Songs like The Three Bossa Kings - Alternative Version by Geoffrey Gascoyne
Based on a tempo of (+/- 10%) and a similar genre
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Geoffrey Gascoyne
Guitar Groover
75 bpm • G min • 03:41 • -11.73db
0% Popularity • 71% Danceability • 36% Energy • 7% Liveness
96% Instrumentalness • 56% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 7% Liveness
96% Instrumentalness • 56% Positiveness
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David Carbonara
Nearing the End
75 bpm • C min • 02:53 • -11.8db
12% Popularity • 26% Danceability • 37% Energy • 9% Liveness
98% Instrumentalness • 17% Positiveness
12% Popularity • 26% Danceability • 37% Energy • 9% Liveness
98% Instrumentalness • 17% Positiveness
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King Pleasure
Parker's Mood
75 bpm • A# Maj • 02:49 • -16.22db
9% Popularity • 68% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 68% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Dianne Reeves
I've Got My Eyes On You
75 bpm • A# Maj • 02:04 • -11.94db
22% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The DeMarco Sisters
Time Didn't Change a Thing
76 bpm • A# Maj • 02:55 • -12.06db
6% Popularity • 42% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 42% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Bell Sisters
Baby Count Ten (The Counting Song)
76 bpm • D# Maj • 02:02 • -12db
11% Popularity • 76% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 76% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Ritchie Everett
The Hipcat Swagger
74 bpm • F Maj • 01:59 • -7.94db
14% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Hoagy Carmichael
Georgia On My Mind
76 bpm • C min • 03:58 • -16.29db
25% Popularity • 59% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 59% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Gerald Wilson
You Better Change Your Way Of Lovin' (19...
74 bpm • F Maj • 03:13 • -11.08db
11% Popularity • 42% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 42% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Danny Jonokuchi
The Big Apple
76 bpm • A min • 03:08 • -7.06db
9% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Russ Columbo
Save The Last Dance For Me
74 bpm • D# Maj • 02:53 • -16.19db
44% Popularity • 28% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 28% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Jeri Southern
It's De-Lovely
74 bpm • A# Maj • 02:09 • -15.52db
45% Popularity • 77% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 77% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Dickie Valentine
The Finger of Suspicion
74 bpm • C# min • 02:50 • -10db
26% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Alan Bristow
Music for Anglo Saxes
73 bpm • G Maj • 02:03 • -14.72db
12% Popularity • 18% Danceability • 18% Energy • 23% Liveness
41% Instrumentalness • 14% Positiveness
12% Popularity • 18% Danceability • 18% Energy • 23% Liveness
41% Instrumentalness • 14% Positiveness
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Jade Vincent
Impossible
73 bpm • F Maj • 03:24 • -15.7db
13% Popularity • 30% Danceability • 21% Energy • 79% Liveness
15% Instrumentalness • 16% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 79% Liveness
15% Instrumentalness • 16% Positiveness
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Alan Moorhouse
Moonlight Magic
73 bpm • C# Maj • 03:32 • -18db
15% Popularity • 18% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
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Norah Jones
Mean Ol’ Moon
77 bpm • C Maj • 03:05 • -17.13db
26% Popularity • 41% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 41% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lopé
You Look Lovely
77 bpm • F# min • 01:58 • -13.1db
21% Popularity • 66% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
21% Popularity • 66% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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The Orange Bird Blues Band
Backwood Blues
77 bpm • C Maj • 01:44 • -9.6db
33% Popularity • 39% Danceability • 69% Energy • 57% Liveness
23% Instrumentalness • 77% Positiveness
33% Popularity • 39% Danceability • 69% Energy • 57% Liveness
23% Instrumentalness • 77% Positiveness
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Don Cherry
Band of Gold
78 bpm • G Maj • 02:24 • -11db
12% Popularity • 44% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 44% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Oliver Jones
Lovely Lauren
73 bpm • A# Maj • 04:57 • -25.48db
14% Popularity • 37% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 37% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Lionel Newman
How To Marry A Millionaire: New York
78 bpm • G# Maj • 02:31 • -10.89db
11% Popularity • 45% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 80% Positiveness
11% Popularity • 45% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 80% Positiveness
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Roger Suen
Leaving Blue Bayou
78 bpm • E min • 01:46 • -17.88db
15% Popularity • 40% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
15% Popularity • 40% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
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Hoagy Carmichael
Stardust - Remastered 2002
72 bpm • D Maj • 03:30 • -17.79db
31% Popularity • 46% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
31% Popularity • 46% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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June Christy
Something Cool - Mono
72 bpm • A# min • 04:18 • -9.92db
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jeff Meegan
So Much To Live For Today
72 bpm • C Maj • 02:59 • -7.07db
11% Popularity • 53% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 53% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Conal Fowkes
You Do Something to Me
78 bpm • C min • 02:00 • -12db
34% Popularity • 50% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 30% Positiveness
34% Popularity • 50% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 30% Positiveness
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Mary Lou Williams
Libra
72 bpm • F Maj • 02:11 • -25.33db
15% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
15% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Nelson Riddle
EEE-O 11
72 bpm • F# min • 01:45 • -11.12db
19% Popularity • 64% Danceability • 30% Energy • 81% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 64% Danceability • 30% Energy • 81% Liveness
0% Instrumentalness • 57% Positiveness
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Earl Grant
Not One Minute More
78 bpm • C# Maj • 02:48 • -13.38db
22% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hoagy Carmichael
Medley: Georgia On My Mind / Can't Get I...
