Songs like The Tell-Tale Heart by Michael Kaye
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
102 bpm • G Maj • 04:05 • -15.86db
8% Popularity • 25% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Se il ...
102 bpm • C Maj • 03:45 • -21.13db
7% Popularity • 47% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 47% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
La forza del destino, Act III, Scene III...
102 bpm • B Maj • 02:48 • -19.87db
11% Popularity • 48% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 48% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Giacomo Puccini
Messa di Gloria: XV. Et vitam
102 bpm • C Maj • 01:13 • -16.44db
10% Popularity • 26% Danceability • 20% Energy • 7% Liveness
69% Instrumentalness • 35% Positiveness
10% Popularity • 26% Danceability • 20% Energy • 7% Liveness
69% Instrumentalness • 35% Positiveness
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Michael Kaye
The Tell-Tale Heart
102 bpm • B min • 15:04 • -18.28db
0% Popularity • 69% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 69% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gérard Souzay
Duparc: Chanson triste
101 bpm • C Maj • 03:04 • -16db
7% Popularity • 26% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
7% Popularity • 26% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Duettino: Ach, ic...
101 bpm • C Maj • 01:06 • -22.4db
12% Popularity • 33% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 33% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Strauss
Ariadne auf Naxos: "Lieben, Hassen, Hoff...
101 bpm • F Maj • 02:03 • -26.35db
8% Popularity • 29% Danceability • 6% Energy • 62% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 29% Danceability • 6% Energy • 62% Liveness
1% Instrumentalness • 12% Positiveness
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Jules Massenet
Cendrillon: Lorsqu'on a plus de vingt qu...
101 bpm • D Maj • 04:48 • -20.25db
7% Popularity • 42% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 42% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Popolo di Pek...
103 bpm • C# Maj • 02:49 • -13.42db
6% Popularity • 38% Danceability • 23% Energy • 58% Liveness
4% Instrumentalness • 7% Positiveness
6% Popularity • 38% Danceability • 23% Energy • 58% Liveness
4% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Rossini: Elisabetta, regina d'Inghilterr...
104 bpm • D Maj • 09:57 • -18.5db
16% Popularity • 30% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 11% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: V. Elsk
104 bpm • C Maj • 02:57 • -13.62db
10% Popularity • 42% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 42% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Riccardo Muti
Verdi: Nabucco, Act 3: Coro di schiavi e...
104 bpm • C# Maj • 04:14 • -18.96db
8% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52 "...
104 bpm • C Maj • 04:01 • -20.06db
12% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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陈其莲
柔情圆舞曲
100 bpm • D Maj • 04:15 • -22.16db
6% Popularity • 50% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 50% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Giuseppe Verdi
La forza del destino: La vita è inferno
100 bpm • C# Maj • 03:14 • -18.94db
10% Popularity • 30% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 30% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Petite messe solennelle: XII. Credo. Cru...
104 bpm • G# Maj • 03:58 • -24db
7% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander von Zemlinsky
Walzer-Gesänge, Op. 6: No. 5, Blaues St...
105 bpm • G Maj • 01:49 • -28.12db
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
105 bpm • D Maj • 03:32 • -18.26db
7% Popularity • 50% Danceability • 27% Energy • 65% Liveness
1% Instrumentalness • 47% Positiveness
7% Popularity • 50% Danceability • 27% Energy • 65% Liveness
1% Instrumentalness • 47% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: IV. Møte
105 bpm • F Maj • 03:48 • -13.81db
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
105 bpm • D# Maj • 06:55 • -22.99db
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
105 bpm • B Maj • 05:58 • -15.71db
8% Popularity • 32% Danceability • 25% Energy • 84% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 32% Danceability • 25% Energy • 84% Liveness
0% Instrumentalness • 17% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 4:...
99 bpm • F Maj • 01:56 • -20.05db
8% Popularity • 42% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 42% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Edvard Grieg
Sechs Lieder, Op. 48: Lauf der Welt, Op....
99 bpm • D Maj • 01:37 • -24.84db
8% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Franz Schubert
Die junge Nonne, D. 828
105 bpm • F Maj • 04:36 • -20.62db
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
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Charles Gounod
Gounod: Faust, Act 1: "Ah ! Paresseuse f...
106 bpm • A Maj • 02:39 • -23db
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Petite messe solennelle: VII. Gloria. Do...
105 bpm • D Maj • 05:42 • -22db
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Suor Angelica: Il principe Gualtiero vos...
98 bpm • E Maj • 06:27 • -25.65db
10% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Victoria de los Ángeles
La Boheme: Acto III: "Donde Lieta Usce"
98 bpm • C# Maj • 03:06 • -17db
9% Popularity • 25% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Licinio Refice
Cecilia: Padre! Ho pregato
106 bpm • F min • 04:57 • -15.05db
9% Popularity • 29% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 3b. Ound'...
