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The Village Bride
Songs like
The Village Bride
by
Kevin Penkin
Based on a tempo of (+/- 10%) and a similar genre
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Kevin Penkin
WAVES
79 bpm • D Maj • 02:08 • -13.75db
18% Popularity • 19% Danceability • 53% Energy • 10% Liveness
57% Instrumentalness • 5% Positiveness
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Evan Call
Fear Brought Me This Far
79 bpm • A# min • 02:19 • -14.27db
44% Popularity • 23% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 6% Positiveness
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Sarah Schachner
The First Departure
79 bpm • G min • 02:26 • -13db
38% Popularity • 18% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Way of the Ghost
79 bpm • G min • 03:32 • -15.27db
41% Popularity • 12% Danceability • 9% Energy • 21% Liveness
1% Instrumentalness • 4% Positiveness
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Chad Cannon
The Tale of Clan Sakai
79 bpm • G min • 03:06 • -15.99db
21% Popularity • 28% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
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Michiru Oshima
追想
79 bpm • D min • 04:23 • -13.62db
30% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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梶浦 由記
gracefully
79 bpm • D min • 01:49 • -30db
43% Popularity • 34% Danceability • 1% Energy • 7% Liveness
68% Instrumentalness • 23% Positiveness
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Yoshihiro Ike
Icy Air
79 bpm • C Maj • 01:35 • -22db
27% Popularity • 16% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Evan Call
A Doll's Beginning
79 bpm • E Maj • 02:43 • -14.99db
41% Popularity • 9% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Akira Senju
Laws of Alchemy
79 bpm • F min • 01:27 • -14db
33% Popularity • 44% Danceability • 33% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Kevin Penkin
The Village Bride
79 bpm • C# min • 04:30 • -21.66db
28% Popularity • 12% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Witcher Training
80 bpm • D min • 02:11 • -16db
32% Popularity • 46% Danceability • 36% Energy • 16% Liveness
71% Instrumentalness • 25% Positiveness
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梶浦 由記
a tiny love
79 bpm • D min • 01:43 • -28db
45% Popularity • 31% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 14% Positiveness
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Yoshihiro Ike
生生流転
79 bpm • A min • 04:43 • -7.04db
18% Popularity • 16% Danceability • 62% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Austin Wintory
Apotheosis
78 bpm • B min • 07:25 • -15.77db
18% Popularity • 10% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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KOHTA YAMAMOTO
Footsteps of Doom
80 bpm • F Maj • 05:06 • -9.61db
46% Popularity • 10% Danceability • 58% Energy • 30% Liveness
88% Instrumentalness • 17% Positiveness
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Kevin Penkin
Sara
80 bpm • F# Maj • 01:20 • -15.34db
11% Popularity • 22% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 3% Positiveness
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桶狭間ありさ
The end of ”GOH”
80 bpm • C min • 01:54 • -7.55db
17% Popularity • 28% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
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SQUARE ENIX MUSIC
Grandma
80 bpm • A# min • 03:40 • -14db
45% Popularity • 37% Danceability • 34% Energy • 10% Liveness
14% Instrumentalness • 38% Positiveness
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Yoshihiro Ike
疾風
80 bpm • A min • 02:05 • -6.96db
25% Popularity • 48% Danceability • 77% Energy • 30% Liveness
68% Instrumentalness • 79% Positiveness
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Max Shirshov
Bam
80 bpm • D min • 04:36 • -7db
16% Popularity • 17% Danceability • 71% Energy • 48% Liveness
90% Instrumentalness • 4% Positiveness
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Jack Dalton
Venom of the Red Lotus
80 bpm • C# Maj • 05:25 • -21db
28% Popularity • 34% Danceability • 27% Energy • 22% Liveness
90% Instrumentalness • 20% Positiveness
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Kevin Penkin
Cartwheel
80 bpm • A min • 02:02 • -14.24db
27% Popularity • 51% Danceability • 20% Energy • 36% Liveness
62% Instrumentalness • 42% Positiveness
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桶狭間ありさ
Hallyang Seo and Samul nori
80 bpm • A min • 03:06 • -7.43db
29% Popularity • 34% Danceability • 72% Energy • 9% Liveness
52% Instrumentalness • 37% Positiveness
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Kenichiro Suehiro
Special Fire Force Company 8
80 bpm • G Maj • 02:53 • -9db
29% Popularity • 50% Danceability • 52% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
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藤澤慶昌
深海
80 bpm • A Maj • 01:47 • -13.07db
32% Popularity • 25% Danceability • 25% Energy • 4% Liveness
67% Instrumentalness • 11% Positiveness
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Yoshihisa Hirano
Kujirato Yori
80 bpm • C Maj • 02:01 • -10.55db
39% Popularity • 40% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 70% Positiveness
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Arcane
The Explosion
80 bpm • D min • 01:22 • -19.4db
27% Popularity • 15% Danceability • 10% Energy • 20% Liveness
81% Instrumentalness • 3% Positiveness
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Kevin Penkin
Bue, Pluck & Bow
80 bpm • G min • 03:04 • -19.3db
13% Popularity • 28% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Masaru Yokoyama
Crescent Moon - Mobile Suit Gundam: Iron...
