Songs like The Test of Machine 2 by Shinichi Atobe
Based on a tempo of (+/- 10%) and a similar genre
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Shinichi Atobe
The Test of Machine 2
78 bpm • G Maj • 03:09 • -16.72db
26% Popularity • 49% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
26% Popularity • 49% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Slow Attack Ensemble
Early Dawning
78 bpm • B min • 02:39 • -22db
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Tomaga
Intimate Immensity (Remix)
78 bpm • C Maj • 06:11 • -22db
20% Popularity • 25% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
20% Popularity • 25% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Sky H1
Huit
79 bpm • F# Maj • 03:50 • -21db
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Actress
Chaos Rain
79 bpm • A# Maj • 02:30 • -15.77db
20% Popularity • 13% Danceability • 38% Energy • 13% Liveness
59% Instrumentalness • 11% Positiveness
20% Popularity • 13% Danceability • 38% Energy • 13% Liveness
59% Instrumentalness • 11% Positiveness
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Oval
Do While ⌘X
77 bpm • D min • 04:50 • -22db
35% Popularity • 31% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
35% Popularity • 31% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
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Tim Hecker
Music for Tundra Pt. 2
79 bpm • G# min • 01:57 • -23.57db
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Sofie Birch
Connotes Beauty
79 bpm • C Maj • 03:50 • -17.94db
23% Popularity • 14% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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MEITEI
Sankai
79 bpm • D# min • 04:18 • -17.42db
24% Popularity • 43% Danceability • 41% Energy • 35% Liveness
84% Instrumentalness • 57% Positiveness
24% Popularity • 43% Danceability • 41% Energy • 35% Liveness
84% Instrumentalness • 57% Positiveness
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Mark Pritchard
Mên-an-Tol
77 bpm • A min • 01:32 • -20.38db
39% Popularity • 22% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
39% Popularity • 22% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Imaginary Softwoods
Bronze Lamp
77 bpm • G min • 01:46 • -11db
34% Popularity • 17% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
34% Popularity • 17% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
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Actress
N.E.W.
79 bpm • E Maj • 04:14 • -9.81db
23% Popularity • 17% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 17% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Huerco S.
Chunkee Player
77 bpm • B min • 01:39 • -20.67db
29% Popularity • 46% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
29% Popularity • 46% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
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Pye Corner Audio
The Long Now
79 bpm • F# Maj • 01:05 • -24db
40% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
40% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Anthony Naples
Alto
80 bpm • A min • 02:58 • -17.02db
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Kelly Moran
Radian
77 bpm • F min • 02:50 • -21db
24% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Light Patterns
76 bpm • D# min • 05:50 • -17.9db
24% Popularity • 36% Danceability • 30% Energy • 22% Liveness
98% Instrumentalness • 5% Positiveness
24% Popularity • 36% Danceability • 30% Energy • 22% Liveness
98% Instrumentalness • 5% Positiveness
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HVAD
Zhao Hua
80 bpm • E Maj • 06:46 • -18db
23% Popularity • 8% Danceability • 27% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 27% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Tristan Arp
Pond In Moonlight
80 bpm • D# min • 03:06 • -19.48db
18% Popularity • 68% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
18% Popularity • 68% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Leon Vynehall
It Breaks (Chapter IX)
80 bpm • F Maj • 02:17 • -22db
46% Popularity • 16% Danceability • 10% Energy • 51% Liveness
86% Instrumentalness • 10% Positiveness
46% Popularity • 16% Danceability • 10% Energy • 51% Liveness
86% Instrumentalness • 10% Positiveness
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Rei Harakami
first period
80 bpm • C Maj • 06:03 • -29.13db
27% Popularity • 19% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
27% Popularity • 19% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
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Maxime Denuc
Edo
80 bpm • G# min • 04:52 • -25.97db
30% Popularity • 13% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
November, 1st in Detroit
80 bpm • D min • 03:56 • -15.23db
33% Popularity • 23% Danceability • 25% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 23% Danceability • 25% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Chino Yoshio