71 bpm • F Maj • 06:13 • -23db
7% Popularity • 51% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
7% Popularity • 51% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Almost Here
I Won't Give You Up
79 bpm • E Maj • 03:20 • -15.26db
32% Popularity • 59% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 14% Positiveness
32% Popularity • 59% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 14% Positiveness
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Jeff Russo
For All Jazz-Kind
79 bpm • A# min • 04:02 • -20.63db
20% Popularity • 62% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
20% Popularity • 62% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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David Lindup
Midnight Serenade
71 bpm • D# Maj • 04:14 • -17.94db
10% Popularity • 34% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Ritchie Everett
By the Wayside
80 bpm • D# Maj • 02:10 • -7.85db
11% Popularity • 26% Danceability • 24% Energy • 5% Liveness
22% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 24% Energy • 5% Liveness
22% Instrumentalness • 8% Positiveness
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The Platters
Enchanted
79 bpm • D# Maj • 02:51 • -13.82db
32% Popularity • 38% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 38% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Geoffrey Gascoyne
The Great Depression
80 bpm • G Maj • 03:12 • -13.67db
2% Popularity • 67% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
2% Popularity • 67% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Dorothy Dandridge
Stay With It
80 bpm • D Maj • 02:37 • -7db
17% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Ann Southern
The Last Time I Saw Paris
80 bpm • C# Maj • 03:07 • -14.47db
15% Popularity • 47% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 47% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Gene Austin
Did You Ever See a Dream Walking (Altern...
80 bpm • D# min • 02:52 • -16.59db
12% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Frank Sark
Magic In Your Eyes
80 bpm • C# Maj • 01:46 • -15.05db
9% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Tommy Steele
Princess
80 bpm • D# Maj • 02:12 • -14db
22% Popularity • 34% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 34% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Geoffrey Gascoyne
Sick and Tired
80 bpm • A Maj • 03:33 • -11.47db
1% Popularity • 73% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 73% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Howard Shaw
Red, White And Blues
70 bpm • D# Maj • 02:59 • -12.86db
6% Popularity • 45% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
6% Popularity • 45% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Nat Gonella
It's a Pair of Wings for Me
80 bpm • A min • 03:26 • -10db
17% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Hoagy Carmichael
Skylark
70 bpm • C# Maj • 04:03 • -19.53db
28% Popularity • 58% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 58% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alfred Jack
Red Candy Hearts
80 bpm • C Maj • 02:10 • -12.26db
9% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Ivy-Rose Lyon
Just Got Eyes for You
80 bpm • A min • 02:59 • -4.55db
14% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Geoffrey Gascoyne
Christmas at Home
80 bpm • A# min • 04:01 • -13.01db
0% Popularity • 47% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 47% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Vera Lynn
Dream
80 bpm • F Maj • 02:42 • -15.49db
26% Popularity • 19% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 19% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Jeri Southern
When I Fall In Love
80 bpm • A Maj • 03:07 • -16db
36% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Vic Damone
Stella By Starlight
80 bpm • G# Maj • 02:03 • -10db
39% Popularity • 45% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 45% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Hoagy Carmichael
Georgia On My Mind - Instrumental
80 bpm • F min • 01:48 • -13db
31% Popularity • 47% Danceability • 31% Energy • 15% Liveness
19% Instrumentalness • 31% Positiveness
31% Popularity • 47% Danceability • 31% Energy • 15% Liveness
19% Instrumentalness • 31% Positiveness
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Acker Bilk
Stranger on the Shore
80 bpm • A# Maj • 03:09 • -12.77db
18% Popularity • 36% Danceability • 21% Energy • 17% Liveness
74% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 21% Energy • 17% Liveness
74% Instrumentalness • 25% Positiveness
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Geoffrey Gascoyne
Not Gonna Lie
80 bpm • C min • 03:14 • -11.07db
24% Popularity • 58% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 58% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Connie Conway
Too Lovely To Forget
81 bpm • F Maj • 03:34 • -16.36db
10% Popularity • 49% Danceability • 6% Energy • 79% Liveness
73% Instrumentalness • 43% Positiveness