80 bpm • D min • 02:19 • -20.85db
17% Popularity • 36% Danceability • 9% Energy • 5% Liveness
83% Instrumentalness • 12% Positiveness
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Scott Buckley
Race The Sun
80 bpm • A Maj • 04:51 • -15.72db
9% Popularity • 20% Danceability • 44% Energy • 12% Liveness
73% Instrumentalness • 12% Positiveness
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Nobuko Toda
Kara and Father
81 bpm • D min • 03:47 • -16.62db
23% Popularity • 7% Danceability • 12% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Maxi Göthling
Glory to Mankind
77 bpm • F Maj • 03:46 • -9.8db
21% Popularity • 23% Danceability • 55% Energy • 34% Liveness
73% Instrumentalness • 19% Positiveness
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Bear McCreary
Remembering Faye
77 bpm • D min • 02:40 • -22.6db
38% Popularity • 18% Danceability • 4% Energy • 6% Liveness
59% Instrumentalness • 4% Positiveness
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Kevin Penkin
EDEN.Waltz
78 bpm • F# Maj • 01:37 • -12.56db
14% Popularity • 15% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Dragonflight
77 bpm • G min • 02:15 • -18.99db
19% Popularity • 38% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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Yoshihiro Ike
POLARIS
77 bpm • C Maj • 02:27 • -13.93db
19% Popularity • 29% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Tsukasa Saitoh
The Adage: Laurence, the First Vicar [R...
77 bpm • G# Maj • 04:00 • -10.2db
35% Popularity • 18% Danceability • 44% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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加藤達也
STONE WORLD
81 bpm • E Maj • 03:27 • -7.79db
35% Popularity • 8% Danceability • 56% Energy • 28% Liveness
4% Instrumentalness • 11% Positiveness
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Bear McCreary
Letting Go
81 bpm • G min • 09:25 • -20.92db
46% Popularity • 13% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Lady Masako
81 bpm • G min • 04:01 • -16.35db
33% Popularity • 16% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Ikurru
Falling
77 bpm • D# Maj • 09:48 • -17.87db
16% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Akira Senju
Sorrowful Stone
77 bpm • D min • 02:38 • -16db
38% Popularity • 66% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Penkin
Moonlight
77 bpm • G Maj • 02:49 • -12.77db
21% Popularity • 21% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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CJ Music
Lenore's Death Theme
82 bpm • C Maj • 05:11 • -24.65db
32% Popularity • 8% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Laura Karpman
Sorry
76 bpm • C Maj • 02:45 • -13.22db
12% Popularity • 11% Danceability • 33% Energy • 7% Liveness
20% Instrumentalness • 6% Positiveness
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Olivier Deriviere
No Turning Back
82 bpm • D Maj • 04:20 • -13.67db
34% Popularity • 58% Danceability • 38% Energy • 16% Liveness
21% Instrumentalness • 7% Positiveness
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Piotr Musiał
Damned Souls
76 bpm • E min • 04:38 • -16db
34% Popularity • 18% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kenichiro Suehiro
Scorching heat requiem
82 bpm • A Maj • 02:58 • -8db
28% Popularity • 45% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 13% Positiveness
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Kevin Penkin
Tower of God Epic Medley 2: Crown Game /...
