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The Threepenny Opera: Moritat von Mackie Messer (M...
Songs like
The Threepenny Opera: Moritat von Mackie Messer (Mack the Knife)
by
Kurt Weill
Based on a tempo of (+/- 10%) and a similar genre
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Kurt Weill
The Threepenny Opera: Moritat von Mackie...
152 bpm • F# min • 03:02 • -12.21db
21% Popularity • 44% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Comedian Harmonists
Schöne Isabella aus Kastilien
152 bpm • A# Maj • 03:26 • -11db
19% Popularity • 62% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Nancy Sinatra
Paris Summer
151 bpm • F# min • 02:58 • -9.42db
37% Popularity • 44% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Leonard Bernstein
West Side Story: VII. America
153 bpm • D min • 04:51 • -15db
10% Popularity • 41% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Lotte Lenya
Moritat
151 bpm • F# min • 03:07 • -12.78db
5% Popularity • 42% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
153 bpm • C# Maj • 07:03 • -22.92db
15% Popularity • 41% Danceability • 16% Energy • 21% Liveness
1% Instrumentalness • 19% Positiveness
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Kurt Weill
Die Dreigroschenoper: Moritat von Mackie...
152 bpm • D min • 02:57 • -21.78db
13% Popularity • 42% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Dory Previn
Yada Yada La Scala
150 bpm • C min • 02:32 • -12.37db
14% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Harry Belafonte
Come Back Liza
150 bpm • D Maj • 03:06 • -15.31db
31% Popularity • 59% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Moka Efti Orchestra
Frenzy
149 bpm • C min • 02:15 • -4db
28% Popularity • 40% Danceability • 91% Energy • 16% Liveness
29% Instrumentalness • 69% Positiveness
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Lotte Lenya
Die Moritat von Mackie Messer
153 bpm • F# min • 03:02 • -12.48db
8% Popularity • 43% Danceability • 35% Energy • 61% Liveness
46% Instrumentalness • 84% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
155 bpm • C# min • 02:54 • -14.85db
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Dreigrosc...
151 bpm • C Maj • 01:07 • -18db
8% Popularity • 22% Danceability • 6% Energy • 16% Liveness
42% Instrumentalness • 37% Positiveness
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Screamin' Jay Hawkins
Hong Kong
149 bpm • F min • 02:19 • -9db
19% Popularity • 64% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 78% Positiveness
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Harry Belafonte
Hava Nageela - Live
155 bpm • A Maj • 04:03 • -13.43db
13% Popularity • 43% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
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Comedian Harmonists
Mein lieber Schatz, bist du aus Spanien?...
156 bpm • G# Maj • 02:48 • -14.96db
14% Popularity • 68% Danceability • 39% Energy • 11% Liveness
31% Instrumentalness • 96% Positiveness
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American West Orchestra
Harry Line (De "The Third Man")
156 bpm • G Maj • 03:19 • -16db
17% Popularity • 47% Danceability • 31% Energy • 29% Liveness
86% Instrumentalness • 54% Positiveness
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Hildegard Knef
Macky-Messer (Die Moritat von Mackie Mes...
147 bpm • G Maj • 03:08 • -16db
22% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Kurt Weill
Die Dreigroschenoper: Seeräuber-Jenny
153 bpm • C# Maj • 03:26 • -23.53db
4% Popularity • 56% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Mills Brothers
Tiger Rag
147 bpm • D# Maj • 01:55 • -12.79db
20% Popularity • 70% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Leonard Cohen
Take This Longing
147 bpm • F Maj • 04:06 • -23.29db
36% Popularity • 50% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 17% Positiveness
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Joan Baez
Farewell, Angelina
146 bpm • D Maj • 03:18 • -19.87db
43% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Anton Karas
Theme De Harry Lime
146 bpm • G Maj • 02:56 • -11.85db
18% Popularity • 38% Danceability • 48% Energy • 26% Liveness
88% Instrumentalness • 66% Positiveness
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Claude Bolling
Folie Czardas
159 bpm • G min • 02:06 • -10.4db
24% Popularity • 64% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Kurt Weill
September Song from Knickerbocker Holida...
