Songs like The Squid Expedition by Don Davis
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Young
Ghost Rider
75 bpm • A min • 03:16 • -14.56db
20% Popularity • 10% Danceability • 35% Energy • 25% Liveness
92% Instrumentalness • 7% Positiveness
20% Popularity • 10% Danceability • 35% Energy • 25% Liveness
92% Instrumentalness • 7% Positiveness
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Steve Jablonsky
Deciphering the Signal
75 bpm • D Maj • 03:08 • -24.4db
33% Popularity • 61% Danceability • 23% Energy • 38% Liveness
85% Instrumentalness • 9% Positiveness
33% Popularity • 61% Danceability • 23% Energy • 38% Liveness
85% Instrumentalness • 9% Positiveness
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Brad Fiedel
Trust Me - Remastered 2017
75 bpm • D min • 01:39 • -11db
35% Popularity • 61% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
35% Popularity • 61% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Basil Poledouris
Elite Guard Attacks - Conan The Destroye...
75 bpm • B min • 02:24 • -12.96db
29% Popularity • 45% Danceability • 50% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
29% Popularity • 45% Danceability • 50% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Mark Snow
Father Joe (X-Files: I Want To Believe O...
75 bpm • A# Maj • 01:31 • -21.57db
13% Popularity • 15% Danceability • 22% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 22% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Don Davis
Trinity Dream
75 bpm • C min • 01:56 • -9.48db
21% Popularity • 20% Danceability • 78% Energy • 28% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 78% Energy • 28% Liveness
96% Instrumentalness • 4% Positiveness
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Joel McNeely
Reunion
75 bpm • C Maj • 02:20 • -18.3db
34% Popularity • 21% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
34% Popularity • 21% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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M.S.
Batman Begins: Main Theme
75 bpm • G min • 02:44 • -19db
30% Popularity • 35% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 35% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Marc Streitenfeld
Collision
75 bpm • C# min • 03:05 • -20.1db
24% Popularity • 18% Danceability • 27% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
24% Popularity • 18% Danceability • 27% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
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Basil Poledouris
Valeria Remembered - Conan The Destroyer...
75 bpm • F min • 03:06 • -15.52db
28% Popularity • 18% Danceability • 31% Energy • 38% Liveness
81% Instrumentalness • 8% Positiveness
28% Popularity • 18% Danceability • 31% Energy • 38% Liveness
81% Instrumentalness • 8% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
25% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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David Julyan
In The Beginning...
76 bpm • C# Maj • 01:02 • -17.97db
15% Popularity • 23% Danceability • 44% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
15% Popularity • 23% Danceability • 44% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
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Ramin Djawadi
Release The Kraken
76 bpm • F min • 06:03 • -12.68db
18% Popularity • 12% Danceability • 62% Energy • 38% Liveness
75% Instrumentalness • 11% Positiveness
18% Popularity • 12% Danceability • 62% Energy • 38% Liveness
75% Instrumentalness • 11% Positiveness
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Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
50% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
50% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Mark Snow
Grow Up Superboy
74 bpm • G Maj • 01:43 • -24.01db
14% Popularity • 22% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Don Davis
Woman Can Drive
74 bpm • D# Maj • 02:41 • -8.97db
17% Popularity • 26% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
17% Popularity • 26% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Possession
76 bpm • C# Maj • 03:18 • -18.98db
39% Popularity • 10% Danceability • 10% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 10% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Tyler Bates
A God King Bleeds
76 bpm • D min • 02:16 • -13.17db
25% Popularity • 11% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Carter Burwell
Hi Dad Soup
74 bpm • D Maj • 01:31 • -28.67db
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Don Davis
Saw Bitch Workhorse
74 bpm • F# Maj • 03:59 • -7.19db
14% Popularity • 28% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
14% Popularity • 28% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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David Julyan
The Glacier
73 bpm • C# min • 03:03 • -19db
11% Popularity • 15% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
The Towers Collapse
77 bpm • E Maj • 03:23 • -17.69db
10% Popularity • 19% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
39% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Kiner
Victory and Death
73 bpm • G min • 01:03 • -11.63db
39% Popularity • 19% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Don Davis
Bullet-Time
73 bpm • E min • 01:10 • -14db
29% Popularity • 26% Danceability • 58% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 58% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Christopher Drake
Gotham City, 1986
73 bpm • A Maj • 01:30 • -17.6db
31% Popularity • 14% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Battlegrounds
73 bpm • C min • 01:34 • -18.11db
9% Popularity • 36% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 33% Positiveness
9% Popularity • 36% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 33% Positiveness
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Dennis McCarthy
The Enterprise B / Kirk Saves The Day
73 bpm • A# Maj • 03:13 • -19.65db
19% Popularity • 33% Danceability • 28% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 33% Danceability • 28% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Chris Tilton
All Along The Bell Towers
78 bpm • G min • 03:30 • -21.06db
9% Popularity • 10% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Ramin Djawadi
Perseus
72 bpm • A min • 06:33 • -13.69db
26% Popularity • 13% Danceability • 34% Energy • 17% Liveness
83% Instrumentalness • 11% Positiveness
26% Popularity • 13% Danceability • 34% Energy • 17% Liveness
83% Instrumentalness • 11% Positiveness
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Don Davis
No More Spoons
77 bpm • A# min • 01:02 • -17.79db
8% Popularity • 15% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Carter Burwell
The Showdown
78 bpm • G Maj • 06:41 • -18db
14% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
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John Frizzell
On The Porch
78 bpm • C Maj • 02:31 • -37.88db
12% Popularity • 13% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
12% Popularity • 13% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Basil Poledouris
Crystal Palace - Conan The Destroyer/Sou...
