Songs like The Tracks Of My Tears by Martha Reeves & The Vandellas
Based on a tempo of (+/- 10%) and a similar genre
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Dorothy Moore
Ain't That A Mother's Luck
103 bpm • G Maj • 03:21 • -10.62db
18% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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David Porter
Help
103 bpm • D min • 03:36 • -8.51db
9% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Intruders
Mother and Child Reunion
103 bpm • E min • 04:05 • -12.33db
8% Popularity • 60% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Martha Reeves & The Vandellas
The Tracks Of My Tears
103 bpm • G Maj • 02:53 • -5.64db
11% Popularity • 59% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
11% Popularity • 59% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
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Freda Payne
I Left Some Dreams Back There
104 bpm • C Maj • 03:18 • -10db
9% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Clydie King
I'll Never Stop Loving You - Remastered
104 bpm • F Maj • 02:14 • -13db
19% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Valentinos
What About Me
104 bpm • G# min • 02:48 • -9db
14% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Arthur Alexander
You Better Listen to Me
102 bpm • E Maj • 02:16 • -11.68db
18% Popularity • 78% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 78% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby "Blue" Bland
Share Your Love With Me
101 bpm • C Maj • 02:43 • -5.33db
12% Popularity • 30% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 30% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Martha Reeves & The Vandellas
Forget Me Not
102 bpm • C# Maj • 02:57 • -9.4db
17% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Velvelettes
Throw A Farewell Kiss - Single Version
104 bpm • C Maj • 02:26 • -5.66db
11% Popularity • 47% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 47% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Marv Johnson
I'll Pick A Rose For My Rose - Single Ve...
105 bpm • F Maj • 02:36 • -4.62db
29% Popularity • 74% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 74% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Sam Cooke
Meet Me At Mary's Place
105 bpm • A# Maj • 02:41 • -8.89db
41% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Originals
I Like Your Style
101 bpm • G# min • 02:46 • -10.28db
30% Popularity • 69% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 69% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
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Ben E. King
Do It in the Name of Love
101 bpm • G# min • 04:20 • -8.37db
18% Popularity • 68% Danceability • 81% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 81% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
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Martha Reeves & The Vandellas
No More Tearstained Make Up
104 bpm • C Maj • 02:16 • -10.8db
32% Popularity • 65% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 65% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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The Velvelettes
Everybody Needs Love
101 bpm • F Maj • 03:18 • -6.25db
15% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Chiffons
I Wonder Why
105 bpm • D Maj • 02:13 • -5db
30% Popularity • 45% Danceability • 62% Energy • 59% Liveness
1% Instrumentalness • 80% Positiveness
30% Popularity • 45% Danceability • 62% Energy • 59% Liveness
1% Instrumentalness • 80% Positiveness
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Jeanne & The Darlings
It's Unbelievable (How You Control My So...
100 bpm • C# Maj • 02:13 • -7.93db
9% Popularity • 68% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 71% Positiveness
9% Popularity • 68% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 71% Positiveness
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The Ronettes
(The Best Part Of) Breakin' Up
105 bpm • D Maj • 03:04 • -9.59db
30% Popularity • 49% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 49% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Betty Wright
I'm Gonna Hate Myself in the Morning
106 bpm • F Maj • 02:14 • -10.28db
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Martha Reeves & The Vandellas
I Gotta Let You Go - Single Version / Mo...
104 bpm • G Maj • 02:24 • -4.55db
11% Popularity • 61% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 61% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Jean Knight
Don't Talk About Jody
106 bpm • G# Maj • 02:43 • -10.97db
26% Popularity • 85% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
26% Popularity • 85% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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The Dramatics
Get Up And Get Down - 45 Version
100 bpm • C# min • 03:11 • -16db
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Tony Clarke
The Fugitive Kind
100 bpm • F# Maj • 02:50 • -7.43db
8% Popularity • 64% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 64% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Little Anthony & The Imperials
It's Not The Same
106 bpm • D Maj • 02:17 • -11.25db
12% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Barrett Strong
Oh I Apologize - Single Version / Mono
107 bpm • A# Maj • 02:21 • -6.16db
18% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Martha Reeves & The Vandellas
Dancing Slow
104 bpm • A# Maj • 02:17 • -8.63db
19% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Contours
It Must Be Love - Single Version
100 bpm • D# Maj • 02:27 • -8.68db
12% Popularity • 66% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 66% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
23% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
31% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Gene Chandler
Gonna Be Good Times
107 bpm • C# Maj • 02:20 • -9db
10% Popularity • 41% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 41% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Four Tops
Loving You Is Sweeter Than Ever
99 bpm • F Maj • 02:50 • -8db
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Martha Reeves & The Vandellas
Hello Stranger
105 bpm • C Maj • 02:39 • -8db
33% Popularity • 61% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 61% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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The Contours
What Becomes of the Broken Hearted
107 bpm • F Maj • 02:51 • -9.95db
32% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Chairmen Of The Board
Chairman of the Board
108 bpm • A# min • 03:35 • -5.73db
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Brenda Holloway
You've Made Me So Very Happy - Single Ve...