10% Popularity • 49% Danceability • 6% Energy • 79% Liveness
73% Instrumentalness • 43% Positiveness
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"Manhattan" Paul Bascomb
Things You Are
81 bpm • F Maj • 03:02 • -9.24db
22% Popularity • 51% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 51% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Ivory Joe Hunter
That's Why I Dream
69 bpm • C# Maj • 02:44 • -8.84db
12% Popularity • 35% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 35% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Dick Haymes
You'll Never Know
81 bpm • D min • 02:25 • -19.36db
22% Popularity • 54% Danceability • 7% Energy • 13% Liveness
23% Instrumentalness • 14% Positiveness
22% Popularity • 54% Danceability • 7% Energy • 13% Liveness
23% Instrumentalness • 14% Positiveness
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Russ Morgan
So Tired
81 bpm • G# Maj • 03:38 • -12db
19% Popularity • 22% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
19% Popularity • 22% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Geoffrey Gascoyne
Obrigado
80 bpm • F Maj • 03:25 • -13.39db
2% Popularity • 66% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
2% Popularity • 66% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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The Fly Guy Five
Weekly
69 bpm • F Maj • 03:06 • -16.3db
18% Popularity • 62% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 34% Positiveness
18% Popularity • 62% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 34% Positiveness
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Brice Davoli
Love Me True
69 bpm • G min • 04:26 • -8.62db
11% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Johnnie Ray
Cry
82 bpm • G Maj • 02:51 • -12db
8% Popularity • 33% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 33% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Armando Trovajoli
Totò Sexy (Titoli) - Remastered 2022
82 bpm • A# Maj • 01:35 • -10.95db
11% Popularity • 37% Danceability • 49% Energy • 35% Liveness
4% Instrumentalness • 58% Positiveness
11% Popularity • 37% Danceability • 49% Energy • 35% Liveness
4% Instrumentalness • 58% Positiveness
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Brother Bones & His Shadows
Sweet Georgia Brown
82 bpm • D# Maj • 02:52 • -11.87db
36% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Geoffrey Gascoyne
City Swinger
70 bpm • G# Maj • 05:32 • -9.96db
1% Popularity • 60% Danceability • 38% Energy • 21% Liveness
84% Instrumentalness • 34% Positiveness
1% Popularity • 60% Danceability • 38% Energy • 21% Liveness
84% Instrumentalness • 34% Positiveness
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Peter Sivo Band
My Love Lingers On
69 bpm • E Maj • 03:00 • -16db
9% Popularity • 38% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 38% Positiveness
9% Popularity • 38% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 38% Positiveness
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Ellis Drane and his Jazz Orchestra
That's Life - Instrumental Version
82 bpm • E min • 02:49 • -10db
28% Popularity • 38% Danceability • 62% Energy • 42% Liveness
92% Instrumentalness • 57% Positiveness
28% Popularity • 38% Danceability • 62% Energy • 42% Liveness
92% Instrumentalness • 57% Positiveness
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Al Martino
To Each His Own
82 bpm • C# Maj • 03:20 • -17.78db
29% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bryan Eng
When You're 23
82 bpm • F min • 02:47 • -10.32db
13% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dick Hyman
(In Lorretta's Bedroom) Gettin' Ready
83 bpm • A# Maj • 01:46 • -19db
32% Popularity • 70% Danceability • 21% Energy • 11% Liveness
64% Instrumentalness • 71% Positiveness
32% Popularity • 70% Danceability • 21% Energy • 11% Liveness
64% Instrumentalness • 71% Positiveness
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Mark Allaway
Midnight Cruise
83 bpm • F min • 02:10 • -10.2db
20% Popularity • 55% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
20% Popularity • 55% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
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Paul Rothman
Pink Deville
83 bpm • C Maj • 02:34 • -19db
24% Popularity • 78% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 78% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ritchie Everett
Where to Next
68 bpm • C Maj • 02:23 • -9.94db
12% Popularity • 63% Danceability • 31% Energy • 22% Liveness
23% Instrumentalness • 41% Positiveness
12% Popularity • 63% Danceability • 31% Energy • 22% Liveness
23% Instrumentalness • 41% Positiveness
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Armando Trovajoli
Il magnifico cornuto - Stereo
83 bpm • F Maj • 06:34 • -14.32db
12% Popularity • 67% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 21% Positiveness
12% Popularity • 67% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 21% Positiveness
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Frank Morgan
Lullaby
