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The Seam
Songs like
The Seam
by
RVIVR
Based on a tempo of (+/- 10%) and a similar genre
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New Junk City
Stay Asleep
95 bpm • D Maj • 02:49 • -4.9db
33% Popularity • 46% Danceability • 96% Energy • 32% Liveness
9% Instrumentalness • 34% Positiveness
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The Copyrights
Crutches
95 bpm • B Maj • 02:17 • -5.75db
22% Popularity • 62% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Wollard & The Ship Thieves
Undertakers
95 bpm • C Maj • 03:02 • -5.53db
27% Popularity • 41% Danceability • 96% Energy • 35% Liveness
6% Instrumentalness • 54% Positiveness
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Break Anchor
First World Problems
95 bpm • E Maj • 02:29 • -2.94db
10% Popularity • 56% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Direct Hit!
Boredom Addict
95 bpm • C# Maj • 02:13 • -4.39db
14% Popularity • 47% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 33% Positiveness
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Latterman
This Project Is Stagnant (Get It Out Of ...
95 bpm • E Maj • 02:23 • -4.81db
13% Popularity • 27% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Smoke Or Fire
Fire Escapes
95 bpm • D Maj • 01:39 • -6.51db
16% Popularity • 45% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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RVIVR
The Seam
95 bpm • G Maj • 02:32 • -7.66db
19% Popularity • 20% Danceability • 94% Energy • 52% Liveness
61% Instrumentalness • 22% Positiveness
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Classics Of Love
What a Shame
95 bpm • C# min • 01:46 • -3.9db
12% Popularity • 34% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Lifetime
Somewhere In The Swamps of Jersey
95 bpm • G Maj • 01:43 • -5.82db
20% Popularity • 30% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Direct Hit!
Shifting the Blame
95 bpm • C# Maj • 02:47 • -5.22db
16% Popularity • 52% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Avail
Lombardy St.
95 bpm • D Maj • 02:28 • -5.33db
19% Popularity • 19% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 42% Positiveness
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toyGuitar
I'm in My Head
94 bpm • C Maj • 02:11 • -4.34db
10% Popularity • 48% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
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Banner Pilot
Red Line
96 bpm • B min • 03:11 • -2.73db
31% Popularity • 54% Danceability • 99% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
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None More Black
We Dance on the Ruins of the Stupid Stag...
96 bpm • A Maj • 03:32 • -6.95db
18% Popularity • 45% Danceability • 98% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
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Propagandhi
...And We Thought That Nation-States Wer...
96 bpm • A# min • 02:24 • -7.63db
40% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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RVIVR
Edge of Living
96 bpm • A Maj • 02:38 • -5.84db
24% Popularity • 33% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Hot Water Music
Free Radio Gainesville
96 bpm • F# Maj • 02:29 • -5.08db
27% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Smoke Or Fire
Filter
96 bpm • B min • 01:51 • -5.77db
18% Popularity • 50% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Latterman
He's A Good Sposato (I Love Ya Blue-Blue...
96 bpm • F Maj • 03:47 • -6.26db
11% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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None More Black
Ice Cream with the Enemy
96 bpm • G Maj • 02:58 • -3.37db
11% Popularity • 47% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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New Junk City
Half Life
96 bpm • E Maj • 03:29 • -4.81db
25% Popularity • 42% Danceability • 98% Energy • 38% Liveness
50% Instrumentalness • 39% Positiveness
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Direct Hit!
