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The Sacred Dance
Songs like
The Sacred Dance
by
Huerco S.
Based on a tempo of (+/- 10%) and a similar genre
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Huerco S.
The Sacred Dance
97 bpm • C Maj • 06:07 • -18db
24% Popularity • 78% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 41% Positiveness
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Kelly Moran
Water Music
97 bpm • G# Maj • 06:29 • -13.75db
30% Popularity • 25% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Bitchin Bajas
Asian Carp
97 bpm • G# Maj • 05:25 • -18.97db
12% Popularity • 27% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Vladislav Delay
Untitled Track
97 bpm • F min • 01:39 • -30.98db
25% Popularity • 39% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Christina Vantzou
Wild Beast Research
96 bpm • E min • 01:39 • -23.96db
29% Popularity • 43% Danceability • 27% Energy • 10% Liveness
33% Instrumentalness • 23% Positiveness
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GAS
Königsforst 6
98 bpm • E Maj • 10:18 • -18.11db
19% Popularity • 12% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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Steve Hauschildt
Saccade
98 bpm • F# min • 04:09 • -15.19db
34% Popularity • 51% Danceability • 45% Energy • 11% Liveness
95% Instrumentalness • 80% Positiveness
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Pendant
AAE-KZT
96 bpm • D Maj • 07:25 • -23.56db
13% Popularity • 18% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Taylor Deupree
Bell
96 bpm • D Maj • 06:59 • -20.48db
19% Popularity • 20% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Fridge
Cut Up Piano & Xylophone - Remastered
96 bpm • F# min • 02:34 • -16.34db
35% Popularity • 35% Danceability • 39% Energy • 34% Liveness
91% Instrumentalness • 62% Positiveness
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Patricia Wolf
The Grotto
95 bpm • G Maj • 02:54 • -13.94db
35% Popularity • 24% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jonny Nash
Police Bribe
99 bpm • A# min • 06:31 • -28.66db
24% Popularity • 28% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Slow Attack Ensemble
Dance Four
99 bpm • D Maj • 05:29 • -12db
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Steve Hauschildt
Strands
95 bpm • F min • 05:17 • -17.72db
21% Popularity • 65% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 62% Positiveness
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Sofie Birch
Driving Towards the Deaths Mycelium
100 bpm • C Maj • 03:45 • -21.08db
14% Popularity • 30% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jan Jelinek
Lady Gaga, You Once Said In An Interview...
94 bpm • D min • 02:17 • -15.64db
18% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Gaussian Curve
Dancing Rain
100 bpm • D# min • 03:00 • -21db
34% Popularity • 70% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Dylan Henner
Today I Learned What Makes Bugs Sick and...
100 bpm • F min • 02:29 • -22.13db
43% Popularity • 59% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Emily A. Sprague
Horizon
100 bpm • F Maj • 06:24 • -12.48db
15% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Steve Hauschildt
Eyelids Gently Dreaming
94 bpm • G# min • 05:57 • -20.53db
27% Popularity • 11% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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MCMXCI
Untitled 3 - Huerco S. New Age Reduction
94 bpm • C# Maj • 05:30 • -15.97db
0% Popularity • 58% Danceability • 57% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
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Terekke
Closer
100 bpm • C Maj • 03:31 • -30db
26% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
24% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Vladislav Delay
Raamat
100 bpm • A min • 07:18 • -15.68db
16% Popularity • 43% Danceability • 56% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Shuttle358
marche
93 bpm • C# min • 05:21 • -17.55db
12% Popularity • 34% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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MLO
Birds & Flutes
93 bpm • E Maj • 05:21 • -11.72db
17% Popularity • 20% Danceability • 77% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
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Satoshi & Makoto
Closer
101 bpm • F# min • 04:20 • -27db
28% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Yamaneko
Oslo House Sunrise 4K
93 bpm • A min • 02:46 • -18db
30% Popularity • 37% Danceability • 32% Energy • 8% Liveness
99% Instrumentalness • 6% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
18% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Vladislav Delay
Musta Planeetta
93 bpm • C min • 05:10 • -24.83db
21% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Dylan Henner
I Watched Them Jump into the Creek
93 bpm • G# min • 05:48 • -22.69db
18% Popularity • 30% Danceability • 24% Energy • 16% Liveness
44% Instrumentalness • 5% Positiveness
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Wilson Tanner
Before Lotus
102 bpm • A min • 03:03 • -28db
29% Popularity • 54% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
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Palta
Optagelse 16A
92 bpm • C# Maj • 09:26 • -20.53db
8% Popularity • 57% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
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Two Lone Swordsmen
Constant Reminder
102 bpm • F# Maj • 01:30 • -17.54db
36% Popularity • 38% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Imaginary Softwoods
Albion
92 bpm • G Maj • 02:30 • -24.03db
36% Popularity • 17% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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LI YILEI
HUO / 惑
103 bpm • A min • 04:15 • -16db
20% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
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Picnic
Folds and Rips - Huerco S. Remix
103 bpm • A# Maj • 09:00 • -14.57db
6% Popularity • 71% Danceability • 60% Energy • 20% Liveness
87% Instrumentalness • 52% Positiveness
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Shuttle358
scrapbook
91 bpm • A# min • 07:49 • -16.66db
8% Popularity • 35% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Huerco S.
