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The Swimming Song
Songs like
The Swimming Song
by
Vetiver
Based on a tempo of (+/- 10%) and a similar genre
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Phil Cook
1922
94 bpm • A Maj • 03:01 • -7.47db
29% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Vetiver
The Swimming Song
94 bpm • G Maj • 02:42 • -5.28db
30% Popularity • 63% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 83% Positiveness
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The Donkeys
Don't Know Who We Are
94 bpm • C Maj • 03:58 • -7.82db
16% Popularity • 65% Danceability • 57% Energy • 6% Liveness
78% Instrumentalness • 93% Positiveness
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Fruit Bats
Tegucigalpa
94 bpm • D Maj • 03:45 • -7.72db
18% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Great Lake Swimmers
Your Rocky Spine
94 bpm • G min • 03:36 • -15db
30% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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The Decemberists
Rox In The Box
94 bpm • B min • 03:07 • -3.4db
41% Popularity • 53% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Hurray For The Riff Raff
Look Out Mama
94 bpm • D Maj • 03:25 • -8.65db
40% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Monsters Of Folk
Map of The World
93 bpm • B min • 04:24 • -9.67db
20% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Willy Mason
Fear No Pain
93 bpm • A Maj • 03:30 • -13.54db
21% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Field Report
Fergus Falls
95 bpm • A Maj • 05:03 • -11.27db
13% Popularity • 44% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Farewell Milwaukee
Coming 'Round to Get You
95 bpm • F Maj • 03:15 • -12.16db
20% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Todd Hannigan
Stars Are Free
93 bpm • D Maj • 02:30 • -8.36db
29% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Phosphorescent
Ride On / Right On
95 bpm • G Maj • 03:44 • -7.42db
45% Popularity • 54% Danceability • 58% Energy • 15% Liveness
7% Instrumentalness • 24% Positiveness
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Johnny Flynn
The Wrote & The Writ
93 bpm • E Maj • 04:07 • -10db
48% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Born Ruffians
Little Garçon
95 bpm • A Maj • 04:09 • -12.19db
31% Popularity • 51% Danceability • 31% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Monsters Of Folk
Goodway
95 bpm • D Maj • 02:01 • -7.92db
16% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Good Old War
My Own Sinking Ship
95 bpm • G Maj • 02:53 • -8db
25% Popularity • 56% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Willy Mason
I Got Gold
93 bpm • G# Maj • 02:15 • -4.62db
16% Popularity • 72% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Bees
I Really Need Love
93 bpm • D Maj • 05:39 • -8.85db
21% Popularity • 42% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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The Tallest Man On Earth
The Gardener
95 bpm • D# min • 03:57 • -4.98db
49% Popularity • 49% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Blind Pilot
The Story I Heard
96 bpm • C# Maj • 04:33 • -13db
53% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Monsters Of Folk
Man Named Truth
95 bpm • D min • 03:51 • -5.05db
14% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
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The Felice Brothers
Aerosol Ball
95 bpm • G Maj • 03:50 • -6.95db
33% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Joe Pug
Hymn #76
96 bpm • C# min • 03:37 • -11.04db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Vetiver
Oh Papa
96 bpm • D Maj • 02:38 • -13db
14% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Ugly Casanova
Here's To Now
92 bpm • G Maj • 02:51 • -7.85db
41% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Great Lake Swimmers
The Chorus In The Underground
96 bpm • A min • 03:21 • -8.87db
37% Popularity • 61% Danceability • 58% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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David Wax Museum
Born With a Broken Heart
96 bpm • G Maj • 02:44 • -6db
29% Popularity • 69% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Deer Tick
Clownin Around
96 bpm • G Maj • 04:25 • -11.63db
21% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Beirut
East Harlem
92 bpm • G Maj • 03:58 • -8db
44% Popularity • 50% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Vetiver
At Forest Edge
92 bpm • E min • 05:48 • -13.45db
12% Popularity • 50% Danceability • 44% Energy • 9% Liveness
82% Instrumentalness • 47% Positiveness
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Tin Sparrow
Eileen
96 bpm • F# Maj • 04:17 • -3db
