Songs like The Summons by Robert Kochis
Based on a tempo of (+/- 10%) and a similar genre
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Robert Kochis
The Summons
143 bpm • F Maj • 04:08 • -13.96db
25% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The London Fox Taize Choir
Jesus, Remember Me
143 bpm • D# Maj • 03:04 • -20db
36% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Daywind
Surely The Presence Of The Lord Is In Th...
143 bpm • B Maj • 04:41 • -9.83db
19% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ron Hamilton
Bow the Knee
143 bpm • C Maj • 03:59 • -11.08db
26% Popularity • 21% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 21% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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David Haas
With You by My Side
143 bpm • G min • 04:14 • -8db
31% Popularity • 39% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 39% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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John Michael Talbot
Be Not Afraid
143 bpm • G Maj • 04:28 • -12.8db
45% Popularity • 22% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 19% Positiveness
45% Popularity • 22% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 19% Positiveness
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Shawna Edwards
Come Unto Christ
144 bpm • A# Maj • 03:57 • -10.76db
35% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Kochis
Sons of God
142 bpm • C# min • 03:17 • -7.49db
5% Popularity • 72% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
5% Popularity • 72% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Gretchen Harris
On Eagles Wings
144 bpm • C Maj • 06:03 • -14.84db
1% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Curtis Stephan
Miracle of Grace (Bread of Life)
142 bpm • A# Maj • 04:06 • -8db
27% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sarah Hart
How Can I Keep from Singing
145 bpm • C# Maj • 01:20 • -19.46db
19% Popularity • 44% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 44% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Lori True
Quietly, Peacefully (after Dvorak's Symp...
141 bpm • C Maj • 04:51 • -14.24db
22% Popularity • 21% Danceability • 23% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
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Jake Garrett
O Lord My Redeemer
145 bpm • E Maj • 05:52 • -10.69db
19% Popularity • 26% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 26% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jim Brickman
Be Thou Near To Me
146 bpm • A Maj • 03:30 • -9.53db
23% Popularity • 49% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 49% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Angelina
Servant Song
140 bpm • D Maj • 03:04 • -8.77db
17% Popularity • 22% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 22% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bernadette Farrell
Christ, Be Our Light
140 bpm • G Maj • 04:27 • -7.22db
35% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Marty Haugen
Shepherd Me, O God
140 bpm • F min • 04:30 • -16db
40% Popularity • 24% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 24% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Thompson
Blessed One
140 bpm • E Maj • 03:27 • -14db
11% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Greg Hayakawa
I Am the Light of the World
146 bpm • E Maj • 02:43 • -13db
10% Popularity • 40% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 40% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Gospel Souls
We Gather Together
139 bpm • D Maj • 02:02 • -10.73db
45% Popularity • 43% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 43% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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David Haas
Alleluia Sing!
139 bpm • F Maj • 03:41 • -11db
24% Popularity • 30% Danceability • 31% Energy • 70% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 30% Danceability • 31% Energy • 70% Liveness
0% Instrumentalness • 43% Positiveness
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Robert Kochis
Blest Are They
139 bpm • A Maj • 04:44 • -12.82db
14% Popularity • 29% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 29% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Marty Haugen
We Remember
139 bpm • G Maj • 04:19 • -14db
46% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Trevor Thomson
Vine and Branches
148 bpm • D Maj • 04:42 • -9db
9% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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GIA Singers
Shepherd Me, O God (Psalm 23)
138 bpm • F min • 04:56 • -23.15db
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Marian Grace
Holy God
138 bpm • E Maj • 04:45 • -8.84db
11% Popularity • 40% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 40% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Tres Hermanas
Lord I Offer My Life
149 bpm • F Maj • 02:20 • -11db
45% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Kochis
5th Decade (The Transfiguration)/ O God ...