98 bpm • A Maj • 02:34 • -18.37db
9% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Aida, Act I: Quale insolita gioia
98 bpm • C Maj • 03:11 • -26.41db
9% Popularity • 28% Danceability • 7% Energy • 72% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 28% Danceability • 7% Energy • 72% Liveness
0% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
98 bpm • G Maj • 03:58 • -28.16db
9% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
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吴霜
薇奥列塔的咏叹调
106 bpm • G# Maj • 07:28 • -18.46db
7% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Nicola Porpora
Polifemo, HelN 31: Placidetti zeffiretti...
97 bpm • G# min • 02:19 • -15.1db
9% Popularity • 30% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
9% Popularity • 30% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 2: "Olà, Pang! O...
107 bpm • A min • 01:25 • -22.33db
3% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
3% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: VI. Killingdans
108 bpm • G Maj • 01:44 • -10.49db
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Giuseppe Verdi
La forza del destino / Act 2: Son Pereda...
107 bpm • A Maj • 02:29 • -21.61db
11% Popularity • 40% Danceability • 10% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
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Jules Massenet
Cendrillon: Pour en faire un tissu
97 bpm • E Maj • 03:54 • -24.63db
8% Popularity • 31% Danceability • 10% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
8% Popularity • 31% Danceability • 10% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
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César Cui
25 Poems by Pushkin, Op. 57: No. 17, The...
96 bpm • C# Maj • 01:04 • -14db
14% Popularity • 35% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 35% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Gounod : Faust : Act 2 "C'est ici?" [Fau...
108 bpm • F Maj • 01:12 • -27.8db
8% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Louise Bertin
Fausto, Act I: Introduzione. Tutte volsi...
96 bpm • C Maj • 02:07 • -18.15db
9% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Marcos Portugal
Aria II – Já, Já me vai, Marilia, br...
96 bpm • G# Maj • 01:37 • -18.86db
15% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
La forza del destino, Act I: Me pellegri...
108 bpm • C Maj • 03:26 • -14.95db
19% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Stanisław Moniuszko
Ach! Pani Marto, mówcie szczerze (Chór...
109 bpm • C Maj • 01:56 • -19db
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
96 bpm • D# Maj • 04:18 • -20.93db
8% Popularity • 18% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Béatrice et Bénédict, H. 138...
109 bpm • G Maj • 07:48 • -23.49db
8% Popularity • 31% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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Parma Brass Quintet
La traviata: "Addio del passato"
95 bpm • A min • 02:38 • -11.59db
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Avanti, Urania!
109 bpm • D Maj • 01:33 • -19.08db
7% Popularity • 43% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 43% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La forza del destino, Act III, Scene III...
96 bpm • E Maj • 02:29 • -16.07db
12% Popularity • 45% Danceability • 23% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 45% Danceability • 23% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
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Vincenzo Bellini
Il Pirata, Act I: Sì vincemmo
95 bpm • C Maj • 02:31 • -15.75db
13% Popularity • 33% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 33% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Easter Celebration
Vivaldi's Concerto: The Four Seasons (Sp...
95 bpm • E Maj • 03:37 • -15db
25% Popularity • 38% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 23% Positiveness
25% Popularity • 38% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 23% Positiveness
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Xavier Benguerel
Requiem: Mors stupebit
95 bpm • C# Maj • 01:00 • -21.22db
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Natalie Choquette
Voi che sapete
110 bpm • A# Maj • 03:00 • -23.45db
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Messa di Gloria: I. Kyrie
111 bpm • G# Maj • 05:10 • -27.33db
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Vogue, vogue la galère
94 bpm • G# Maj • 01:51 • -23db
13% Popularity • 31% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
13% Popularity • 31% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: "Allons, amis ! Po...
94 bpm • F Maj • 01:23 • -21.38db
8% Popularity • 44% Danceability • 15% Energy • 59% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 44% Danceability • 15% Energy • 59% Liveness
0% Instrumentalness • 51% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 2: "No...
111 bpm • F Maj • 04:52 • -16.82db
22% Popularity • 30% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 30% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Luigi Arditi
Il bacio
111 bpm • D Maj • 03:48 • -16.79db
16% Popularity • 41% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 41% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
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Edvard Grieg
Sechs Lieder, Op. 48: Gruß, Op. 48/1
111 bpm • E Maj • 01:09 • -22db
9% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Joseph Haydn
Der Sommer: "Im grauen Schleier rückt h...
111 bpm • C Maj • 04:16 • -30.04db
8% Popularity • 23% Danceability • 1% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 1% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Fanciulla del West / Act 1: La posta!...
111 bpm • C# Maj • 02:47 • -22.87db
7% Popularity • 47% Danceability • 14% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 47% Danceability • 14% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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Ernest Chausson
Le charme Op. 2 N°2
93 bpm • G Maj • 01:30 • -22.75db
14% Popularity • 31% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 31% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "It Is Enough!" (Aria)
93 bpm • F# min • 05:09 • -25.96db
7% Popularity • 23% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 23% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor / Part 2 / Act 2: "A...
93 bpm • D# Maj • 06:09 • -26.24db
7% Popularity • 25% Danceability • 5% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Cherubini: Medea, Act 3: "Neris, che hai...