82 bpm • G min • 04:10 • -13.18db
25% Popularity • 18% Danceability • 56% Energy • 5% Liveness
60% Instrumentalness • 11% Positiveness
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Yoshihisa Hirano
Mystic Land
82 bpm • D Maj • 01:31 • -23.41db
41% Popularity • 55% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Alexander Rosskopf
Kabuto
76 bpm • A min • 02:44 • -20.31db
25% Popularity • 48% Danceability • 15% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
Eyes Open
82 bpm • E Maj • 04:06 • -17.52db
14% Popularity • 8% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Piotr Musiał
On the Edge Theme
82 bpm • C min • 02:49 • -11.66db
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
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Junichi Matsumoto
陽だまり猫に窓
76 bpm • D Maj • 02:23 • -15.07db
26% Popularity • 18% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
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Nobuko Toda
The Ninth Jedi - Prologue
76 bpm • C min • 02:07 • -12.03db
20% Popularity • 7% Danceability • 37% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Natalie Holt
Reset Charges
76 bpm • F min • 02:27 • -10.02db
27% Popularity • 18% Danceability • 62% Energy • 21% Liveness
57% Instrumentalness • 45% Positiveness
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John R Graham
At Struggle's End
82 bpm • C min • 03:41 • -13.3db
19% Popularity • 17% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Olivier Deriviere
Plague Tale
76 bpm • G min • 02:16 • -18.54db
38% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Agust G
Otsutsuki Kaguya the Goddess
82 bpm • D Maj • 04:41 • -12.41db
32% Popularity • 16% Danceability • 24% Energy • 20% Liveness
12% Instrumentalness • 3% Positiveness
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Junichi Matsumoto
Symphonic Poem “The Ancient Magus’s ...
82 bpm • A Maj • 03:19 • -7.57db
29% Popularity • 14% Danceability • 47% Energy • 32% Liveness
75% Instrumentalness • 6% Positiveness
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Nobuo Uematsu
FFVII REMAKE: 魔晄都市ミッドガ�...
76 bpm • C Maj • 04:26 • -14.3db
41% Popularity • 15% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Trevor Morris
Divine Bloodlines Reprise
83 bpm • C min • 02:35 • -21db
26% Popularity • 19% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Masaru Yokoyama
Fate/Apocrypha - Confronting
83 bpm • C Maj • 01:44 • -9.96db
20% Popularity • 42% Danceability • 56% Energy • 3% Liveness
92% Instrumentalness • 19% Positiveness
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梶浦 由記
luminous sword
75 bpm • D Maj • 02:28 • -9db
43% Popularity • 25% Danceability • 66% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
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Bear McCreary
Pull of the Light
75 bpm • D min • 01:44 • -25.9db
39% Popularity • 13% Danceability • 6% Energy • 5% Liveness
77% Instrumentalness • 4% Positiveness
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Akira Senju
The Awakening
83 bpm • C Maj • 02:40 • -13.26db
27% Popularity • 16% Danceability • 36% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Tamiya Terashima
Sparrowhawk - The Fugitive
83 bpm • B min • 02:45 • -16.76db
25% Popularity • 17% Danceability • 30% Energy • 14% Liveness
73% Instrumentalness • 16% Positiveness
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Stephen Barton
Promise
75 bpm • A min • 04:05 • -21.08db
14% Popularity • 18% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Piotr Musiał
Are We Alone?
83 bpm • D min • 03:53 • -17db
40% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Keith Power
The Second Dream
75 bpm • D min • 02:06 • -19db
34% Popularity • 10% Danceability • 21% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Henry Jackman
For Better or Worse
75 bpm • E min • 02:04 • -30db
37% Popularity • 28% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Yuka Kitamura
The Curse That Binds Us [Lorian, Elder ...