99 bpm • G Maj • 02:53 • -11.19db
32% Popularity • 51% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 51% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Freda Payne
The World Don’t Owe You A Thing
108 bpm • C# Maj • 02:58 • -5.98db
10% Popularity • 67% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 67% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Carla Thomas
Let Me Be Good to You
108 bpm • A# Maj • 02:42 • -12.93db
22% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Martha Reeves & The Vandellas
Love Bug Leave My Heart Alone
99 bpm • A# Maj • 02:09 • -8.45db
12% Popularity • 59% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 59% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Contours
So Grateful
108 bpm • F Maj • 02:38 • -10db
13% Popularity • 66% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 66% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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The Emotions
From Toys To Boys
98 bpm • B Maj • 02:29 • -12.51db
7% Popularity • 82% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 82% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Velvelettes
Think Of The Times - 1999 The Very Best ...
108 bpm • F# Maj • 02:23 • -2.51db
10% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Freda Payne
Deeper And Deeper
108 bpm • C Maj • 03:02 • -7.3db
14% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Delaney & Bonnie
It's Been A Long Time Coming
108 bpm • A Maj • 02:16 • -10.21db
11% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Martha Reeves & The Vandellas
Just One Look
108 bpm • D min • 02:33 • -8db
33% Popularity • 73% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
33% Popularity • 73% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Lou Johnson
Rock Me Baby
109 bpm • C Maj • 02:15 • -10.7db
17% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Elgins
Stay In My Lonely Arms
98 bpm • A# Maj • 02:57 • -4.84db
12% Popularity • 29% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 29% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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The Drifters
On Broadway
109 bpm • C# Maj • 03:01 • -15db
42% Popularity • 74% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 74% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Bettye LaVette
Heart of Gold - Remastered Single Versio...
98 bpm • A min • 02:20 • -8.69db
10% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Martha Reeves & The Vandellas
A Love Like Yours (Don't Come Knocking E...
98 bpm • D# Maj • 02:29 • -7.21db
23% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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The Originals
You're The One
98 bpm • F min • 03:15 • -13db
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Cooke
Keep Movin' On
109 bpm • G Maj • 02:20 • -10.12db
47% Popularity • 58% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 58% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Carolyn Crawford
My Smile Is Just A Frown (Turned Upside ...
109 bpm • D Maj • 03:01 • -10.78db
19% Popularity • 66% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 66% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Donny Hathaway
I Thank You Baby - Mono
97 bpm • F# Maj • 02:39 • -3.71db
24% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
26% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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Martha Reeves & The Vandellas
There He Is (At My Door)
109 bpm • G min • 02:28 • -7.25db
10% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Originals
We've Got A Way Out Love
109 bpm • F Maj • 03:03 • -11.42db
13% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Luther Ingram
I'll Be Your Shelter (In Time of Storm)
97 bpm • D Maj • 03:21 • -9.35db
20% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Simon
(You Keep Me) Hanging On
97 bpm • G Maj • 02:45 • -15.31db
20% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Carolyn Crawford
My Smile Is Just A Frown (Turned Upside ...