30% Popularity • 56% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Jeremy Fisher
Scar That Never Heals
91 bpm • A Maj • 03:39 • -3.37db
28% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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The Barr Brothers
Burn Card
97 bpm • C Maj • 04:05 • -15.64db
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
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Will Dailey
Sprawl II (Mountains Beyond Mountains)
97 bpm • B Maj • 04:55 • -7.33db
27% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Fruit Bats
The Ruminant Band
97 bpm • G Maj • 03:20 • -6.36db
49% Popularity • 54% Danceability • 69% Energy • 35% Liveness
12% Instrumentalness • 53% Positiveness
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Vetiver
I Must Be In A Good Place Now
97 bpm • F Maj • 04:30 • -14.02db
17% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Donkeys
I Like The Way You Walk
97 bpm • A Maj • 04:11 • -5.89db
37% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hey Marseilles
Rio
97 bpm • F Maj • 03:58 • -5db
20% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Alex Ebert
A Million Years
91 bpm • G Maj • 04:51 • -8.06db
37% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Roadkill Ghost Choir
Beggar's Guild
98 bpm • E min • 04:54 • -8.14db
42% Popularity • 47% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
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Conor Oberst
Zigzagging Toward the Light
90 bpm • E min • 04:03 • -5.97db
30% Popularity • 62% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Vetiver
Current Carry
91 bpm • G Maj • 03:54 • -8.75db
38% Popularity • 86% Danceability • 78% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
► Preview
Blitzen Trapper
Lady On the Water
98 bpm • D min • 02:26 • -15.71db
51% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Blind Pilot
One Red Thread
98 bpm • D Maj • 04:31 • -13db
46% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Radical Face
Glory
98 bpm • C# Maj • 06:13 • -11.89db
30% Popularity • 48% Danceability • 55% Energy • 14% Liveness
80% Instrumentalness • 35% Positiveness
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The Barr Brothers
Old Mythologies
90 bpm • A# Maj • 03:34 • -11.6db
18% Popularity • 62% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 88% Positiveness
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Joe Pug
I Do My Father's Drugs
90 bpm • E min • 02:48 • -7.89db
39% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Johnny Flynn
Kentucky Pill
98 bpm • G Maj • 03:52 • -5.5db
26% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Sam Chase
Hero to Myself
99 bpm • E Maj • 02:39 • -10.43db
10% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Ebert
Bad Bad Love
99 bpm • E Maj • 03:29 • -6.67db
39% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Blitzen Trapper
Thirsty Man
89 bpm • C Maj • 03:41 • -6db
36% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Tin Sparrow
The Boat
99 bpm • D Maj • 03:34 • -4.16db
26% Popularity • 40% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Horse Feathers
Fit Against the Country
89 bpm • D min • 03:31 • -12db
31% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Conor Oberst
Hundreds of Ways
99 bpm • A Maj • 04:28 • -7.12db
27% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Good Old War
Coney Island
99 bpm • F Maj • 02:43 • -7.19db
35% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Stratton
November
100 bpm • D min • 03:01 • -7.51db
13% Popularity • 37% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Kingsley Flood
Waiting On the River to Rise
88 bpm • F Maj • 03:33 • -8.46db
17% Popularity • 61% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Vetiver
More Of This
100 bpm • F Maj • 04:00 • -5.32db
30% Popularity • 76% Danceability • 71% Energy • 11% Liveness
16% Instrumentalness • 96% Positiveness
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Fruit Bats
Humbug Mountain Song
100 bpm • F# min • 03:04 • -5.36db
60% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
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Fanfarlo
I'm a Pilot
100 bpm • A Maj • 04:30 • -6.43db
30% Popularity • 50% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Rogue Wave
California
100 bpm • C Maj • 04:06 • -13db
41% Popularity • 68% Danceability • 24% Energy • 9% Liveness
26% Instrumentalness • 33% Positiveness
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Joe Pug
Speak Plainly Diana
88 bpm • G Maj • 02:49 • -7.69db
36% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Typhoon
Young Fathers
88 bpm • G Maj • 04:27 • -6.84db
35% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Ebert
Lets Win!
