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The Wad
Songs like
The Wad
by
Vels Trio
Based on a tempo of (+/- 10%) and a similar genre
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Vels Trio
The Wad
95 bpm • C# Maj • 05:13 • -13.66db
31% Popularity • 58% Danceability • 44% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
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Telemakus
Sunray Junonia
95 bpm • D Maj • 05:00 • -11.52db
21% Popularity • 66% Danceability • 51% Energy • 24% Liveness
84% Instrumentalness • 34% Positiveness
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Waldo's Gift
Jabba
95 bpm • E min • 03:30 • -12.38db
26% Popularity • 68% Danceability • 38% Energy • 21% Liveness
80% Instrumentalness • 25% Positiveness
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Otis Sandsjö
Tremendoce, Pt. 3
95 bpm • G# min • 01:19 • -9.99db
33% Popularity • 49% Danceability • 46% Energy • 19% Liveness
66% Instrumentalness • 46% Positiveness
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Rejoicer
Yesterday's Forest Magic
95 bpm • A# min • 03:35 • -7db
24% Popularity • 51% Danceability • 86% Energy • 37% Liveness
73% Instrumentalness • 34% Positiveness
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Christian Scott aTunde Adjuah
The Emancipation Procrastination
94 bpm • B min • 06:25 • -8db
26% Popularity • 39% Danceability • 60% Energy • 13% Liveness
74% Instrumentalness • 37% Positiveness
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Yussef Dayes
Nipsey Tha Great
96 bpm • D min • 06:24 • -13.88db
22% Popularity • 39% Danceability • 58% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
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Yussef Kamaal
Black Focus
94 bpm • C# Maj • 04:34 • -10.81db
39% Popularity • 59% Danceability • 59% Energy • 12% Liveness
60% Instrumentalness • 22% Positiveness
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Waldo's Gift
Flowerbed
95 bpm • A# Maj • 04:26 • -10.79db
23% Popularity • 41% Danceability • 61% Energy • 15% Liveness
75% Instrumentalness • 38% Positiveness
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Now Vs Now
Cloud Fishing
96 bpm • E Maj • 05:26 • -12.76db
8% Popularity • 56% Danceability • 44% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Athletic Progression
3POINTPLAY
96 bpm • B min • 01:06 • -11.85db
47% Popularity • 57% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Triorität
Krustikal
96 bpm • C# Maj • 03:31 • -11.13db
16% Popularity • 71% Danceability • 77% Energy • 8% Liveness
95% Instrumentalness • 66% Positiveness
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Rejoicer
Cloud of Me
96 bpm • B min • 04:05 • -7db
16% Popularity • 54% Danceability • 67% Energy • 64% Liveness
63% Instrumentalness • 70% Positiveness
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ECHT!
Charlier
94 bpm • G# Maj • 03:51 • -10db
27% Popularity • 73% Danceability • 64% Energy • 16% Liveness
77% Instrumentalness • 52% Positiveness
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Petter Eldh
GOODS YARD Richard Spaven
96 bpm • A Maj • 04:30 • -8.51db
15% Popularity • 66% Danceability • 54% Energy • 30% Liveness
52% Instrumentalness • 57% Positiveness
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Conic Rose
Babyghosts - Jazz Montez Version
94 bpm • F# min • 03:59 • -15.31db
8% Popularity • 63% Danceability • 49% Energy • 15% Liveness
80% Instrumentalness • 45% Positiveness
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Athletic Progression
ndion farr
94 bpm • D Maj • 01:50 • -8.81db
30% Popularity • 28% Danceability • 83% Energy • 21% Liveness
88% Instrumentalness • 84% Positiveness
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S. Fidelity
Me at the Zoo
94 bpm • C# Maj • 02:48 • -14.34db
36% Popularity • 74% Danceability • 35% Energy • 7% Liveness
83% Instrumentalness • 47% Positiveness
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Triorität
Brexit
96 bpm • D Maj • 04:07 • -10.5db
12% Popularity • 39% Danceability • 47% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Raffy Bushman
First Man
96 bpm • A# min • 04:39 • -19.83db
12% Popularity • 80% Danceability • 24% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
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Petter Eldh
Koma Kaprifol
94 bpm • G# min • 03:30 • -9.45db
24% Popularity • 64% Danceability • 41% Energy • 11% Liveness
34% Instrumentalness • 40% Positiveness
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The Brothers Nylon
Elevator Vibes 12
94 bpm • F min • 02:27 • -7db
37% Popularity • 69% Danceability • 64% Energy • 37% Liveness
81% Instrumentalness • 42% Positiveness
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Athletic Progression
