Songs like The Tomorrow People (The Original TV Music) by Dudley Simpson
Based on a tempo of (+/- 10%) and a similar genre
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Henry Mancini
Return Of The Pink Panther (Parts I & 2)
96 bpm • C min • 05:09 • -18.19db
8% Popularity • 41% Danceability • 16% Energy • 51% Liveness
85% Instrumentalness • 14% Positiveness
8% Popularity • 41% Danceability • 16% Energy • 51% Liveness
85% Instrumentalness • 14% Positiveness
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Syd Dale
Danger Musicians at Work
96 bpm • G min • 01:58 • -10.51db
10% Popularity • 33% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 33% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Dudley Simpson
The Tomorrow People (The Original TV Mus...
96 bpm • A min • 01:54 • -11.4db
15% Popularity • 43% Danceability • 44% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
15% Popularity • 43% Danceability • 44% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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Matt Berry
The Good Life
96 bpm • G Maj • 02:05 • -14.74db
15% Popularity • 78% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 95% Positiveness
15% Popularity • 78% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 95% Positiveness
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John Leach
Sun Ride (Ask the Family Theme)
96 bpm • C Maj • 01:00 • -5.59db
13% Popularity • 63% Danceability • 45% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
13% Popularity • 63% Danceability • 45% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
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Henry Mancini
The Inspector Clouseau Theme
96 bpm • A min • 03:13 • -23.35db
23% Popularity • 86% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
23% Popularity • 86% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
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Piero Piccioni
Blue Rhythm Festival - New Edit
96 bpm • D Maj • 05:11 • -10.19db
8% Popularity • 72% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
8% Popularity • 72% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Stewart Copeland
Father On The Stairs
96 bpm • A Maj • 03:01 • -15.8db
11% Popularity • 69% Danceability • 22% Energy • 15% Liveness
40% Instrumentalness • 24% Positiveness
11% Popularity • 69% Danceability • 22% Energy • 15% Liveness
40% Instrumentalness • 24% Positiveness
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Dudley Moore Trio
Moon Time
95 bpm • A min • 02:31 • -21.4db
15% Popularity • 40% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
15% Popularity • 40% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Nora Orlandi
A Doppia Faccia - Soho
97 bpm • G min • 03:18 • -7.93db
9% Popularity • 48% Danceability • 63% Energy • 33% Liveness
81% Instrumentalness • 80% Positiveness
9% Popularity • 48% Danceability • 63% Energy • 33% Liveness
81% Instrumentalness • 80% Positiveness
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Jack Nitzsche
Ebb Tide
97 bpm • C Maj • 02:17 • -10.06db
8% Popularity • 40% Danceability • 50% Energy • 7% Liveness
73% Instrumentalness • 40% Positiveness
8% Popularity • 40% Danceability • 50% Energy • 7% Liveness
73% Instrumentalness • 40% Positiveness
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Henry Mancini
The Return of the Pink Panther - Pt. 1 a...
