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The Steps
Songs like
The Steps
by
HAIM
Based on a tempo of (+/- 10%) and a similar genre
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Bombay Bicycle Club
Eat, Sleep, Wake (Nothing But You)
117 bpm • C# min • 03:39 • -7.89db
59% Popularity • 60% Danceability • 81% Energy • 31% Liveness
26% Instrumentalness • 29% Positiveness
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Caroline Polachek
Hit Me Where It Hurts
117 bpm • E Maj • 03:04 • -6.94db
54% Popularity • 73% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
51% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Sigrid
Mirror
117 bpm • G min • 02:36 • -5.41db
50% Popularity • 74% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Sky Ferreira
Everything Is Embarrassing
117 bpm • C Maj • 04:10 • -5.89db
51% Popularity • 67% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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La Roux
Sexotheque
117 bpm • G Maj • 04:18 • -7.39db
52% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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HAIM
The Steps
117 bpm • D Maj • 04:07 • -4.97db
48% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
81% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Charli XCX
Warm
118 bpm • D Maj • 03:45 • -8.21db
41% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Perfume Genius
On the Floor
118 bpm • A Maj • 05:03 • -6db
45% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Kacey Musgraves
breadwinner
118 bpm • G# min • 03:20 • -8.59db
59% Popularity • 87% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bleachers
Wake Me
118 bpm • C# min • 02:43 • -10.67db
58% Popularity • 82% Danceability • 37% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
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Chappell Roan
Naked In Manhattan
118 bpm • C# Maj • 03:31 • -5.09db
70% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Florence + The Machine
Hunger
116 bpm • D min • 03:34 • -5.62db
64% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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CMAT
I Don't Really Care for You
118 bpm • G min • 04:04 • -4.18db
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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HAIM
Forever
118 bpm • C Maj • 04:05 • -4.6db
44% Popularity • 77% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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FLETCHER
Cherry
118 bpm • D Maj • 02:32 • -4.64db
56% Popularity • 81% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Mallrat
Groceries
116 bpm • C Maj • 03:37 • -8.59db
51% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Angel Olsen
Shut Up Kiss Me
116 bpm • G Maj • 03:22 • -5db
54% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Litany
Uh-huh
115 bpm • C Maj • 02:38 • -6db
26% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Janelle Monáe
Make Me Feel
115 bpm • C# Maj • 03:14 • -7.4db
62% Popularity • 86% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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King Princess
Only Time Makes It Human
115 bpm • D Maj • 03:24 • -4.82db
39% Popularity • 73% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Middle Kids
R U 4 Me?
115 bpm • C Maj • 02:49 • -4.82db
39% Popularity • 58% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Mallrat
Charlie
115 bpm • G Maj • 03:10 • -6.8db
48% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Beyoncé
BODYGUARD
119 bpm • E min • 04:00 • -5.43db
86% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Paramore
Rose-Colored Boy
115 bpm • F Maj • 03:32 • -4.9db
65% Popularity • 77% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Rachel Chinouriri
All I Ever Asked
115 bpm • F Maj • 03:35 • -7.53db
59% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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St. Vincent
Masseduction
115 bpm • D Maj • 03:17 • -7.92db
46% Popularity • 70% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Florence + The Machine
What Kind Of Man
115 bpm • B min • 03:36 • -4.68db
57% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Fiona Apple
Under The Table
120 bpm • C Maj • 03:21 • -8.14db
55% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Samia
The Promise
115 bpm • C Maj • 03:45 • -7.72db
39% Popularity • 70% Danceability • 85% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
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HAIM
FUBT
120 bpm • D Maj • 03:13 • -6.34db
39% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
58% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Foxes
Body Talk
120 bpm • D# Maj • 03:29 • -3.64db
44% Popularity • 59% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Blood Orange
You're Not Good Enough
120 bpm • C Maj • 04:21 • -6.55db
58% Popularity • 74% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Ashe
Another Man's Jeans
120 bpm • C# Maj • 02:45 • -5.39db
55% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Paramore
Hard Times
120 bpm • F min • 03:02 • -5.38db
74% Popularity • 70% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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The Regrettes
Barely on My Mind
120 bpm • D min • 03:17 • -3db
54% Popularity • 75% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Samia
Honey
120 bpm • B Maj • 03:23 • -6.43db
50% Popularity • 81% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Hayley Williams
Over Yet
120 bpm • C Maj • 03:34 • -5.71db
41% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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HAIM
Days Are Gone
120 bpm • A min • 03:33 • -4.75db
37% Popularity • 74% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Litany
Starsign
120 bpm • F Maj • 03:28 • -9db
33% Popularity • 79% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Reneé Rapp
Colorado
120 bpm • F Maj • 02:52 • -7.52db
65% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Christine and the Queens
La vita nuova
120 bpm • D Maj • 04:28 • -9db
47% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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CMAT
No More Virgos
120 bpm • C# min • 04:03 • -6db
41% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Calvin Harris
Pray to God
120 bpm • G min • 03:52 • -2.75db
63% Popularity • 61% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Phoebe Bridgers
Chinese Satellite
120 bpm • A# Maj • 03:37 • -9.93db
60% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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BØRNS
Electric Love
120 bpm • F# min • 03:38 • -7.63db
80% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Baby Queen
