Songs like The Thom Yorke Dance Machine by Pantomime Horse
Based on a tempo of (+/- 10%) and a similar genre
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Pantomime Horse
The Thom Yorke Dance Machine
101 bpm • G Maj • 03:17 • -11.9db
0% Popularity • 49% Danceability • 42% Energy • 14% Liveness
86% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 42% Energy • 14% Liveness
86% Instrumentalness • 21% Positiveness
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Eggboy
Thirst
101 bpm • G Maj • 03:52 • -14.48db
8% Popularity • 49% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
8% Popularity • 49% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Tones On Tail
When You're Smiling
101 bpm • D min • 05:47 • -13.31db
13% Popularity • 68% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 50% Positiveness
13% Popularity • 68% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 50% Positiveness
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Mystic 100's
Food for the Boogieman
100 bpm • A Maj • 06:24 • -10.99db
8% Popularity • 16% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 16% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Gavin Watts
The Start
102 bpm • F Maj • 01:02 • -13.62db
15% Popularity • 15% Danceability • 62% Energy • 13% Liveness
96% Instrumentalness • 25% Positiveness
15% Popularity • 15% Danceability • 62% Energy • 13% Liveness
96% Instrumentalness • 25% Positiveness
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EBONIKZ
Light
102 bpm • D Maj • 01:00 • -13.85db
17% Popularity • 64% Danceability • 38% Energy • 10% Liveness
39% Instrumentalness • 26% Positiveness
17% Popularity • 64% Danceability • 38% Energy • 10% Liveness
39% Instrumentalness • 26% Positiveness
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Pierre Schaeffer
Etudes Instrumentales: b) Flute Mexicain...
100 bpm • G# Maj • 03:08 • -22db
10% Popularity • 41% Danceability • 44% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
10% Popularity • 41% Danceability • 44% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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Fear Incorporated
The Last Laugh
100 bpm • F min • 01:46 • -15.42db
11% Popularity • 72% Danceability • 66% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
11% Popularity • 72% Danceability • 66% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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The Westerlies
Robert Henry
100 bpm • A# Maj • 05:22 • -11.84db
31% Popularity • 48% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
31% Popularity • 48% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
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Bartolo Oliveri
Always judged
100 bpm • D Maj • 01:45 • -18.18db
17% Popularity • 62% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
17% Popularity • 62% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Sophia Jean-baptiste
Become
102 bpm • F# Maj • 02:39 • -8.28db
31% Popularity • 71% Danceability • 56% Energy • 16% Liveness
46% Instrumentalness • 80% Positiveness
31% Popularity • 71% Danceability • 56% Energy • 16% Liveness
46% Instrumentalness • 80% Positiveness
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MouthBreather
Self-Tape
100 bpm • D# Maj • 01:42 • -17.07db
16% Popularity • 64% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
16% Popularity • 64% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Boris
Soft Edge
102 bpm • F min • 03:50 • -14.01db
19% Popularity • 14% Danceability • 62% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 62% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Dictaphone
M.=addiction
103 bpm • E min • 03:31 • -15.68db
8% Popularity • 25% Danceability • 32% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
8% Popularity • 25% Danceability • 32% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
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Sea Power
Total Confusion - 2024 Remaster
99 bpm • A min • 07:00 • -11.23db
9% Popularity • 29% Danceability • 49% Energy • 28% Liveness
25% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 49% Energy • 28% Liveness
25% Instrumentalness • 9% Positiveness
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Jean-Michel Jarre
La cage
99 bpm • C Maj • 03:08 • -8.64db
14% Popularity • 57% Danceability • 90% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
14% Popularity • 57% Danceability • 90% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
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The Cleaners From Venus
The Autumn Cornfield
103 bpm • D# min • 03:33 • -18.45db
9% Popularity • 68% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 68% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Bruce Haack
Chant Of The Unborn
103 bpm • C Maj • 01:24 • -8.02db
14% Popularity • 53% Danceability • 93% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
14% Popularity • 53% Danceability • 93% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Vangelis
Watch Out
103 bpm • G# Maj • 03:03 • -15.31db
8% Popularity • 29% Danceability • 50% Energy • 36% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 50% Energy • 36% Liveness
89% Instrumentalness • 8% Positiveness
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The 432 Ensemble
Turkish March (Alla Turca), Kv 331 (Mari...
