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The Waiting
Songs like
The Waiting
by
Peter Buffett
Based on a tempo of (+/- 10%) and a similar genre
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Peter Buffett
Riverside Drive
120 bpm • C min • 06:58 • -9.53db
1% Popularity • 79% Danceability • 61% Energy • 18% Liveness
86% Instrumentalness • 87% Positiveness
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Paul Schwartz
Vol De Nuit
120 bpm • E min • 04:30 • -13db
13% Popularity • 61% Danceability • 57% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Friedemann
My Blue Star
120 bpm • F# min • 02:52 • -16.11db
28% Popularity • 64% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Tim Clark
Silver Caravan
120 bpm • F# Maj • 06:23 • -15db
19% Popularity • 41% Danceability • 20% Energy • 8% Liveness
22% Instrumentalness • 28% Positiveness
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Ceredwen
Teymas Y Ser (In the Realm of the Summer...
120 bpm • A Maj • 05:46 • -21.81db
18% Popularity • 49% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Catherine Duc
Dancing in The Mist
120 bpm • G Maj • 03:01 • -13db
15% Popularity • 52% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Shadowfax
A Thousand Teardrops
120 bpm • C Maj • 04:18 • -15.77db
25% Popularity • 43% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
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Nicholas Gunn
Quinta Essentia
120 bpm • D min • 05:18 • -14.87db
14% Popularity • 68% Danceability • 39% Energy • 12% Liveness
25% Instrumentalness • 49% Positiveness
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Paul Lawler
Windmills
120 bpm • C Maj • 04:42 • -15db
12% Popularity • 57% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Ray Lynch
The True Spirit Of Mom And Dad
120 bpm • G# Maj • 08:03 • -18.07db
16% Popularity • 38% Danceability • 29% Energy • 10% Liveness
35% Instrumentalness • 17% Positiveness
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Bernardo Rubaja
Far Away
120 bpm • E min • 04:45 • -20.36db
11% Popularity • 66% Danceability • 14% Energy • 11% Liveness
29% Instrumentalness • 54% Positiveness
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Peter Buffett
The Waiting
120 bpm • C min • 06:35 • -14.34db
13% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Billy Oskay
On The Deep
120 bpm • D Maj • 04:04 • -24db
7% Popularity • 28% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Nicholas Gunn
Moonlight on Havasu Creek
120 bpm • C Maj • 06:24 • -15.5db
26% Popularity • 78% Danceability • 26% Energy • 30% Liveness
47% Instrumentalness • 26% Positiveness
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John Doan
Sunset On Distant Castle
120 bpm • F# min • 03:59 • -16.21db
16% Popularity • 34% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Cyrille Verdeaux
Messenger Of The Son
120 bpm • F# min • 03:11 • -25.03db
6% Popularity • 34% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Bernardo Rubaja
Maria
120 bpm • A min • 04:01 • -20.35db
25% Popularity • 70% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 24% Positiveness
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Peter Buffett
Why
120 bpm • A min • 02:38 • -16.4db
2% Popularity • 19% Danceability • 24% Energy • 5% Liveness
96% Instrumentalness • 11% Positiveness
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Ralf Illenberger
Sahara Sunrise
120 bpm • G min • 04:02 • -18.88db
13% Popularity • 63% Danceability • 13% Energy • 37% Liveness
75% Instrumentalness • 39% Positiveness
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Nicholas Gunn
Phantom Ranch
120 bpm • G Maj • 04:03 • -15.75db
19% Popularity • 48% Danceability • 38% Energy • 25% Liveness
56% Instrumentalness • 16% Positiveness
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Will Ackerman
Shape Of The Land
119 bpm • F min • 03:27 • -21.17db
7% Popularity • 30% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
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Friedemann
The Eye Of The Dragonfly
119 bpm • A min • 03:53 • -17.59db
13% Popularity • 63% Danceability • 35% Energy • 6% Liveness
74% Instrumentalness • 32% Positiveness
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Nightnoise
Three Little Nieces
119 bpm • F Maj • 03:40 • -22.75db
18% Popularity • 36% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Peter Buffett
The Crossing
120 bpm • A min • 05:31 • -17.48db
0% Popularity • 59% Danceability • 36% Energy • 12% Liveness
38% Instrumentalness • 9% Positiveness
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Sheldon Mirowitz
Leaving Home
119 bpm • E Maj • 03:52 • -18.96db