109 bpm • D Maj • 03:02 • -3.94db
16% Popularity • 63% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 63% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
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Brenda Holloway
Operator - Single Version
109 bpm • G min • 03:15 • -10.72db
24% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Martha Reeves & The Vandellas
I Promise To Wait My Love
109 bpm • G Maj • 02:06 • -8.6db
12% Popularity • 74% Danceability • 63% Energy • 6% Liveness
27% Instrumentalness • 90% Positiveness
12% Popularity • 74% Danceability • 63% Energy • 6% Liveness
27% Instrumentalness • 90% Positiveness
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Betty Wright
I'm Thankful
109 bpm • C Maj • 02:07 • -7db
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Kim Weston
A Little More Love
97 bpm • A# Maj • 02:59 • -7.82db
8% Popularity • 28% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 28% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
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Willie Hightower
Walk A Mile In My Shoes
97 bpm • B Maj • 03:20 • -11.24db
21% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Little Anthony & The Imperials
Hurt So Bad
110 bpm • E min • 02:19 • -9.93db
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Marlena Shaw
Matchmaker, Matchmaker
96 bpm • A min • 02:58 • -11db
12% Popularity • 38% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
12% Popularity • 38% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Martha Reeves & The Vandellas
Bless You
96 bpm • D# Maj • 03:04 • -10.62db
19% Popularity • 67% Danceability • 73% Energy • 35% Liveness
4% Instrumentalness • 92% Positiveness
19% Popularity • 67% Danceability • 73% Energy • 35% Liveness
4% Instrumentalness • 92% Positiveness
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Cornelius Brothers & Sister Rose
Big Time Lover
110 bpm • G# Maj • 03:28 • -8.2db
18% Popularity • 59% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 59% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Wilson
Sweeter As The Days Go By
96 bpm • E Maj • 02:51 • -4.13db
14% Popularity • 69% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 69% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Hughes
I Worship The Ground
111 bpm • A# Maj • 02:26 • -5.19db
22% Popularity • 53% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 53% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Shirelles
Things I Want to Hear (Pretty Words)
111 bpm • C# Maj • 02:42 • -12.5db
20% Popularity • 55% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Wee Willie Walker
There Goes My Used to Be
111 bpm • A min • 03:01 • -6db
10% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Martha Reeves & The Vandellas
Forever
96 bpm • F Maj • 02:47 • -5.72db
14% Popularity • 45% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 45% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Chairmen Of The Board
Working on a Building of Love
111 bpm • F Maj • 02:56 • -8db
18% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
15% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Originals
I'll Wait For You - Single Version
95 bpm • C min • 02:35 • -10.77db
30% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Jean Knight
Pick Up The Pieces
111 bpm • D Maj • 02:31 • -12.82db
16% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
16% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
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Harold Melvin & The Blue Notes
Keep On Lovin' You
111 bpm • A Maj • 03:40 • -7.26db
32% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Martha Reeves & The Vandellas
I'm Ready For Love
95 bpm • F min • 02:51 • -8db
34% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Sonny Charles And The Checkmates Ltd
Black Pearl
95 bpm • D Maj • 03:27 • -6db
30% Popularity • 38% Danceability • 76% Energy • 58% Liveness
53% Instrumentalness • 80% Positiveness
30% Popularity • 38% Danceability • 76% Energy • 58% Liveness
53% Instrumentalness • 80% Positiveness
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The Intruders
Hang on in There
112 bpm • C Maj • 03:22 • -12.07db
20% Popularity • 55% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 55% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Billy Preston
Can't She Tell - Sly Stone
112 bpm • C Maj • 02:53 • -4.35db
11% Popularity • 70% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 70% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Shirelles
Tears On My Pillow
112 bpm • E Maj • 01:58 • -12db
25% Popularity • 55% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 55% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Chuck Jackson
(You Can't Let The Boy Overpower) The Ma...
95 bpm • A# min • 03:06 • -15db
11% Popularity • 69% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 69% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Betty Wright
If You Don't Love Me Like You Say You Lo...
112 bpm • B min • 03:08 • -8.07db
12% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Martha Reeves & The Vandellas
Mickey's Monkey
95 bpm • A# min • 02:37 • -8.11db
17% Popularity • 65% Danceability • 77% Energy • 27% Liveness
13% Instrumentalness • 79% Positiveness
17% Popularity • 65% Danceability • 77% Energy • 27% Liveness
13% Instrumentalness • 79% Positiveness
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Lou Rawls
I Can't Make It Alone
94 bpm • D Maj • 03:01 • -9.44db
11% Popularity • 57% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
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Thelma Houston
Me And Bobby McGee
94 bpm • C Maj • 03:24 • -12.24db
16% Popularity • 59% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 59% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Lorraine Ellison
Try (Just a Little Bit Harder)
94 bpm • A Maj • 03:03 • -10.8db
15% Popularity • 64% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 64% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Elgins
Darling Baby
113 bpm • A# Maj • 02:50 • -4.13db
11% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Fantastic Four
Can't Stop Looking For My Baby
112 bpm • F min • 02:38 • -6.35db
10% Popularity • 72% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 72% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Clarence Reid
Part Time Lover
113 bpm • C min • 02:01 • -6.84db
12% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Betty Wright
He's Bad, Bad, Bad
113 bpm • B min • 02:25 • -8db
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Mitty Collier
Let Them Talk
94 bpm • G# Maj • 02:39 • -4.04db
11% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