103 bpm • A Maj • 02:33 • -12.13db
15% Popularity • 46% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 37% Positiveness
15% Popularity • 46% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 37% Positiveness
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Valentina Magaletti
The Other Side of Everything
99 bpm • A# min • 03:10 • -11.22db
18% Popularity • 60% Danceability • 43% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
18% Popularity • 60% Danceability • 43% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Broadcast
how do you get along sir?
104 bpm • E min • 01:10 • -12.92db
16% Popularity • 35% Danceability • 73% Energy • 55% Liveness
31% Instrumentalness • 7% Positiveness
16% Popularity • 35% Danceability • 73% Energy • 55% Liveness
31% Instrumentalness • 7% Positiveness
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Jukio Kallio
Is This Happening
98 bpm • G Maj • 02:28 • -11.87db
9% Popularity • 22% Danceability • 64% Energy • 15% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 64% Energy • 15% Liveness
16% Instrumentalness • 4% Positiveness
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Miles Davis
Little Blue Frog
104 bpm • G Maj • 02:36 • -12.83db
13% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Tropic of Cancer
Dive (Wheel of the Law)
98 bpm • F# min • 04:42 • -7.84db
12% Popularity • 37% Danceability • 80% Energy • 14% Liveness
68% Instrumentalness • 19% Positiveness
12% Popularity • 37% Danceability • 80% Energy • 14% Liveness
68% Instrumentalness • 19% Positiveness
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Golden Palace Orchestra
Monkey Forest
98 bpm • E Maj • 03:48 • -11.58db
9% Popularity • 57% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 57% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 30% Positiveness
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Oval
The Politics of Digital Audio
97 bpm • F Maj • 05:21 • -14.52db
9% Popularity • 54% Danceability • 42% Energy • 13% Liveness
86% Instrumentalness • 27% Positiveness
9% Popularity • 54% Danceability • 42% Energy • 13% Liveness
86% Instrumentalness • 27% Positiveness
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Bill Elm
A Man Ready For Anything
97 bpm • E min • 01:57 • -16.78db
16% Popularity • 34% Danceability • 24% Energy • 22% Liveness
63% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 24% Energy • 22% Liveness
63% Instrumentalness • 4% Positiveness
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Alessandro Batazzi
Saharan Dream
97 bpm • A min • 05:00 • -8.78db
9% Popularity • 25% Danceability • 95% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 95% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Lori Vambe
Artnam
97 bpm • C Maj • 00:59 • -18.69db
8% Popularity • 70% Danceability • 51% Energy • 11% Liveness
54% Instrumentalness • 40% Positiveness
8% Popularity • 70% Danceability • 51% Energy • 11% Liveness
54% Instrumentalness • 40% Positiveness
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Infinity Frequencies
The room with no door
105 bpm • G Maj • 01:40 • -18.55db
25% Popularity • 37% Danceability • 40% Energy • 28% Liveness
96% Instrumentalness • 89% Positiveness
25% Popularity • 37% Danceability • 40% Energy • 28% Liveness
96% Instrumentalness • 89% Positiveness
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Samba Jean-Baptiste
Doomsday #5 with Izzy Goldbow
97 bpm • F min • 02:46 • -18.13db
8% Popularity • 54% Danceability • 14% Energy • 12% Liveness
38% Instrumentalness • 10% Positiveness
8% Popularity • 54% Danceability • 14% Energy • 12% Liveness
38% Instrumentalness • 10% Positiveness
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Honour
W-I-S (Above Every Other)
97 bpm • B min • 01:15 • -4.27db
10% Popularity • 36% Danceability • 99% Energy • 43% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 36% Danceability • 99% Energy • 43% Liveness
84% Instrumentalness • 4% Positiveness