151 bpm • E Maj • 07:50 • -15.37db
11% Popularity • 28% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
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Guy Lombardo
Enjoy Yourself (It's Later Than You Thin...
146 bpm • A# Maj • 03:20 • -11.09db
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Leonard Bernstein
West Side Story: Act I: America
159 bpm • D min • 04:59 • -8.94db
45% Popularity • 41% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Moondog
I'm In The World
159 bpm • D Maj • 03:42 • -14.52db
14% Popularity • 58% Danceability • 35% Energy • 15% Liveness
1% Instrumentalness • 85% Positiveness
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Anton Karas
The Third Man: The Third Man Theme (The ...
145 bpm • D Maj • 02:07 • -11.52db
28% Popularity • 50% Danceability • 52% Energy • 16% Liveness
75% Instrumentalness • 92% Positiveness
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The Bryan Ferry Orchestra
Bitter Sweet
145 bpm • D min • 04:00 • -11.69db
27% Popularity • 39% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Kurt Weill
Aufstieg und Fall der Stadt Mahagonny: A...
149 bpm • C Maj • 07:49 • -18.32db
4% Popularity • 50% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Mitchum
Beauty Is Only Skin Deep
160 bpm • C Maj • 02:37 • -8db
22% Popularity • 75% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Abbey Lincoln
Afro Blue - Remastered
144 bpm • C min • 03:16 • -17db
24% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Yma Sumac
Bo Mambo
161 bpm • A# min • 03:20 • -6.73db
24% Popularity • 40% Danceability • 58% Energy • 28% Liveness
3% Instrumentalness • 74% Positiveness
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Robert Wyatt
Shipbuilding - Remastered in 1998
143 bpm • C Maj • 03:04 • -11.22db
34% Popularity • 51% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Franz Schubert
Schwanengesang, D. 957: Ständchen "Leis...
143 bpm • C Maj • 03:53 • -24db
11% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Kurt Weill
Mahagonny Songspiel / Part 1 - Prologue:...
144 bpm • G Maj • 02:43 • -18.7db
7% Popularity • 34% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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Calexico
Minas de Cobre - For Better Metal
161 bpm • A# Maj • 03:09 • -9.25db
27% Popularity • 34% Danceability • 42% Energy • 16% Liveness
67% Instrumentalness • 31% Positiveness
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The Boswell Sisters
Everybody Loves My Baby
143 bpm • G min • 02:24 • -11db
26% Popularity • 69% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Joan Baez
Silver Dagger
142 bpm • D# min • 02:32 • -15.57db
39% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ethel Waters
I Got Rhythm
142 bpm • F Maj • 03:06 • -11.1db
32% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
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Comedian Harmonists
Veronika, der Lenz ist da - 1990 Digital...
141 bpm • G# Maj • 02:40 • -12.32db
30% Popularity • 67% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Kurt Weill
Kleine Dreigroschenmusik: II. Die Morita...
160 bpm • C Maj • 02:07 • -32.33db
33% Popularity • 35% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 51% Positiveness
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Philip Glass
Act I, A Gentleman's Honor
141 bpm • A min • 03:18 • -15db
16% Popularity • 57% Danceability • 29% Energy • 8% Liveness
13% Instrumentalness • 7% Positiveness
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The Swingle Singers
Aria and Variations: "The Harmonious Bla...
141 bpm • E Maj • 02:23 • -19.93db
12% Popularity • 39% Danceability • 20% Energy • 8% Liveness
57% Instrumentalness • 81% Positiveness
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Betty Hutton
It's Oh So Quiet
141 bpm • D# Maj • 03:06 • -10.37db
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schoen - 1937 Single Ver...
