Songs like The Third of July by John Prine
Based on a tempo of (+/- 10%) and a similar genre
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John Prine
The Third of July
154 bpm • C Maj • 03:08 • -12.99db
18% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ted Hawkins
Big Things
154 bpm • G# Maj • 02:42 • -11.41db
28% Popularity • 40% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 40% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Robbie Fulks
She Took A Lot Of Pills (And Died)
155 bpm • A Maj • 02:43 • -6.84db
34% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Flatlanders
Shadow of the Moon
153 bpm • E Maj • 02:52 • -10.54db
19% Popularity • 55% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 55% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan Adams & The Cardinals
Let It Ride
154 bpm • D min • 03:23 • -4.92db
47% Popularity • 43% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 43% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Iris DeMent
Let the Mystery Be
156 bpm • F Maj • 02:50 • -8.99db
38% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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John Prine
Souvenirs
153 bpm • E Maj • 03:42 • -11.86db
46% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Richard Thompson
Saving the Good Stuff for You
156 bpm • D Maj • 03:54 • -8.14db
24% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Malcolm Holcombe
Who Carried You
152 bpm • C# Maj • 03:31 • -17.52db
19% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Warren Zevon
I Was in the House When the House Burned...
152 bpm • A# Maj • 03:04 • -5.1db
31% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Blaze Foley
Clay Pigeons
152 bpm • B Maj • 04:15 • -16.49db
39% Popularity • 55% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 55% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Gram Parsons
Big Mouth Blues - 1973 Live Version
157 bpm • D Maj • 05:35 • -12.22db
12% Popularity • 58% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 58% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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John Prine
Other Side of Town - Live
151 bpm • D Maj • 04:53 • -14.01db
29% Popularity • 47% Danceability • 24% Energy • 91% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 47% Danceability • 24% Energy • 91% Liveness
0% Instrumentalness • 43% Positiveness
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The Band
Acadian Driftwood - Remastered 2000
158 bpm • F Maj • 06:42 • -9db
42% Popularity • 49% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 49% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Gourds
Dying of the Pines
158 bpm • C Maj • 04:36 • -12.85db
15% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Allison Moorer
The Rock and the Hill
150 bpm • A# min • 03:39 • -4.95db
33% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Robbie Fulks
Georgia Hard
149 bpm • G Maj • 04:14 • -6.27db
9% Popularity • 52% Danceability • 68% Energy • 18% Liveness
17% Instrumentalness • 56% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 18% Liveness
17% Instrumentalness • 56% Positiveness
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Gram Parsons
Hearts on Fire - 2002 Remaster
149 bpm • G Maj • 03:52 • -10.49db
28% Popularity • 37% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 37% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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John Prine
The Moon Is Down
151 bpm • F Maj • 03:47 • -12.12db
24% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Nathaniel Rateliff
Sam Stone
149 bpm • D Maj • 04:17 • -10.96db
29% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Son Volt
Looking at the World Through a Windshiel...
159 bpm • A Maj • 03:08 • -9.18db
32% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mary Gauthier
Drop In A Bucket
159 bpm • A Maj • 04:10 • -8.5db
30% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Dave Rawlings Machine
The Last Pharaoh
160 bpm • C# Maj • 03:37 • -9.16db
13% Popularity • 55% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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The Gourds
How Will You Shine?
149 bpm • D Maj • 05:11 • -5.65db
13% Popularity • 44% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 44% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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John Prine
Daddy's Little Pumpkin
158 bpm • D# Maj • 02:41 • -14.57db
38% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Kinky Friedman
I'm the Loneliest Man I Ever Met
148 bpm • D Maj • 02:48 • -9.76db
11% Popularity • 44% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 44% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Sharon Shannon
Love Love Love
160 bpm • E Maj • 03:21 • -7.48db
17% Popularity • 38% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 38% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Otis Gibbs
Great American Roadside
148 bpm • B Maj • 02:49 • -10.71db
15% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Bottle Rockets
Get Down, River
148 bpm • G Maj • 03:15 • -7.05db
9% Popularity • 62% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 62% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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The Gourds
Steeple Full Of Swallows
148 bpm • C Maj • 03:51 • -7.32db
19% Popularity • 55% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
19% Popularity • 55% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
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John Prine
She Is My Everything
159 bpm • G Maj • 04:25 • -8.52db
37% Popularity • 40% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 40% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Levon Helm
The Weight
161 bpm • A# Maj • 06:13 • -6db
26% Popularity • 39% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 39% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Blackie & The Rodeo Kings
North
147 bpm • E Maj • 03:20 • -7db
34% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Smither
Link Of Chain
147 bpm • F# Maj • 04:50 • -9db
34% Popularity • 44% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
34% Popularity • 44% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
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Loudon Wainwright III
Dead Skunk
147 bpm • G Maj • 03:05 • -11.51db
41% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Gourds
Pill Bug Blues
147 bpm • C Maj • 03:59 • -8.74db
27% Popularity • 67% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 67% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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John Prine
Rocky Mountain Time
147 bpm • G Maj • 03:10 • -17db
24% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Son Volt
Live Free - 2015 Remaster