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Kade Fuji
They support it
97 bpm • D Maj • 01:06 • -25.23db
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Sonic Youth
Little Jammy Thing
96 bpm • D Maj • 02:20 • -16.38db
15% Popularity • 66% Danceability • 37% Energy • 31% Liveness
88% Instrumentalness • 49% Positiveness
15% Popularity • 66% Danceability • 37% Energy • 31% Liveness
88% Instrumentalness • 49% Positiveness
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Pantomime Horse
Smashing Pumpkins Pie
96 bpm • B min • 02:14 • -7.72db
0% Popularity • 12% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
0% Popularity • 12% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Dictaphone
Goats & Distortions 1
96 bpm • F# min • 01:13 • -20.91db
9% Popularity • 60% Danceability • 57% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
9% Popularity • 60% Danceability • 57% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
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Butthole Surfers
Strangers Die Everyday - 2024 Remaster
106 bpm • E min • 03:09 • -15.25db
16% Popularity • 23% Danceability • 42% Energy • 41% Liveness
91% Instrumentalness • 18% Positiveness
16% Popularity • 23% Danceability • 42% Energy • 41% Liveness
91% Instrumentalness • 18% Positiveness
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Letempo Tool-Tracks
Neverending
106 bpm • A# Maj • 02:09 • -16.58db
10% Popularity • 68% Danceability • 79% Energy • 36% Liveness
91% Instrumentalness • 45% Positiveness
10% Popularity • 68% Danceability • 79% Energy • 36% Liveness
91% Instrumentalness • 45% Positiveness
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Kade Fuji
on the phone for hours
96 bpm • D Maj • 01:06 • -25.23db
20% Popularity • 40% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
20% Popularity • 40% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Charlie Megira
Now I Wanna Drown in Your Dark Dreamy Ey...
106 bpm • G min • 01:13 • -22.09db
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Sun Araw
Beat Cop
106 bpm • C# min • 08:23 • -7.52db
18% Popularity • 34% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 43% Positiveness
18% Popularity • 34% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 43% Positiveness
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Audiq5
Trashy Move
96 bpm • A min • 01:10 • -20.2db
17% Popularity • 62% Danceability • 72% Energy • 39% Liveness
84% Instrumentalness • 45% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 39% Liveness
84% Instrumentalness • 45% Positiveness
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Angus MacLise
Trance #2
96 bpm • D min • 05:12 • -13.95db
7% Popularity • 46% Danceability • 46% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 46% Danceability • 46% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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µ-Ziq
Marmite
107 bpm • A Maj • 06:27 • -12.43db
12% Popularity • 16% Danceability • 37% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 37% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
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Nurse With Wound
The Standard Table Of Daddy
107 bpm • D Maj • 07:19 • -13.21db
7% Popularity • 64% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
7% Popularity • 64% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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The Cinematic Orchestra
Semblance
96 bpm • F Maj • 02:42 • -17db
24% Popularity • 21% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 21% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Sun Araw
Dimension Alley
96 bpm • F# min • 06:07 • -19.09db
12% Popularity • 34% Danceability • 14% Energy • 52% Liveness
86% Instrumentalness • 62% Positiveness
12% Popularity • 34% Danceability • 14% Energy • 52% Liveness
86% Instrumentalness • 62% Positiveness
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Wasser Kompott
Up! Noise! Down! Again!