Anagramme of My Love
102 bpm • C# Maj • 03:33 • -20.08db
8% Popularity • 39% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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MEITEI
Kawanabe Kyōsai - Pt. 2
91 bpm • D min • 04:07 • -26.9db
26% Popularity • 34% Danceability • 14% Energy • 9% Liveness
74% Instrumentalness • 21% Positiveness
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Harold Budd
The Plateaux Of Mirror - Remastered 2004
91 bpm • G# min • 04:13 • -30.7db
43% Popularity • 23% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Biosphere
Mestigoth
103 bpm • A# min • 01:43 • -21.72db
33% Popularity • 29% Danceability • 28% Energy • 90% Liveness
73% Instrumentalness • 17% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
39% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Fennesz
The Future Will Be Different
91 bpm • A min • 01:14 • -11db
34% Popularity • 52% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 16% Positiveness
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Huerco S.
Hiromis Theme
91 bpm • A# min • 04:09 • -15.75db
8% Popularity • 47% Danceability • 50% Energy • 17% Liveness
87% Instrumentalness • 39% Positiveness
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Emeralds
The Cycle Of Abuse
90 bpm • F min • 04:57 • -15.24db
15% Popularity • 18% Danceability • 40% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
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Terekke
Jqm
104 bpm • F# min • 05:17 • -23.05db
18% Popularity • 72% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Steve Hauschildt
Edgewater Prelude
104 bpm • D Maj • 01:22 • -13.36db
37% Popularity • 52% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Jason Kolàr
Corners
90 bpm • B min • 02:53 • -19.34db
37% Popularity • 40% Danceability • 28% Energy • 8% Liveness
95% Instrumentalness • 28% Positiveness
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Jefre Cantu-Ledesma
Echoing Green
90 bpm • D Maj • 02:17 • -14.72db
27% Popularity • 38% Danceability • 34% Energy • 7% Liveness
85% Instrumentalness • 11% Positiveness
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Kara-Lis Coverdale
X 4Ewi
90 bpm • F min • 05:20 • -17.74db
9% Popularity • 13% Danceability • 45% Energy • 16% Liveness
96% Instrumentalness • 12% Positiveness
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Carmen Villain
Agua Azul
90 bpm • C Maj • 05:16 • -17.37db
23% Popularity • 55% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Anthony Naples
Casia
90 bpm • E min • 01:03 • -17.76db
41% Popularity • 17% Danceability • 12% Energy • 36% Liveness
98% Instrumentalness • 5% Positiveness
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GAS
Narkopop 4
90 bpm • E min • 04:09 • -24.59db
22% Popularity • 9% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 6% Positiveness
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Jeremiah Chiu
In Åland Air
90 bpm • A min • 03:14 • -22.99db
33% Popularity • 24% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 5% Positiveness
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Roméo Poirier
Du rocher
89 bpm • E min • 04:24 • -18.16db
11% Popularity • 22% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
16% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Sofie Birch
Myg
89 bpm • A min • 10:18 • -21.32db
14% Popularity • 10% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Tim Hecker
Trade Winds, White Heat
105 bpm • B Maj • 04:22 • -27.68db
41% Popularity • 15% Danceability • 2% Energy • 30% Liveness
98% Instrumentalness • 3% Positiveness
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M. Sage
Valley Candle
105 bpm • F Maj • 02:57 • -23db
29% Popularity • 23% Danceability • 10% Energy • 35% Liveness
96% Instrumentalness • 15% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
26% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Huerco S.