164 bpm • C Maj • 03:06 • -9.79db
38% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Marino Marini
Guaglione
164 bpm • C Maj • 03:16 • -8.64db
40% Popularity • 53% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Kurt Weill
Pirate Jenny
144 bpm • C# Maj • 04:58 • -14.33db
8% Popularity • 58% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
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Moondog
Do Your Thing
165 bpm • F# Maj • 03:10 • -15.44db
37% Popularity • 56% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 53% Positiveness
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Klaus Nomi
Valentine's Day
139 bpm • G Maj • 02:49 • -8.39db
33% Popularity • 23% Danceability • 51% Energy • 14% Liveness
46% Instrumentalness • 16% Positiveness
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Geeshie Wiley
Last Kind Word Blues
139 bpm • G# Maj • 03:04 • -11db
23% Popularity • 40% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schon - Remastered
166 bpm • F min • 03:06 • -10.41db
24% Popularity • 61% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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The Shangri-Las
Past, Present and Future
139 bpm • G# Maj • 02:42 • -15.32db
6% Popularity • 34% Danceability • 21% Energy • 12% Liveness
18% Instrumentalness • 23% Positiveness
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Kurt Weill
Die Dreigroschenoper: Liebeslied
163 bpm • A# Maj • 01:56 • -22.45db
3% Popularity • 28% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
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Mary Lou Williams
The Devil
138 bpm • G# Maj • 04:04 • -16.9db
12% Popularity • 34% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Marc Blitzstein
The Ballad Of Mack The Knife
166 bpm • G min • 02:38 • -13.19db
5% Popularity • 49% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Danny Kaye
Inchworm
138 bpm • F min • 03:13 • -16.4db
17% Popularity • 28% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Comedian Harmonists
Irgendwo auf der Welt
138 bpm • C# Maj • 02:56 • -16.64db
31% Popularity • 52% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
167 bpm • D min • 03:22 • -13db
10% Popularity • 39% Danceability • 22% Energy • 17% Liveness
6% Instrumentalness • 33% Positiveness
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Kurt Weill
Aufstieg und Fall der Stadt Mahagonny: A...
141 bpm • G Maj • 05:05 • -18.58db
5% Popularity • 38% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Walker
Montague Terrace (In Blue)
138 bpm • A min • 03:27 • -19.86db
29% Popularity • 43% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Thackray
The Cactus
168 bpm • G min • 03:24 • -17.7db
7% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Harry Belafonte
Delia
168 bpm • D Maj • 03:36 • -14.3db
3% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Klimek
Bis in den Mondenschein
137 bpm • F min • 02:44 • -11.65db
24% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ira Gershwin
My Ship
169 bpm • F Maj • 02:44 • -19db
9% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Kurt Weill
Die Dreigroschenoper: Barbara-Song
140 bpm • D min • 05:06 • -23.07db
3% Popularity • 53% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Leonard Cohen
Diamonds in the Mine
137 bpm • A Maj • 03:50 • -11.47db
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Comedian Harmonists
Perpetuum Mobile
169 bpm • C# Maj • 02:39 • -14.61db
7% Popularity • 57% Danceability • 34% Energy • 20% Liveness
62% Instrumentalness • 95% Positiveness
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Lotte Lenya
Barbara Song
136 bpm • A# min • 04:25 • -14.77db
3% Popularity • 60% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Noel Coward
A Room with a View
136 bpm • G Maj • 03:34 • -15db
21% Popularity • 40% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Harry Dean Stanton
Cancion Mixteca
171 bpm • A Maj • 02:42 • -21.66db
21% Popularity • 54% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Kurt Weill
Die Dreigroschenoper: Tango Ballad
140 bpm • D Maj • 04:57 • -8.51db
10% Popularity • 44% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Lena Horne
Stormy Weather
171 bpm • C# Maj • 03:22 • -12.41db
22% Popularity • 36% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Thackray
On Again! on Again!