The World Is Ending (No One Cares)
96 bpm • C# Maj • 02:26 • -3.65db
22% Popularity • 43% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Drips
Old Sex
96 bpm • G Maj • 02:13 • -4.58db
7% Popularity • 50% Danceability • 97% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
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RVIVR
LMD
96 bpm • G Maj • 02:48 • -6.56db
26% Popularity • 42% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Lawrence Arms
100 Resolutions
94 bpm • B Maj • 03:31 • -5.47db
28% Popularity • 30% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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None More Black
Dinner's for Suckers
96 bpm • A Maj • 01:48 • -4db
30% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Banner Pilot
Intervention
96 bpm • C Maj • 03:43 • -3.33db
26% Popularity • 59% Danceability • 99% Energy • 50% Liveness
46% Instrumentalness • 21% Positiveness
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The Falcon
The Angry Cry of the Angry Pie
94 bpm • E min • 01:54 • -6.78db
20% Popularity • 33% Danceability • 93% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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The Ergs!
Hey Jealousy
93 bpm • F# min • 03:08 • -4.99db
28% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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RVIVR
Life Moves
96 bpm • C Maj • 03:18 • -9.12db
6% Popularity • 27% Danceability • 91% Energy • 18% Liveness
56% Instrumentalness • 46% Positiveness
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Latterman
Fear And Loathing On Long Island
97 bpm • E Maj • 02:24 • -4.17db
29% Popularity • 35% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 52% Positiveness
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None More Black
You Suck,! But Your Peanut Butter Is Ok
96 bpm • D Maj • 01:40 • -7.24db
23% Popularity • 56% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Tender Defender
F.E.F.E.
97 bpm • A Maj • 04:00 • -5.95db
13% Popularity • 32% Danceability • 98% Energy • 41% Liveness
3% Instrumentalness • 22% Positiveness
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Kid Dynamite
S.O.S.
93 bpm • F# min • 01:42 • -3.25db
22% Popularity • 28% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Lawrence Arms
Seventeener (17th and 37th)
93 bpm • E Maj • 02:45 • -7.95db
36% Popularity • 46% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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RVIVR
Rain Down
93 bpm • E Maj • 02:43 • -7.1db
31% Popularity • 22% Danceability • 96% Energy • 70% Liveness
57% Instrumentalness • 27% Positiveness
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The Dopamines
Dick Simmons
93 bpm • A Maj • 02:05 • -4.15db
11% Popularity • 50% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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The Riot Before
Threat Level Midnight
97 bpm • D Maj • 02:39 • -8.68db
13% Popularity • 57% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Dead To Me
Something New
97 bpm • C Maj • 02:41 • -6.28db
23% Popularity • 49% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Kid Dynamite
K05-0564
97 bpm • A Maj • 01:50 • -4.7db
21% Popularity • 42% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Hot Water Music
Caught Up
93 bpm • E Maj • 02:11 • -4.67db
10% Popularity • 36% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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RVIVR
Spider Song
97 bpm • G Maj • 02:40 • -7db
23% Popularity • 40% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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The Lillingtons
Until the Sun Shines
97 bpm • C Maj • 02:19 • -4.17db
26% Popularity • 51% Danceability • 92% Energy • 18% Liveness
23% Instrumentalness • 66% Positiveness
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Smoke Or Fire
1968
97 bpm • A min • 02:52 • -3.78db
18% Popularity • 55% Danceability • 96% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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The Lippies
As We Fall
93 bpm • G Maj • 02:23 • -4.8db
14% Popularity • 53% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dead To Me
I Wanna Die in Los Angeles
92 bpm • F min • 02:22 • -5db
34% Popularity • 42% Danceability • 97% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Get Bent
Sleeping Bag
98 bpm • E Maj • 02:05 • -5.11db
10% Popularity • 44% Danceability • 99% Energy • 53% Liveness
0% Instrumentalness • 53% Positiveness
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RVIVR
Rainspell
93 bpm • C Maj • 03:07 • -10.39db
1% Popularity • 22% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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New Junk City
Useless Friends
98 bpm • F Maj • 03:07 • -4.69db
26% Popularity • 44% Danceability • 100% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Direct Hit!
