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The Silence
Songs like
The Silence
by
LANKS
Based on a tempo of (+/- 10%) and a similar genre
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LANKS
Brothers of the Mountain
117 bpm • B min • 04:39 • -8.25db
11% Popularity • 73% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
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Genevieve Stokes
Running Away
117 bpm • C Maj • 03:06 • -10db
41% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Khushi
Like a City
118 bpm • D Maj • 03:48 • -17.44db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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George Ogilvie
A Delicate Kind
117 bpm • E Maj • 03:54 • -8.8db
24% Popularity • 57% Danceability • 52% Energy • 8% Liveness
4% Instrumentalness • 13% Positiveness
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Aquilo
Sober
118 bpm • G# Maj • 03:19 • -11.67db
36% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Emily Keener
Do You Love Me Lately?
116 bpm • G Maj • 03:56 • -15.54db
21% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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LANKS
The Silence
117 bpm • B min • 03:07 • -11.55db
13% Popularity • 39% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
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John The Blind
alien jewelry
118 bpm • D# Maj • 03:46 • -10.66db
22% Popularity • 45% Danceability • 54% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
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Milo Greene
Bringing Me Down
118 bpm • E min • 04:03 • -10.56db
23% Popularity • 62% Danceability • 62% Energy • 10% Liveness
39% Instrumentalness • 67% Positiveness
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Jadu Heart
Caroline
118 bpm • C Maj • 04:10 • -9db
36% Popularity • 61% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Art School Girlfriend
Anything You Want
116 bpm • G min • 04:30 • -16.65db
20% Popularity • 68% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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OSKA
Honeymoon Phase
116 bpm • F# min • 03:49 • -11.29db
25% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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LANKS
Floating
116 bpm • B min • 03:31 • -11.29db
40% Popularity • 59% Danceability • 68% Energy • 36% Liveness
8% Instrumentalness • 11% Positiveness
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Gordi
Look Like You
118 bpm • C# min • 03:54 • -14.66db
9% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Belle
To Be Alone
118 bpm • F Maj • 04:38 • -11.49db
28% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Juliana Daugherty
Sweetheart
118 bpm • G# Maj • 03:39 • -15.33db
22% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
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Alexander Biggs
I've Been Holding Onto You For Way Too L...
115 bpm • C# Maj • 03:36 • -13.8db
17% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
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Talos
dance against the calm
118 bpm • B Maj • 03:17 • -14.78db
21% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Adna
Darkness Born in Youth
115 bpm • G# Maj • 03:19 • -10.51db
14% Popularity • 58% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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#1 Dads
4bit
115 bpm • E Maj • 04:11 • -15.04db
25% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Nick Broadhurst
Breathe
115 bpm • B min • 04:17 • -11.14db
31% Popularity • 58% Danceability • 57% Energy • 9% Liveness
34% Instrumentalness • 9% Positiveness
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Diamond Thug
Purple Skies
115 bpm • D# Maj • 03:36 • -12.92db
9% Popularity • 57% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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LANKS
twentyseven
115 bpm • C Maj • 04:09 • -6.06db
12% Popularity • 67% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Aquilo
Better Off As Strangers
115 bpm • G# Maj • 03:45 • -7.89db
24% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Tora
How Long
115 bpm • A# min • 03:58 • -11.26db
24% Popularity • 75% Danceability • 42% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
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October Tooth
11111Thousand (One One)
115 bpm • F Maj • 03:07 • -10.23db
14% Popularity • 68% Danceability • 47% Energy • 9% Liveness
53% Instrumentalness • 53% Positiveness
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Peter Sandberg
Wasted On You
115 bpm • A# Maj • 03:33 • -17db
41% Popularity • 56% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Konradsen
Odd Mistake
115 bpm • D Maj • 04:53 • -12.9db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Meadowlark
My Light Has Gone
115 bpm • D Maj • 03:46 • -15.48db
10% Popularity • 42% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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LANKS
Everyone's Sleeping
115 bpm • C min • 02:52 • -9.4db
8% Popularity • 46% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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VARLEY
A Little Bit Funny
115 bpm • G# Maj • 03:53 • -17.28db
14% Popularity • 70% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 34% Positiveness
