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The Struggle
Songs like
The Struggle
by
The Dead Texan
Based on a tempo of (+/- 10%) and a similar genre
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Stars Of The Lid
Apreludes (In C Sharp Major)
138 bpm • C# Maj • 03:44 • -20.91db
32% Popularity • 14% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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The Dead Texan
The Struggle
138 bpm • D Maj • 05:28 • -23db
32% Popularity • 35% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
door to the cosmos
139 bpm • F Maj • 06:14 • -28.89db
40% Popularity • 15% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Ian William Craig
On The Reach Of Explanations
137 bpm • F Maj • 06:02 • -14.29db
12% Popularity • 17% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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William Basinski
Disintegration Loops (1.1 Excerpt I)
138 bpm • F Maj • 02:02 • -24.25db
32% Popularity • 16% Danceability • 15% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Susumu Yokota
Tobiume
139 bpm • F# Maj • 04:38 • -17.03db
42% Popularity • 24% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Celer
Elapsed Paradise
137 bpm • A min • 07:59 • -35.74db
29% Popularity • 15% Danceability • 1% Energy • 34% Liveness
97% Instrumentalness • 3% Positiveness
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Chuck Johnson
Calamus
137 bpm • D Maj • 05:10 • -19db
26% Popularity • 15% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Deru
1979
139 bpm • F Maj • 04:51 • -17db
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Sarah Davachi
Ghosts and All
137 bpm • A# Maj • 08:32 • -11.38db
24% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Ex Confusion
When I Think of You
136 bpm • B Maj • 05:24 • -27.16db
34% Popularity • 15% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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William Basinski
Mono No Aware 1.3
140 bpm • F# Maj • 06:48 • -28db
32% Popularity • 15% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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The Dead Texan
Taco DE Macque
136 bpm • F# min • 02:37 • -26.75db
27% Popularity • 15% Danceability • 5% Energy • 35% Liveness
81% Instrumentalness • 14% Positiveness
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Christina Vantzou
Little Darlin Seize the Sun
140 bpm • A# Maj • 02:02 • -21db
32% Popularity • 26% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Bing & Ruth
Warble
136 bpm • C min • 05:44 • -20.62db
19% Popularity • 15% Danceability • 20% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
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Ana Roxanne
- - -
140 bpm • D Maj • 05:15 • -21.34db
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Brian McBride
Overture (For Other Halfs)
140 bpm • G Maj • 06:38 • -28.01db
36% Popularity • 14% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Gaussian Curve
Talk To The Church
136 bpm • F# Maj • 02:26 • -20.38db
43% Popularity • 32% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Celer
7° 10° 77° 83°
140 bpm • E min • 09:53 • -38db
28% Popularity • 14% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Robin Guthrie
And Then I Turned Away
141 bpm • G# Maj • 03:30 • -35.65db
24% Popularity • 14% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Taylor Deupree
Migrations
135 bpm • A Maj • 03:16 • -23db
20% Popularity • 34% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 1
141 bpm • D Maj • 05:24 • -25db
39% Popularity • 15% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Forgotten Hill
135 bpm • C# Maj • 04:01 • -30db
31% Popularity • 20% Danceability • 6% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
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Mark Pritchard
Light Bodied
141 bpm • D min • 03:01 • -24.61db
29% Popularity • 19% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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alva noto
By This River
135 bpm • G min • 04:08 • -31.09db
34% Popularity • 32% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Roedelius
Rohstoff
135 bpm • C# Maj • 02:29 • -16db
37% Popularity • 24% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Six Organs Of Admittance
When You Finally Return
141 bpm • F min • 02:30 • -15.4db
28% Popularity • 39% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 86% Positiveness
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William Basinski
Selva Oscura 1.1
141 bpm • A# Maj • 06:09 • -28db
25% Popularity • 14% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Tim Hecker
Boreal Kiss Pt. 1
135 bpm • F min • 03:28 • -25.49db
43% Popularity • 20% Danceability • 2% Energy • 29% Liveness
8% Instrumentalness • 9% Positiveness
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Rameses III
Blood in the Palm of Your Hand
141 bpm • D Maj • 02:19 • -16.82db
24% Popularity • 36% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Brian McBride
Several Tries (In an Unelevated Style)
142 bpm • C Maj • 07:44 • -28db
15% Popularity • 14% Danceability • 8% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Windy & Carl
Forest Trails
142 bpm • D min • 05:46 • -16db
34% Popularity • 14% Danceability • 21% Energy • 22% Liveness
93% Instrumentalness • 2% Positiveness
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A Winged Victory for the Sullen
All Farewells Are Sudden
134 bpm • F# Maj • 07:35 • -26db
29% Popularity • 16% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Mark Pritchard
?
