Songs like The Son, The Sun by Low
Based on a tempo of (+/- 10%) and a similar genre
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Jenny Hval
The Plague
65 bpm • F Maj • 05:57 • -9.69db
15% Popularity • 39% Danceability • 60% Energy • 28% Liveness
21% Instrumentalness • 10% Positiveness
15% Popularity • 39% Danceability • 60% Energy • 28% Liveness
21% Instrumentalness • 10% Positiveness
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Low
The Son, The Sun
65 bpm • F# min • 03:30 • -28.59db
19% Popularity • 13% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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The Dead Texan
Glen's Goo
65 bpm • C# min • 04:07 • -16db
28% Popularity • 28% Danceability • 18% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 18% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Mica Levi
County H
65 bpm • C Maj • 01:27 • -11.9db
9% Popularity • 40% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 40% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Autechre
r cazt
65 bpm • C Maj • 07:12 • -19.91db
14% Popularity • 7% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 7% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Mark Pritchard
Dawn Of The North
66 bpm • E Maj • 01:34 • -24.99db
8% Popularity • 24% Danceability • 54% Energy • 44% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 24% Danceability • 54% Energy • 44% Liveness
89% Instrumentalness • 3% Positiveness
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Sarah Davachi
Stations II
65 bpm • D# min • 05:47 • -24.64db
9% Popularity • 18% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 2% Positiveness
9% Popularity • 18% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 2% Positiveness
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Godspeed You! Black Emperor
Fam/Famine
66 bpm • C# Maj • 06:44 • -8.89db
29% Popularity • 8% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
29% Popularity • 8% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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!['I Will Be True...' (From Lips Of Lying Dying Wonder Body #1) / Reign Rebuilder [Head] cover art](https://i.scdn.co/image/ab67616d00001e02f0a851ead437a3718bac00ec)
Set Fire To Flames
'I Will Be True...' / Reign Rebuilder [...
64 bpm • C# Maj • 02:39 • -17.09db
20% Popularity • 16% Danceability • 36% Energy • 35% Liveness
14% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 36% Energy • 35% Liveness
14% Instrumentalness • 4% Positiveness
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Maria W Horn
Atropa
66 bpm • G min • 02:46 • -16.58db
11% Popularity • 18% Danceability • 7% Energy • 8% Liveness
24% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 8% Liveness
24% Instrumentalness • 3% Positiveness
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Dedekind Cut
☯
64 bpm • B min • 05:01 • -13.75db
7% Popularity • 24% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
7% Popularity • 24% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Vessel
Good Animal (For Hannah)
63 bpm • B min • 02:15 • -15.53db
14% Popularity • 15% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Low
Cody
66 bpm • D Maj • 04:06 • -12.92db
23% Popularity • 22% Danceability • 27% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
23% Popularity • 22% Danceability • 27% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
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Windy & Carl
Sirens
63 bpm • G# min • 07:06 • -13.8db
16% Popularity • 11% Danceability • 18% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 18% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Fennesz
I Just Want You to Stay 5
63 bpm • F Maj • 02:09 • -19.31db
12% Popularity • 6% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
12% Popularity • 6% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Astrid Sonne
One Inch Shrugs the Other Shoulder
67 bpm • F Maj • 02:29 • -9.52db
23% Popularity • 15% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Laurel Halo
Raw Silk Uncut Wood
63 bpm • D# min • 10:00 • -16.33db
31% Popularity • 6% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 6% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Dedekind Cut
De-Civilization
63 bpm • G Maj • 03:35 • -20.94db
14% Popularity • 6% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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William Basinski
Melancholia XIII
67 bpm • D Maj • 02:00 • -32db
30% Popularity • 22% Danceability • 13% Energy • 16% Liveness
77% Instrumentalness • 17% Positiveness
30% Popularity • 22% Danceability • 13% Energy • 16% Liveness
77% Instrumentalness • 17% Positiveness
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Sigur Rós
Kafari
63 bpm • C# Maj • 06:06 • -22.75db
11% Popularity • 12% Danceability • 24% Energy • 26% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 24% Energy • 26% Liveness
89% Instrumentalness • 3% Positiveness
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Bark Psychosis
Rose
63 bpm • G# min • 05:49 • -21.05db
21% Popularity • 14% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Astrid Sonne
Alta
67 bpm • D Maj • 05:41 • -12.52db
9% Popularity • 16% Danceability • 19% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 19% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
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Kali Malone