193193 (For Gentle Sine Bells)
80 bpm • A# min • 01:34 • -33.73db
43% Popularity • 26% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
43% Popularity • 26% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Kuniyuki Takahashi
Your Home
80 bpm • D Maj • 05:11 • -16.88db
32% Popularity • 52% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
32% Popularity • 52% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Saloli
Barcarolle
76 bpm • A# min • 04:42 • -17.75db
30% Popularity • 31% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
30% Popularity • 31% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Andrew Pekler
Los Jardines
80 bpm • G# Maj • 03:39 • -21db
12% Popularity • 30% Danceability • 34% Energy • 15% Liveness
68% Instrumentalness • 39% Positiveness
12% Popularity • 30% Danceability • 34% Energy • 15% Liveness
68% Instrumentalness • 39% Positiveness
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Steve Hauschildt
Poinsettia
80 bpm • C# min • 01:01 • -12.38db
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
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Wilson Tanner
All Hands Bury the Dead
76 bpm • G# Maj • 04:12 • -26.13db
15% Popularity • 16% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
15% Popularity • 16% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Roméo Poirier
Le bématiste
75 bpm • G# Maj • 03:27 • -15.3db
21% Popularity • 49% Danceability • 46% Energy • 20% Liveness
98% Instrumentalness • 18% Positiveness
21% Popularity • 49% Danceability • 46% Energy • 20% Liveness
98% Instrumentalness • 18% Positiveness
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Huerco S.
Kraanvogel
81 bpm • A min • 05:38 • -17db
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
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Kara-Lis Coverdale
2c
81 bpm • F min • 07:52 • -13.58db
22% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Laurel Halo
Mercury
81 bpm • A# min • 03:56 • -15.73db
17% Popularity • 40% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 40% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Floating Points
Sea-Watch
81 bpm • F min • 04:04 • -19db
33% Popularity • 14% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
33% Popularity • 14% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Huerta
Aerial Interlude
81 bpm • C# min • 02:12 • -20.74db
34% Popularity • 16% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Actress
Remembrance
82 bpm • E min • 02:41 • -20db
38% Popularity • 13% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
38% Popularity • 13% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Suso Saiz
Tortoise And Hare
74 bpm • G min • 03:41 • -31db
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Lord Of The Isles
Coco Melon
74 bpm • C Maj • 02:05 • -16.32db
34% Popularity • 30% Danceability • 39% Energy • 17% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 39% Energy • 17% Liveness
85% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Everything Turns Black to Blue
74 bpm • A Maj • 04:00 • -20db
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Bochum Welt
At Dawn
74 bpm • C Maj • 01:15 • -30.31db
36% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
36% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Actress
XRAY
83 bpm • A min • 03:31 • -17db
34% Popularity • 54% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 54% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Space Afrika
Sd/Tl
82 bpm • C# Maj • 05:26 • -25db
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
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Domenique Dumont
Watching Boats Pass By
74 bpm • D# Maj • 03:36 • -20.4db
30% Popularity • 7% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 38% Positiveness
30% Popularity • 7% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 38% Positiveness
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GAS
Pop 1
83 bpm • F Maj • 05:11 • -18.58db
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Slow Attack Ensemble
Mizue
82 bpm • A min • 02:36 • -13.96db
39% Popularity • 57% Danceability • 15% Energy • 7% Liveness
99% Instrumentalness • 23% Positiveness
39% Popularity • 57% Danceability • 15% Energy • 7% Liveness
99% Instrumentalness • 23% Positiveness
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Broadcast
Microtronics 20
74 bpm • F Maj • 01:35 • -12.49db
28% Popularity • 30% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 30% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sam Gendel
Mouthfeel 5
73 bpm • F min • 03:15 • -18.69db
28% Popularity • 12% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Grand River
This Was Us
83 bpm • F# Maj • 02:51 • -26db
28% Popularity • 36% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
28% Popularity • 36% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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HTRK
Bio
73 bpm • C min • 01:20 • -27.88db