12% Popularity • 70% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 37% Positiveness
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Troika
The Star Maiden
119 bpm • C Maj • 06:19 • -18.37db
20% Popularity • 19% Danceability • 15% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Fred Simon
Minor Truths
119 bpm • A min • 02:30 • -21.1db
34% Popularity • 53% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Michael Gettel
Summer Rain
119 bpm • C Maj • 04:38 • -15db
19% Popularity • 25% Danceability • 48% Energy • 30% Liveness
91% Instrumentalness • 12% Positiveness
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Kim Robertson
Alayi
119 bpm • D Maj • 03:54 • -18db
10% Popularity • 29% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Peter Buffett
The Big Theme
120 bpm • C Maj • 04:11 • -17.57db
1% Popularity • 69% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
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Friedemann
Sentimental Elegance
121 bpm • G min • 03:20 • -17.46db
16% Popularity • 60% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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William Ellwood
The Logic Of Love
121 bpm • A min • 03:40 • -20db
32% Popularity • 62% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Andreas Vollenweider
Der Mond und die Wolkenreiter
121 bpm • G min • 02:08 • -12.27db
29% Popularity • 57% Danceability • 18% Energy • 63% Liveness
93% Instrumentalness • 12% Positiveness
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Mark Isham
On the Threshold of Liberty
119 bpm • F Maj • 07:27 • -17.2db
24% Popularity • 56% Danceability • 27% Energy • 32% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Mann
Je t'aime
119 bpm • G Maj • 04:31 • -14.35db
6% Popularity • 73% Danceability • 42% Energy • 7% Liveness
65% Instrumentalness • 84% Positiveness
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Peter Buffett
New West
119 bpm • E min • 05:28 • -12.64db
0% Popularity • 59% Danceability • 32% Energy • 70% Liveness
68% Instrumentalness • 6% Positiveness
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Will Ackerman
Conferring With The Moon
121 bpm • F# Maj • 07:32 • -19.13db
16% Popularity • 27% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Richard Souther
...Said The Emperor
122 bpm • G Maj • 03:29 • -18.49db
10% Popularity • 68% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
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Jeff Johnson
Oceanus
118 bpm • C Maj • 04:18 • -11.84db
10% Popularity • 65% Danceability • 52% Energy • 35% Liveness
89% Instrumentalness • 49% Positiveness
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Russel Walder
One
122 bpm • A Maj • 05:08 • -8.55db
14% Popularity • 38% Danceability • 42% Energy • 12% Liveness
78% Instrumentalness • 21% Positiveness
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Hilary Stagg
Simply Beautiful
118 bpm • G Maj • 05:20 • -18.62db
29% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
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Peter Buffett
Spike
121 bpm • A min • 04:20 • -16.42db
1% Popularity • 62% Danceability • 63% Energy • 8% Liveness
68% Instrumentalness • 24% Positiveness
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Will Ackerman
Threes
118 bpm • F min • 05:09 • -23.42db
5% Popularity • 40% Danceability • 2% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Carol Nethen
Early Moon And Firelight
118 bpm • C# min • 05:02 • -19.65db
10% Popularity • 55% Danceability • 24% Energy • 59% Liveness
53% Instrumentalness • 11% Positiveness
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Anthony Miles
Wolf Companion
118 bpm • C Maj • 04:58 • -20.27db
8% Popularity • 46% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Martin Kolbe
Bois De Boulogne
122 bpm • D min • 05:09 • -18.12db
5% Popularity • 74% Danceability • 34% Energy • 10% Liveness
17% Instrumentalness • 64% Positiveness
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Alasdair Fraser
First Flight
117 bpm • E min • 04:21 • -20db
17% Popularity • 22% Danceability • 15% Energy • 9% Liveness
24% Instrumentalness • 8% Positiveness
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Ray Lynch
Kathleen's Song / Ray Lynch
117 bpm • D Maj • 04:10 • -20.89db
28% Popularity • 29% Danceability • 9% Energy • 8% Liveness
62% Instrumentalness • 12% Positiveness
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Will Ackerman
Brother A Teaches 7
118 bpm • D Maj • 02:59 • -14.38db
14% Popularity • 45% Danceability • 16% Energy • 36% Liveness
15% Instrumentalness • 31% Positiveness
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Marshall Styler
Was The Fair Sailing Boy