96 bpm • C Maj • 05:10 • -16.95db
11% Popularity • 40% Danceability • 17% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
11% Popularity • 40% Danceability • 17% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
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Quincy Jones
On Days Like These
97 bpm • C min • 01:14 • -14db
28% Popularity • 66% Danceability • 41% Energy • 8% Liveness
68% Instrumentalness • 30% Positiveness
28% Popularity • 66% Danceability • 41% Energy • 8% Liveness
68% Instrumentalness • 30% Positiveness
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Alan Parker
Hot Pants
97 bpm • D Maj • 01:52 • -12db
15% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
15% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
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Stelvio Cipriani
Too Risky A Day For A Regatta
97 bpm • A# min • 03:48 • -16.33db
16% Popularity • 49% Danceability • 56% Energy • 27% Liveness
91% Instrumentalness • 56% Positiveness
16% Popularity • 49% Danceability • 56% Energy • 27% Liveness
91% Instrumentalness • 56% Positiveness
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Alan Hawkshaw
Girl in a Sportscar
95 bpm • F# Maj • 02:42 • -12.48db
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
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Peter Schickele
Rejoice In The Sun - Instrumental
97 bpm • E Maj • 02:03 • -22.21db
11% Popularity • 32% Danceability • 7% Energy • 13% Liveness
84% Instrumentalness • 12% Positiveness
11% Popularity • 32% Danceability • 7% Energy • 13% Liveness
84% Instrumentalness • 12% Positiveness
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George Martin
Theme One
97 bpm • D# min • 02:35 • -10.15db
15% Popularity • 38% Danceability • 61% Energy • 31% Liveness
92% Instrumentalness • 52% Positiveness
15% Popularity • 38% Danceability • 61% Energy • 31% Liveness
92% Instrumentalness • 52% Positiveness
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Ennio Morricone
Come un madrigale - Originale
97 bpm • C# min • 03:39 • -22.7db
16% Popularity • 41% Danceability • 18% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
16% Popularity • 41% Danceability • 18% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Guido & Maurizio De Angelis
I corpi delle vittime - Titoli
95 bpm • D Maj • 02:52 • -13.34db
8% Popularity • 52% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
8% Popularity • 52% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Alessandro Alessandroni
Cielo verde
98 bpm • F min • 02:44 • -9.55db
18% Popularity • 54% Danceability • 62% Energy • 30% Liveness
88% Instrumentalness • 82% Positiveness
18% Popularity • 54% Danceability • 62% Energy • 30% Liveness
88% Instrumentalness • 82% Positiveness
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The Durutti Column
What Is It to Me (Woman)
98 bpm • C Maj • 03:48 • -11.86db
11% Popularity • 64% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
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Piero Piccioni
Psychedelic Mood
98 bpm • E Maj • 02:33 • -12.25db
12% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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Sandra Kerr
Opening
98 bpm • D Maj • 00:52 • -17.63db
16% Popularity • 65% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
16% Popularity • 65% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
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Perrey and Kingsley
One Note Samba - Spanish Flea
98 bpm • F min • 02:07 • -8.63db
8% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
8% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
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David Axelrod
The Fly
94 bpm • A min • 04:54 • -7db
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
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Brian Bennett
Rugby Special
94 bpm • C Maj • 02:17 • -12db
13% Popularity • 73% Danceability • 41% Energy • 18% Liveness
85% Instrumentalness • 96% Positiveness
13% Popularity • 73% Danceability • 41% Energy • 18% Liveness
85% Instrumentalness • 96% Positiveness
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Popol Vuh
... Als Lebten Die Engel Auf Erden
94 bpm • G Maj • 02:12 • -17.62db
17% Popularity • 44% Danceability • 28% Energy • 16% Liveness
99% Instrumentalness • 19% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 16% Liveness
99% Instrumentalness • 19% Positiveness
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Herb Alpert & The Tijuana Brass
Bean Bag
94 bpm • D Maj • 01:58 • -8.76db
15% Popularity • 75% Danceability • 69% Energy • 4% Liveness
84% Instrumentalness • 96% Positiveness
15% Popularity • 75% Danceability • 69% Energy • 4% Liveness
84% Instrumentalness • 96% Positiveness
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Brian Peters
Theme
98 bpm • G Maj • 01:04 • -9.4db
17% Popularity • 87% Danceability • 43% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 87% Danceability • 43% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Mike Vickers
Getaway Car
98 bpm • D Maj • 02:40 • -9.61db
15% Popularity • 63% Danceability • 67% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
15% Popularity • 63% Danceability • 67% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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Roy Budd
Welsh Mountains
98 bpm • G min • 01:09 • -19.36db
24% Popularity • 22% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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101 Strings Orchestra
Flameout
94 bpm • C Maj • 02:49 • -12.3db
11% Popularity • 38% Danceability • 53% Energy • 35% Liveness
25% Instrumentalness • 19% Positiveness
11% Popularity • 38% Danceability • 53% Energy • 35% Liveness
25% Instrumentalness • 19% Positiveness
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Leonard Nimoy
Where No Man Has Gone Before
94 bpm • F Maj • 02:25 • -15.15db
14% Popularity • 27% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
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Reg Wale
Fruity Flutes - Theme from "Farmhouse Ki...
