Songs like The Seventh Son by Willie Dixon
Based on a tempo of (+/- 10%) and a similar genre
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Luther "Guitar Junior" Johnson
Sweet Home Chicago
115 bpm • B min • 04:39 • -7db
10% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
10% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
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J. B. Hutto
Leave Your Love In Greater Hands
115 bpm • D Maj • 03:08 • -10.04db
28% Popularity • 79% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 55% Positiveness
28% Popularity • 79% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 55% Positiveness
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Memphis Slim
African Hunch With A Boogie Beat
115 bpm • G min • 03:37 • -16.76db
11% Popularity • 66% Danceability • 26% Energy • 69% Liveness
2% Instrumentalness • 78% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 69% Liveness
2% Instrumentalness • 78% Positiveness
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J.B. Lenoir
Feelin' Good
115 bpm • A Maj • 03:01 • -11.65db
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Slim Harpo
Mohair Sam - Single Version
115 bpm • A# min • 02:32 • -11.74db
40% Popularity • 84% Danceability • 49% Energy • 3% Liveness
2% Instrumentalness • 96% Positiveness
40% Popularity • 84% Danceability • 49% Energy • 3% Liveness
2% Instrumentalness • 96% Positiveness
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Byther Smith
Hello Mrs. Brown
115 bpm • F# min • 04:47 • -7.46db
12% Popularity • 83% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 83% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Luther "Guitar Junior" Johnson
Just Like Mama Said
115 bpm • F Maj • 03:04 • -12.08db
23% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Willie Dixon
The Seventh Son
115 bpm • A# Maj • 04:14 • -19db
26% Popularity • 64% Danceability • 34% Energy • 50% Liveness
11% Instrumentalness • 91% Positiveness
26% Popularity • 64% Danceability • 34% Energy • 50% Liveness
11% Instrumentalness • 91% Positiveness
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Jimmie Vaughan
Just Like Putty
114 bpm • C Maj • 04:07 • -8.05db
28% Popularity • 69% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 83% Positiveness
28% Popularity • 69% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 83% Positiveness
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Lazy Lester
You're Gonna Ruin Me Baby
116 bpm • A Maj • 03:36 • -6.35db
23% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Snooky Pryor
Shake Your Boogie
116 bpm • A Maj • 04:16 • -6.41db
17% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Big Walter Horton
Christine
115 bpm • C Maj • 04:03 • -15.49db
37% Popularity • 68% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 68% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Fenton Robinson
Checking On My Woman - Remastered
116 bpm • E Maj • 03:24 • -4.96db
42% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Willie Dixon
I Don't Trust Nobody
114 bpm • G Maj • 04:09 • -14.53db
9% Popularity • 67% Danceability • 40% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
9% Popularity • 67% Danceability • 40% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
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Jimmie Vaughan
Six Strings Down
114 bpm • F Maj • 04:23 • -12db
31% Popularity • 94% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
31% Popularity • 94% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Jimmy Rogers
Luedella
114 bpm • A Maj • 02:54 • -13db
28% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Lazy Lester
I'm A Lover Not A Fighter
114 bpm • B min • 02:45 • -9.04db
30% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Champion Jack Dupree
Evil Woman
114 bpm • C Maj • 04:21 • -17.69db
35% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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John Mayall
Mess Around
114 bpm • E Maj • 02:51 • -14db
31% Popularity • 72% Danceability • 46% Energy • 91% Liveness
43% Instrumentalness • 87% Positiveness
31% Popularity • 72% Danceability • 46% Energy • 91% Liveness
43% Instrumentalness • 87% Positiveness
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Snooky Pryor
Coal Black Mare
116 bpm • C# Maj • 03:27 • -10.53db
18% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Kenny Parker
Shake Hands With The Devil
114 bpm • D Maj • 06:49 • -15db
16% Popularity • 47% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 47% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Jimmie Vaughan
The Pleasure's All Mine
117 bpm • G min • 03:43 • -5.59db
39% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Lazy Lester
I'm a Lover Not a Fighter
117 bpm • E Maj • 03:09 • -6.56db
12% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Little Charlie & The Nightcats
Hurry Up And Wait
113 bpm • G Maj • 03:45 • -12.08db
28% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
28% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Fenton Robinson
I Hear Some Blues Downstairs
117 bpm • C# Maj • 04:14 • -11.32db
43% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
43% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
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Detroit Junior
I Got Money
117 bpm • F Maj • 02:41 • -15.71db
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmie Vaughan
Flamenco Dancer
113 bpm • C Maj • 04:18 • -10db
30% Popularity • 71% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 71% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Earl Hooker
You Don't Want Me
113 bpm • G Maj • 05:16 • -16.93db
41% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Sugar Blue