Monster in the Closet
92 bpm • C# Maj • 02:58 • -4.81db
17% Popularity • 43% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Latterman
Yo, Get Into It
98 bpm • D Maj • 03:45 • -3.92db
17% Popularity • 31% Danceability • 96% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Propagandhi
TodayÂ’s Empires, TomorrowÂ’s Ashes
92 bpm • E Maj • 02:37 • -4db
46% Popularity • 39% Danceability • 97% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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The Copyrights
No Knocks
92 bpm • B Maj • 01:33 • -4.51db
16% Popularity • 48% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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RVIVR
Change on Me
92 bpm • E Maj • 06:15 • -7.07db
15% Popularity • 33% Danceability • 96% Energy • 29% Liveness
7% Instrumentalness • 23% Positiveness
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Dillinger Four
Who Didn’t Kill Bambi?
98 bpm • F# Maj • 02:06 • -4db
26% Popularity • 36% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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The Lillingtons
All I Hear Is Static
98 bpm • G Maj • 02:06 • -3db
38% Popularity • 49% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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New Junk City
High in the Morning
98 bpm • D Maj • 03:04 • -4.29db
36% Popularity • 40% Danceability • 99% Energy • 40% Liveness
81% Instrumentalness • 20% Positiveness
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The Lippies
Fuck the Customer
91 bpm • D Maj • 01:47 • -3.98db
15% Popularity • 57% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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toyGuitar
When It Was Over
91 bpm • E Maj • 02:08 • -4.97db
10% Popularity • 44% Danceability • 86% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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RVIVR
Life & Death
98 bpm • A Maj • 02:13 • -6.29db
16% Popularity • 43% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Dillinger Four
O.K. F.M. D.O.A.
91 bpm • E Maj • 03:10 • -6db
23% Popularity • 34% Danceability • 95% Energy • 59% Liveness
0% Instrumentalness • 28% Positiveness
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Latterman
Mumbled Words And Ridiculous Faces
99 bpm • D Maj • 02:31 • -6db
11% Popularity • 31% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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None More Black
My Wallpaper Looks Likepaint
91 bpm • G Maj • 02:14 • -8db
15% Popularity • 52% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 46% Positiveness
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Lifetime
Young, Loud, And Scotty
99 bpm • G Maj • 01:59 • -7db
27% Popularity • 33% Danceability • 94% Energy • 19% Liveness
8% Instrumentalness • 61% Positiveness
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Kid Dynamite
Cheap Shot Youth Anthem
100 bpm • D Maj • 02:10 • -3db
23% Popularity • 43% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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RVIVR
20 Below
98 bpm • C# min • 04:37 • -5.34db
11% Popularity • 24% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 19% Positiveness
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Avail
August
91 bpm • D Maj • 02:32 • -6db
24% Popularity • 27% Danceability • 98% Energy • 49% Liveness
0% Instrumentalness • 33% Positiveness
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Latterman
We're Done For
100 bpm • E Maj • 03:14 • -5.51db
10% Popularity • 28% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
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The Holy Mess
Nervous Sister
91 bpm • G Maj • 02:44 • -4.53db
29% Popularity • 28% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Lifetime
25 Cent Giraffes
91 bpm • A Maj • 02:20 • -7db
24% Popularity • 23% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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None More Black
The Ratio of People to Cake
100 bpm • A Maj • 02:21 • -5db
16% Popularity • 54% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
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RVIVR
Rainspell
91 bpm • A min • 02:22 • -7.76db
17% Popularity • 45% Danceability • 83% Energy • 86% Liveness
0% Instrumentalness • 40% Positiveness
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The Copyrights
Shit's Fucked
100 bpm • G# min • 01:32 • -4.41db
13% Popularity • 57% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
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Latterman
Doom! Doom! Doom!
90 bpm • D Maj • 02:38 • -4db
21% Popularity • 31% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Holy Mess
A Soulful Punk Tune About a Working Clas...