99 bpm • F Maj • 02:27 • -12.38db
10% Popularity • 56% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
10% Popularity • 56% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
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Stelvio Cipriani
La polizia sta a guardare - Main Theme
93 bpm • G# Maj • 03:42 • -22db
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Ennio Morricone
Invenzione per John - Originale
99 bpm • F min • 09:06 • -21db
19% Popularity • 27% Danceability • 14% Energy • 11% Liveness
34% Instrumentalness • 8% Positiveness
19% Popularity • 27% Danceability • 14% Energy • 11% Liveness
34% Instrumentalness • 8% Positiveness
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Gian Piero Reverberi
The Adventures of Robinson Crusoe - Main...
99 bpm • C Maj • 02:15 • -11.44db
11% Popularity • 53% Danceability • 47% Energy • 33% Liveness
32% Instrumentalness • 56% Positiveness
11% Popularity • 53% Danceability • 47% Energy • 33% Liveness
32% Instrumentalness • 56% Positiveness
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Giorgio Moroder
Paul's Theme (Jogging Chase)
99 bpm • A# min • 03:51 • -15.41db
19% Popularity • 59% Danceability • 67% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 67% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Delia Derbyshire
Doctor Who Opening Title Theme
99 bpm • F# min • 00:46 • -15.13db
20% Popularity • 24% Danceability • 54% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
20% Popularity • 24% Danceability • 54% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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Riz Ortolani
Savage Rite
99 bpm • B min • 03:45 • -13.13db
9% Popularity • 24% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Stelvio Cipriani
Ecologia del delitto - titoli
100 bpm • D# Maj • 02:05 • -17.31db
11% Popularity • 49% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
11% Popularity • 49% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
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Alan Hawkshaw
Grange Hill
93 bpm • G Maj • 01:23 • -14db
16% Popularity • 78% Danceability • 42% Energy • 5% Liveness
88% Instrumentalness • 81% Positiveness
16% Popularity • 78% Danceability • 42% Energy • 5% Liveness
88% Instrumentalness • 81% Positiveness
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Roger Webb
Heavy Lace
92 bpm • A Maj • 01:31 • -13.01db
18% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
18% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
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Joe Meek & the Blue Men
Valley of No Return
100 bpm • C Maj • 03:07 • -16.45db
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Syd Dale
Walk and Talk
100 bpm • A min • 02:29 • -7.94db
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Jean-Claude Vannier
Theme 504
100 bpm • A min • 01:51 • -9.32db
13% Popularity • 78% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 51% Positiveness
13% Popularity • 78% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 51% Positiveness
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Guido & Maurizio De Angelis
Goodbye & Amen, Seq. 1
100 bpm • F# min • 01:51 • -12.38db
21% Popularity • 50% Danceability • 53% Energy • 9% Liveness
99% Instrumentalness • 75% Positiveness
21% Popularity • 50% Danceability • 53% Energy • 9% Liveness
99% Instrumentalness • 75% Positiveness
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Stelvio Cipriani
Mark il poliziotto - Originale
100 bpm • E min • 02:41 • -16.49db
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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The Dudley Moore Trio
Song for Suzy
92 bpm • D min • 02:23 • -12.01db
8% Popularity • 60% Danceability • 50% Energy • 8% Liveness
15% Instrumentalness • 66% Positiveness
8% Popularity • 60% Danceability • 50% Energy • 8% Liveness
15% Instrumentalness • 66% Positiveness
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Stewart Copeland
Brothers On Wheels
92 bpm • E Maj • 04:20 • -19.68db
10% Popularity • 67% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
10% Popularity • 67% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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Quincy Jones
Something's Cookin'
92 bpm • C# min • 02:29 • -13.22db
19% Popularity • 66% Danceability • 34% Energy • 12% Liveness
73% Instrumentalness • 73% Positiveness
19% Popularity • 66% Danceability • 34% Energy • 12% Liveness
73% Instrumentalness • 73% Positiveness
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Giorgio Moroder
Night Drive (Reprise) - American Gigolo/...