Pontiac Blues
117 bpm • C Maj • 03:24 • -7.93db
32% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
32% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
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Willie Dixon
Walking The Blues
117 bpm • F# Maj • 03:04 • -19.05db
30% Popularity • 82% Danceability • 22% Energy • 7% Liveness
50% Instrumentalness • 60% Positiveness
30% Popularity • 82% Danceability • 22% Energy • 7% Liveness
50% Instrumentalness • 60% Positiveness
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Slim Harpo
I'm A King Bee
113 bpm • A# min • 03:02 • -7db
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Detroit Junior
If I Hadn't Been High
113 bpm • G Maj • 04:06 • -17.31db
29% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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J. B. Hutto
Speak My Mind
113 bpm • D Maj • 02:17 • -10.29db
21% Popularity • 60% Danceability • 66% Energy • 27% Liveness
12% Instrumentalness • 85% Positiveness
21% Popularity • 60% Danceability • 66% Energy • 27% Liveness
12% Instrumentalness • 85% Positiveness
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Sonny Terry
Old Jabo
118 bpm • B min • 02:12 • -13.9db
9% Popularity • 70% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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William Clarke
Pawnshop Bound
118 bpm • C Maj • 04:23 • -9.28db
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Willie Dixon
Weak Brain, Narrow Mind
118 bpm • D# min • 04:25 • -26.13db
12% Popularity • 64% Danceability • 2% Energy • 8% Liveness
32% Instrumentalness • 20% Positiveness
12% Popularity • 64% Danceability • 2% Energy • 8% Liveness
32% Instrumentalness • 20% Positiveness
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Lonnie Brooks
Two Guitars Shuffle - Take 2
118 bpm • A Maj • 06:16 • -10db
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
33% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
36% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Byther Smith
I Tried
118 bpm • F min • 03:07 • -12.12db
38% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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William Clarke
Greasy Gravy
112 bpm • D Maj • 03:34 • -14db
28% Popularity • 72% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
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Fenton Robinson
Somebody Loan Me A Dime - Remastered
118 bpm • D# Maj • 02:56 • -3.44db
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Sonny Terry and Brownie McGhee
Walk On
112 bpm • F Maj • 02:52 • -15.01db
17% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Willie Dixon
Spoonful
118 bpm • F Maj • 04:55 • -17db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
61% Instrumentalness • 77% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
61% Instrumentalness • 77% Positiveness
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David "Honeyboy" Edwards
Further Up on the Road
112 bpm • A Maj • 04:20 • -15db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Lazy Lester
Tell Me Pretty Baby
118 bpm • A Maj • 02:40 • -6.44db
19% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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William Clarke
Cash Money
112 bpm • G Maj • 03:39 • -11.63db
28% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
28% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Big Walter Horton
That Ain't It
118 bpm • E Maj • 02:41 • -14.76db
44% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Shaw
My Baby's So Ugly
118 bpm • C Maj • 03:31 • -11.12db
22% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Son Seals
I Believe To My Soul
112 bpm • G Maj • 04:13 • -7.54db
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Sugar Blue
Another Man Done Gone
119 bpm • D min • 02:18 • -10db
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
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Bobby "Blue" Bland
Don't Want No Woman
112 bpm • F Maj • 02:37 • -11.34db
29% Popularity • 59% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
10% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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J.B. Lenoir
When I Am Drinking
111 bpm • F Maj • 02:39 • -12db
41% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
41% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Lonnie Brooks
Sweet Home Chicago
119 bpm • E Maj • 04:55 • -9db
29% Popularity • 63% Danceability • 47% Energy • 8% Liveness
27% Instrumentalness • 49% Positiveness
29% Popularity • 63% Danceability • 47% Energy • 8% Liveness
27% Instrumentalness • 49% Positiveness
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Byther Smith
This Little Voice
119 bpm • C# min • 03:20 • -7.17db
15% Popularity • 69% Danceability • 74% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
15% Popularity • 69% Danceability • 74% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
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Jimmie Vaughan
The Ironic Twist
111 bpm • C min • 05:11 • -6.18db
15% Popularity • 59% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 79% Positiveness
15% Popularity • 59% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 79% Positiveness
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Snooky Pryor
Bury You in a Paper Sack
119 bpm • F Maj • 04:35 • -11.64db
20% Popularity • 64% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
20% Popularity • 64% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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J.B. Lenoir
Good Looking Woman
119 bpm • F Maj • 02:06 • -11db
35% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Rogers
Left Me With A Broken Heart - Single Ver...
