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The Squid Takes The Bait
Songs like
The Squid Takes The Bait
by
Don Davis
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Lennertz
Battle Of The Bulge
93 bpm • G min • 04:16 • -18.84db
14% Popularity • 31% Danceability • 21% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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Don Davis
Switches Brew
93 bpm • C min • 02:28 • -24.68db
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
39% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Graeme Revell
End Credit - Final Chronicle
92 bpm • C min • 04:02 • -12db
11% Popularity • 40% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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Harald Kloser
Antarctica
92 bpm • G# Maj • 02:19 • -14.76db
8% Popularity • 16% Danceability • 44% Energy • 15% Liveness
84% Instrumentalness • 20% Positiveness
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John Frizzell
Resolution
92 bpm • C min • 02:29 • -21db
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Patrick Doyle
Golden Gate Bridge
92 bpm • B Maj • 05:21 • -16.83db
10% Popularity • 21% Danceability • 50% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
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John Powell
Man Versus Man
92 bpm • B Maj • 05:45 • -15.56db
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Danny Cannon
Gotham Main Title - Extended Version
94 bpm • F Maj • 01:07 • -13db
25% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
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Christopher Drake
Arkham Origins End Titles
94 bpm • D Maj • 01:49 • -14db
26% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Ramin Djawadi
It's Almost Human Of You
92 bpm • F Maj • 03:15 • -18.1db
17% Popularity • 15% Danceability • 19% Energy • 15% Liveness
64% Instrumentalness • 4% Positiveness
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Joel McNeely
Night Skies
92 bpm • G min • 04:23 • -31.35db
14% Popularity • 10% Danceability • 2% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Christopher Young
Hellbound Heart
95 bpm • F min • 05:03 • -19.31db
19% Popularity • 12% Danceability • 11% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
40% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Tyler Bates
Black Tears
95 bpm • A min • 02:43 • -10.51db
43% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
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Patrick Doyle
Earth to Asgard
95 bpm • D min • 02:33 • -16.5db
36% Popularity • 44% Danceability • 59% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
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Ryan Amon
Fire Up The Shuttle
95 bpm • C Maj • 01:45 • -11db
33% Popularity • 42% Danceability • 89% Energy • 10% Liveness
76% Instrumentalness • 28% Positiveness
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Joel McNeely
The Southern Underground
91 bpm • A Maj • 01:53 • -26.78db
16% Popularity • 28% Danceability • 3% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Blake Neely
Oliver Queen Suite
95 bpm • C# Maj • 09:47 • -20.88db
26% Popularity • 43% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
35% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Johnny Klimek
I Can't Be Her
90 bpm • F min • 02:40 • -19.46db
20% Popularity • 15% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
28% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Will and the Robot
90 bpm • A# min • 07:28 • -17.55db
10% Popularity • 10% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Éric Serra
Run, Shoot, And Jump
89 bpm • F# Maj • 01:04 • -16.28db
29% Popularity • 50% Danceability • 52% Energy • 39% Liveness
92% Instrumentalness • 70% Positiveness
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Mark Mothersbaugh
Asgard Is a People
96 bpm • G# Maj • 04:20 • -14.58db
15% Popularity • 23% Danceability • 34% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Joseph Loduca
March Of The Dead
97 bpm • C min • 03:57 • -16.42db
19% Popularity • 53% Danceability • 44% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Pinar Toprak
Waking Up
97 bpm • A# Maj • 01:28 • -23.58db
33% Popularity • 24% Danceability • 13% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Joe Kraemer
Good Evening, Mr. Hunt
96 bpm • G min • 02:35 • -24.55db
24% Popularity • 28% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
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Ramin Djawadi
Scorpiox
97 bpm • A# min • 03:23 • -11.8db
21% Popularity • 60% Danceability • 70% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
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David Russo
Gordon's Theme
89 bpm • C Maj • 02:07 • -18.8db
17% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Cliff Eidelman
Sign Off - Star Trek VI/Soundtrack Versi...
89 bpm • C min • 03:12 • -20.6db
22% Popularity • 12% Danceability • 4% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Wander
Dogfight
97 bpm • D# Maj • 02:29 • -14.83db
18% Popularity • 38% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Christopher Young
Hellraiser
89 bpm • G# Maj • 01:42 • -18.71db
30% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Mychael Danna
Dad
98 bpm • C# min • 02:52 • -14db
28% Popularity • 19% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Ramin Djawadi
There Is A God In You
89 bpm • F Maj • 01:38 • -13.17db
30% Popularity • 44% Danceability • 52% Energy • 13% Liveness
78% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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John Debney
End Of Days Main Title - Main Title
98 bpm • G# Maj • 02:56 • -17.41db
13% Popularity • 13% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Joseph Loduca
Building The Deathcoaster
98 bpm • D min • 01:58 • -19db
17% Popularity • 28% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
38% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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ムービー・サウンズ・アンリミテッド
キング・コングのテーマ (映�...