92 bpm • A# Maj • 02:52 • -15.39db
14% Popularity • 17% Danceability • 12% Energy • 48% Liveness
40% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 12% Energy • 48% Liveness
40% Instrumentalness • 4% Positiveness
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Eden Ahbez
The Old Boat
92 bpm • G Maj • 02:36 • -13.43db
19% Popularity • 50% Danceability • 41% Energy • 30% Liveness
33% Instrumentalness • 48% Positiveness
19% Popularity • 50% Danceability • 41% Energy • 30% Liveness
33% Instrumentalness • 48% Positiveness
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George Fenton
The Message / Main Theme
92 bpm • G# min • 03:16 • -18.58db
9% Popularity • 16% Danceability • 15% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 15% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Vampire Sound Inc.
The Message
92 bpm • D# Maj • 03:26 • -9.15db
12% Popularity • 24% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
12% Popularity • 24% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
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Michael Small
Waiting in the Loft
101 bpm • A Maj • 01:14 • -15.02db
16% Popularity • 59% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 10% Positiveness
16% Popularity • 59% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 10% Positiveness
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Lizzy Mercier Descloux
Mission Impossible
92 bpm • F# min • 02:35 • -11.06db
21% Popularity • 85% Danceability • 64% Energy • 8% Liveness
91% Instrumentalness • 72% Positiveness
21% Popularity • 85% Danceability • 64% Energy • 8% Liveness
91% Instrumentalness • 72% Positiveness
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The Cartoonz
Starsky & Hutch
101 bpm • C Maj • 01:15 • -12.21db
13% Popularity • 52% Danceability • 59% Energy • 22% Liveness
89% Instrumentalness • 96% Positiveness
13% Popularity • 52% Danceability • 59% Energy • 22% Liveness
89% Instrumentalness • 96% Positiveness
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John Cameron
Dawn - Billy Sees Kes In The Tower
91 bpm • C Maj • 03:47 • -14.82db
10% Popularity • 20% Danceability • 19% Energy • 17% Liveness
52% Instrumentalness • 11% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 17% Liveness
52% Instrumentalness • 11% Positiveness
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Nino Rota
L'Uccello Magico
101 bpm • A# Maj • 02:11 • -12db
10% Popularity • 62% Danceability • 26% Energy • 9% Liveness
6% Instrumentalness • 41% Positiveness
10% Popularity • 62% Danceability • 26% Energy • 9% Liveness
6% Instrumentalness • 41% Positiveness
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Goblin
Connexion
101 bpm • F Maj • 03:30 • -15.34db
17% Popularity • 48% Danceability • 59% Energy • 13% Liveness
25% Instrumentalness • 3% Positiveness
17% Popularity • 48% Danceability • 59% Energy • 13% Liveness
25% Instrumentalness • 3% Positiveness
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Vangelis
Chung Kuo
101 bpm • F# Maj • 05:31 • -18.8db
25% Popularity • 24% Danceability • 26% Energy • 13% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 24% Danceability • 26% Energy • 13% Liveness
81% Instrumentalness • 11% Positiveness
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Mandingo
Black Rite - 1999 Remaster
101 bpm • C# Maj • 04:15 • -9.04db
9% Popularity • 48% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 48% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
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Roy Budd
Looking For Someone
91 bpm • G Maj • 02:31 • -12.66db
11% Popularity • 56% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 56% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Johnny Hawksworth
Ready To Serve - Theme from "Delia Smith...