100 bpm • A Maj • 02:56 • -7.2db
30% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Blind Pilot
Keep You Right
100 bpm • C# Maj • 03:35 • -7.58db
40% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Chris and Thomas
Horse in the Sky
88 bpm • E Maj • 03:50 • -15.18db
29% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Monsters Of Folk
Sandman, The Brakeman And Me
87 bpm • C Maj • 03:23 • -10.99db
21% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Barton Carroll
The Poor Boy Can't Dance
88 bpm • D# Maj • 03:50 • -7.67db
22% Popularity • 62% Danceability • 86% Energy • 28% Liveness
2% Instrumentalness • 88% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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The Bonfire Band
These Days
102 bpm • C# Maj • 03:26 • -8.83db
12% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Joshua James
Queen of the City
102 bpm • A min • 03:19 • -5.18db
24% Popularity • 64% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Miles Benjamin Anthony Robinson
Buriedfed
102 bpm • A min • 04:50 • -7.91db
21% Popularity • 53% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Band of Horses
Throw My Mess
102 bpm • D Maj • 03:13 • -7.05db
34% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Streets of Laredo
Hey Rose
102 bpm • A Maj • 03:57 • -5db
5% Popularity • 60% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Barr Brothers
Never Been a Captain
102 bpm • A# Maj • 04:41 • -9.22db
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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Cass McCombs
There Can Be Only One
86 bpm • A Maj • 04:17 • -13.59db
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
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Damien Jurado
Ohio
102 bpm • E Maj • 03:41 • -17db
44% Popularity • 38% Danceability • 19% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
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Joe Purdy
Wash Away (Reprise)
86 bpm • F Maj • 03:00 • -13.94db
43% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Vetiver
Sleep A Million Years
103 bpm • C Maj • 02:56 • -8.05db
12% Popularity • 56% Danceability • 51% Energy • 14% Liveness
64% Instrumentalness • 64% Positiveness
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Tin Sparrow
My Own
104 bpm • E min • 03:38 • -5.37db
13% Popularity • 55% Danceability • 83% Energy • 33% Liveness
7% Instrumentalness • 33% Positiveness
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Plants and Animals
Lightshow
85 bpm • G min • 03:35 • -6db
29% Popularity • 40% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Ramsey
A Long Dream
86 bpm • C Maj • 06:02 • -9.75db
11% Popularity • 41% Danceability • 39% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Seabear
Arms
104 bpm • C# min • 02:52 • -6.52db
29% Popularity • 51% Danceability • 84% Energy • 28% Liveness
20% Instrumentalness • 57% Positiveness
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The Shouting Matches
I'll Be True
104 bpm • A# Maj • 02:43 • -12.55db
36% Popularity • 45% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 66% Positiveness
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Blitzen Trapper
Ever Loved Once
85 bpm • A Maj • 03:43 • -4.24db
19% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Long Winters
Cinnamon
85 bpm • G# Maj • 04:12 • -6db
37% Popularity • 46% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Blind Pilot
The Bitter End
104 bpm • C Maj • 03:22 • -9db
39% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Frontier Ruckus
Ontario
104 bpm • F# min • 04:08 • -8.51db
10% Popularity • 34% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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The Daydream Club
Found
104 bpm • D Maj • 04:06 • -6.86db
5% Popularity • 41% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Flynn
I Don't Wanna Go
105 bpm • E Maj • 02:26 • -8.68db
23% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Joe Purdy
Wash Away
84 bpm • C Maj • 02:09 • -12db
34% Popularity • 61% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Lyle
The Golden Age & The Silver Girl
84 bpm • G Maj • 03:47 • -8.99db
14% Popularity • 52% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Pug
Nobody's Man
84 bpm • E Maj • 03:36 • -8.79db
30% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matthew Barber
Sleep Please Come to Me
105 bpm • F Maj • 02:52 • -8.02db
36% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Donkeys
Excelsior Lady
84 bpm • A# Maj • 03:34 • -8.66db
22% Popularity • 62% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Flynn
Cold Bread
84 bpm • D Maj • 03:29 • -8.63db
31% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Melodic
On My Way
106 bpm • G Maj • 03:56 • -10db
33% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Deer Tick
Dirty Dishes
106 bpm • F Maj • 03:17 • -5.19db
35% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Swimming Song