Emmelev
94 bpm • E min • 04:06 • -16db
40% Popularity • 42% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
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Jeff Parker
How Fun It Is to Year Whip
96 bpm • F min • 04:39 • -10.41db
11% Popularity • 68% Danceability • 58% Energy • 12% Liveness
75% Instrumentalness • 55% Positiveness
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Triorität
Death Pacito
94 bpm • B min • 07:34 • -9db
27% Popularity • 45% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 25% Positiveness
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Telemakus
Stoplight
94 bpm • G Maj • 02:04 • -13.11db
26% Popularity • 80% Danceability • 42% Energy • 13% Liveness
87% Instrumentalness • 73% Positiveness
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Petter Eldh
HAWK MOUNTAIN Eric Harland
96 bpm • A# min • 06:24 • -11.82db
9% Popularity • 43% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 33% Positiveness
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Robohands
Odysea
94 bpm • G Maj • 04:23 • -13db
31% Popularity • 48% Danceability • 56% Energy • 29% Liveness
92% Instrumentalness • 9% Positiveness
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Kiefer
lift somebody up
94 bpm • G# min • 04:42 • -9.66db
20% Popularity • 42% Danceability • 71% Energy • 30% Liveness
53% Instrumentalness • 50% Positiveness
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Greg Spero
Extra Careless
94 bpm • F min • 02:50 • -11db
39% Popularity • 65% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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Yussef Dayes
Odyssey
94 bpm • A# min • 03:44 • -11.64db
37% Popularity • 49% Danceability • 44% Energy • 61% Liveness
86% Instrumentalness • 60% Positiveness
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Telemakus
Mars Blues
94 bpm • C# Maj • 03:50 • -13.42db
26% Popularity • 42% Danceability • 51% Energy • 6% Liveness
79% Instrumentalness • 50% Positiveness
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Kinkajous
Dotah
96 bpm • A min • 03:26 • -15.2db
12% Popularity • 39% Danceability • 34% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
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Petter Eldh
Koma Mate
94 bpm • A# min • 03:24 • -11.6db
15% Popularity • 52% Danceability • 66% Energy • 5% Liveness
81% Instrumentalness • 30% Positiveness
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Robohands
Lament
96 bpm • E min • 05:23 • -12db
30% Popularity • 37% Danceability • 57% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
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Snazzback
Around The Corner
93 bpm • D# min • 01:15 • -16.48db
46% Popularity • 50% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 84% Positiveness
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Alfa Mist
First Light
93 bpm • A min • 06:12 • -5.92db
23% Popularity • 36% Danceability • 66% Energy • 12% Liveness
89% Instrumentalness • 64% Positiveness
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Vels Trio
Tenderness
97 bpm • F# min • 05:01 • -14.02db
20% Popularity • 66% Danceability • 35% Energy • 18% Liveness
92% Instrumentalness • 16% Positiveness
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Darkhouse Family
Heart of Medina
93 bpm • A# min • 03:21 • -7.69db
22% Popularity • 39% Danceability • 55% Energy • 14% Liveness
83% Instrumentalness • 53% Positiveness
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Joe Armon-Jones
Go See
93 bpm • F# Maj • 07:42 • -11.17db
19% Popularity • 52% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
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Dominic J Marshall
Feeling
93 bpm • C# Maj • 04:55 • -9.52db
12% Popularity • 32% Danceability • 63% Energy • 11% Liveness
76% Instrumentalness • 50% Positiveness
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Chino Corvalán
Vuelve
93 bpm • C# Maj • 03:14 • -14db
22% Popularity • 52% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
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Petter Eldh
Croydon Koma
97 bpm • C# Maj • 02:31 • -7.98db
22% Popularity • 71% Danceability • 64% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Athletic Progression
safran.baby
93 bpm • C# min • 02:53 • -12.55db
30% Popularity • 69% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
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Jazzbois
Mellow High
97 bpm • G Maj • 02:45 • -12.02db
30% Popularity • 79% Danceability • 52% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
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Telemakus
After Hours - Outro
98 bpm • F# min • 01:28 • -13.52db