Plonk III
89 bpm • A min • 06:22 • -13.02db
14% Popularity • 42% Danceability • 69% Energy • 32% Liveness
88% Instrumentalness • 96% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Kumi Takahara
Sea - Roméo Poirier Rework
107 bpm • A# Maj • 03:22 • -22db
21% Popularity • 18% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Visible Cloaks
Terrazzo
88 bpm • D# min • 03:40 • -17.66db
28% Popularity • 15% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 11% Positiveness
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M. Sage
Harbor Dive
88 bpm • A# Maj • 02:24 • -15db
33% Popularity • 9% Danceability • 44% Energy • 26% Liveness
48% Instrumentalness • 41% Positiveness
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Steve Hauschildt
A Reflecting Pool
107 bpm • C# min • 03:10 • -19db
24% Popularity • 54% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 57% Positiveness
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Huerco S.
Rushing To Paradise
107 bpm • A# Maj • 09:27 • -13.16db
10% Popularity • 57% Danceability • 55% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
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Kara-Lis Coverdale
Grigori in Jakarta
88 bpm • F min • 03:47 • -18.73db
7% Popularity • 19% Danceability • 22% Energy • 20% Liveness
97% Instrumentalness • 12% Positiveness
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Fools
Rintocco
88 bpm • A min • 04:14 • -21db
25% Popularity • 25% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Visible Cloaks
Imprint (Bonus Track)
108 bpm • C# Maj • 06:13 • -21db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Roméo Poirier
Longe-côte
108 bpm • F Maj • 05:30 • -15.15db
12% Popularity • 32% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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PDP III
Walls of Kyoto
108 bpm • C# Maj • 06:50 • -12.81db
5% Popularity • 16% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Huerco S.
Plonk I
88 bpm • E min • 05:57 • -13.82db
12% Popularity • 48% Danceability • 22% Energy • 11% Liveness
42% Instrumentalness • 35% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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ASUNA
How A Spiral Works
108 bpm • G# min • 06:25 • -17db
17% Popularity • 21% Danceability • 45% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Fennesz
The Point of It All
87 bpm • G min • 05:01 • -16db
26% Popularity • 20% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Steve Hauschildt
A False Seeming
87 bpm • C# min • 03:19 • -17db
19% Popularity • 9% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Picnic
Dewey
109 bpm • C# min • 04:54 • -22.77db
12% Popularity • 29% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Huerco S.
Angel (Phase)
109 bpm • C# Maj • 06:34 • -15.1db
6% Popularity • 29% Danceability • 48% Energy • 24% Liveness
95% Instrumentalness • 30% Positiveness
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Dedekind Cut
Tahoe
86 bpm • E min • 04:59 • -27.59db
24% Popularity • 17% Danceability • 5% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Oval
Line Extension
109 bpm • C# min • 03:05 • -18.25db
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Vladislav Delay
Untitled Track
86 bpm • F# min • 01:38 • -30.18db
29% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Emeralds
Goes By
86 bpm • E Maj • 04:10 • -11.62db
27% Popularity • 9% Danceability • 58% Energy • 19% Liveness
94% Instrumentalness • 14% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
25% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Huerco S.
Prinzif
109 bpm • B min • 05:47 • -11.17db
7% Popularity • 44% Danceability • 54% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
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MEITEI
Myō
86 bpm • F min • 01:45 • -21db
40% Popularity • 38% Danceability • 22% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Deupree
rem
110 bpm • A# min • 03:36 • -27db
30% Popularity • 23% Danceability • 8% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Perko
Luna
110 bpm • A Maj • 01:36 • -27.86db
31% Popularity • 30% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
33% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Sofie Birch
Ubiquitous
110 bpm • D# min • 03:49 • -28.43db
25% Popularity • 37% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Huerco S.
Latautii
110 bpm • A min • 08:51 • -17db
5% Popularity • 29% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Slow Attack Ensemble
Pink Turns to Grey
85 bpm • D min • 07:15 • -15.6db
22% Popularity • 40% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Aix Em Klemm
The Luxury of Dirt
110 bpm • A# Maj • 06:25 • -28.63db
24% Popularity • 24% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Dylan Henner
Little Frogs Swam by Every Now and Then
110 bpm • A Maj • 04:49 • -19.03db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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The Sacred Dance