142 bpm • F Maj • 06:03 • -15.12db
27% Popularity • 18% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Dopamine Clouds Over Craven Cottage
143 bpm • C# Maj • 05:54 • -20.64db
31% Popularity • 15% Danceability • 10% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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The Dead Texan
The Six Million Dollar Sandwich
143 bpm • G Maj • 03:02 • -19db
33% Popularity • 13% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
In Praise of Tears
133 bpm • F# Maj • 05:20 • -25.89db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Windy & Carl
Balance (Trembling)
142 bpm • D Maj • 08:41 • -35db
15% Popularity • 14% Danceability • 13% Energy • 11% Liveness
66% Instrumentalness • 19% Positiveness
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Sarah Davachi
Evensong
133 bpm • D# Maj • 05:27 • -24.9db
17% Popularity • 25% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Brian McBride
Silent Motels
133 bpm • B min • 03:56 • -31.29db
25% Popularity • 16% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Stars Of The Lid
The Evil That Never Arrived
143 bpm • D Maj • 05:04 • -21db
35% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ann Annie
恋の予感
133 bpm • C# Maj • 02:48 • -19.09db
39% Popularity • 36% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Celer
Rains Lit By Neon
144 bpm • D min • 08:26 • -24.3db
23% Popularity • 19% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Colin Stetson
And Still They Move
133 bpm • A# Maj • 02:56 • -18.38db
31% Popularity • 16% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Tape
Hotels
132 bpm • F Maj • 02:50 • -12.41db
18% Popularity • 24% Danceability • 34% Energy • 38% Liveness
89% Instrumentalness • 36% Positiveness
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36
Room 1
132 bpm • D Maj • 03:56 • -17db
34% Popularity • 33% Danceability • 24% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Josiah Steinbrick
(Vibraphone, Marimbaphone, Malleted Wood...
144 bpm • C Maj • 03:50 • -23.45db
27% Popularity • 38% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Biosphere
Times When I Know You'll Be Sad
144 bpm • C min • 03:44 • -28db
28% Popularity • 45% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 6% Positiveness
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Emily A. Sprague
Huckleberry
131 bpm • F Maj • 03:03 • -18.05db
30% Popularity • 38% Danceability • 32% Energy • 61% Liveness
87% Instrumentalness • 28% Positiveness
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Bowery Electric
Over and Over
145 bpm • E Maj • 02:30 • -31.39db
37% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Colleen
The Happy Sea
146 bpm • D# min • 03:00 • -7.99db
13% Popularity • 13% Danceability • 41% Energy • 16% Liveness
80% Instrumentalness • 3% Positiveness
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Bark Psychosis
Pendulum Man
146 bpm • E min • 09:53 • -28.46db
35% Popularity • 24% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Robin Guthrie
Some Sort of Paradise
146 bpm • A Maj • 04:04 • -15.68db
28% Popularity • 50% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Biosphere
Poa Alpina
130 bpm • G min • 04:11 • -35.2db
44% Popularity • 22% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
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Ian William Craig
Before Meaning Comes
130 bpm • B Maj • 03:12 • -27db
21% Popularity • 30% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Blithe Field
Prelude
130 bpm • E Maj • 05:37 • -18.97db
18% Popularity • 23% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Colleen
The stars vs creatures
130 bpm • G# Maj • 05:14 • -19.89db
31% Popularity • 74% Danceability • 19% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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GAS
Pop 5
129 bpm • A# Maj • 10:46 • -22.49db
29% Popularity • 16% Danceability • 3% Energy • 10% Liveness
100% Instrumentalness • 3% Positiveness
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Robin Guthrie
Radiant City
130 bpm • D Maj • 04:53 • -24.33db
33% Popularity • 22% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Windy & Carl
Sunrise
129 bpm • D Maj • 08:33 • -16.81db
16% Popularity • 18% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Julianna Barwick
Labyrinthine
129 bpm • D Maj • 04:32 • -16db
37% Popularity • 17% Danceability • 27% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Good Willsmith
These Kids Aren't Lovin' It
128 bpm • D min • 02:01 • -18.89db
13% Popularity • 20% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Aix Em Klemm
Sophteonal
127 bpm • D min • 08:05 • -17.18db
17% Popularity • 24% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Tim Hecker
Night Flight to Your Heart Pt. 2
150 bpm • B min • 01:03 • -27.44db
46% Popularity • 22% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Colleen
November
129 bpm • C# min • 02:08 • -16db
33% Popularity • 34% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 36% Positiveness
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Jefre Cantu-Ledesma
Stained Glass Body
127 bpm • C Maj • 05:28 • -9.43db
21% Popularity • 16% Danceability • 47% Energy • 35% Liveness
77% Instrumentalness • 24% Positiveness
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Julianna Barwick
Offing
127 bpm • D# Maj • 03:15 • -16.03db
27% Popularity • 26% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Keith Fullerton Whitman
Stereo Music for Acoustic Guitar, Buchla...