100 bpm • G Maj • 03:16 • -6.4db
13% Popularity • 32% Danceability • 88% Energy • 10% Liveness
31% Instrumentalness • 56% Positiveness
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Lifetime
Cut The Tension
100 bpm • A Maj • 01:55 • -6db
22% Popularity • 36% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Dopamines
Molly
100 bpm • C# min • 02:10 • -3.78db
11% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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RVIVR
Bicker/Breathe
100 bpm • B Maj • 02:40 • -5.83db
9% Popularity • 24% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Banner Pilot
Central Standard
100 bpm • B Maj • 02:50 • -4db
25% Popularity • 43% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
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Latterman
If Batman Was Real, He Would Have Beaten...
100 bpm • E Maj • 02:41 • -5.3db
10% Popularity • 22% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Direct Hit!
Werewolf Shame
100 bpm • G# Maj • 03:14 • -4.3db
27% Popularity • 45% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Arms Aloft
Three Altars for Rats
100 bpm • A Maj • 02:31 • -4.99db
14% Popularity • 39% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Timeshares
From an Admirer Not Darryl
100 bpm • G Maj • 03:01 • -4.59db
18% Popularity • 50% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Elway
Hold On
100 bpm • G Maj • 02:00 • -6.96db
19% Popularity • 50% Danceability • 85% Energy • 26% Liveness
1% Instrumentalness • 79% Positiveness
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Kid Dynamite
Never Met The Gooch
100 bpm • D Maj • 02:00 • -4.27db
14% Popularity • 44% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Latterman
Zombies Are Pissed
100 bpm • D Maj • 02:39 • -4.43db
12% Popularity • 36% Danceability • 97% Energy • 90% Liveness
0% Instrumentalness • 54% Positiveness
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Dead To Me
Tune It Out
90 bpm • G min • 02:06 • -5db
28% Popularity • 49% Danceability • 95% Energy • 17% Liveness
10% Instrumentalness • 20% Positiveness
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Direct Hit!
Altered States
90 bpm • C# Maj • 03:04 • -5.25db
24% Popularity • 47% Danceability • 93% Energy • 24% Liveness
17% Instrumentalness • 53% Positiveness
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Brendan Kelly and the Wandering Birds
All I Hear is Static
90 bpm • C# Maj • 02:21 • -7.64db
11% Popularity • 58% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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The Lawrence Arms
The First Eviction Notice
90 bpm • E Maj • 02:39 • -5.86db
30% Popularity • 28% Danceability • 89% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
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None More Black
StillsSternLange&Norris
101 bpm • G Maj • 01:48 • -5.97db
15% Popularity • 42% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Latterman
This Basement Gives Me A Fucking Headach...
100 bpm • F Maj • 01:30 • -6db
15% Popularity • 33% Danceability • 96% Energy • 59% Liveness
0% Instrumentalness • 32% Positiveness
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Dead To Me
Don't Lie
100 bpm • C# min • 02:25 • -5.78db
34% Popularity • 40% Danceability • 97% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
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Propagandhi
Anchorless
90 bpm • D Maj • 01:39 • -8db
37% Popularity • 50% Danceability • 88% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
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Brendan Kelly and the Wandering Birds
Shitty Margarita
90 bpm • C# min • 03:17 • -5.33db
17% Popularity • 46% Danceability • 94% Energy • 13% Liveness
78% Instrumentalness • 87% Positiveness
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The Dirty Nil
Nicotine
101 bpm • F# Maj • 01:44 • -2.95db
15% Popularity • 30% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Direct Hit!
They Came for Me
101 bpm • C# Maj • 02:58 • -4.67db
13% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Latterman
An Ode To Jon Contra, Part 2
100 bpm • E Maj • 02:41 • -4.69db
15% Popularity • 40% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Dead To Me
Still Heartbeat
101 bpm • B min • 02:01 • -5.31db
23% Popularity • 44% Danceability • 99% Energy • 32% Liveness
64% Instrumentalness • 26% Positiveness
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The Seam