37% Popularity • 20% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Secede
The King of Sanda
73 bpm • F min • 02:13 • -20.53db
39% Popularity • 18% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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James Dashow
Oedipus Orca - Theme From "Oedipus Orca"
84 bpm • C# Maj • 02:18 • -19db
27% Popularity • 42% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 56% Positiveness
27% Popularity • 42% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 56% Positiveness
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Sofie Birch
Heart Donor
84 bpm • C Maj • 02:53 • -21.46db
32% Popularity • 14% Danceability • 14% Energy • 68% Liveness
80% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 68% Liveness
80% Instrumentalness • 5% Positiveness
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Rezzett
Yunus in Ekstasi
73 bpm • C min • 03:16 • -15.2db
19% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Imaginary Softwoods
The Geranium Room
84 bpm • A min • 01:04 • -17.83db
38% Popularity • 42% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Squarepusher
Goodnight Jade
72 bpm • F# Maj • 02:45 • -26.76db
27% Popularity • 40% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
27% Popularity • 40% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Slow Attack Ensemble
In Another Room
72 bpm • A min • 02:52 • -16db
36% Popularity • 24% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Dylan Henner
Two Trains Came Through the Station at O...
72 bpm • C min • 04:52 • -18db
20% Popularity • 10% Danceability • 18% Energy • 28% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 18% Energy • 28% Liveness
96% Instrumentalness • 3% Positiveness
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ADR
Open Invitation
85 bpm • B Maj • 04:49 • -15.23db
20% Popularity • 9% Danceability • 31% Energy • 13% Liveness
20% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 31% Energy • 13% Liveness
20% Instrumentalness • 4% Positiveness
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Sofie Birch
Død & Hav
72 bpm • C min • 04:16 • -25db
19% Popularity • 21% Danceability • 4% Energy • 13% Liveness
72% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 13% Liveness
72% Instrumentalness • 4% Positiveness
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HTRK
Over The Rainbow
72 bpm • A# min • 04:28 • -25.8db
18% Popularity • 15% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Cybe
Muzak Paintings Positive Movement, Pt. 2...
85 bpm • A min • 02:32 • -11.35db
20% Popularity • 18% Danceability • 35% Energy • 22% Liveness
87% Instrumentalness • 7% Positiveness
20% Popularity • 18% Danceability • 35% Energy • 22% Liveness
87% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
In Blue Unsure Dawn
72 bpm • E min • 03:51 • -16db
32% Popularity • 34% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
32% Popularity • 34% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
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Laurel Halo
Public Art - Mixed
86 bpm • C min • 01:08 • -9.71db
30% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
30% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
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Hype Williams
Break4love
85 bpm • A# min • 03:02 • -18db
36% Popularity • 10% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
36% Popularity • 10% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Midori Hirano
Close to Life
71 bpm • E min • 03:25 • -17.71db
19% Popularity • 12% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Perila
Room To Room
71 bpm • C# min • 03:08 • -22db
19% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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MEITEI
Myō
86 bpm • F min • 01:45 • -21db
40% Popularity • 38% Danceability • 22% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 38% Danceability • 22% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Slow Attack Ensemble
Pink Turns to Grey
85 bpm • D min • 07:15 • -15.6db
22% Popularity • 40% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
22% Popularity • 40% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Vladislav Delay
Untitled Track
86 bpm • F# min • 01:38 • -30.18db
30% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
30% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Eli Keszler
The Vaulting Sky
86 bpm • A# min • 03:49 • -17db
27% Popularity • 38% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
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Khotin
Somehow More Sad
87 bpm • G Maj • 03:01 • -15.7db
13% Popularity • 19% Danceability • 18% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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7038634357
Afterall
71 bpm • C Maj • 03:26 • -25.35db
21% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Farben
Powerbaum
87 bpm • C# min • 01:44 • -12.07db