151 bpm • G# Maj • 05:29 • -14.72db
11% Popularity • 47% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Laurie Spiegel
Strand of Life ("Viroid")
151 bpm • G Maj • 01:21 • -35.21db
45% Popularity • 22% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 3% Positiveness
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Huerco S.
Lifeblood
151 bpm • A# min • 08:12 • -19.58db
22% Popularity • 17% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Susumu Yokota
Sleepy Eye
125 bpm • F# min • 02:44 • -20db
36% Popularity • 42% Danceability • 40% Energy • 28% Liveness
99% Instrumentalness • 11% Positiveness
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Dirty Beaches
Displaced
124 bpm • G min • 07:26 • -15.93db
18% Popularity • 44% Danceability • 52% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Julianna Barwick
unt1
124 bpm • C Maj • 01:16 • -22.06db
26% Popularity • 28% Danceability • 7% Energy • 5% Liveness
96% Instrumentalness • 18% Positiveness
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Emily A. Sprague
Dock
123 bpm • G# min • 03:15 • -20db
32% Popularity • 28% Danceability • 32% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Bibio
PANTGLAS
122 bpm • F# min • 04:31 • -26.84db
17% Popularity • 17% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Casino Versus Japan
Eggshell Sunny
122 bpm • E Maj • 01:34 • -10.14db
30% Popularity • 20% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Susumu Yokota
Hisen
122 bpm • B min • 03:48 • -11db
27% Popularity • 79% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Tim Hecker
Boreal Kiss Pt. 3
121 bpm • B min • 01:59 • -26.43db
34% Popularity • 25% Danceability • 15% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
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Windy & Carl
The Sun
120 bpm • E Maj • 03:43 • -15db
24% Popularity • 32% Danceability • 26% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Low
Untitled 1
121 bpm • A min • 03:37 • -19.87db
22% Popularity • 30% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Richard Skelton
Undertow
120 bpm • G# Maj • 06:26 • -16db
16% Popularity • 20% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Shlohmo
Empty Pools
120 bpm • G min • 05:07 • -11db
31% Popularity • 25% Danceability • 47% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
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The Boats
You Need to See Through Better Eyes
120 bpm • F Maj • 03:12 • -28db
20% Popularity • 40% Danceability • 3% Energy • 37% Liveness
91% Instrumentalness • 6% Positiveness
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Clark
Pleen 1930's
120 bpm • G min • 01:31 • -15db
48% Popularity • 65% Danceability • 29% Energy • 15% Liveness
85% Instrumentalness • 71% Positiveness
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múm
There Is A Number Of Small Things
120 bpm • C Maj • 06:31 • -15.68db
24% Popularity • 55% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Star Gazing
120 bpm • C Maj • 06:53 • -27.55db
18% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Brambles
Salt Photographs
120 bpm • G# Maj • 06:54 • -18db
30% Popularity • 52% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Bradford Cox
Natural Harp Monitor
120 bpm • G Maj • 04:31 • -22db
14% Popularity • 69% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
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Fennesz
Shisheido
120 bpm • A Maj • 02:57 • -12db
26% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Loscil
In Threes
120 bpm • C min • 05:57 • -25db
27% Popularity • 29% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Bochum Welt
Ghost
120 bpm • G Maj • 01:46 • -25.38db
43% Popularity • 51% Danceability • 15% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Steve Hauschildt
Already Replaced
120 bpm • E Maj • 04:03 • -12db
29% Popularity • 57% Danceability • 49% Energy • 14% Liveness
93% Instrumentalness • 55% Positiveness
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M. Sage
The Cat Forgotten in the Moon
119 bpm • F# min • 02:26 • -19.02db
37% Popularity • 22% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Deru
Three Cheers For Existence
119 bpm • F Maj • 05:19 • -25.61db
32% Popularity • 17% Danceability • 6% Energy • 17% Liveness
96% Instrumentalness • 2% Positiveness
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Emily A. Sprague
Woven
160 bpm • D Maj • 05:51 • -23.81db
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Padang Food Tigers
For Esmé
119 bpm • E Maj • 02:37 • -21db
21% Popularity • 57% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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Deaf Center
Far Between
118 bpm • D# min • 03:13 • -30.19db
13% Popularity • 40% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
39% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Jörgen Kjellgren
Forest and Field
162 bpm • G Maj • 05:04 • -30.72db
7% Popularity • 43% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 33% Positiveness
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The Struggle