107 bpm • C Maj • 02:02 • -15.64db
17% Popularity • 78% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
17% Popularity • 78% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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![Han Do Jin [Even Heroes Have To Die] cover art](https://i.scdn.co/image/ab67616d00001e0207f77c530cd0198d58c1e6be)
Depth Charge
Han Do Jin [Even Heroes Have To Die]
107 bpm • D Maj • 07:36 • -11.47db
7% Popularity • 50% Danceability • 83% Energy • 26% Liveness
69% Instrumentalness • 49% Positiveness
7% Popularity • 50% Danceability • 83% Energy • 26% Liveness
69% Instrumentalness • 49% Positiveness
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IntroEvo
Alive
95 bpm • F# Maj • 01:16 • -12.13db
11% Popularity • 57% Danceability • 17% Energy • 21% Liveness
94% Instrumentalness • 33% Positiveness
11% Popularity • 57% Danceability • 17% Energy • 21% Liveness
94% Instrumentalness • 33% Positiveness
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Chris & Cosey
Cowboys In Cuba
107 bpm • D# Maj • 05:46 • -17.98db
12% Popularity • 57% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
12% Popularity • 57% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
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Goblin
Witch - Film Version
108 bpm • G Maj • 02:40 • -11.57db
7% Popularity • 33% Danceability • 97% Energy • 70% Liveness
77% Instrumentalness • 4% Positiveness
7% Popularity • 33% Danceability • 97% Energy • 70% Liveness
77% Instrumentalness • 4% Positiveness
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Pretty Girls Make Graves
--interlude--
95 bpm • E min • 01:18 • -11.55db
7% Popularity • 45% Danceability • 56% Energy • 46% Liveness
14% Instrumentalness • 21% Positiveness
7% Popularity • 45% Danceability • 56% Energy • 46% Liveness
14% Instrumentalness • 21% Positiveness
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Ennio Morricone
The First Tavern
108 bpm • A# min • 01:39 • -8.8db
32% Popularity • 32% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
32% Popularity • 32% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Sonic Youth
Improvisation Ajoutee
108 bpm • G Maj • 02:54 • -11.36db
7% Popularity • 41% Danceability • 87% Energy • 25% Liveness
94% Instrumentalness • 15% Positiveness
7% Popularity • 41% Danceability • 87% Energy • 25% Liveness
94% Instrumentalness • 15% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Pantomime Horse
Bob Dylan's Barber
94 bpm • E Maj • 02:45 • -6.21db
0% Popularity • 58% Danceability • 98% Energy • 13% Liveness
81% Instrumentalness • 64% Positiveness
0% Popularity • 58% Danceability • 98% Energy • 13% Liveness
81% Instrumentalness • 64% Positiveness
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Deaf Center
Animal Sacrifice
109 bpm • C Maj • 04:33 • -19db
9% Popularity • 25% Danceability • 23% Energy • 30% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 23% Energy • 30% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Niño
Wylde (Life), Thyme Decoration
94 bpm • A min • 05:30 • -7.87db
10% Popularity • 20% Danceability • 80% Energy • 34% Liveness
7% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 80% Energy • 34% Liveness
7% Instrumentalness • 5% Positiveness
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Avery Gagne
Firm
94 bpm • F# Maj • 02:25 • -9.2db
31% Popularity • 45% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
31% Popularity • 45% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
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Jackie O Motherfucker
The Louder Roared the Sea - Edit
109 bpm • A# Maj • 07:40 • -12.65db
10% Popularity • 26% Danceability • 73% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
10% Popularity • 26% Danceability • 73% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
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Tuxedomoon
Toreador Del Amor
93 bpm • C min • 05:11 • -15.31db
24% Popularity • 48% Danceability • 20% Energy • 42% Liveness
27% Instrumentalness • 15% Positiveness
24% Popularity • 48% Danceability • 20% Energy • 42% Liveness
27% Instrumentalness • 15% Positiveness
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Rhenemenis
Error
109 bpm • D min • 02:28 • -15.27db
9% Popularity • 66% Danceability • 43% Energy • 34% Liveness
97% Instrumentalness • 71% Positiveness
9% Popularity • 66% Danceability • 43% Energy • 34% Liveness
97% Instrumentalness • 71% Positiveness
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Embryo
Got No Time - Remastered
93 bpm • D Maj • 01:34 • -13.92db
23% Popularity • 61% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
23% Popularity • 61% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
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Disco Inferno
New Clothes For The New World
93 bpm • C# Maj • 02:00 • -9.78db
9% Popularity • 27% Danceability • 90% Energy • 68% Liveness
98% Instrumentalness • 50% Positiveness