72 bpm • D min • 06:11 • -15.67db
25% Popularity • 34% Danceability • 34% Energy • 18% Liveness
24% Instrumentalness • 5% Positiveness
25% Popularity • 34% Danceability • 34% Energy • 18% Liveness
24% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Atlantean Soldiers
72 bpm • C Maj • 03:35 • -15.94db
26% Popularity • 32% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Patrick Doyle
Caesar Says No
72 bpm • C Maj • 04:23 • -16.85db
14% Popularity • 12% Danceability • 43% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 43% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Don Davis
That’s Gotta Hurt
78 bpm • E min • 05:17 • -16.38db
11% Popularity • 17% Danceability • 37% Energy • 52% Liveness
68% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 37% Energy • 52% Liveness
68% Instrumentalness • 3% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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The Prestige
The Price Of A Good Trick
72 bpm • A min • 05:05 • -20.44db
15% Popularity • 11% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Dennis McCarthy
Star Trek: Deep Space Nine Theme - (Sing...
78 bpm • C Maj • 04:16 • -11.31db
16% Popularity • 20% Danceability • 46% Energy • 22% Liveness
83% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 46% Energy • 22% Liveness
83% Instrumentalness • 8% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
35% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
The Book of Peace
79 bpm • C# Maj • 01:39 • -23.14db
24% Popularity • 29% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 29% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 6% Positiveness
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Don Davis
Kidfried
72 bpm • A# min • 04:49 • -8.98db
14% Popularity • 10% Danceability • 49% Energy • 33% Liveness
92% Instrumentalness • 9% Positiveness
14% Popularity • 10% Danceability • 49% Energy • 33% Liveness
92% Instrumentalness • 9% Positiveness
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David Julyan
The Mountains
79 bpm • G Maj • 01:54 • -23.04db
16% Popularity • 22% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 22% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Matthew Margeson
Out of the Shadows
71 bpm • C min • 01:56 • -13.33db
8% Popularity • 6% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Patrick Doyle
Chasing the Storm
79 bpm • F min • 03:11 • -21.79db
19% Popularity • 11% Danceability • 7% Energy • 4% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 7% Energy • 4% Liveness
96% Instrumentalness • 4% Positiveness
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Basil Poledouris
Across The Board/End Credits
79 bpm • F min • 07:33 • -17db
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Don Davis
The Road to Sourceville
72 bpm • D min • 01:25 • -10.06db
20% Popularity • 19% Danceability • 40% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 40% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Clear All Moorings - Star Trek VI/Soundt...
71 bpm • D Maj • 01:39 • -23db
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
"...I'll Find My Own Way"
71 bpm • E min • 01:24 • -16.21db
31% Popularity • 17% Danceability • 38% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 38% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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David Julyan
Mountain Opening
79 bpm • C# min • 00:54 • -14.33db
23% Popularity • 17% Danceability • 25% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 25% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Kevin Kiner
Padmé
71 bpm • E Maj • 01:39 • -11.72db
36% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Don Davis
Boon Spoy
72 bpm • A min • 01:08 • -22.14db
7% Popularity • 20% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 3% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Brad Fiedel
Terminator Arrival / Reese Chased / Sara...