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flora cash
feeling so down - Slowed
120 bpm • F Maj • 03:51 • -7.7db
8% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Låpsley
Speaking of the End
120 bpm • G# min • 03:08 • -17db
42% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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BEXY
You Don't Lie
114 bpm • G# min • 03:41 • -17.93db
34% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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lindsay
Iris
120 bpm • E Maj • 03:08 • -19.24db
13% Popularity • 42% Danceability • 20% Energy • 11% Liveness
58% Instrumentalness • 21% Positiveness
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Keaton Henson
No Love Lost
120 bpm • B min • 04:24 • -13.87db
17% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Wezn
Mountain Side
120 bpm • F min • 03:45 • -8db
26% Popularity • 49% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Vlossom
Triplets
120 bpm • A# min • 02:39 • -9.11db
15% Popularity • 28% Danceability • 38% Energy • 13% Liveness
23% Instrumentalness • 17% Positiveness
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Aquilo
Costume Change
120 bpm • C Maj • 04:19 • -12.23db
17% Popularity • 54% Danceability • 41% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
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Nick Ward
I Wanna Be Myself or Nothing at All
120 bpm • C min • 03:30 • -10.05db
14% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Millie Turner
Swimming Pool - Stripped
120 bpm • A min • 03:33 • -10db
8% Popularity • 68% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Yehra
On & On
120 bpm • A min • 02:57 • -10.1db
30% Popularity • 90% Danceability • 40% Energy • 9% Liveness
40% Instrumentalness • 56% Positiveness
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Chioma
The Deep
120 bpm • C Maj • 03:52 • -9.02db
15% Popularity • 66% Danceability • 52% Energy • 12% Liveness
12% Instrumentalness • 10% Positiveness
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Deja Blu
Crystal Eternal
120 bpm • C Maj • 05:26 • -13.63db
22% Popularity • 51% Danceability • 48% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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flora cash
were you ever with me?
120 bpm • C Maj • 03:06 • -9.72db
17% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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LANKS
I Only Wanted You
120 bpm • F min • 04:11 • -9.01db
7% Popularity • 70% Danceability • 64% Energy • 26% Liveness
40% Instrumentalness • 44% Positiveness
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Odette
Onyx
120 bpm • A min • 04:17 • -6.85db
16% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Girl Next Door
Beaches on the Thames
120 bpm • F Maj • 03:50 • -10.95db
23% Popularity • 83% Danceability • 39% Energy • 17% Liveness
7% Instrumentalness • 40% Positiveness
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Angus & Julia Stone
Heavy Gets Light
120 bpm • F Maj • 03:34 • -10.28db
33% Popularity • 69% Danceability • 55% Energy • 10% Liveness
22% Instrumentalness • 68% Positiveness
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Nathan Ball
My Answer
120 bpm • G Maj • 04:32 • -10.48db
13% Popularity • 54% Danceability • 56% Energy • 7% Liveness
70% Instrumentalness • 10% Positiveness
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Brooke Annibale
Collided
120 bpm • C# min • 04:27 • -10.22db
18% Popularity • 52% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 15% Positiveness
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flora cash
The Bright Lights
120 bpm • F# Maj • 03:39 • -7db
24% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Kilter
Count On Me - JNTHN STEIN Remix
114 bpm • F min • 03:38 • -7.16db
0% Popularity • 73% Danceability • 55% Energy • 39% Liveness
1% Instrumentalness • 50% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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#1 Dads
Fold
120 bpm • D min • 03:13 • -10.16db
17% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jens Kuross
Everybody Wants to Rule the World
113 bpm • C Maj • 03:44 • -12.8db
21% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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VÉRITÉ
new skin
120 bpm • A min • 02:12 • -16db
37% Popularity • 29% Danceability • 13% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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Pieta Brown
Is / Was
121 bpm • D Maj • 02:36 • -8.72db
26% Popularity • 50% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Nectr
Someone
121 bpm • C Maj • 03:56 • -9.11db
26% Popularity • 60% Danceability • 66% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Alexander Biggs
All I Can Do Is Hate You
113 bpm • E Maj • 03:44 • -11.98db
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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CUT_
Secret
113 bpm • B min • 02:10 • -17.39db
15% Popularity • 65% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Maria Kelly
Torn Into Two
112 bpm • C min • 03:32 • -11.06db
17% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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VÉRITÉ
i'll take the blame
113 bpm • C# Maj • 03:18 • -13db
19% Popularity • 43% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Mating Ritual