147 bpm • D Maj • 03:14 • -7.56db
25% Popularity • 32% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 32% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Blaze Foley
Oval Room
162 bpm • C min • 04:04 • -6.33db
35% Popularity • 52% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 52% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Smither
Get A Better One
162 bpm • F# Maj • 02:46 • -9.1db
34% Popularity • 42% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 42% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 56% Positiveness
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The Marshall Tucker Band
In My Own Way
146 bpm • G Maj • 07:22 • -7.17db
31% Popularity • 40% Danceability • 68% Energy • 27% Liveness
9% Instrumentalness • 75% Positiveness
31% Popularity • 40% Danceability • 68% Energy • 27% Liveness
9% Instrumentalness • 75% Positiveness
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Dave Alvin
Here in California
146 bpm • A Maj • 04:35 • -13.21db
29% Popularity • 70% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 70% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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John Prine
Jesus, The Missing Years
149 bpm • C Maj • 05:57 • -17.79db
29% Popularity • 53% Danceability • 20% Energy • 23% Liveness
1% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 20% Energy • 23% Liveness
1% Instrumentalness • 49% Positiveness
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The Gourds
El Paso
145 bpm • D Maj • 03:10 • -6.81db
27% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Blaze Foley
Tree House Lullaby
162 bpm • G Maj • 02:12 • -14.59db
32% Popularity • 45% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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The Seldom Scene
Wait A Minute
163 bpm • B Maj • 03:35 • -13.78db
31% Popularity • 38% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 38% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Colvin & Earle
Tell Moses
145 bpm • G Maj • 03:41 • -7.5db
11% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Levon Helm
Poor Old Dirt Farmer
145 bpm • G Maj • 03:52 • -7db
31% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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John Prine
Mexican Home
149 bpm • G Maj • 04:36 • -13.51db
32% Popularity • 52% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 52% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
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Terry Allen
The Great Joe Bob (a Regional Tragedy)
145 bpm • C Maj • 04:42 • -9db
22% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ian Noe
A Young Felon Dates an Old Woman
164 bpm • F Maj • 03:14 • -7.28db
39% Popularity • 30% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 30% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Bragg
At My Window Sad And Lonely
145 bpm • A Maj • 03:27 • -8db
35% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Arlo Guthrie
Deportees
144 bpm • F Maj • 03:50 • -7db
21% Popularity • 43% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 43% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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John Hiatt
God's Golden Eyes
144 bpm • C Maj • 02:28 • -11.09db
33% Popularity • 46% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 46% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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John Prine
Boundless Love
146 bpm • G Maj • 03:35 • -16.13db
38% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Willie Watson
Keep It Clean
144 bpm • A Maj • 03:35 • -13db
22% Popularity • 66% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 66% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Mary Gauthier
Different Kind Of Gone
144 bpm • C Maj • 03:41 • -14.69db
29% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah Shook & the Disarmers
New Ways to Fail
144 bpm • G Maj • 04:07 • -8.53db
29% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Arlo Guthrie
Oklahoma Hills - Remastered
144 bpm • G Maj • 03:27 • -9db
25% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Blue Mountain
Wink
165 bpm • G Maj • 03:17 • -11.15db
19% Popularity • 36% Danceability • 49% Energy • 30% Liveness
10% Instrumentalness • 58% Positiveness
19% Popularity • 36% Danceability • 49% Energy • 30% Liveness
10% Instrumentalness • 58% Positiveness
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John Prine
My Darlin' Hometown
145 bpm • F Maj • 03:14 • -12.41db
24% Popularity • 42% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 42% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Flatlanders
Tonight I Think I'm Gonna Go Downtown
143 bpm • E Maj • 02:41 • -12.17db
22% Popularity • 52% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 52% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Willis Alan Ramsey
Painted Lady
165 bpm • A min • 03:06 • -12.42db
28% Popularity • 41% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 41% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Buddy Miller
Don't Listen To The Wind
143 bpm • C Maj • 03:37 • -13.5db
13% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Uncle Tupelo
Moonshiner
143 bpm • C Maj • 04:23 • -13.75db
37% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Whiskeytown
Jacksonville Skyline
143 bpm • B Maj • 03:00 • -14db
45% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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John Prine
In a Town This Size
144 bpm • D Maj • 03:31 • -12.86db
36% Popularity • 72% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 72% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The Flatlanders
The Way We Are
166 bpm • G# Maj • 03:12 • -7.38db
11% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Tift Merritt
I Am Your Tambourine
143 bpm • D Maj • 03:44 • -3.3db
24% Popularity • 45% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
24% Popularity • 45% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
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Amanda Shires
The Way It Dimmed
167 bpm • B Maj • 02:11 • -14.09db
34% Popularity • 64% Danceability • 44% Energy • 14% Liveness
32% Instrumentalness • 67% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 14% Liveness
32% Instrumentalness • 67% Positiveness
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Willis Alan Ramsey
Ballad Of Spider John
142 bpm • G Maj • 04:18 • -15db
30% Popularity • 41% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 41% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Whiskeytown
Too Drunk To Dream
142 bpm • A Maj • 02:53 • -6.38db
25% Popularity • 53% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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John Prine
Yes I Guess They Oughta Name a Drink Aft...