17% Popularity • 56% Danceability • 27% Energy • 9% Liveness
12% Instrumentalness • 22% Positiveness
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Now Vs Now
Silkworm Society
98 bpm • B Maj • 05:26 • -11.98db
17% Popularity • 51% Danceability • 66% Energy • 27% Liveness
22% Instrumentalness • 30% Positiveness
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Fazer
Pop Up
93 bpm • D min • 05:36 • -13.73db
19% Popularity • 57% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 77% Positiveness
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Raffy Bushman
For Horace
98 bpm • A# min • 05:38 • -14.1db
29% Popularity • 56% Danceability • 45% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
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Otis Sandsjö
Tremendoce
98 bpm • C# min • 04:14 • -11.26db
29% Popularity • 65% Danceability • 59% Energy • 18% Liveness
78% Instrumentalness • 24% Positiveness
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Unc D
MXC.MMBL
92 bpm • A min • 02:37 • -11.51db
15% Popularity • 75% Danceability • 57% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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PYJÆN
The Movement
92 bpm • G Maj • 03:38 • -13db
15% Popularity • 68% Danceability • 60% Energy • 8% Liveness
76% Instrumentalness • 28% Positiveness
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Yoni Mayraz
Snow
98 bpm • C# Maj • 03:09 • -8.35db
15% Popularity • 46% Danceability • 55% Energy • 12% Liveness
11% Instrumentalness • 16% Positiveness
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Athletic Progression
Ahh
92 bpm • C Maj • 01:39 • -10db
47% Popularity • 37% Danceability • 53% Energy • 34% Liveness
92% Instrumentalness • 33% Positiveness
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Ruby Rushton
Moonlight Woman
92 bpm • C Maj • 09:04 • -16.52db
21% Popularity • 62% Danceability • 24% Energy • 18% Liveness
85% Instrumentalness • 63% Positiveness
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Harvey Sutherland
Amethyst
92 bpm • B min • 06:01 • -11.83db
4% Popularity • 58% Danceability • 67% Energy • 76% Liveness
84% Instrumentalness • 61% Positiveness
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Telemakus
Moondrive
92 bpm • A min • 01:52 • -13db
31% Popularity • 81% Danceability • 46% Energy • 16% Liveness
33% Instrumentalness • 68% Positiveness
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Move 78
Pearls Before Swine
98 bpm • A# min • 03:42 • -12.78db
37% Popularity • 48% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 68% Positiveness
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Yoni Mayraz
1999
92 bpm • C Maj • 02:33 • -5.62db
38% Popularity • 62% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 85% Positiveness
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The Colours That Rise
Home Time
92 bpm • E min • 04:00 • -13.54db
24% Popularity • 64% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
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Alfa Mist
Teki
92 bpm • C min • 06:00 • -8.62db
32% Popularity • 50% Danceability • 68% Energy • 15% Liveness
91% Instrumentalness • 54% Positiveness
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Myele Manzanza
The People's Changes
92 bpm • E Maj • 03:42 • -9db
16% Popularity • 48% Danceability • 46% Energy • 60% Liveness
88% Instrumentalness • 85% Positiveness
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Yussef Kamaal
Joint 17
99 bpm • F# min • 08:19 • -10.9db
35% Popularity • 58% Danceability • 60% Energy • 6% Liveness
46% Instrumentalness • 52% Positiveness
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Move 78
Live from the Village
92 bpm • C# Maj • 03:56 • -17.52db
24% Popularity • 71% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
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corto.alto
Interlude
91 bpm • B min • 02:18 • -10.05db
36% Popularity • 50% Danceability • 66% Energy • 13% Liveness
88% Instrumentalness • 83% Positiveness
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Greg Spero
The Tip (Tiny Room Sessions)
91 bpm • A min • 02:18 • -13.13db
40% Popularity • 68% Danceability • 22% Energy • 11% Liveness
81% Instrumentalness • 21% Positiveness
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Raffy Bushman
Distraction
91 bpm • A min • 05:25 • -10db
20% Popularity • 57% Danceability • 43% Energy • 13% Liveness
68% Instrumentalness • 34% Positiveness
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Athletic Progression
Embassy
99 bpm • D# Maj • 02:56 • -13.12db
36% Popularity • 73% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
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Yussef Dayes
Love Is the Message - Live at Abbey Road...