Sacrificial Code
68 bpm • F# min • 05:29 • -24.44db
29% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 98% Positiveness
29% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 98% Positiveness
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Anna von Hausswolff
Dolore di Orsini
62 bpm • A# min • 04:04 • -13.31db
27% Popularity • 15% Danceability • 26% Energy • 54% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 26% Energy • 54% Liveness
96% Instrumentalness • 3% Positiveness
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Sarah Davachi
Waking
68 bpm • D# min • 03:19 • -25.5db
19% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Low
Dancing and Fire
68 bpm • C Maj • 04:17 • -14db
22% Popularity • 46% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 46% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Lucrecia Dalt
Liminalidad
68 bpm • G Maj • 02:33 • -23.43db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Andy Stott
Missing
68 bpm • D# min • 04:55 • -17.18db
19% Popularity • 13% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Tim Hecker
This life
62 bpm • E Maj • 08:42 • -10.87db
20% Popularity • 6% Danceability • 43% Energy • 24% Liveness
52% Instrumentalness • 4% Positiveness
20% Popularity • 6% Danceability • 43% Energy • 24% Liveness
52% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Splash 144
69 bpm • F min • 03:31 • -13.47db
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Sigur Rós
Avalon
69 bpm • C# Maj • 04:02 • -27.38db
35% Popularity • 15% Danceability • 3% Energy • 12% Liveness
59% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 3% Energy • 12% Liveness
59% Instrumentalness • 7% Positiveness
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Kali Malone
Rose Wreath Crown (for CW)
69 bpm • F# min • 10:26 • -25.52db
22% Popularity • 16% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
22% Popularity • 16% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Low
Sea
69 bpm • A Maj • 01:48 • -12.23db
31% Popularity • 47% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 47% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Hrsta
Tomorrow Winter Comes
69 bpm • C Maj • 04:11 • -18.38db
14% Popularity • 17% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 2% Positiveness
14% Popularity • 17% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 2% Positiveness
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Tim Hecker
Chimeras
69 bpm • C# min • 03:13 • -15db
34% Popularity • 18% Danceability • 35% Energy • 61% Liveness
91% Instrumentalness • 10% Positiveness
34% Popularity • 18% Danceability • 35% Energy • 61% Liveness
91% Instrumentalness • 10% Positiveness
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Lucrecia Dalt
No era sólida
69 bpm • F# Maj • 09:52 • -20.97db
9% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Mica Levi
New Wren Kitch
61 bpm • F# min • 02:37 • -13.71db
8% Popularity • 42% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
8% Popularity • 42% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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William Basinski
Tear Vial
69 bpm • G min • 04:45 • -26.3db
22% Popularity • 27% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
22% Popularity • 27% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Caterina Barbieri
TCCTF
61 bpm • F Maj • 08:02 • -13.91db
18% Popularity • 5% Danceability • 0% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
18% Popularity • 5% Danceability • 0% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Fennesz
I Just Want You to Stay 4
70 bpm • A min • 04:00 • -23.64db
10% Popularity • 6% Danceability • 11% Energy • 53% Liveness
86% Instrumentalness • 6% Positiveness
10% Popularity • 6% Danceability • 11% Energy • 53% Liveness
86% Instrumentalness • 6% Positiveness
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Tim Hecker
A sodium codec haze
61 bpm • G# min • 05:46 • -11.9db
13% Popularity • 6% Danceability • 53% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
13% Popularity • 6% Danceability • 53% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Kali Malone
Sacer Profanare
70 bpm • F min • 08:48 • -31.5db
22% Popularity • 6% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Bowery Electric
Looped
70 bpm • D Maj • 02:39 • -31.27db
31% Popularity • 29% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
31% Popularity • 29% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Midwife
Vow
70 bpm • D# Maj • 03:58 • -29.64db
13% Popularity • 64% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 0% Positiveness
13% Popularity • 64% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 0% Positiveness
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Dedekind Cut
Equity
70 bpm • E Maj • 04:15 • -38.77db
21% Popularity • 6% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 6% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Thom Yorke
Belongings Thrown in a River
70 bpm • C Maj • 01:27 • -9.44db
29% Popularity • 18% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Tim Hecker
Rainbow Blood
70 bpm • G# Maj • 01:52 • -14.07db
33% Popularity • 15% Danceability • 73% Energy • 57% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 15% Danceability • 73% Energy • 57% Liveness
92% Instrumentalness • 7% Positiveness
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Noveller
Effektology