91 bpm • D min • 01:03 • -10db
10% Popularity • 31% Danceability • 73% Energy • 30% Liveness
57% Instrumentalness • 40% Positiveness
10% Popularity • 31% Danceability • 73% Energy • 30% Liveness
57% Instrumentalness • 40% Positiveness
► Preview
Giorgio Moroder
Night Rabbit
102 bpm • D Maj • 01:58 • -19.53db
9% Popularity • 26% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Dominic Glynn
Doctor Who - Closing Theme
102 bpm • A min • 01:13 • -12.41db
10% Popularity • 40% Danceability • 56% Energy • 39% Liveness
42% Instrumentalness • 49% Positiveness
10% Popularity • 40% Danceability • 56% Energy • 39% Liveness
42% Instrumentalness • 49% Positiveness
► Preview
Ronald Stein
Attack of the 50 Foot Woman (Main Title ...
90 bpm • G# Maj • 01:11 • -13.98db
1% Popularity • 28% Danceability • 22% Energy • 17% Liveness
98% Instrumentalness • 37% Positiveness
1% Popularity • 28% Danceability • 22% Energy • 17% Liveness
98% Instrumentalness • 37% Positiveness
► Preview
The Bob Crewe Generation Orchestra
Goodnight Alfie
91 bpm • D# Maj • 01:29 • -14.29db
8% Popularity • 20% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 45% Positiveness
8% Popularity • 20% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 45% Positiveness
► Preview
The Perry-Gardner Orchestra
Sailing By
90 bpm • D Maj • 02:41 • -12.69db
8% Popularity • 19% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
8% Popularity • 19% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
David Lindup
Acquital
102 bpm • D Maj • 01:35 • -10.86db
16% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
16% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
► Preview
John Williams
Third Season Main Title
90 bpm • A# Maj • 01:06 • -8.42db
12% Popularity • 53% Danceability • 54% Energy • 22% Liveness
94% Instrumentalness • 87% Positiveness
12% Popularity • 53% Danceability • 54% Energy • 22% Liveness
94% Instrumentalness • 87% Positiveness
► Preview
Vampire Sound Inc.
The Lions and the Cucumber
102 bpm • G Maj • 05:12 • -9.69db
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
► Preview
Stelvio Cipriani
Tribal Shake
103 bpm • G# Maj • 01:41 • -15.58db
8% Popularity • 65% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
8% Popularity • 65% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
► Preview
The Bob Crewe Generation Orchestra
Pygar's New Wings
103 bpm • C Maj • 01:57 • -8.81db
7% Popularity • 49% Danceability • 66% Energy • 26% Liveness
60% Instrumentalness • 52% Positiveness
7% Popularity • 49% Danceability • 66% Energy • 26% Liveness
60% Instrumentalness • 52% Positiveness
► Preview
Mark Wirtz
Festival of Kings
103 bpm • F Maj • 02:45 • -10.74db
9% Popularity • 58% Danceability • 64% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
9% Popularity • 58% Danceability • 64% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
► Preview
Burt Bacharach
Bond Street
103 bpm • G min • 02:04 • -13.12db
23% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
► Preview
Delia Derbyshire
Doctor Who - Opening Theme
103 bpm • C# Maj • 00:39 • -13.6db
27% Popularity • 28% Danceability • 66% Energy • 70% Liveness
94% Instrumentalness • 77% Positiveness
27% Popularity • 28% Danceability • 66% Energy • 70% Liveness
94% Instrumentalness • 77% Positiveness
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Barry Gray
UFO Main Titles
89 bpm • G min • 01:13 • -11db
26% Popularity • 68% Danceability • 79% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
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Stelvio Cipriani
Love Symbol
103 bpm • D min • 02:22 • -14.55db
12% Popularity • 39% Danceability • 56% Energy • 2% Liveness
93% Instrumentalness • 51% Positiveness
12% Popularity • 39% Danceability • 56% Energy • 2% Liveness
93% Instrumentalness • 51% Positiveness
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Gert Wilden & Orchestra
Dirty Beat (Schulmädchenreport 2)
103 bpm • F Maj • 02:53 • -8db
13% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
13% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
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Riz Ortolani