111 bpm • C min • 02:58 • -8db
28% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Copeland
Flyin' High (Yesterday)
120 bpm • A Maj • 03:14 • -12.65db
14% Popularity • 46% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 46% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Eddie "Cleanhead" Vinson
I'm the Midnight Creeper
120 bpm • F min • 03:29 • -12db
25% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
25% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
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Eddie Taylor
Blues In The Rain
111 bpm • E min • 03:41 • -14db
13% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Snooky Pryor
Stick Way out Behind
111 bpm • C Maj • 03:23 • -12.55db
15% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmie Vaughan
Midnight Hour
110 bpm • C# Maj • 03:18 • -6.74db
45% Popularity • 62% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
45% Popularity • 62% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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The Johnny Shines Blues Band
Dynaflow Blues
110 bpm • C Maj • 02:40 • -16.76db
24% Popularity • 61% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 96% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 96% Positiveness
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Buddy Guy
Messin' with the Kid
120 bpm • F Maj • 02:15 • -8.57db
36% Popularity • 72% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
36% Popularity • 72% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
28% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Earl Hooker
Blues In D Natural
120 bpm • G Maj • 02:15 • -9.64db
27% Popularity • 46% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 81% Positiveness
27% Popularity • 46% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 81% Positiveness
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Snooky Pryor
Crazy 'Bout My Baby
111 bpm • D Maj • 03:34 • -12db
27% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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Willie Dixon
I Ain't Superstitious
120 bpm • F Maj • 04:02 • -15.33db
22% Popularity • 76% Danceability • 50% Energy • 23% Liveness
7% Instrumentalness • 97% Positiveness
22% Popularity • 76% Danceability • 50% Energy • 23% Liveness
7% Instrumentalness • 97% Positiveness
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Champion Jack Dupree
Strollin'
110 bpm • F# Maj • 03:01 • -27db
27% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Johnny "Guitar" Watson
Highway 60
121 bpm • C Maj • 02:30 • -8db
23% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Vaughan
Motor Head Baby
121 bpm • C Maj • 03:59 • -6db
27% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Fenton Robinson
Texas Flood - Remastered
109 bpm • A Maj • 04:21 • -4.81db
38% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
34% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Willie Dixon
Bring It on Home
110 bpm • G Maj • 02:44 • -12.07db
6% Popularity • 81% Danceability • 76% Energy • 6% Liveness
9% Instrumentalness • 86% Positiveness
6% Popularity • 81% Danceability • 76% Energy • 6% Liveness
9% Instrumentalness • 86% Positiveness
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Champion Jack Dupree
Found My Baby Gone
121 bpm • F min • 04:12 • -8.5db
16% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Magic Sam
All Your Love
121 bpm • B Maj • 02:56 • -7.76db
32% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
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Muddy Waters
I'm Ready
121 bpm • A# min • 03:04 • -13.48db
38% Popularity • 74% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 74% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Fabulous Thunderbirds
Scratch My Back
121 bpm • E Maj • 03:52 • -7.18db
52% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
52% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
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T-Bone Walker
Papa Ain't Salty
109 bpm • C Maj • 02:47 • -12db
38% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Willie Dixon
Back Door Man
110 bpm • C Maj • 06:06 • -16.46db
32% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
32% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
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Champion Jack Dupree
Frankie & Johnny
109 bpm • A# Maj • 03:23 • -17db
19% Popularity • 64% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 64% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Taylor
Bad boy
109 bpm • D Maj • 04:19 • -5.26db
13% Popularity • 67% Danceability • 81% Energy • 15% Liveness
35% Instrumentalness • 84% Positiveness
13% Popularity • 67% Danceability • 81% Energy • 15% Liveness
35% Instrumentalness • 84% Positiveness
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Byther Smith
All For Business
109 bpm • C Maj • 03:19 • -8.12db
26% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
26% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
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The Fabulous Thunderbirds
She's Tuff
109 bpm • A Maj • 02:59 • -5.99db
27% Popularity • 68% Danceability • 57% Energy • 8% Liveness
21% Instrumentalness • 90% Positiveness
27% Popularity • 68% Danceability • 57% Energy • 8% Liveness
21% Instrumentalness • 90% Positiveness
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Slim Harpo
One of These Days
122 bpm • A# Maj • 02:49 • -4.7db
33% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Willie Dixon
Firey Love
109 bpm • B Maj • 02:41 • -9.13db
3% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lonnie Brooks
Voodoo Daddy
122 bpm • G Maj • 04:44 • -12db
23% Popularity • 56% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
23% Popularity • 56% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
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Billy Boy Arnold
Worried Life Blues
108 bpm • C Maj • 03:25 • -15.63db
27% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Fenton Robinson
Directly From My Heart To You - Remaster...
108 bpm • G Maj • 04:19 • -3.62db
37% Popularity • 51% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 51% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Earl Hooker
The Bright Sound
122 bpm • D min • 02:13 • -5.7db
19% Popularity • 61% Danceability • 67% Energy • 9% Liveness
74% Instrumentalness • 93% Positiveness
19% Popularity • 61% Danceability • 67% Energy • 9% Liveness
74% Instrumentalness • 93% Positiveness
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Cephas & Wiggins
Ain't Seen My Baby
108 bpm • A Maj • 03:22 • -6.91db
26% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Champion Jack Dupree
Stack-O-Lee
108 bpm • G# Maj • 03:56 • -17db
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