138 bpm • D Maj • 04:59 • -15.21db
24% Popularity • 37% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 37% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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John Foley
Come to the Water
138 bpm • G# Maj • 02:52 • -13.66db
24% Popularity • 20% Danceability • 18% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 18% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Indelible Grace Music
The Church's One Foundation
149 bpm • E Maj • 03:24 • -12.38db
33% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Vocal Point
I Stand All Amazed
137 bpm • F# Maj • 05:08 • -13db
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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John Michael Talbot
On Eagles Wings
137 bpm • D Maj • 03:36 • -13db
41% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Rory Cooney
Change Our Hearts
136 bpm • D# Maj • 04:21 • -13db
15% Popularity • 34% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 34% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Ike Ndolo
In Christ Alone
150 bpm • D Maj • 03:24 • -6db
8% Popularity • 51% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 51% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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John Foley
For You Are My God
137 bpm • A Maj • 03:05 • -9db
12% Popularity • 21% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 21% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Audrey Assad
How Can I Keep from Singing
150 bpm • D# Maj • 04:21 • -11.59db
43% Popularity • 43% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
43% Popularity • 43% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Shawna Edwards
Risen
136 bpm • F Maj • 04:01 • -10.14db
41% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Donna Cori Gibson
Flower of Carmel
136 bpm • C Maj • 05:40 • -9db
13% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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James Kilbane
Christ Be Beside Me
135 bpm • C Maj • 02:46 • -13.19db
18% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Booth
I Will Choose Christ
135 bpm • A Maj • 04:31 • -18db
10% Popularity • 69% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 69% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Linda Rowberry
I Know That My Redeemer Lives
135 bpm • B Maj • 06:05 • -15db
37% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Kim Orabona
Abba Father
152 bpm • A# Maj • 03:29 • -14db
16% Popularity • 49% Danceability • 34% Energy • 26% Liveness
48% Instrumentalness • 61% Positiveness
16% Popularity • 49% Danceability • 34% Energy • 26% Liveness
48% Instrumentalness • 61% Positiveness
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Shawna Edwards
The Miracle (Recomposed)
136 bpm • A# Maj • 04:59 • -10.93db
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Donna Cori Gibson
O Blood and Water... (84)
135 bpm • C Maj • 01:35 • -17db
27% Popularity • 29% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 29% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Songs in His Presence
Prayer of Augustine
152 bpm • G Maj • 03:53 • -8.86db
18% Popularity • 28% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
18% Popularity • 28% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
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Michael O'Brien
Safe in the Arms of Jesus
134 bpm • G# Maj • 04:00 • -8.97db
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Wayne Burton
Ask in Faith
134 bpm • D# Maj • 04:53 • -8.6db
20% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Booth
Here I Am
134 bpm • G Maj • 03:13 • -20db
17% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Shawna Edwards
The Miracle
136 bpm • A# Maj • 03:22 • -10db
44% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Robert Kochis
Take Our Bread
154 bpm • A Maj • 03:05 • -8.13db
16% Popularity • 63% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 63% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Bob Hurd
Pan de Vida
153 bpm • D Maj • 04:35 • -8.88db
16% Popularity • 34% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 34% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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The Singing Nuns
Come Holy Ghost
133 bpm • D# Maj • 02:04 • -19.63db
26% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jan Struther
Lord of All Hopefulness
132 bpm • D# Maj • 02:41 • -19db
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Booth
Sacred Silence
132 bpm • G Maj • 03:50 • -12db
29% Popularity • 34% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 34% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bernadette Farrell
O God, You Search Me
133 bpm • D Maj • 03:22 • -19db
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Janice Kapp Perry & Steven Kapp Perry
Thy Word Is a Lamp Unto My Feet
132 bpm • D# Maj • 05:21 • -14.29db
25% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Candi Pearson Shelton
He Leadeth Me
155 bpm • B Maj • 04:22 • -7db
34% Popularity • 36% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 36% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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David Haas
Who Calls You by Name
132 bpm • G Maj • 02:27 • -8db
34% Popularity • 51% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 51% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Harding University Concert Choir
We Are One In The Spirit
132 bpm • A# min • 01:56 • -19db
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Robert Kochis
Joyful Mysteries - Opening Prayers
131 bpm • D min • 02:15 • -12.3db
25% Popularity • 43% Danceability • 37% Energy • 42% Liveness
1% Instrumentalness • 44% Positiveness
25% Popularity • 43% Danceability • 37% Energy • 42% Liveness
1% Instrumentalness • 44% Positiveness
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Sarah Hart
Hallelujah Is Our Song
156 bpm • D Maj • 04:21 • -7db
19% Popularity • 43% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 43% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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The Cathedral Singers
Gift of Finest Wheat
131 bpm • C# Maj • 04:21 • -14.53db
31% Popularity • 25% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 25% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Audrey Assad
Come Thou Fount
131 bpm • C Maj • 04:00 • -10.6db
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bob Bennett
My Redeemer Lives (I Know My Redeemer Li...
