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The Three of Us
Songs like
The Three of Us
by
Streetlight Manifesto
Based on a tempo of (+/- 10%) and a similar genre
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NOFX
I Don't Like Me Anymore
130 bpm • E min • 02:30 • -4.11db
48% Popularity • 57% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Alkaline Trio
Calling All Skeletons
130 bpm • G Maj • 03:20 • -3.39db
37% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Smokey Bastard
Aspirations, I Have Some
130 bpm • B Maj • 04:50 • -5.65db
17% Popularity • 36% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Bandits Of The Acoustic Revolution
Dear Sergio
130 bpm • A min • 03:04 • -8.47db
31% Popularity • 69% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Streetlight Manifesto
The Three of Us
130 bpm • F# min • 05:18 • -3.93db
45% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Half Past Two
Mastering Karate
130 bpm • D Maj • 02:58 • -4.8db
20% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Mischief Brew
Thanks, Bastards!
129 bpm • G Maj • 03:20 • -9db
39% Popularity • 53% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Sonic Boom Six
Sound of a Revolution
132 bpm • F min • 03:14 • -4.1db
32% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Random Hand
Play Some Ska
128 bpm • C Maj • 03:16 • -2.77db
36% Popularity • 67% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Catch 22
This One Goes Out To
129 bpm • G Maj • 02:35 • -5.18db
26% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Streetlight Manifesto
Me and Julio Down by the School Yard
129 bpm • A Maj • 02:27 • -3.92db
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Against Me!
Pints of Guinness Make You Strong
128 bpm • A min • 02:40 • -6.84db
45% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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MU330
La
132 bpm • D Maj • 03:02 • -5.18db
19% Popularity • 66% Danceability • 90% Energy • 66% Liveness
14% Instrumentalness • 98% Positiveness
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Goldfinger
Open Your Eyes
132 bpm • C Maj • 02:46 • -7.45db
36% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Mischief Brew
Boycott Me!
132 bpm • E Maj • 02:43 • -7.61db
31% Popularity • 68% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Me First and the Gimme Gimmes
Country Roads
133 bpm • A Maj • 02:10 • -6db
50% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Streetlight Manifesto
Point / Counterpoint
130 bpm • A Maj • 05:27 • -5.3db
46% Popularity • 77% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Mighty Mighty Bosstones
Royal Oil
133 bpm • A Maj • 02:39 • -16.18db
41% Popularity • 73% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Authority Zero
Sirens
127 bpm • F# Maj • 03:04 • -4.49db
29% Popularity • 71% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Night Gaunts
Nights & Daze
126 bpm • D min • 03:17 • -6.76db
22% Popularity • 53% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Bayside
I've Been Dead All Day
126 bpm • A Maj • 03:14 • -3.49db
41% Popularity • 50% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Me First and the Gimme Gimmes
Over the Rainbow
126 bpm • G Maj • 01:31 • -6.21db
42% Popularity • 49% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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The Lawrence Arms
The Slowest Drink at the Saddest Bar on ...
134 bpm • E Maj • 03:13 • -6db
41% Popularity • 27% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Streetlight Manifesto
We Are the Few
131 bpm • C Maj • 04:56 • -6.34db
34% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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zebrahead
Check
134 bpm • C Maj • 02:25 • -7db
41% Popularity • 55% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Ghost Mice
Critical Hit
126 bpm • D Maj • 01:59 • -2.7db
28% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Random Hand
Anger Management
135 bpm • C Maj • 04:04 • -3.79db
28% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Days N Daze
Day Gaunts
135 bpm • A Maj • 03:23 • -12.66db
41% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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We Are The Union
Fake World
125 bpm • F# Maj • 02:47 • -7.51db
10% Popularity • 62% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 71% Positiveness
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Streetlight Manifesto
Your Day Will Come
132 bpm • B min • 04:44 • -4.93db
30% Popularity • 42% Danceability • 75% Energy • 6% Liveness
2% Instrumentalness • 62% Positiveness
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Bandits Of The Acoustic Revolution
Here's to Life
125 bpm • A min • 05:18 • -10.12db
31% Popularity • 51% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Against Me!
Thrash Unreal
125 bpm • F Maj • 04:14 • -3.58db
54% Popularity • 56% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 64% Positiveness
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The Holophonics
Safe And Sound
136 bpm • C Maj • 02:45 • -6.1db
8% Popularity • 79% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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NOFX
The Man I Killed
136 bpm • G Maj • 01:18 • -4.58db
50% Popularity • 60% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Bad Religion
Fuck You
124 bpm • E Maj • 02:13 • -3.64db
53% Popularity • 56% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Streetlight Manifesto
Forty Days
127 bpm • A min • 03:53 • -3.91db
35% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Bandits Of The Acoustic Revolution
This Is a Call to Arms
125 bpm • A min • 01:22 • -13.36db
30% Popularity • 42% Danceability • 23% Energy • 36% Liveness
91% Instrumentalness • 64% Positiveness
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Catch 22
9mm And A Three Piece Suit
136 bpm • D Maj • 01:56 • -5.52db
48% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Bomb the Music Industry!