9% Popularity • 27% Danceability • 90% Energy • 68% Liveness
98% Instrumentalness • 50% Positiveness
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naran ratan
Vegetable Eater
93 bpm • A Maj • 01:28 • -19db
35% Popularity • 26% Danceability • 13% Energy • 22% Liveness
96% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 13% Energy • 22% Liveness
96% Instrumentalness • 5% Positiveness
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Dirty Beaches
Shadows
93 bpm • A Maj • 02:22 • -13.02db
9% Popularity • 49% Danceability • 49% Energy • 11% Liveness
63% Instrumentalness • 36% Positiveness
9% Popularity • 49% Danceability • 49% Energy • 11% Liveness
63% Instrumentalness • 36% Positiveness
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Orchestral Manoeuvres In The Dark
Nice Ending
93 bpm • D Maj • 01:11 • -13.76db
7% Popularity • 65% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 65% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Muslimgauze
Medina Flight
93 bpm • A# min • 08:45 • -7.22db
12% Popularity • 65% Danceability • 97% Energy • 46% Liveness
80% Instrumentalness • 78% Positiveness
12% Popularity • 65% Danceability • 97% Energy • 46% Liveness
80% Instrumentalness • 78% Positiveness
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Robert Poss
Memory Reposed
110 bpm • A Maj • 02:26 • -9.99db
22% Popularity • 46% Danceability • 65% Energy • 50% Liveness
80% Instrumentalness • 44% Positiveness
22% Popularity • 46% Danceability • 65% Energy • 50% Liveness
80% Instrumentalness • 44% Positiveness
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INF Please
Take 16
110 bpm • A min • 01:13 • -9.54db
13% Popularity • 29% Danceability • 63% Energy • 57% Liveness
76% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 63% Energy • 57% Liveness
76% Instrumentalness • 18% Positiveness
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Master Wilburn Burchette
Birth of a Witch
110 bpm • A min • 05:16 • -18db
9% Popularity • 22% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Anna Calvi
Opium
93 bpm • G Maj • 01:12 • -12.95db
12% Popularity • 60% Danceability • 74% Energy • 14% Liveness
85% Instrumentalness • 36% Positiveness
12% Popularity • 60% Danceability • 74% Energy • 14% Liveness
85% Instrumentalness • 36% Positiveness
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The Cure
Descent
93 bpm • B Maj • 03:08 • -12.41db
11% Popularity • 81% Danceability • 39% Energy • 13% Liveness
92% Instrumentalness • 63% Positiveness
11% Popularity • 81% Danceability • 39% Energy • 13% Liveness
92% Instrumentalness • 63% Positiveness
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They Are Gutting a Body of Water
takis - Audiotree Live Version
93 bpm • C# Maj • 01:12 • -17.26db
17% Popularity • 51% Danceability • 88% Energy • 47% Liveness
63% Instrumentalness • 64% Positiveness
17% Popularity • 51% Danceability • 88% Energy • 47% Liveness
63% Instrumentalness • 64% Positiveness
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Full Tone Generator
The Snake Charmer
110 bpm • D Maj • 01:14 • -12.1db
9% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Black Moth Super Rainbow
Seefu Lilac
110 bpm • D# Maj • 02:33 • -10db
30% Popularity • 28% Danceability • 53% Energy • 19% Liveness
85% Instrumentalness • 13% Positiveness
30% Popularity • 28% Danceability • 53% Energy • 19% Liveness
85% Instrumentalness • 13% Positiveness
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Pantomime Horse
The Cure For Robert Smith
110 bpm • D Maj • 03:50 • -10.02db
0% Popularity • 36% Danceability • 73% Energy • 53% Liveness
35% Instrumentalness • 62% Positiveness
0% Popularity • 36% Danceability • 73% Energy • 53% Liveness
35% Instrumentalness • 62% Positiveness
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Karl Maher
Electrical
110 bpm • C# Maj • 01:14 • -26db
14% Popularity • 53% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 53% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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emotegi
march of bucentaure
110 bpm • F# Maj • 05:07 • -11db
23% Popularity • 69% Danceability • 46% Energy • 12% Liveness
36% Instrumentalness • 26% Positiveness
23% Popularity • 69% Danceability • 46% Energy • 12% Liveness
36% Instrumentalness • 26% Positiveness
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Illapu
Aterrizando en La Bandera
92 bpm • F# min • 01:54 • -27.84db
11% Popularity • 67% Danceability • 50% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 67% Danceability • 50% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
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The Soundtrack Of Our Lives
Regenesis
111 bpm • F min • 02:56 • -14.06db
8% Popularity • 40% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 40% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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what is your name?
