Songs like The Swan Lake, Op. 20, Act III, Scene 20a: Danse Hongroise by Pyotr Ilyich Tchaikovsky
Based on a tempo of (+/- 10%) and a similar genre
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Ilya Rachkovsky
Les saisons (The Seasons), Op. 37b: XI. ...
74 bpm • E Maj • 03:02 • -31.49db
37% Popularity • 34% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Sergei Prokofiev
Cinderella, Op. 87: 13. Summer Fairy
74 bpm • F Maj • 01:35 • -30.64db
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake (Suite), Op. 20a, TH. 219: I. ...
74 bpm • E min • 03:03 • -16db
55% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
55% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Waltz in A Minor, Op. Posth., B. 150
74 bpm • A min • 02:28 • -28.4db
53% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
53% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Kurt-Heinz Stolze
Stolze & Tchaikovsky: Onegin: Final Scen...
73 bpm • A min • 07:14 • -18.01db
13% Popularity • 9% Danceability • 14% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 14% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
49% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
49% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso No. 8 in G Minor, Op. 6,...
73 bpm • G min • 02:27 • -13.92db
43% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
43% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 3 in F Ma...
73 bpm • C Maj • 03:35 • -17.59db
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
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Adolphe Adam
Giselle / Act 2: Grand pas de deux: Adag...
73 bpm • D# Maj • 06:29 • -30db
39% Popularity • 26% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 10% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 13 Dance o...
73 bpm • C Maj • 05:44 • -24.9db
48% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
48% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
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Ludwig Minkus
Don Quixote: Act III: Coda
75 bpm • G Maj • 01:25 • -16.85db
33% Popularity • 48% Danceability • 27% Energy • 5% Liveness
80% Instrumentalness • 65% Positiveness
33% Popularity • 48% Danceability • 27% Energy • 5% Liveness
80% Instrumentalness • 65% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Waltz in C-sharp minor, Op. 64 No. 2
73 bpm • C# min • 03:19 • -36.25db
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Adolphe Adam
Giselle: No. 21 - Andante
73 bpm • D# Maj • 04:22 • -39.33db
27% Popularity • 7% Danceability • 0% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
27% Popularity • 7% Danceability • 0% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
75 bpm • G min • 07:34 • -18db
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
13% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: IV. F...
76 bpm • F Maj • 08:34 • -16db
32% Popularity • 29% Danceability • 35% Energy • 6% Liveness
69% Instrumentalness • 14% Positiveness
32% Popularity • 29% Danceability • 35% Energy • 6% Liveness
69% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Evergreen Symphony Orchestra
La Bayadere, Act III: 39. "Entrance of t...
76 bpm • D Maj • 08:03 • -32.83db
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 4: N...
76 bpm • G# min • 03:04 • -17db
34% Popularity • 16% Danceability • 22% Energy • 37% Liveness
90% Instrumentalness • 19% Positiveness
34% Popularity • 16% Danceability • 22% Energy • 37% Liveness
90% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
72 bpm • G# Maj • 09:58 • -22db
14% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
14% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Violin Partita No. 2 in D Minor, BWV 100...
76 bpm • D min • 05:12 • -22db
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Swan Lake Suite, Op. 20: Scène
77 bpm • E min • 03:01 • -13.58db
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
36% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
59% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
59% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
77 bpm • E min • 03:43 • -23.94db
18% Popularity • 23% Danceability • 4% Energy • 32% Liveness
74% Instrumentalness • 8% Positiveness
18% Popularity • 23% Danceability • 4% Energy • 32% Liveness
74% Instrumentalness • 8% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Ludwig Minkus
La Bayadere: Variation 3: Moderato
78 bpm • D Maj • 01:16 • -22.94db
34% Popularity • 44% Danceability • 4% Energy • 14% Liveness
30% Instrumentalness • 24% Positiveness
34% Popularity • 44% Danceability • 4% Energy • 14% Liveness
30% Instrumentalness • 24% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
60% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
60% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
55% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
55% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
► Preview
Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Waltz No. 19 in A minor, Op. posth.
69 bpm • A min • 02:12 • -37.24db
56% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
56% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Alexander Glazunov
Scènes de ballet, Op. 52: II. Marionnet...
69 bpm • D Maj • 02:13 • -34.93db
33% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
48% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
48% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 25 in G Minor, K. 183: I. A...
80 bpm • G min • 07:40 • -13.76db
59% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
59% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act III: Quiteria's Variati...
80 bpm • A# Maj • 01:23 • -29db
34% Popularity • 50% Danceability • 2% Energy • 9% Liveness
4% Instrumentalness • 40% Positiveness
34% Popularity • 50% Danceability • 2% Energy • 9% Liveness
4% Instrumentalness • 40% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Waltz of the Flowers
80 bpm • D Maj • 06:25 • -16.48db
38% Popularity • 21% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 14% Positiveness
38% Popularity • 21% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 14% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
30% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH.12 / Act 4: No. 27...
81 bpm • A# min • 05:27 • -29db
29% Popularity • 16% Danceability • 2% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
68 bpm • C# Maj • 02:12 • -30db
44% Popularity • 54% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Aram Khachaturian
Masquerade (Suite): 1. Waltz - Excerpt
67 bpm • C Maj • 02:10 • -15.13db
48% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
48% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
81 bpm • E min • 03:27 • -22db
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
82 bpm • D# Maj • 01:34 • -25db
56% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
56% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