I Don't Love You Anymore
137 bpm • C Maj • 04:42 • -3.69db
38% Popularity • 38% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 55% Positiveness
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Mischief Brew
Roll Me Through The Gates Of Hell
136 bpm • C Maj • 03:35 • -7.41db
36% Popularity • 52% Danceability • 77% Energy • 76% Liveness
0% Instrumentalness • 80% Positiveness
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Reel Big Fish
Everyone Else Is An Asshole
123 bpm • E Maj • 04:11 • -2.51db
46% Popularity • 62% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Streetlight Manifesto
Everything Went Numb
135 bpm • G# Maj • 03:29 • -5.17db
49% Popularity • 65% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 91% Positiveness
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The Urge
Too Much Stereo
124 bpm • A Maj • 03:27 • -5.67db
30% Popularity • 56% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Catch 22
Walking Away
137 bpm • A# Maj • 04:06 • -6.87db
29% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Me First and the Gimme Gimmes
Who Put the Bomp
123 bpm • D Maj • 02:00 • -2.68db
39% Popularity • 48% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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NOFX
The Separation of Church and Skate
137 bpm • F Maj • 03:09 • -3.8db
54% Popularity • 37% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Sonic Boom Six
Bigger Than Punk Rock
137 bpm • C min • 03:29 • -4.22db
22% Popularity • 58% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Streetlight Manifesto
The Troubador
135 bpm • A# Maj • 03:33 • -4.76db
24% Popularity • 72% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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[spunge]
Centerfold
138 bpm • C Maj • 03:09 • -5.98db
27% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Catch 22
Sick And Sad
137 bpm • C Maj • 02:21 • -6.18db
30% Popularity • 44% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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The Interrupters
On A Turntable
123 bpm • E Maj • 02:38 • -2.27db
52% Popularity • 62% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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NOFX
Dinosaurs Will Die
123 bpm • G Maj • 02:58 • -5db
50% Popularity • 38% Danceability • 93% Energy • 21% Liveness
1% Instrumentalness • 36% Positiveness
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The Flatliners
He Was a Jazzman
138 bpm • A min • 04:07 • -3.55db
29% Popularity • 42% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Streetlight Manifesto
Such Great Heights
125 bpm • F Maj • 03:30 • -5.04db
38% Popularity • 69% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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The Hippos
He Said
138 bpm • E Maj • 03:55 • -4.31db
15% Popularity • 62% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Mighty Mighty Bosstones
Where'd You Go
138 bpm • D Maj • 03:26 • -11.28db
45% Popularity • 66% Danceability • 69% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Catch 22
On & On & On
139 bpm • C Maj • 03:14 • -6.57db
40% Popularity • 44% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Heavy Young Heathens
Sha La La La La
122 bpm • G Maj • 03:38 • -2.55db
43% Popularity • 46% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Me First and the Gimme Gimmes
Jolene
122 bpm • A min • 01:47 • -3.87db
47% Popularity • 39% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Streetlight Manifesto
If Only for Memories
123 bpm • C Maj • 05:28 • -4.89db
33% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dan P.