122 bpm • A# min • 05:00 • -15db
17% Popularity • 28% Danceability • 14% Energy • 4% Liveness
95% Instrumentalness • 4% Positiveness
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Friedemann
Sourdos
117 bpm • E min • 03:11 • -14db
15% Popularity • 68% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
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Nicholas Gunn
Waking Hour
123 bpm • G# Maj • 04:30 • -8.61db
11% Popularity • 69% Danceability • 83% Energy • 27% Liveness
78% Instrumentalness • 79% Positiveness
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Peter Buffett
Promise
123 bpm • E min • 05:59 • -22.58db
1% Popularity • 44% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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George Winston
Early Morning Range
123 bpm • D# Maj • 02:59 • -20.33db
37% Popularity • 48% Danceability • 1% Energy • 22% Liveness
90% Instrumentalness • 30% Positiveness
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Enam
Elian
123 bpm • D# Maj • 03:12 • -22.62db
43% Popularity • 31% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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Marshall Styler
Wedding In The Woods
117 bpm • A Maj • 04:54 • -14.28db
20% Popularity • 37% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Andreas Vollenweider
The Secret, the Candle and Love
117 bpm • C# Maj • 03:43 • -11.29db
38% Popularity • 64% Danceability • 52% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
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Eric Tingstad
Shenandoah
117 bpm • C Maj • 05:40 • -15.28db
22% Popularity • 50% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Shadowfax
Angel's Flight
124 bpm • G Maj • 04:04 • -18db
28% Popularity • 34% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 23% Positiveness
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Carol Nethen
Vivaldi
124 bpm • G min • 04:54 • -16.65db
6% Popularity • 43% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Marc Enfroy
Waiting for Sunrise
116 bpm • E min • 04:09 • -13.72db
15% Popularity • 40% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
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Troika
The Mountain Spirit
124 bpm • A min • 05:27 • -18.79db
13% Popularity • 36% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 6% Positiveness
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Russel Walder
Faith Embrace
124 bpm • C# Maj • 05:17 • -13.2db
13% Popularity • 48% Danceability • 39% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Peter Buffett
Did You Mean It?
116 bpm • A min • 03:35 • -18.4db
0% Popularity • 75% Danceability • 23% Energy • 35% Liveness
87% Instrumentalness • 28% Positiveness
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Eric Tingstad
Monongahela
116 bpm • D Maj • 03:19 • -19.08db
19% Popularity • 60% Danceability • 34% Energy • 11% Liveness
79% Instrumentalness • 78% Positiveness
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Carol Nethen
Vivaldi
124 bpm • G min • 04:35 • -15db
10% Popularity • 37% Danceability • 32% Energy • 6% Liveness
92% Instrumentalness • 9% Positiveness
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William Ellwood
Gypsy Wind
115 bpm • E min • 04:33 • -14.81db
17% Popularity • 69% Danceability • 28% Energy • 7% Liveness
40% Instrumentalness • 27% Positiveness
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Gabriel Lee
Nature Cycles Variations - Part 1 - Edit
125 bpm • C min • 02:08 • -31db
39% Popularity • 32% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
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Nightnoise
Timewinds
125 bpm • D Maj • 03:47 • -18.72db
8% Popularity • 34% Danceability • 26% Energy • 30% Liveness
40% Instrumentalness • 51% Positiveness
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Peter Buffett
Northern Morning
124 bpm • C Maj • 04:57 • -21.68db
13% Popularity • 17% Danceability • 15% Energy • 21% Liveness
50% Instrumentalness • 6% Positiveness
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Shadowfax
Shadowdance
115 bpm • C# Maj • 05:23 • -20db
20% Popularity • 80% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Tingstad
Monongahela
116 bpm • D Maj • 03:12 • -18.03db
11% Popularity • 63% Danceability • 38% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
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William Ellwood
Touchstone
115 bpm • E min • 04:29 • -19db
31% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
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Mia Jang
Water Circles
125 bpm • D min • 04:43 • -20.29db
8% Popularity • 40% Danceability • 20% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Whalen