the beginning,
92 bpm • A Maj • 02:51 • -8.24db
7% Popularity • 50% Danceability • 67% Energy • 15% Liveness
86% Instrumentalness • 16% Positiveness
7% Popularity • 50% Danceability • 67% Energy • 15% Liveness
86% Instrumentalness • 16% Positiveness
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Pantomime Horse
Stairway to Walmart
92 bpm • C Maj • 04:42 • -14.19db
0% Popularity • 51% Danceability • 56% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
0% Popularity • 51% Danceability • 56% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Faust
Beam Me up, Scotty
111 bpm • D# Maj • 01:17 • -13.93db
9% Popularity • 19% Danceability • 48% Energy • 19% Liveness
65% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 48% Energy • 19% Liveness
65% Instrumentalness • 4% Positiveness
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Susumu Yokota
Fukuro No Yume
111 bpm • C Maj • 02:44 • -14.86db
9% Popularity • 24% Danceability • 30% Energy • 67% Liveness
82% Instrumentalness • 31% Positiveness
9% Popularity • 24% Danceability • 30% Energy • 67% Liveness
82% Instrumentalness • 31% Positiveness
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Trans Am
Love Affair
92 bpm • C Maj • 01:21 • -16.38db
27% Popularity • 46% Danceability • 44% Energy • 26% Liveness
87% Instrumentalness • 3% Positiveness
27% Popularity • 46% Danceability • 44% Energy • 26% Liveness
87% Instrumentalness • 3% Positiveness
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Jacco Gardner
Vaskania
111 bpm • A Maj • 05:19 • -14.29db
10% Popularity • 61% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
10% Popularity • 61% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
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Ramleh
Redcap Part 5
111 bpm • B Maj • 01:35 • -7db
10% Popularity • 17% Danceability • 73% Energy • 36% Liveness
95% Instrumentalness • 20% Positiveness
10% Popularity • 17% Danceability • 73% Energy • 36% Liveness
95% Instrumentalness • 20% Positiveness
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Pantomime Horse
Bruce Haack vs. Tony Banks
92 bpm • D Maj • 04:42 • -11.49db
0% Popularity • 80% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 26% Positiveness
0% Popularity • 80% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 26% Positiveness
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The The
Red Cinders In The Sand
112 bpm • G Maj • 05:42 • -14.65db
14% Popularity • 24% Danceability • 84% Energy • 65% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 24% Danceability • 84% Energy • 65% Liveness
90% Instrumentalness • 26% Positiveness
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Holy Fuck
Shimmering
112 bpm • F# min • 00:58 • -14.35db
21% Popularity • 47% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
21% Popularity • 47% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Shyldao Azuely
Retrospective Neon Waves
112 bpm • G# min • 01:06 • -20.56db
20% Popularity • 60% Danceability • 51% Energy • 26% Liveness
95% Instrumentalness • 43% Positiveness
20% Popularity • 60% Danceability • 51% Energy • 26% Liveness
95% Instrumentalness • 43% Positiveness
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Doddodo
live
91 bpm • D# min • 01:32 • -11.34db
29% Popularity • 45% Danceability • 82% Energy • 36% Liveness
90% Instrumentalness • 74% Positiveness
29% Popularity • 45% Danceability • 82% Energy • 36% Liveness
90% Instrumentalness • 74% Positiveness
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Kitchen Cynics
Phosphorus Tenement
112 bpm • F Maj • 05:10 • -9.97db
10% Popularity • 24% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Prelude To A Nightmare
Circus du Freaks
112 bpm • C# min • 04:04 • -21.16db
10% Popularity • 60% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 60% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
