre las vacas
77 bpm • E Maj • 04:06 • -22.81db
10% Popularity • 29% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 47% Positiveness
10% Popularity • 29% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 47% Positiveness
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Domenico Pellegrini
Armoniosi concerti sopra la chitarra spa...
77 bpm • G# min • 01:00 • -29db
19% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
19% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
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William Lawes
Lawes: Consort Set No. 10 for 6 Viols in...
77 bpm • C min • 04:38 • -24.57db
1% Popularity • 7% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 7% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Charivari Agréable
Henry Purcell: Two in one upon a Ground
77 bpm • G# min • 03:42 • -21.82db
10% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
10% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Gott, hilf mir
77 bpm • C min • 03:01 • -16db
13% Popularity • 34% Danceability • 22% Energy • 16% Liveness
6% Instrumentalness • 14% Positiveness
13% Popularity • 34% Danceability • 22% Energy • 16% Liveness
6% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
78 bpm • C# Maj • 02:42 • -17db
21% Popularity • 10% Danceability • 16% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
21% Popularity • 10% Danceability • 16% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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William Lawes
Lawes: Consort Set No. 4 for 5 Viols in ...
77 bpm • F Maj • 02:06 • -25.34db
2% Popularity • 19% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 19% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
15% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
15% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
Adam Falckenhagen
Lute Sonata in E-Flat Major, Op. 1, No. ...
78 bpm • B Maj • 02:13 • -26.55db
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 35% Positiveness
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
James Paisible
Sonata for Recorder and Continuo in D Mi...
78 bpm • G min • 01:36 • -30db
8% Popularity • 19% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 19% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
78 bpm • C min • 01:07 • -14db
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
William Lawes
Lawes: Consort Set No. 8 for 6 Viols in ...
78 bpm • F Maj • 02:30 • -24.32db
2% Popularity • 31% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
2% Popularity • 31% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: III. Ad...
78 bpm • A Maj • 01:12 • -16.83db
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
► Preview
Johann Sebastian Bach
Minuet in F Major, BWV Anh. 113
78 bpm • C# Maj • 01:46 • -40.18db
14% Popularity • 16% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
► Preview
Georg Muffat
Concerto Grosso No. 1 in D Minor, "Bona ...
78 bpm • E Maj • 01:21 • -19.65db
15% Popularity • 14% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Girolamo Frescobaldi
Canzoni, libro 1b: Toccata per spinettin...
78 bpm • G# min • 03:53 • -23db
9% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
William Lawes
Lawes: Consort Set No. 1 for 5 Viols in ...
78 bpm • G min • 01:29 • -21.92db
1% Popularity • 48% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
1% Popularity • 48% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
► Preview
Christopher Simpson
Prelude in D Major: The Division-Violist...
78 bpm • C# Maj • 01:15 • -23db
16% Popularity • 43% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 23% Positiveness
16% Popularity • 43% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 23% Positiveness
► Preview
Jean-Baptiste Lully
Trios pour le coucher du roi, LWV 35: Ch...
79 bpm • A# Maj • 03:35 • -19.81db
10% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
William Byrd
Byrd: Te lucis a 4 (Second Verse)
79 bpm • G min • 01:21 • -24.61db
13% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
► Preview
Johann Joachim Quantz
Fantasies and Preludes, Giedde I.45: Viv...
79 bpm • A Maj • 01:30 • -30db
12% Popularity • 53% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 93% Positiveness
12% Popularity • 53% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 93% Positiveness
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Giulio Caccini
L'Euridice, prologo: Aria di Romanesca
79 bpm • G min • 01:17 • -33db
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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William Lawes
Lawes: Consort Set No. 10 for 6 Viols in...
79 bpm • C min • 03:30 • -21.48db
1% Popularity • 23% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 23% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
79 bpm • C# Maj • 02:13 • -15.24db
10% Popularity • 23% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
10% Popularity • 23% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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The Sixteen
Cantata II: Ad genua (To the Knees): Son...
60 bpm • G Maj • 00:58 • -31.41db
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Edward Martin and Paul Berget
Duets for 2 Lutes in a minor and F Major...
60 bpm • G# min • 01:27 • -27db
18% Popularity • 59% Danceability • 4% Energy • 10% Liveness
67% Instrumentalness • 35% Positiveness
18% Popularity • 59% Danceability • 4% Energy • 10% Liveness
67% Instrumentalness • 35% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
79 bpm • F# min • 03:35 • -18.46db
14% Popularity • 16% Danceability • 14% Energy • 13% Liveness
50% Instrumentalness • 15% Positiveness
14% Popularity • 16% Danceability • 14% Energy • 13% Liveness
50% Instrumentalness • 15% Positiveness
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Franz Tunder
Dominus illuminatio mea: Sinfonia
79 bpm • A min • 00:57 • -26.73db
26% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
26% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Joseph Bodin de Boismortier
Sonata No.6 in D Major, Op. 50: I. Largo
79 bpm • G# Maj • 04:37 • -19.13db
10% Popularity • 16% Danceability • 14% Energy • 25% Liveness
33% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 25% Liveness
33% Instrumentalness • 8% Positiveness
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Monsieur de Sainte-Colombe
XLIV. Tombeau des regrets: Tombeau Les R...
79 bpm • F min • 08:56 • -24.84db
8% Popularity • 14% Danceability • 2% Energy • 35% Liveness
46% Instrumentalness • 7% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 35% Liveness
46% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Sonata in G Major for viola da gamba - A...
79 bpm • F# Maj • 01:41 • -25.32db
13% Popularity • 21% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
13% Popularity • 21% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Ennemond Gaultier
Suite in D Minor: III. L'adieu
79 bpm • C min • 02:48 • -26.69db
12% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Thomas Ford
Baggepipes
60 bpm • E Maj • 01:21 • -26.47db
8% Popularity • 23% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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William Lawes
Lawes: Consort Set No. 8 for 6 Viols in ...
80 bpm • F Maj • 04:57 • -25.86db
5% Popularity • 7% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 13% Positiveness
5% Popularity • 7% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 13% Positiveness
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Robert de Visée
Visée: Pièces de théorbe, Suite No. 2...
80 bpm • C# Maj • 02:48 • -29db
8% Popularity • 41% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
8% Popularity • 41% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: V. La...
80 bpm • F# Maj • 01:04 • -19.53db
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: X. Minu...
79 bpm • C# Maj • 01:15 • -35.05db
17% Popularity • 38% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 44% Positiveness
17% Popularity • 38% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 44% Positiveness
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Monsieur de Sainte-Colombe
Tombeau Les Regrets
80 bpm • F# Maj • 08:51 • -33.74db
8% Popularity • 9% Danceability • 1% Energy • 32% Liveness
87% Instrumentalness • 6% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 32% Liveness
87% Instrumentalness • 6% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye II
81 bpm • C# min • 01:16 • -24.02db
25% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
25% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
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William Lawes
Lawes: Consort Set No. 10 for 6 Viols in...
80 bpm • C min • 03:26 • -24.32db
1% Popularity • 8% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
1% Popularity • 8% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Suite in E Major, BWV 1006a: V. Bourrée
81 bpm • E Maj • 02:01 • -24.16db
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Sonata in F, TWV 41 F3: I. Andante
81 bpm • F Maj • 02:06 • -13.81db
9% Popularity • 38% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
9% Popularity • 38% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