93 bpm • D min • 01:44 • -18.11db
13% Popularity • 46% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 46% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Vincenzo Bellini
La Sonnambula / Act 1: Introduzione
93 bpm • D Maj • 01:35 • -16.66db
16% Popularity • 42% Danceability • 22% Energy • 20% Liveness
80% Instrumentalness • 3% Positiveness
16% Popularity • 42% Danceability • 22% Energy • 20% Liveness
80% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Inno a Roma (arr. M. Kaye for voice and ...
93 bpm • D# Maj • 02:20 • -13.66db
0% Popularity • 40% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 40% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
112 bpm • D Maj • 01:06 • -24.49db
7% Popularity • 52% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 52% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci: La Commedia: Paliaccio, mio m...
93 bpm • C Maj • 01:44 • -20.65db
13% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
13% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VI. Vidit suum
113 bpm • G Maj • 03:13 • -22.92db
11% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
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Sigurd von Koch
13 Gammalsvenska Wijsor: Du hiratans tro...
92 bpm • F# Maj • 02:06 • -20.99db
9% Popularity • 33% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 33% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Rundfunkorchester des Südwestfunks Baden-Baden
The Abduction from the Seraglio, K.384: ...
113 bpm • C Maj • 09:13 • -15.95db
8% Popularity • 38% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
8% Popularity • 38% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Franz Schubert
Auf dem Strom, Op. post 119, D943
92 bpm • E Maj • 09:39 • -14.39db
10% Popularity • 25% Danceability • 18% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 18% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: Kyrie eleison
113 bpm • G# Maj • 05:18 • -25.24db
11% Popularity • 17% Danceability • 4% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: III. Blåbaer-li
92 bpm • F Maj • 03:46 • -11db
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Johannes Brahms
Fünf Lieder, Op. 47: III. Sonntag "So h...
92 bpm • F Maj • 01:46 • -27db
11% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
92 bpm • D Maj • 01:20 • -22db
9% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Un ballo in maschera, Act I: Zitti, l'in...
92 bpm • G Maj • 09:38 • -19.02db
9% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Victoria de los Ángeles
La Cenerentola: Acto II: "Nacqui All'aff...
114 bpm • E Maj • 05:53 • -13.1db
7% Popularity • 41% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 41% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384, ...
113 bpm • A# Maj • 05:16 • -22.81db
7% Popularity • 31% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
7% Popularity • 31% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
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Julián De La Chica
Dispersed And Transcendental Chants, Op....
92 bpm • G Maj • 03:47 • -26.55db
11% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act II: Il pallor, ...
114 bpm • E min • 03:55 • -15.8db
8% Popularity • 38% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Ohn' A...
91 bpm • A Maj • 04:39 • -18.95db
8% Popularity • 25% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Tutto è gioia, t...
91 bpm • G# Maj • 03:32 • -21.88db
7% Popularity • 30% Danceability • 6% Energy • 59% Liveness
1% Instrumentalness • 13% Positiveness
7% Popularity • 30% Danceability • 6% Energy • 59% Liveness
1% Instrumentalness • 13% Positiveness
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Francis Poulenc
La courte paille, FP 178: No. 7, Lune d�...
115 bpm • C min • 03:08 • -26.01db
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Requiem in D Minor, K. 626: X. H...
91 bpm • C min • 03:06 • -24.69db
5% Popularity • 27% Danceability • 12% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
5% Popularity • 27% Danceability • 12% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Petite messe solennelle: IX. Gloria. Quo...
115 bpm • E Maj • 07:51 • -24.18db
8% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giuseppe Verdi
Macbeth, Act I: Chorus. S'allontanarono!...
115 bpm • A Maj • 04:16 • -19.07db
13% Popularity • 45% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 45% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Salve Regina
90 bpm • F Maj • 05:57 • -20.28db
8% Popularity • 25% Danceability • 9% Energy • 21% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 25% Danceability • 9% Energy • 21% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Louise Bertin
Fausto, Act I: Terzetto. Vezzosa giovine...
116 bpm • A Maj • 07:16 • -15.12db
8% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
91 bpm • C Maj • 01:14 • -12.16db
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Vincenzo Bellini
Bellini: Norma, Act 1 Scene 4: No. 4d, "...
116 bpm • F Maj • 02:10 • -19db
10% Popularity • 41% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 41% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Rossini: Zelmira, Act 1: "Perche mi guar...
90 bpm • F Maj • 05:58 • -30.9db
8% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
116 bpm • F min • 06:42 • -18.2db
9% Popularity • 27% Danceability • 17% Energy • 7% Liveness
59% Instrumentalness • 16% Positiveness
9% Popularity • 27% Danceability • 17% Energy • 7% Liveness
59% Instrumentalness • 16% Positiveness
► Preview
Giacomo Puccini
Messa di Gloria: Sanctus
116 bpm • D Maj • 01:18 • -20.76db
15% Popularity • 24% Danceability • 8% Energy • 17% Liveness
78% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 8% Energy • 17% Liveness
78% Instrumentalness • 9% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Pique Dame (Pikovaya Dama), Op. 68, TH.1...
89 bpm • F# min • 02:56 • -25.96db
8% Popularity • 30% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