American Dream
120 bpm • A Maj • 04:19 • -6.54db
37% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ethel Cain
American Teenager
120 bpm • E Maj • 04:18 • -5.01db
69% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Japanese Breakfast
Paprika
120 bpm • E Maj • 03:40 • -5.5db
52% Popularity • 51% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Kacey Musgraves
High Horse
120 bpm • B min • 03:33 • -5.25db
64% Popularity • 72% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Charli XCX
Gone
114 bpm • F# Maj • 04:06 • -7.58db
50% Popularity • 91% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Baby Queen
Raw Thoughts
114 bpm • C# Maj • 03:25 • -4.79db
39% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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St. Vincent
Fast Slow Disco
114 bpm • A# min • 03:17 • -7.51db
50% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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HAIM
The Wire
114 bpm • D Maj • 04:05 • -5.57db
59% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Matilda Mann
Four Leaf Dream
120 bpm • C# Maj • 02:21 • -5.77db
43% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Trousdale
Love
113 bpm • A Maj • 03:32 • -6.02db
34% Popularity • 60% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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King Princess
Hit the Back
113 bpm • G Maj • 03:23 • -5.38db
46% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Reneé Rapp
Too Well
121 bpm • A# Maj • 02:36 • -4.64db
74% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
48% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Kacey Musgraves
there is a light
121 bpm • D min • 03:51 • -7.19db
44% Popularity • 65% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Foxes
Love Not Loving You
121 bpm • A# Maj • 03:34 • -2.99db
33% Popularity • 64% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Charli XCX
Cross You Out
121 bpm • E min • 03:28 • -5.21db
45% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Maggie Rogers
Love You For A Long Time
113 bpm • A Maj • 03:43 • -6.14db
67% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Your Smith
Debbie
113 bpm • B min • 03:11 • -7.26db
48% Popularity • 84% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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HAIM
Want You Back
113 bpm • C Maj • 03:52 • -3.93db
49% Popularity • 64% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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GROUPLOVE
Tongue Tied
113 bpm • D# Maj • 03:38 • -5.84db
81% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Wolf Alice
Delicious Things
121 bpm • D Maj • 05:04 • -5.61db
28% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
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Reneé Rapp
Talk Too Much
113 bpm • B min • 03:16 • -6.91db
68% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Harry Styles
Carolina
122 bpm • E min • 03:09 • -4.02db
66% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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HAIM
Little Of Your Love
113 bpm • A Maj • 03:33 • -3.27db
44% Popularity • 61% Danceability • 86% Energy • 65% Liveness
0% Instrumentalness • 68% Positiveness
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Kacey Musgraves
Love Is A Wild Thing
122 bpm • A# Maj • 04:16 • -7.52db
55% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Miya Folick
Stop Talking
122 bpm • C Maj • 02:45 • -2db
33% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Claud
Gold
122 bpm • C Maj • 03:19 • -8db
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Taylor Swift
gold rush
112 bpm • A Maj • 03:05 • -10.49db
71% Popularity • 51% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 35% Positiveness
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Harry Styles
Treat People With Kindness
122 bpm • F Maj • 03:17 • -3.73db
66% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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HAIM
Home
122 bpm • C# min • 03:46 • -13.04db
41% Popularity • 76% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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The Aces
New Emotion
112 bpm • G Maj • 03:01 • -7.24db
36% Popularity • 97% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Griff
One Foot in Front of the Other
112 bpm • F# Maj • 03:12 • -4.91db
49% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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La Roux
Automatic Driver
112 bpm • F Maj • 05:05 • -6.59db
40% Popularity • 94% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Kacey Musgraves
Lonely Weekend
112 bpm • D# Maj • 03:46 • -5.93db
57% Popularity • 70% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Phoebe Bridgers
I Know The End
112 bpm • C# Maj • 05:44 • -10.27db
73% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
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HAIM
Falling
112 bpm • D Maj • 04:17 • -5.68db
48% Popularity • 74% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Caroline Polachek
So Hot You're Hurting My Feelings
112 bpm • F# Maj • 03:03 • -4.97db
66% Popularity • 80% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin
123 bpm • F# Maj • 03:41 • -7db
53% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Daisy Jones & The Six
Regret Me
123 bpm • G Maj • 03:16 • -3.6db
57% Popularity • 49% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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The Aces
Fake Nice
123 bpm • D Maj • 03:23 • -4db
37% Popularity • 73% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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MisterWives
Reflections
111 bpm • D Maj • 03:06 • -5.46db
60% Popularity • 68% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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HAIM
Send Me Down
123 bpm • C Maj • 04:19 • -7db
27% Popularity • 62% Danceability • 93% Energy • 9% Liveness
9% Instrumentalness • 68% Positiveness
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Sharon Van Etten
Like I Used To
111 bpm • E Maj • 04:23 • -5.16db
49% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
59% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Orla Gartland
Flatline
124 bpm • D Maj • 03:21 • -5.67db
34% Popularity • 76% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Lily & Madeleine
Can't Help the Way I Feel
124 bpm • C Maj • 03:13 • -4.18db
11% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Caroline Polachek
Door
124 bpm • D# Maj • 05:22 • -8.31db
50% Popularity • 68% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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The Steps