79 bpm • G min • 07:09 • -22db
28% Popularity • 30% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 30% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Éric Serra
Whispering Statues (Part I: Whispers/Par...
71 bpm • D# Maj • 03:25 • -19.96db
14% Popularity • 23% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Russia, 1942
79 bpm • C min • 02:16 • -13.64db
17% Popularity • 36% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
17% Popularity • 36% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
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Don Davis
On Your Knees, Switch
79 bpm • G Maj • 04:43 • -27.96db
5% Popularity • 7% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Creation
80 bpm • C Maj • 02:01 • -6db
13% Popularity • 29% Danceability • 61% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
13% Popularity • 29% Danceability • 61% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Ragnarok Suite
71 bpm • D min • 08:53 • -12db
34% Popularity • 12% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 12% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
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Tyler Bates
What Must a King Do?
80 bpm • G min • 01:04 • -22.24db
38% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
38% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Don Davis
Dodge This
71 bpm • E min • 01:08 • -10.71db
9% Popularity • 26% Danceability • 62% Energy • 27% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 62% Energy • 27% Liveness
91% Instrumentalness • 4% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Andrew Lockington
The Center Of The Earth
80 bpm • G Maj • 04:44 • -24.26db
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
I'll Go With You
80 bpm • A# min • 01:17 • -16db
33% Popularity • 23% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
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Patrick Doyle
The Beginning
80 bpm • E min • 02:48 • -17.84db
12% Popularity • 18% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Joe Kraemer
The Syndicate
80 bpm • B min • 03:44 • -27.19db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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David Julyan
The Descent, Pt. 2
80 bpm • C# min • 04:03 • -18db
14% Popularity • 13% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Juno Reactor
The Trainman Cometh
80 bpm • C# Maj • 02:43 • -10.09db
20% Popularity • 18% Danceability • 63% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 63% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Shirley Walker
The New Batman / Superman Adventures (Ma...
70 bpm • C# Maj • 01:04 • -13.98db
18% Popularity • 34% Danceability • 61% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
18% Popularity • 34% Danceability • 61% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Bruce Broughton
Reunited
80 bpm • F Maj • 04:23 • -21.32db
22% Popularity • 10% Danceability • 5% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
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Cliff Eidelman
The Battle For Peace - Star Trek VI/Soun...
80 bpm • G# Maj • 08:02 • -21.56db
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Matrix of Leadership
80 bpm • F min • 03:50 • -16.47db
34% Popularity • 9% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Randy Edelman
Formation Of The Terra Cotta Army
70 bpm • G Maj • 03:09 • -11.23db
10% Popularity • 49% Danceability • 42% Energy • 12% Liveness
71% Instrumentalness • 9% Positiveness
10% Popularity • 49% Danceability • 42% Energy • 12% Liveness
71% Instrumentalness • 9% Positiveness
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Shirley Walker
Batman: The Animated Series - Alternate ...
80 bpm • D min • 01:08 • -13.44db
25% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
25% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
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John Frizzell
The Discovery
81 bpm • G# Maj • 01:56 • -17.31db
17% Popularity • 12% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Ramin Djawadi
Dracula Untold
70 bpm • B min • 02:13 • -10.94db
22% Popularity • 21% Danceability • 74% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 74% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Cliff Eidelman
Star Trek VI Suite - Star Trek VI/Soundt...
70 bpm • C Maj • 06:17 • -17.24db
18% Popularity • 11% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Snow
Cantus Exico
81 bpm • C Maj • 04:42 • -22.68db
12% Popularity • 8% Danceability • 17% Energy • 60% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 17% Energy • 60% Liveness
92% Instrumentalness • 3% Positiveness
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Don Davis
Why, Mr. Anderson?
81 bpm • A# min • 06:10 • -10.05db
18% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Drake
Wonder Woman End Titles
81 bpm • D min • 03:03 • -11.07db
10% Popularity • 12% Danceability • 46% Energy • 33% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 46% Energy • 33% Liveness
98% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Dave Grusin
The Reunion And Fratellis On Beach
81 bpm • E Maj • 03:39 • -12.77db
12% Popularity • 25% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
12% Popularity • 25% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
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Brad Fiedel
Main Title - The Terminator
69 bpm • D# Maj • 02:40 • -19db
44% Popularity • 16% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
44% Popularity • 16% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Don Davis
Bait And Switch
81 bpm • C# min • 03:16 • -21.78db
9% Popularity • 25% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