98 bpm • G# Maj • 01:09 • -22.38db
13% Popularity • 13% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Christopher Drake
Injustice: Gods Among Us
88 bpm • C# Maj • 03:06 • -12.86db
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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John Debney
Ivan's Metamorphosis
98 bpm • C min • 05:47 • -17.5db
18% Popularity • 13% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Johnny Klimek
Escape
98 bpm • D Maj • 02:14 • -24.46db
12% Popularity • 14% Danceability • 13% Energy • 22% Liveness
97% Instrumentalness • 10% Positiveness
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Joe Kraemer
The Blenheim Sequence
88 bpm • C min • 04:00 • -23.1db
20% Popularity • 12% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Drake
The Night Before Christmas
88 bpm • C min • 02:07 • -15.72db
26% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
39% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Johnny Klimek
Meeting Trinity
88 bpm • C Maj • 01:49 • -33.62db
14% Popularity • 16% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Kirk's Death
87 bpm • C Maj • 02:45 • -33.83db
16% Popularity • 9% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Joe Kraemer
The Torus
99 bpm • A# min • 07:01 • -27db
16% Popularity • 45% Danceability • 11% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
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Éric Serra
The Goldeneye Overture (Part I: Half Of ...
99 bpm • A# min • 04:21 • -15.14db
28% Popularity • 42% Danceability • 53% Energy • 28% Liveness
88% Instrumentalness • 36% Positiveness
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Graeme Revell
Hunt For Riddick
99 bpm • G# Maj • 04:44 • -19.36db
11% Popularity • 19% Danceability • 27% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Johnny Klimek
Recruiting
99 bpm • C# Maj • 03:11 • -23.37db
12% Popularity • 24% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
37% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Juno Reactor
Burly Brawl
100 bpm • E min • 05:52 • -6db
35% Popularity • 27% Danceability • 93% Energy • 40% Liveness
89% Instrumentalness • 8% Positiveness
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Graeme Revell
One Speed
100 bpm • C min • 03:08 • -12db
19% Popularity • 22% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
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John Beal
Judge Dredd Trailer
100 bpm • D Maj • 00:57 • -10.69db
26% Popularity • 49% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 70% Positiveness
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Johnny Klimek
Two and the Same
100 bpm • C# Maj • 05:32 • -18.25db
16% Popularity • 43% Danceability • 31% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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Kevin Kiner
Anakin and Ahsoka
86 bpm • G# Maj • 01:17 • -7.68db
27% Popularity • 9% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Don Davis
Surprise
86 bpm • C# Maj • 04:06 • -14.7db
7% Popularity • 16% Danceability • 60% Energy • 7% Liveness
71% Instrumentalness • 4% Positiveness
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Basil Poledouris
Murphy Goes Home
86 bpm • F# Maj • 04:16 • -21.43db
17% Popularity • 13% Danceability • 17% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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John Debney
New Element / Particle Accelerator
86 bpm • C Maj • 06:14 • -20.5db
17% Popularity • 19% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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David Julyan
Will's Confession
101 bpm • B min • 02:33 • -24.03db
15% Popularity • 14% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Christopher Young
Hellbound / Second Sight Seance
86 bpm • A Maj • 07:28 • -12.09db
19% Popularity • 9% Danceability • 39% Energy • 37% Liveness
2% Instrumentalness • 4% Positiveness
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Graeme Revell
Resurrection
85 bpm • F Maj • 02:10 • -20.6db
19% Popularity • 15% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Don Davis
Freeze Face
86 bpm • A# min • 01:52 • -22.84db
7% Popularity • 18% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Basil Poledouris
Murphy's Dream
101 bpm • F Maj • 03:09 • -16.7db
19% Popularity • 17% Danceability • 20% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
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Tyler Bates
Glory
85 bpm • G Maj • 01:43 • -13.17db
29% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
28% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Carter Burwell
Junction
85 bpm • G Maj • 00:45 • -14.67db
23% Popularity • 22% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
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Brad Fiedel
Factory Chase
101 bpm • D Maj • 03:57 • -14.06db
19% Popularity • 26% Danceability • 68% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Christopher Drake
The Dark Knight Triumphant / End Titles
101 bpm • A Maj • 05:09 • -14.41db
32% Popularity • 24% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Frenzy
85 bpm • A min • 01:56 • -21.16db
32% Popularity • 61% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
33% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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David Julyan
What Could Go Wrong
85 bpm • G# Maj • 01:23 • -40.52db
9% Popularity • 19% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Don Davis
Unable To Speak
85 bpm • G# Maj • 01:15 • -16.45db
19% Popularity • 18% Danceability • 69% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Basil Poledouris
Dueling Wizards - Conan The Destroyer/So...
85 bpm • D Maj • 01:25 • -17db
29% Popularity • 30% Danceability • 21% Energy • 26% Liveness
70% Instrumentalness • 17% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
36% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Christopher Drake
Requiem
84 bpm • D min • 01:08 • -27.39db
28% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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John Powell
Waterloo
103 bpm • C Maj • 10:38 • -13.17db
23% Popularity • 45% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
► Preview
Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Basil Poledouris
Force Shoots Robo
84 bpm • A min • 02:47 • -17.42db
17% Popularity • 16% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Joel McNeely
Main Theme From Star Wars And Leia's Nig...
84 bpm • A# Maj • 03:47 • -16db
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Christopher Drake
Slice & Dice / Never Again
84 bpm • F min • 03:00 • -17.05db
21% Popularity • 31% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Don Davis
The Cure
83 bpm • A# Maj • 01:35 • -20.44db
6% Popularity • 12% Danceability • 14% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Patrick Doyle
Foreign Visitors Arrive
83 bpm • G Maj • 01:29 • -12.91db
43% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Squid Takes The Bait