75 bpm • D# min • 04:19 • -8db
31% Popularity • 35% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
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藤澤慶昌
メインテーマ
75 bpm • A# Maj • 01:56 • -14.6db
42% Popularity • 17% Danceability • 13% Energy • 30% Liveness
4% Instrumentalness • 6% Positiveness
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League of Legends: Wild Rift
Wild Rift (Main Theme)
75 bpm • D Maj • 02:27 • -12db
21% Popularity • 8% Danceability • 47% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Piotr Musiał
Brave New World
75 bpm • C Maj • 04:01 • -15db
35% Popularity • 38% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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Junichi Matsumoto
The Ancient Magus Bride's Main Theme
84 bpm • B min • 02:19 • -7.56db
36% Popularity • 22% Danceability • 37% Energy • 17% Liveness
45% Instrumentalness • 18% Positiveness
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Kenichiro Suehiro
Ushinawareta Kinkai
83 bpm • G min • 03:50 • -13.43db
12% Popularity • 15% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Joris de Man
Into The Frozen Wilds
75 bpm • G# Maj • 01:11 • -19db
39% Popularity • 16% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
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藤澤慶昌
ロキシーからの贈り物
75 bpm • F Maj • 02:25 • -14db
27% Popularity • 35% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Evan Call
Across the Violet Sky
84 bpm • B Maj • 02:44 • -15db
45% Popularity • 31% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 13% Positiveness
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Masaru Yokoyama
Savior
84 bpm • D min • 03:20 • -12.73db
22% Popularity • 14% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Kevin Penkin
Requiem for Blasters
84 bpm • C# min • 01:21 • -16.26db
21% Popularity • 8% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Kenichiro Suehiro
The bond of friendship
74 bpm • E min • 03:29 • -16.09db
18% Popularity • 7% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Nobuaki Nobusawa
比屋定とサリエリ
74 bpm • G min • 01:38 • -24.28db
41% Popularity • 32% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Evan Call
For 1000 Years
84 bpm • C Maj • 02:28 • -21.55db
45% Popularity • 22% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
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Arcane
The Flashback
74 bpm • E min • 02:19 • -17db
24% Popularity • 14% Danceability • 15% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Akira Senju
Requiem for the Brigadier General
85 bpm • C min • 02:28 • -21.37db
37% Popularity • 10% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ludvig Forssell
Beautiful Mirage - The Vision Fades
73 bpm • C min • 01:52 • -24.48db
29% Popularity • 27% Danceability • 10% Energy • 25% Liveness
92% Instrumentalness • 9% Positiveness
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Kotaro Nakagawa
The Ruins as They Were
73 bpm • A Maj • 01:51 • -14.26db
30% Popularity • 22% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Evan Call
Theme of Violet Evergarden
85 bpm • F Maj • 02:17 • -17.97db
48% Popularity • 17% Danceability • 28% Energy • 18% Liveness
54% Instrumentalness • 11% Positiveness
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梶浦 由記
swordland
85 bpm • C# Maj • 03:17 • -9db
48% Popularity • 8% Danceability • 76% Energy • 24% Liveness
26% Instrumentalness • 16% Positiveness
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Yoshihiro Ike
十二鬼神
85 bpm • D Maj • 03:00 • -7.7db
11% Popularity • 15% Danceability • 45% Energy • 23% Liveness
81% Instrumentalness • 16% Positiveness
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Takeshi Furukawa
Overture: Lore
85 bpm • F# Maj • 03:06 • -25.26db
36% Popularity • 18% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
Ashes
86 bpm • C Maj • 06:09 • -16.51db
44% Popularity • 9% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Final Space
Hallucination
85 bpm • A# Maj • 03:57 • -23.58db
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Kevin Kiner
Victory and Death
73 bpm • G min • 01:03 • -11.63db
39% Popularity • 19% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
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The Village Bride