The Mother Knows
125 bpm • E min • 04:49 • -13.85db
14% Popularity • 59% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Peter Buffett
Nebraska
116 bpm • D# min • 06:03 • -22.11db
5% Popularity • 21% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Yanni
Forbidden Dreams
125 bpm • E min • 03:56 • -12.29db
18% Popularity • 60% Danceability • 88% Energy • 36% Liveness
88% Instrumentalness • 78% Positiveness
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Trapezoid
Moon Run
125 bpm • G min • 03:42 • -17db
20% Popularity • 30% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Ray Lynch
Ivory
115 bpm • B Maj • 05:38 • -19.41db
14% Popularity • 32% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
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Nightnoise
Call Of The Child
126 bpm • D Maj • 04:59 • -17.12db
16% Popularity • 55% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 42% Positiveness
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Hilary Stagg
Peaceful Journeys
115 bpm • E min • 07:21 • -18.49db
15% Popularity • 43% Danceability • 16% Energy • 9% Liveness
63% Instrumentalness • 9% Positiveness
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Peter Buffett
The Way Back
115 bpm • G min • 05:02 • -21.01db
3% Popularity • 19% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Will Ackerman
Conferring With The Moon (solo)
126 bpm • B Maj • 02:27 • -23.94db
8% Popularity • 34% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Troika
The Magic Fountain
126 bpm • A# Maj • 05:11 • -17.22db
18% Popularity • 47% Danceability • 23% Energy • 8% Liveness
22% Instrumentalness • 12% Positiveness
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Michael Gettel
Aspens In January
114 bpm • A# Maj • 07:28 • -21.62db
14% Popularity • 40% Danceability • 11% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Bruce Mitchell
Reflections
126 bpm • E Maj • 04:26 • -14.82db
8% Popularity • 59% Danceability • 34% Energy • 16% Liveness
83% Instrumentalness • 36% Positiveness
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Marshall Styler
From The River To The Sea
126 bpm • E min • 06:14 • -15.63db
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Buffett
Remembering When
115 bpm • G min • 04:28 • -19.48db
1% Popularity • 62% Danceability • 32% Energy • 5% Liveness
39% Instrumentalness • 39% Positiveness
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Mars Lasar
Enchanted
114 bpm • E min • 03:46 • -16db
31% Popularity • 37% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Nightnoise
The Courtyard
113 bpm • A# min • 02:50 • -17db
21% Popularity • 31% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
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Angels Of Venice
As Tears Go By
114 bpm • G Maj • 02:52 • -12.62db
19% Popularity • 36% Danceability • 29% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
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Yanni
Chasing Shadows
113 bpm • G Maj • 05:42 • -11.11db
19% Popularity • 62% Danceability • 81% Energy • 10% Liveness
96% Instrumentalness • 54% Positiveness
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Bruce Mitchell
Dharma
127 bpm • C# Maj • 03:40 • -12.16db
8% Popularity • 49% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Buffett
Yonnondio
126 bpm • D min • 04:01 • -26.08db
9% Popularity • 22% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
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Will Ackerman
The Moment In Which You Must Finally Let...
113 bpm • D Maj • 05:42 • -21.24db
10% Popularity • 44% Danceability • 8% Energy • 12% Liveness
58% Instrumentalness • 15% Positiveness
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Nightnoise
Silky Flanks
127 bpm • A min • 04:50 • -18.27db
12% Popularity • 34% Danceability • 26% Energy • 8% Liveness
97% Instrumentalness • 51% Positiveness
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Ira Stein
High Country
127 bpm • A# Maj • 04:33 • -20db
11% Popularity • 44% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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William Ellwood
Magic Road
113 bpm • G Maj • 03:23 • -19.46db
23% Popularity • 53% Danceability • 27% Energy • 11% Liveness
32% Instrumentalness • 64% Positiveness
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Hilary Stagg
Lovers Reunion
113 bpm • G Maj • 05:13 • -20.83db
17% Popularity • 38% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Peter Buffett
New West
127 bpm • E min • 04:53 • -17.4db
4% Popularity • 53% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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The Waiting