Crucified Woman
103 bpm • G Maj • 02:23 • -14.51db
16% Popularity • 20% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Les Baxter
Sunken City
89 bpm • G min • 03:00 • -17.19db
15% Popularity • 13% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Derek Wadsworth
Space: 1999 Year Two - Main Theme
103 bpm • A min • 00:49 • -7.02db
13% Popularity • 42% Danceability • 89% Energy • 20% Liveness
65% Instrumentalness • 54% Positiveness
13% Popularity • 42% Danceability • 89% Energy • 20% Liveness
65% Instrumentalness • 54% Positiveness
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François de Roubaix
Daughters Of Darkness Opening
103 bpm • G# Maj • 01:08 • -6.13db
23% Popularity • 34% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
23% Popularity • 34% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
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Roy Budd
The Stone Killer Main Titles
103 bpm • D min • 03:24 • -10.8db
11% Popularity • 45% Danceability • 57% Energy • 13% Liveness
35% Instrumentalness • 11% Positiveness
11% Popularity • 45% Danceability • 57% Energy • 13% Liveness
35% Instrumentalness • 11% Positiveness
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Pearl & Dean
Asteroid (Pearl & Dean Theme) - Full Len...
104 bpm • G# Maj • 02:13 • -9.15db
13% Popularity • 69% Danceability • 76% Energy • 19% Liveness
76% Instrumentalness • 72% Positiveness
13% Popularity • 69% Danceability • 76% Energy • 19% Liveness
76% Instrumentalness • 72% Positiveness
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The Bob Crewe Generation Orchestra
An Angel Is Love
104 bpm • C Maj • 04:23 • -8.28db
10% Popularity • 45% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 45% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Les Baxter
Saturday Night On Saturn
104 bpm • G# Maj • 01:43 • -10.43db
13% Popularity • 60% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 60% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Broadcast
The Equestrian Vortex
89 bpm • A min • 01:21 • -9db
17% Popularity • 27% Danceability • 48% Energy • 35% Liveness
76% Instrumentalness • 34% Positiveness
17% Popularity • 27% Danceability • 48% Energy • 35% Liveness
76% Instrumentalness • 34% Positiveness
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Orchestra Sinfonica Di Milano
Love and Menace - Excerpt from Body Doub...
89 bpm • F Maj • 04:48 • -16.29db
8% Popularity • 18% Danceability • 19% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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Johnny Scott
The Good Word (Nationwide Theme)
104 bpm • A# Maj • 02:50 • -9.81db
9% Popularity • 55% Danceability • 63% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
9% Popularity • 55% Danceability • 63% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
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Delia Derbyshire
Doctor Who - Closing Theme
104 bpm • C# Maj • 01:20 • -11.34db
19% Popularity • 41% Danceability • 66% Energy • 39% Liveness
70% Instrumentalness • 51% Positiveness
19% Popularity • 41% Danceability • 66% Energy • 39% Liveness
70% Instrumentalness • 51% Positiveness
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Lalo Schifrin & John E. Davis
Mission: Impossible Theme (Performed By ...
105 bpm • F min • 06:06 • -11.45db
11% Popularity • 28% Danceability • 86% Energy • 77% Liveness
74% Instrumentalness • 14% Positiveness
11% Popularity • 28% Danceability • 86% Energy • 77% Liveness
74% Instrumentalness • 14% Positiveness
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Quincy Jones
Main Theme: The Deadly Affair - Version ...
88 bpm • C# min • 02:14 • -18.03db
8% Popularity • 30% Danceability • 34% Energy • 34% Liveness
46% Instrumentalness • 36% Positiveness
8% Popularity • 30% Danceability • 34% Energy • 34% Liveness
46% Instrumentalness • 36% Positiveness
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Les Baxter
Qué Mango!
87 bpm • D min • 02:09 • -12.45db
11% Popularity • 32% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 32% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