Tell Me You Don't Love Me
122 bpm • C Maj • 04:21 • -4.32db
19% Popularity • 64% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jaguar Sun
Autumn Fire
122 bpm • D# min • 04:49 • -9.08db
26% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Rosie Carney
Party Dress
122 bpm • G# min • 03:14 • -12.06db
35% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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IDER
obsessed
112 bpm • A# min • 04:56 • -10.72db
16% Popularity • 75% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Vaarwell
consume
112 bpm • G min • 03:28 • -11.25db
10% Popularity • 82% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 19% Positiveness
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Logan Bowden
Pine
112 bpm • G# min • 02:26 • -19.03db
29% Popularity • 60% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 50% Positiveness
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EXES
How It Will End
112 bpm • A Maj • 03:08 • -12db
20% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Golden Vessel
Hesitate
123 bpm • D Maj • 04:11 • -10db
54% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Aisha Badru
Prisoners & Guards
123 bpm • F Maj • 04:50 • -16db
34% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Rosie Carney
break the ground
111 bpm • G Maj • 02:35 • -13.78db
13% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Federico Albanese
Too Lost To Be Found
123 bpm • A min • 03:15 • -17.6db
21% Popularity • 31% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Night Beds
Lover's Ledge (Who Have I But You)
124 bpm • E Maj • 05:37 • -12.6db
22% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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LANKS
Sirens
124 bpm • A# Maj • 03:44 • -9.48db
11% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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vōx
I Hid In Him
124 bpm • G Maj • 03:05 • -14db
30% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Novaa
Alien
124 bpm • A min • 05:20 • -11.66db
24% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Azure Ryder
Stronger
124 bpm • B Maj • 03:24 • -9.08db
26% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Georgi Krastev
Ancient Rome
110 bpm • F# Maj • 03:03 • -17db
26% Popularity • 26% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Milo Greene
Stay Honest
110 bpm • F# min • 03:15 • -12.5db
10% Popularity • 63% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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LANKS
All In
124 bpm • G# Maj • 03:20 • -8.71db
3% Popularity • 91% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Odette
Why Can’t I Let The Sun Set?
110 bpm • G min • 02:30 • -6.56db
20% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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George Ogilvie
Grave
110 bpm • C# min • 04:40 • -8db
34% Popularity • 25% Danceability • 40% Energy • 12% Liveness
8% Instrumentalness • 6% Positiveness
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Ted Jasper
Love 4 Nothing
125 bpm • F min • 02:57 • -13.88db
29% Popularity • 65% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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ford.
4:38am - Bedroom Reprise
125 bpm • A Maj • 02:58 • -12.17db
20% Popularity • 76% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jetta
He Usually Likes Boys
125 bpm • E min • 03:12 • -9.41db
9% Popularity • 69% Danceability • 49% Energy • 34% Liveness
3% Instrumentalness • 36% Positiveness
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LANKS
Man
125 bpm • A# min • 04:16 • -9db
20% Popularity • 58% Danceability • 67% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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Jodie Nicholson
Be Back Soon
125 bpm • A min • 03:20 • -19.73db
19% Popularity • 54% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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George Ogilvie
In Only a Day - Alternate
125 bpm • F Maj • 04:09 • -13.57db
27% Popularity • 44% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Luke De-Sciscio
I Gave You All My Love
109 bpm • C min • 04:00 • -13db
17% Popularity • 52% Danceability • 5% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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ford.
4:38am
125 bpm • A Maj • 03:46 • -11.29db
38% Popularity • 76% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Tia Gostelow
Strangers
109 bpm • F min • 03:02 • -7db
50% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Delacey
Drama Queen
126 bpm • D Maj • 04:52 • -9.75db
22% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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GRAACE
Half Awake
126 bpm • B min • 03:05 • -13.04db
8% Popularity • 48% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Art School Girlfriend
Softer Side
126 bpm • C Maj • 04:00 • -12.4db
25% Popularity • 54% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Aquilo
Missing the Mark
126 bpm • A# min • 02:32 • -11.35db
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
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Shallou
Lethologica
126 bpm • F Maj • 03:51 • -11.44db
27% Popularity • 56% Danceability • 49% Energy • 19% Liveness
25% Instrumentalness • 27% Positiveness
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The Silence