20% Popularity • 45% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 45% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Tujiko Noriko
Rooftop
70 bpm • A# min • 04:45 • -27.67db
22% Popularity • 10% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 10% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Yamaneko
Fragrance Transmission
70 bpm • C# min • 04:07 • -22.45db
24% Popularity • 51% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
24% Popularity • 51% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Emily A. Sprague
Your Pond
70 bpm • C Maj • 06:03 • -25db
28% Popularity • 18% Danceability • 7% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
28% Popularity • 18% Danceability • 7% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
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Khotin
Welcome
70 bpm • C Maj • 01:15 • -11.19db
35% Popularity • 54% Danceability • 30% Energy • 19% Liveness
80% Instrumentalness • 16% Positiveness
35% Popularity • 54% Danceability • 30% Energy • 19% Liveness
80% Instrumentalness • 16% Positiveness
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Space Afrika
Uwëm/Creātiōn
69 bpm • G Maj • 05:21 • -20.69db
21% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
21% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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M. Sage
Harbor Dive
88 bpm • A# Maj • 02:24 • -15db
34% Popularity • 9% Danceability • 44% Energy • 26% Liveness
48% Instrumentalness • 41% Positiveness
34% Popularity • 9% Danceability • 44% Energy • 26% Liveness
48% Instrumentalness • 41% Positiveness
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Yasuaki Shimizu
Seiko 2
88 bpm • F min • 01:08 • -20.17db
35% Popularity • 32% Danceability • 28% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 32% Danceability • 28% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
Gossamer Silk
69 bpm • B min • 05:39 • -16db
16% Popularity • 19% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
16% Popularity • 19% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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Slow Attack Ensemble
Melting Ice
69 bpm • B min • 01:52 • -18.53db
45% Popularity • 24% Danceability • 10% Energy • 7% Liveness
65% Instrumentalness • 7% Positiveness
45% Popularity • 24% Danceability • 10% Energy • 7% Liveness
65% Instrumentalness • 7% Positiveness
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Kornél Kovács
Szikra (Intro)
69 bpm • E min • 01:37 • -27.92db
31% Popularity • 22% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
31% Popularity • 22% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Lord Of The Isles
One Lifetime is not Enough for Us
88 bpm • A min • 03:09 • -12.51db
22% Popularity • 10% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 10% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Jordon Alexander
Doze On The Bullet Train
69 bpm • F Maj • 02:52 • -26.28db
29% Popularity • 20% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
29% Popularity • 20% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Khotin
Levi's Synth
69 bpm • A# Maj • 09:31 • -15.7db
30% Popularity • 23% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
30% Popularity • 23% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Vanessa Amara
And Promise
69 bpm • F# Maj • 01:49 • -22.34db
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
27% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Kona Triangle
Astorias Ascent - Mixed
90 bpm • F min • 01:22 • -14.8db
26% Popularity • 13% Danceability • 31% Energy • 17% Liveness
82% Instrumentalness • 14% Positiveness
26% Popularity • 13% Danceability • 31% Energy • 17% Liveness
82% Instrumentalness • 14% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
16% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Spirituals
Here I Am, Two Warships
68 bpm • C# Maj • 04:50 • -20.19db
11% Popularity • 55% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 55% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Anthony Naples
Casia
90 bpm • E min • 01:03 • -17.76db
40% Popularity • 17% Danceability • 12% Energy • 36% Liveness
98% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 12% Energy • 36% Liveness
98% Instrumentalness • 5% Positiveness
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Jefre Cantu-Ledesma
Echoing Green
90 bpm • D Maj • 02:17 • -14.72db
25% Popularity • 38% Danceability • 34% Energy • 7% Liveness
85% Instrumentalness • 11% Positiveness
25% Popularity • 38% Danceability • 34% Energy • 7% Liveness
85% Instrumentalness • 11% Positiveness
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Huerco S.
Hear Me Out
67 bpm • D# min • 06:07 • -26db
24% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Roméo Poirier
Prioni
67 bpm • G min • 03:18 • -23.46db
13% Popularity • 11% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
13% Popularity • 11% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
