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The Tall Brothers
Songs like
The Tall Brothers
by
Bob Martin
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
25% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
29% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Nathan Lane
Along Came Bialy
144 bpm • G# Maj • 06:56 • -10.66db
23% Popularity • 47% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Nathan Lane
We Can Do It
142 bpm • D# Maj • 03:35 • -12.35db
28% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Fred Applegate
Please Send Me Someone
145 bpm • C Maj • 02:50 • -8.89db
17% Popularity • 33% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Bob Martin
Wild At Heart
145 bpm • B min • 03:35 • -3.66db
0% Popularity • 42% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 47% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
43% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Vicki Simon
I Cain't Say No
139 bpm • F Maj • 02:53 • -10db
25% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Kantor
Miracle of Miracles
138 bpm • C min • 02:19 • -7db
26% Popularity • 45% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Martin
Bride's Lament
149 bpm • F Maj • 05:12 • -7.35db
27% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Stephen Flaherty
Finale / Oh, The Thinks You Can Think - ...
137 bpm • D Maj • 03:50 • -12.66db
28% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Will Brill
It’s A Scandal! It’s A Outrage!
150 bpm • D Maj • 02:51 • -8.62db
20% Popularity • 77% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jimmy Roberts
A Stud And A Babe
151 bpm • A# min • 04:46 • -10db
16% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Bob Martin
Fly Away
136 bpm • D Maj • 03:57 • -3.18db
0% Popularity • 48% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
23% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Martin
Ditch
135 bpm • D Maj • 02:57 • -1.86db
1% Popularity • 61% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
31% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Ken Leung
Not for the Life of Me (Reprise)
152 bpm • C min • 01:05 • -12.53db
20% Popularity • 44% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Martin
Workin' Man
134 bpm • G Maj • 03:53 • -5.99db
0% Popularity • 50% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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B.D. Wong
My Blanket and Me
134 bpm • F Maj • 03:51 • -16.59db
26% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jared Gertner
Beautiful
153 bpm • G Maj • 02:45 • -17.09db
21% Popularity • 62% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Rose
Some People
132 bpm • C Maj • 03:12 • -5db
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Kate Baldwin
Elegance
155 bpm • G Maj • 02:30 • -8.78db
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Wartella
Hugo's First Case - Pt. 1
156 bpm • G Maj • 00:57 • -12.4db
29% Popularity • 74% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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David Aaron Baker
Song of Love
131 bpm • A# min • 04:03 • -13db
20% Popularity • 69% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Producers Ensemble
Opening Night
157 bpm • C Maj • 01:42 • -9.31db
27% Popularity • 51% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 64% Positiveness
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Original Broadway Cast "Rent"
Tango: Maureen - Best Of Version
130 bpm • G min • 03:09 • -10.54db
33% Popularity • 70% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanna de Waal
Prom Climax
157 bpm • C Maj • 02:07 • -6.4db
26% Popularity • 49% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Martin
Bye Bye
130 bpm • G Maj • 03:54 • -3.7db
0% Popularity • 40% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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The Tall Brothers