Somewhere in the Between
139 bpm • C Maj • 03:38 • -8db
17% Popularity • 68% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Tsunami Bomb
Take The Reigns
139 bpm • A# min • 03:04 • -5.74db
36% Popularity • 50% Danceability • 89% Energy • 23% Liveness
38% Instrumentalness • 37% Positiveness
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Catch 22
Point The Blame
122 bpm • A# Maj • 02:17 • -4.6db
32% Popularity • 48% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Voodoo Glow Skulls
Shoot the Moon
139 bpm • C# min • 03:13 • -4.34db
39% Popularity • 34% Danceability • 100% Energy • 31% Liveness
71% Instrumentalness • 64% Positiveness
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Me First and the Gimme Gimmes
I Will Survive
121 bpm • G Maj • 02:27 • -4.31db
43% Popularity • 41% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Streetlight Manifesto
A Better Place, a Better Time
139 bpm • G Maj • 06:28 • -5db
41% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Days N Daze
Post Party Depression
121 bpm • E min • 03:53 • -11.95db
41% Popularity • 52% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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NOFX
Seeing Double at the Triple Rock
121 bpm • C Maj • 02:09 • -4.31db
56% Popularity • 55% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Catch 22
Dear Sergio
139 bpm • C Maj • 02:31 • -5db
41% Popularity • 47% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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We Are The Union
Surfing on the Waves of Depression
140 bpm • G# Maj • 03:38 • -9.84db
13% Popularity • 63% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Do It With Malice
Symphonic Homicide
140 bpm • D min • 04:27 • -3db
12% Popularity • 32% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Streetlight Manifesto
Failing, Flailing
138 bpm • A Maj • 05:28 • -5.55db
32% Popularity • 65% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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World / Inferno Friendship Society
Bad Penny Blue
140 bpm • E Maj • 02:27 • -4.43db
12% Popularity • 57% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Kill Lincoln
Get Fucked Four Eyes
140 bpm • A Maj • 03:44 • -4db
31% Popularity • 54% Danceability • 95% Energy • 63% Liveness
4% Instrumentalness • 65% Positiveness
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Star Fucking Hipsters
Two Cups of Tea
140 bpm • C# Maj • 03:34 • -10db
38% Popularity • 81% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Night Gaunts
Mosquitoes
120 bpm • A Maj • 03:19 • -3.8db
22% Popularity • 67% Danceability • 90% Energy • 79% Liveness
0% Instrumentalness • 79% Positiveness
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New Riot
Riot.Sleep.Repeat
120 bpm • A Maj • 02:53 • -5.57db
9% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Streetlight Manifesto
The Blonde Lead the Blind
138 bpm • G Maj • 04:49 • -3.38db
31% Popularity • 57% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The A-OKs
Jessiska
120 bpm • D Maj • 03:12 • -2.69db
13% Popularity • 54% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Chase Long Beach
That's No Moon It's A Space Station
120 bpm • A# Maj • 03:14 • -3.96db
17% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Catch 22
Day In Day Out
141 bpm • D Maj • 03:22 • -5db
33% Popularity • 44% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Rx Bandits
S.A.M.
119 bpm • D min • 03:16 • -7.5db
10% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Skankin' Pickle
Special Brew
141 bpm • G# Maj • 03:11 • -11db
31% Popularity • 52% Danceability • 67% Energy • 23% Liveness
6% Instrumentalness • 98% Positiveness
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Streetlight Manifesto
We Will Fall Together
138 bpm • B min • 04:49 • -4.32db
49% Popularity • 55% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Authority Zero
Big Bad World
142 bpm • A Maj • 04:56 • -5.55db
31% Popularity • 61% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Chase Long Beach
We've Got Pockets Like Nobody's Business
119 bpm • B min • 01:57 • -3.38db
33% Popularity • 50% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Catch 22
Keasbey Nights
119 bpm • A Maj • 03:02 • -5.29db
51% Popularity • 68% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 95% Positiveness
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The Taj Motel Trio
OaOaO
142 bpm • D Maj • 02:23 • -5.69db
19% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Against Me!
Stop!
119 bpm • C Maj • 02:33 • -3db
41% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Streetlight Manifesto
Dear Sergio
140 bpm • C Maj • 02:54 • -3db
33% Popularity • 64% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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NOFX
We Called It America
119 bpm • G Maj • 02:07 • -3.82db
50% Popularity • 61% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Flogging Molly
Black Friday Rule
142 bpm • B min • 07:01 • -7db
44% Popularity • 30% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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The Presidents Of The United States Of America
Some Postman
119 bpm • D# min • 02:51 • -4.1db
43% Popularity • 57% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Mischief Brew
Roll Me Through the Gates of Hell - Acou...
118 bpm • C Maj • 03:53 • -5.87db
25% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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High School Football Heroes
Beat Of A Rhythmless Drum
118 bpm • E Maj • 02:28 • -3.6db
18% Popularity • 36% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Streetlight Manifesto
Here's to Life
140 bpm • A min • 04:41 • -6db
35% Popularity • 45% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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General Tso's Fury
Dirty Pirates
118 bpm • A# Maj • 02:48 • -7.72db
13% Popularity • 61% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
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Catch 22
What Goes Around Comes Around
144 bpm • C# Maj • 02:39 • -5db
36% Popularity • 39% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Do It With Malice
That Guy
144 bpm • D min • 03:28 • -3.62db
18% Popularity • 38% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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The Flatliners
Fred's Got Slacks
117 bpm • A# min • 02:29 • -3db
44% Popularity • 61% Danceability • 98% Energy • 82% Liveness
0% Instrumentalness • 39% Positiveness
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The Three of Us