143 bpm • A Maj • 02:10 • -13.57db
39% Popularity • 55% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 55% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Bap Kennedy
Mostly Water
142 bpm • A Maj • 03:23 • -10.34db
16% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Tift Merritt
Dusty Old Man
142 bpm • F min • 03:47 • -7db
33% Popularity • 56% Danceability • 88% Energy • 15% Liveness
3% Instrumentalness • 92% Positiveness
33% Popularity • 56% Danceability • 88% Energy • 15% Liveness
3% Instrumentalness • 92% Positiveness
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Levon Helm
Anna Lee
168 bpm • D Maj • 03:42 • -9.13db
19% Popularity • 23% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 23% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Dave Rawlings Machine
Pilgrim (You Can't Go Home)
142 bpm • A Maj • 07:57 • -8db
15% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Ray Wylie Hubbard
There Are Some Days
141 bpm • C Maj • 05:08 • -8.79db
12% Popularity • 60% Danceability • 41% Energy • 14% Liveness
5% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 14% Liveness
5% Instrumentalness • 26% Positiveness
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John Prine
People Puttin' People Down
142 bpm • C Maj • 04:00 • -13.12db
22% Popularity • 52% Danceability • 32% Energy • 46% Liveness
2% Instrumentalness • 45% Positiveness
22% Popularity • 52% Danceability • 32% Energy • 46% Liveness
2% Instrumentalness • 45% Positiveness
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Patty Griffin
Shine a Different Way
169 bpm • D Maj • 05:17 • -12db
34% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Band
Long Black Veil - Remastered 2000
140 bpm • G Maj • 03:01 • -9.81db
42% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Old 97's
Champaign, Illinois
140 bpm • F Maj • 03:25 • -5.65db
32% Popularity • 55% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 55% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Chatham County Line
Girl She Used to Be
170 bpm • D# Maj • 02:50 • -10db
19% Popularity • 41% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 41% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Swamp Dogg
Please Let Me Go Round Again
140 bpm • C Maj • 04:40 • -13.28db
23% Popularity • 71% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 71% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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John Prine
Storm Windows
140 bpm • G Maj • 05:04 • -13.29db
25% Popularity • 45% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 45% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Warren Zevon
The Rosarita Beach Cafe
140 bpm • C Maj • 04:09 • -11.53db
12% Popularity • 54% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
12% Popularity • 54% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Mac Wiseman
I Sang The Song
170 bpm • E Maj • 03:35 • -11.76db
23% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Blaze Foley
Livin' in the Woods in a Tree
170 bpm • C Maj • 02:09 • -12.45db
39% Popularity • 43% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
39% Popularity • 43% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Rico Bell
On the Streets
139 bpm • E Maj • 03:55 • -9.66db
22% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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The Band
Twilight - Early Alternate Version/Remas...
139 bpm • A Maj • 03:13 • -10db
28% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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John Prine
Taking a Walk
140 bpm • G Maj • 06:09 • -9.97db
29% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Donna The Buffalo
No Place Like The Right Time
139 bpm • A Maj • 04:22 • -10db
33% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Lukas Nelson and Promise of the Real
Leave ‘em Behind
139 bpm • G Maj • 03:25 • -6.4db
35% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Blue Mountain
Mountain Girl
139 bpm • D Maj • 04:05 • -9.77db
37% Popularity • 54% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 87% Positiveness
37% Popularity • 54% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 87% Positiveness
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Terry Allen
There Oughta Be a Law Against Sunny Sout...
171 bpm • E min • 04:29 • -10.09db
19% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
32% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
32% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
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John Prine
Picture Show
170 bpm • G Maj • 03:22 • -10.35db
36% Popularity • 52% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 52% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Rosanne Cash
Long Black Veil
139 bpm • A# Maj • 03:10 • -10db
36% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