131 bpm • D# Maj • 03:16 • -18db
31% Popularity • 39% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 39% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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John D Becker
Lead Me, Lord
130 bpm • G Maj • 02:18 • -12db
30% Popularity • 32% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 32% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Robert Kochis
Hail Holy Queen (Prayer)/ Salve Regina
131 bpm • C Maj • 03:11 • -14.32db
26% Popularity • 32% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 32% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Bernadette Farrell
You Have Called Us
130 bpm • B min • 03:18 • -14.22db
18% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rory Cooney
Change Our Hearts
130 bpm • D# Maj • 05:20 • -9db
24% Popularity • 51% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 51% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Dana
We Are One Body
130 bpm • G Maj • 06:42 • -11.46db
14% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ryan Maag
I Am A Child Of God / I Have A Savior
130 bpm • C Maj • 04:08 • -11.75db
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Flock
A New Commandment
130 bpm • A# Maj • 01:43 • -12.96db
38% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Angelina
Prayer of St. Frances
129 bpm • B Maj • 03:41 • -11db
28% Popularity • 44% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 44% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Bernadette Farrell
Christ, Be Our Light
130 bpm • G Maj • 02:32 • -14.03db
30% Popularity • 21% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
30% Popularity • 21% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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Marty Haugen
Mass of Creation: Jesus, Lamb of God
129 bpm • A# Maj • 01:58 • -11.98db
37% Popularity • 36% Danceability • 22% Energy • 16% Liveness
2% Instrumentalness • 25% Positiveness
37% Popularity • 36% Danceability • 22% Energy • 16% Liveness
2% Instrumentalness • 25% Positiveness
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Robert Kochis
4th Decade(The Assumption)
129 bpm • F Maj • 03:48 • -13.43db
24% Popularity • 53% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 53% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Dennis Jernigan
I Bless You
129 bpm • D# Maj • 04:27 • -16db
11% Popularity • 51% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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GIA Singers
To Jesus Christ, Our Sovereign King
129 bpm • F Maj • 02:22 • -18db
31% Popularity • 21% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Christopher Walker
At the Name of Jesus
129 bpm • G Maj • 02:37 • -14.5db
16% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Kyle Vorkink
Thy Will Be Done
128 bpm • G Maj • 03:21 • -7.22db
36% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Shawna Edwards
The Tree of Life
128 bpm • G min • 02:36 • -11.22db
41% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Robert Kochis
All That We Have
128 bpm • D Maj • 03:15 • -7.86db
7% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Nicole Sheahan
I Am Enough
160 bpm • C Maj • 03:46 • -9.32db
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gwen Alley
Seek Ye First
160 bpm • D Maj • 02:53 • -10.02db
1% Popularity • 20% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 20% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Hart
The Body of Christ
128 bpm • B Maj • 05:10 • -11.66db
16% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Hurd
Transfigure Us, O Lord
127 bpm • C Maj • 03:13 • -13db
21% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Kathryn Crosweller
Go Tell Everyone
127 bpm • A Maj • 03:38 • -10db
19% Popularity • 51% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 51% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The University Of Notre Dame Folk Choir
Christ Be Our Light
127 bpm • G Maj • 02:27 • -14.75db
28% Popularity • 46% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 46% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Marian Grace
Fairest Lord Jesus
126 bpm • C Maj • 02:57 • -9.25db
9% Popularity • 33% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 33% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Stoneleigh Worship Band
The Lord's My Shepherd
126 bpm • D# Maj • 04:04 • -11.94db
32% Popularity • 25% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 25% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Frank Brownstead Choir
Christ, Be Our Light
126 bpm • G Maj • 04:05 • -17.44db
44% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
44% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Bob Hurd
Transfigure Us, O Lord
127 bpm • C Maj • 04:08 • -16db
15% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Donna Cori Gibson
Hail Mary / Gentle Woman
125 bpm • G Maj • 05:32 • -9db
22% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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David Haas
Send Us Your Spirit
125 bpm • E Maj • 03:35 • -9db
28% Popularity • 33% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 33% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
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OCP Choir
Alleluia! Alleluia! Let the Holy Anthem ...
125 bpm • A# Maj • 02:03 • -13.83db
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Connie Campbell Hart
What Wondrous Love Is This
125 bpm • D min • 01:57 • -11.32db
23% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Muglia
Do This in Memory of Me
125 bpm • G Maj • 04:02 • -9.44db
16% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Hurd
EnvÃa Tu EspÃritu
126 bpm • D Maj • 01:35 • -13.42db
16% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Songs of Taize Session Singers
Jesus Remember Me
125 bpm • D# Maj • 04:47 • -25db
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