70 bpm • F Maj • 03:47 • -15.57db
13% Popularity • 10% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Davachi
Ruminant
71 bpm • D# Maj • 03:01 • -22.57db
18% Popularity • 18% Danceability • 0% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 0% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Bowery Electric
Under the Sun
71 bpm • A# Maj • 03:32 • -29.77db
30% Popularity • 32% Danceability • 11% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
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Brian Eno with Kevin Shields
The Weight Of History
60 bpm • C# Maj • 08:52 • -11.17db
10% Popularity • 14% Danceability • 55% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
10% Popularity • 14% Danceability • 55% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Thom Yorke
A Conversation With Just Your Eyes
71 bpm • C min • 05:16 • -12.98db
12% Popularity • 11% Danceability • 20% Energy • 45% Liveness
18% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 20% Energy • 45% Liveness
18% Instrumentalness • 4% Positiveness
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Tim Hecker
Keyed out
71 bpm • C Maj • 09:45 • -10.93db
15% Popularity • 17% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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LEYA
Mary
71 bpm • A min • 03:57 • -13.65db
11% Popularity • 20% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Belong
I Never Lose. Never Really
71 bpm • F# Maj • 04:43 • -8.09db
27% Popularity • 6% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 6% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Swans
Red Velvet Corridor
59 bpm • A Maj • 03:04 • -16db
31% Popularity • 13% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Andy Stott
Time Away
71 bpm • A min • 06:24 • -25db
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Thom Yorke
Pink Section
71 bpm • B min • 02:34 • -20.45db
30% Popularity • 19% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
30% Popularity • 19% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Noveller
Deep Shelter
59 bpm • A# min • 05:33 • -14.84db
12% Popularity • 6% Danceability • 30% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
12% Popularity • 6% Danceability • 30% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Sarah Davachi
At Hand
71 bpm • G min • 06:05 • -36.87db
8% Popularity • 18% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 16% Positiveness
8% Popularity • 18% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 16% Positiveness
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Forest Swords
Border Margin Barrier
59 bpm • E min • 03:08 • -16.61db
29% Popularity • 34% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Bibio
09:13
72 bpm • C# min • 07:03 • -26.22db
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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William Basinski
On Time Out of Time 1.4
72 bpm • C# Maj • 05:03 • -25.39db
9% Popularity • 14% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Thom Yorke
The Inevitable Pull
71 bpm • C Maj • 01:36 • -24.19db
25% Popularity • 21% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Anna von Hausswolff
Outside the Gate (for Bruna)
72 bpm • C# Maj • 05:23 • -19.38db
22% Popularity • 6% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Sarah Davachi
For Organ
72 bpm • F Maj • 08:17 • -23.7db
8% Popularity • 16% Danceability • 0% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 0% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
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Songs: Ohia
Ghost Tropic
72 bpm • A# min • 02:36 • -20.58db
19% Popularity • 13% Danceability • 19% Energy • 37% Liveness
38% Instrumentalness • 13% Positiveness
19% Popularity • 13% Danceability • 19% Energy • 37% Liveness
38% Instrumentalness • 13% Positiveness
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Godspeed You! Black Emperor
Undoing a Luciferian Towers
72 bpm • C# Maj • 07:47 • -7db
31% Popularity • 12% Danceability • 58% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 58% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Colin Stetson
Flight
72 bpm • G min • 01:38 • -16.17db
16% Popularity • 17% Danceability • 1% Energy • 45% Liveness
89% Instrumentalness • 16% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 45% Liveness
89% Instrumentalness • 16% Positiveness
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GAS
Pop 6
72 bpm • A# min • 09:18 • -16.44db
26% Popularity • 6% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 16% Positiveness
26% Popularity • 6% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 16% Positiveness
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Dedekind Cut
Conversations With Angels
73 bpm • F min • 08:33 • -22.64db
13% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
13% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Clark
Simple Homecoming Loop
73 bpm • C# Maj • 02:24 • -15.37db
21% Popularity • 11% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
21% Popularity • 11% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Lankum
Ode to Lullaby
58 bpm • C# min • 04:51 • -15.67db
28% Popularity • 6% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
28% Popularity • 6% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Sarah Davachi
Third Hour
73 bpm • C Maj • 07:37 • -18.41db
10% Popularity • 12% Danceability • 8% Energy • 7% Liveness
62% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 8% Energy • 7% Liveness
62% Instrumentalness • 3% Positiveness
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Tim Hecker
Black Phase
58 bpm • A min • 06:15 • -14.38db
13% Popularity • 8% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
13% Popularity • 8% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Brian Eno with Kevin Shields
Only Once Away My Son
58 bpm • C# Maj • 09:10 • -9.51db
15% Popularity • 10% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
15% Popularity • 10% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Low
Be There
58 bpm • C Maj • 04:42 • -22.74db
8% Popularity • 37% Danceability • 33% Energy • 7% Liveness
97% Instrumentalness • 6% Positiveness
8% Popularity • 37% Danceability • 33% Energy • 7% Liveness
97% Instrumentalness • 6% Positiveness
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Alessandro Cortini
Vincere
58 bpm • C# Maj • 07:27 • -13.15db
8% Popularity • 6% Danceability • 23% Energy • 49% Liveness
75% Instrumentalness • 10% Positiveness
8% Popularity • 6% Danceability • 23% Energy • 49% Liveness
75% Instrumentalness • 10% Positiveness
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PJ Harvey
Ascending
74 bpm • D# min • 02:24 • -22.81db
11% Popularity • 29% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
11% Popularity • 29% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Silver Mt. Zion
For Wanda
57 bpm • C# min • 06:38 • -13db
29% Popularity • 18% Danceability • 50% Energy • 39% Liveness
72% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 50% Energy • 39% Liveness
72% Instrumentalness • 3% Positiveness
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Tim Hecker
In Death Valley
74 bpm • D min • 05:36 • -8.56db
15% Popularity • 12% Danceability • 61% Energy • 32% Liveness
89% Instrumentalness • 18% Positiveness
15% Popularity • 12% Danceability • 61% Energy • 32% Liveness
89% Instrumentalness • 18% Positiveness
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Julia Holter
Finale
74 bpm • F Maj • 08:05 • -11.86db
10% Popularity • 13% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
10% Popularity • 13% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Pan-American
Skylight
74 bpm • D min • 05:40 • -16.04db
13% Popularity • 32% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
13% Popularity • 32% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Pan Daijing
Tilt
74 bpm • C# Maj • 03:12 • -22.1db
10% Popularity • 30% Danceability • 13% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Body/Head
Last Time
74 bpm • A Maj • 07:52 • -16.63db
8% Popularity • 15% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Godspeed You! Black Emperor
Bosses Hang, Pt. I
74 bpm • A# Maj • 04:39 • -11.25db
37% Popularity • 20% Danceability • 46% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 20% Danceability • 46% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Fennesz
I Just Want You to Stay 1
75 bpm • A min • 04:00 • -22db
19% Popularity • 16% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Mogwai
The Winter's Not Forever
75 bpm • E min • 03:47 • -16.09db
12% Popularity • 14% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Dungtitled (In a Major)
74 bpm • A Maj • 05:54 • -22.62db
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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...And You Will Know Us by the Trail of Dead
Invocation
75 bpm • C Maj • 01:31 • -16.17db
39% Popularity • 30% Danceability • 27% Energy • 18% Liveness
94% Instrumentalness • 12% Positiveness
39% Popularity • 30% Danceability • 27% Energy • 18% Liveness
94% Instrumentalness • 12% Positiveness
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Sigur Rós
64º02'44.1"N 16º10'48.5"W
75 bpm • F# min • 04:57 • -13.91db
18% Popularity • 10% Danceability • 22% Energy • 16% Liveness
62% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 22% Energy • 16% Liveness
62% Instrumentalness • 4% Positiveness
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Emma Ruth Rundle
Dialogue Preceding
75 bpm • D Maj • 02:32 • -19.86db
16% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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William Basinski
The Wheel of Fortune
75 bpm • A# min • 03:20 • -17.3db
23% Popularity • 16% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 37% Positiveness
23% Popularity • 16% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 37% Positiveness
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His Name Is Alive
F Choir
75 bpm • C# min • 02:06 • -14.77db
22% Popularity • 22% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
22% Popularity • 22% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Requiem for Dying Mothers, Pt. 2
75 bpm • A# Maj • 07:37 • -25.3db
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Carla dal Forno
Dry In The Rain
75 bpm • D min • 03:27 • -17.6db
14% Popularity • 41% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
14% Popularity • 41% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Midwife
Language
75 bpm • G Maj • 04:15 • -15.46db
13% Popularity • 29% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
13% Popularity • 29% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Emma Ruth Rundle
For Paul
75 bpm • F Maj • 04:28 • -22.6db
20% Popularity • 32% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