91 bpm • C# min • 10:46 • -14.45db
42% Popularity • 48% Danceability • 53% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Move 78
Middling
91 bpm • F min • 04:32 • -14db
39% Popularity • 64% Danceability • 52% Energy • 10% Liveness
87% Instrumentalness • 60% Positiveness
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Jamie Leeming
Champion
91 bpm • C Maj • 03:39 • -11.61db
25% Popularity • 66% Danceability • 51% Energy • 96% Liveness
91% Instrumentalness • 62% Positiveness
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Kinkajous
Black Idiom, Pt. 2
91 bpm • D min • 05:03 • -10db
15% Popularity • 32% Danceability • 57% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Robohands
Mountain
91 bpm • F# min • 04:13 • -11.81db
23% Popularity • 49% Danceability • 58% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Javier Santiago
Trance - ReBirth
91 bpm • F# Maj • 01:37 • -8.69db
50% Popularity • 65% Danceability • 59% Energy • 14% Liveness
69% Instrumentalness • 19% Positiveness
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Alfa Mist
Errors
99 bpm • C min • 10:01 • -11db
33% Popularity • 49% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
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Ill Considered
Unwritten Rules
91 bpm • A Maj • 05:41 • -10db
21% Popularity • 50% Danceability • 62% Energy • 11% Liveness
84% Instrumentalness • 58% Positiveness
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Move 78
Sanctuary
99 bpm • F min • 04:34 • -17.26db
36% Popularity • 46% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 70% Positiveness
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Joe Armon-Jones
(To) Know Where You're Coming From
100 bpm • C min • 06:10 • -8.86db
14% Popularity • 59% Danceability • 66% Energy • 64% Liveness
89% Instrumentalness • 56% Positiveness
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Apifera
Lake VU
90 bpm • G Maj • 03:47 • -11.66db
21% Popularity • 51% Danceability • 30% Energy • 26% Liveness
41% Instrumentalness • 43% Positiveness
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Wildflower
Mirage
90 bpm • F min • 05:19 • -12.06db
26% Popularity • 57% Danceability • 41% Energy • 17% Liveness
78% Instrumentalness • 40% Positiveness
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Ruby Rushton
Eleven Grapes
100 bpm • D min • 04:44 • -7db
19% Popularity • 51% Danceability • 53% Energy • 15% Liveness
49% Instrumentalness • 42% Positiveness
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Nate Mercereau
Of Course That's Happening
100 bpm • C# min • 04:12 • -8.34db
31% Popularity • 74% Danceability • 63% Energy • 6% Liveness
86% Instrumentalness • 42% Positiveness
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Richard Spaven
1759 (Outro)
100 bpm • C# Maj • 04:50 • -9.37db
31% Popularity • 70% Danceability • 80% Energy • 21% Liveness
88% Instrumentalness • 48% Positiveness
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corto.alto
Mayday
100 bpm • A# min • 04:48 • -10.44db
23% Popularity • 71% Danceability • 58% Energy • 16% Liveness
82% Instrumentalness • 75% Positiveness
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Vels Trio
May As Well Be
100 bpm • F# min • 04:00 • -15.49db
32% Popularity • 61% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Chris Dave and The Drumhedz
Trippy Tipsy
100 bpm • B min • 02:26 • -14db
26% Popularity • 58% Danceability • 63% Energy • 51% Liveness
89% Instrumentalness • 70% Positiveness
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Ruby Rushton
Ironside
90 bpm • G Maj • 03:48 • -9db
21% Popularity • 53% Danceability • 78% Energy • 10% Liveness
71% Instrumentalness • 54% Positiveness
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Nate Mercereau
This Simulation Is A Good One
100 bpm • D Maj • 03:32 • -6db
31% Popularity • 74% Danceability • 64% Energy • 26% Liveness
74% Instrumentalness • 21% Positiveness
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Katalyst
Leimert Day
100 bpm • F# min • 03:54 • -9.09db
18% Popularity • 65% Danceability • 77% Energy • 56% Liveness
93% Instrumentalness • 84% Positiveness
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The Breathing Effect
Moki Dreams of Brazil
100 bpm • E Maj • 06:12 • -8.63db
18% Popularity • 62% Danceability • 64% Energy • 16% Liveness
85% Instrumentalness • 79% Positiveness
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Richard Spaven
Sustain
90 bpm • D# Maj • 04:14 • -13.66db
19% Popularity • 32% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Eriksson Kaner
Ithaca
100 bpm • C# min • 04:12 • -9.65db
16% Popularity • 36% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Kiefer
i remember this picture
90 bpm • G Maj • 03:33 • -11.44db
34% Popularity • 56% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
Jaga Jazzist
The Shrine - Petter Eldh Remix
90 bpm • F min • 06:23 • -8.97db
17% Popularity • 70% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Mansur Brown
Back South
90 bpm • B min • 02:56 • -7.62db
34% Popularity • 64% Danceability • 70% Energy • 26% Liveness
52% Instrumentalness • 74% Positiveness
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Robohands
We’re From Nowhere
90 bpm • G Maj • 03:29 • -14.4db
33% Popularity • 64% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Ezra Collective
Footprints
100 bpm • C min • 06:21 • -11db
31% Popularity • 57% Danceability • 46% Energy • 12% Liveness
86% Instrumentalness • 82% Positiveness
► Preview
Web Web
The Ring Of , Pt. 3
100 bpm • G min • 01:13 • -8.48db
45% Popularity • 54% Danceability • 63% Energy • 17% Liveness
95% Instrumentalness • 94% Positiveness
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Moses Yoofee Trio
throwback
90 bpm • G min • 03:01 • -12.93db
27% Popularity • 41% Danceability • 52% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Joe Armon-Jones
Gnawa Sweet
101 bpm • B Maj • 06:24 • -10.4db
18% Popularity • 51% Danceability • 55% Energy • 14% Liveness
85% Instrumentalness • 37% Positiveness
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The Wad