135 bpm • A Maj • 04:15 • -17db
16% Popularity • 64% Danceability • 24% Energy • 23% Liveness
4% Instrumentalness • 64% Positiveness
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Dory Previn
The Lady With The Braid
136 bpm • G# Maj • 03:58 • -15db
30% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lilian Harvey
Ich wollt, ich wär ein Huhn
135 bpm • C Maj • 02:48 • -9.83db
19% Popularity • 79% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Noel Coward
Mad Dogs and Englishmen
134 bpm • C Maj • 02:51 • -16db
23% Popularity • 68% Danceability • 27% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
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Kurt Weill
Die Seeräuber-Jenny
168 bpm • C# Maj • 05:28 • -14.19db
0% Popularity • 48% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Anton Karas
The Third Man - the 'Harry Lime' Theme
172 bpm • F# Maj • 02:12 • -11.67db
12% Popularity • 48% Danceability • 42% Energy • 8% Liveness
82% Instrumentalness • 89% Positiveness
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Henry Purcell
Cold Song’ (What Power Art Thou...)
134 bpm • E min • 04:26 • -18.75db
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Harry Belafonte
I Do Adore Her
173 bpm • F# Maj • 02:50 • -13.81db
32% Popularity • 68% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Leonard Cohen
Last Year's Man
134 bpm • D# Maj • 06:00 • -14.84db
35% Popularity • 46% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Scott Walker
Jackie
134 bpm • G Maj • 03:21 • -15.16db
34% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Kurt Weill
L’opéra de quat'sous, Act I: Chant nu...
169 bpm • C Maj • 01:07 • -16.51db
3% Popularity • 49% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Rudolf Sieczynski
Wien, Du Stadt meiner Träume (Wien, Wie...
133 bpm • G Maj • 06:07 • -16.57db
16% Popularity • 27% Danceability • 20% Energy • 18% Liveness
18% Instrumentalness • 20% Positiveness
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Comedian Harmonists
Wochenend und Sonnenschein
133 bpm • B Maj • 03:13 • -12db
27% Popularity • 62% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Kathleen Ferrier
Blow The Wind Southerly
132 bpm • C# Maj • 02:28 • -16db
13% Popularity • 41% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Gene Kelly
Singing in the Rain
132 bpm • D min • 02:54 • -8.96db
16% Popularity • 40% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Benjamin Britten
A Midsummer Night's Dream / Act 2: A Mid...
176 bpm • F min • 03:04 • -29.47db
18% Popularity • 8% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Die Unsiche...
137 bpm • F Maj • 03:55 • -20.28db
12% Popularity • 54% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Bob Crosby & The Bob Cats
The Big Noise From Winnetka
132 bpm • G# Maj • 02:37 • -29.66db
21% Popularity • 46% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 64% Positiveness
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Ivor Novello
And her mother came too
177 bpm • D# Maj • 01:50 • -19.47db
20% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Swingle Singers
Prelude No. 19 In A [The Well-Tempered C...
178 bpm • F Maj • 01:09 • -16.69db
14% Popularity • 27% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Philip Glass
Songs from Liquid Days: No. 4, Liquid Da...
176 bpm • D# Maj • 04:45 • -19.1db
15% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Nancy Sinatra
Lady Bird
130 bpm • F# min • 03:02 • -15db
29% Popularity • 40% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Kurt Weill
L’opéra de quat'sous, Act III: Troisi...
136 bpm • F min • 05:07 • -15.23db
1% Popularity • 51% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
178 bpm • D Maj • 02:05 • -10db
22% Popularity • 41% Danceability • 31% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Moka Efti Orchestra
OTR
130 bpm • A min • 03:23 • -5.8db
24% Popularity • 65% Danceability • 72% Energy • 11% Liveness
69% Instrumentalness • 76% Positiveness
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Anton Karas
The Third Man Theme
130 bpm • G Maj • 04:25 • -12db
18% Popularity • 47% Danceability • 35% Energy • 33% Liveness
86% Instrumentalness • 87% Positiveness
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The Threepenny Opera: Moritat von Mackie Messer (M...