83 bpm • G# Maj • 01:31 • -30.12db
21% Popularity • 48% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 36% Positiveness
21% Popularity • 48% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 36% Positiveness
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Lurlean Hunter
Blue & Sentimental
67 bpm • F min • 03:41 • -13db
11% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Brice Davoli
What Do I Know
67 bpm • C min • 03:07 • -12.08db
20% Popularity • 57% Danceability • 27% Energy • 24% Liveness
2% Instrumentalness • 30% Positiveness
20% Popularity • 57% Danceability • 27% Energy • 24% Liveness
2% Instrumentalness • 30% Positiveness
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John Cameron
West Side Blues
67 bpm • F Maj • 02:28 • -14db
12% Popularity • 32% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
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John Lunn
Am I Blue
84 bpm • A# min • 03:18 • -12.91db
15% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Eddy Howard
Wrap Your Troubles in Dreams (And Dream ...
84 bpm • D min • 03:28 • -17.34db
3% Popularity • 46% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 46% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Fulford Brown
You'll Be in My Heart
67 bpm • A min • 04:18 • -12.26db
9% Popularity • 60% Danceability • 14% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
9% Popularity • 60% Danceability • 14% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
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Orchestra Heinz Kiessling
High Society
84 bpm • C min • 01:55 • -11.88db
11% Popularity • 39% Danceability • 54% Energy • 42% Liveness
85% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 54% Energy • 42% Liveness
85% Instrumentalness • 57% Positiveness
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Chet Baker Quartet
I Fall In Love Too Easily - 1953 Version
84 bpm • D# Maj • 02:06 • -16.56db
31% Popularity • 60% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 60% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Raya Yarbrough
Requiem for a Ladybug
84 bpm • G min • 02:38 • -8.53db
9% Popularity • 59% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 59% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Helen Merrill
Anything Goes
85 bpm • F Maj • 03:07 • -17db
47% Popularity • 43% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
47% Popularity • 43% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Bobby Vinton
P.S I Love You
85 bpm • D# Maj • 02:19 • -19.17db
32% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Betty Johnson
California Here I Come
86 bpm • D min • 01:01 • -12.78db
28% Popularity • 72% Danceability • 32% Energy • 12% Liveness
44% Instrumentalness • 76% Positiveness
28% Popularity • 72% Danceability • 32% Energy • 12% Liveness
44% Instrumentalness • 76% Positiveness
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Werner Tautz
Honeymoon Swoon
87 bpm • G# Maj • 02:32 • -10.77db
31% Popularity • 19% Danceability • 40% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
31% Popularity • 19% Danceability • 40% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
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Geoffrey Gascoyne
Slowdown Sax
65 bpm • F min • 04:16 • -11.52db
0% Popularity • 56% Danceability • 20% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
0% Popularity • 56% Danceability • 20% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
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Mark Murphy
Lucky in Love
65 bpm • A# Maj • 01:00 • -11.27db
36% Popularity • 65% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 65% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Dresage
Perfect Day
86 bpm • D# Maj • 04:58 • -10.35db
35% Popularity • 44% Danceability • 39% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
35% Popularity • 44% Danceability • 39% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Parry Music
Love's Obsession
87 bpm • G Maj • 03:00 • -15.45db
7% Popularity • 22% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
7% Popularity • 22% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Johnny Hodges
After Hours on Dream Street
64 bpm • C min • 03:08 • -13.13db
13% Popularity • 48% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
13% Popularity • 48% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Anders Johan Greger Lewen
Last Dance in Paris
88 bpm • G Maj • 02:15 • -15.42db
25% Popularity • 40% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
25% Popularity • 40% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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William Ross
Toblerone
88 bpm • A Maj • 01:09 • -17.38db
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
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Brad Hatfield
Twilight Serenade
88 bpm • C# Maj • 03:06 • -15.32db
8% Popularity • 58% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
8% Popularity • 58% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
